BIG are known for unconventional buildings that often raise the question “how were they able to do that?” Such is the case for BIG’s Honeycomb, a luxury eight-story condominium currently under construction in the Bahamas. The project’s hallmark is its hexagonal façade made up of private balconies, each with its own glass-fronted outdoor pool. The façade was also the project’s greatest engineering challenge, with each balcony (including pool water) weighing between 108,000 and 269,000 pounds (48,000-122,000 kilograms) while cantilevering up to 17.5 feet (5.3 meters) from the structure. Tasked with this challenging brief were DeSimone Consulting Engineers, who previously worked with BIG on The Grove. Read on for more detail on the Honeycomb’s innovative engineering.
Today China inaugurated the world's highest bridge, opening the new crossing to traffic after the structure was completed in September, reports China Central Television (CCTV). Crossing the Nizhu river canyon at 565 meters above water level the Beipanjiang bridge spans 1,341 meters to connect the provinces of Yunnan and Guizhou in the Southwest of the country. The 4-lane bridge is part of a network of new highways around Yunnan and Guizhou that allow access across rugged terrain that was previously largely inaccessible.
It’s a project out of every architect’s childhood fantasy: a 100 foot (31 meter) long suspension bridge, constructed completely out of LEGO.
Envisioned as part of the ongoing Bridge Engineering exhibition at London’s Institute of Civil Engineers (ICE), the massive bridge utilized over 250,000 individual LEGO bricks in shattering the World Record for the longest LEGO suspension bridge. Stretching further than the length of three London City Buses end-to-end, the bridge weighs in at over 1,600 lbs (75 kg).
Once a niche topic, architectural geometry enjoys increasing interest from both academics as well as practitioners from the fields of architecture, engineering, computer science and mathematics. The Advances in Architectural Geometry (AAG) symposia series addresses this increasing interest through presentations and discussions of innovation in geometric and computational applications in architecture.
Boston has repeatedly reinvented its urban fabric to accommodate a growing population, the needs of business and industry, and the development of public and private transportation. From the first subway through the Big Dig, Boston has led the nation in transforming its cityscape. Join the BSA Foundation and Boston By Foot on this guided walking tour to uncover some of Boston’s many layers and explore its physical evolution, from the first American subway to the rise and fall of interstate highways to the recovery of Boston harbor.
The Victoria and Albert Museum has unveiled its latest installation: the Elytra Filament Pavilion, a project displaying the culmination of four years of research on the integration of architecture, engineering, and biomimicry principles, in an exploration of how biological fiber systems can be transferred to architecture.
The 200-square-meter structure is inspired by lightweight construction principles found in nature, namely "the fibrous structures of the forewing shells of flying beetles known as elytra," states a press release.
Buildings and cityscapes – or the lack thereof – change the way we hear significantly. Acousticians and acoustic engineers are often hired to solve problems with sound leakage, but few people consider the difference between a shout across a city block and the same shout down a closed hallway. In this video, the differences in sound quality in various environments are compared, as the “Wikisinger” performs the same song in 15 places.
Cycling between places like a cathedral, a field in front of oil naves, a concrete tunnel, an abandoned attic and a silence chamber, the acoustic differences between each space are made clear as the song reverberates or lands flatly against the walls surrounding it. Splicing and augmenting the different sounds of each place, the singer creates a kind of orchestra of architecture, inviting listeners to take a second to hear the buildings around them.
The Go Beyond: Design Challenge is unique from usual design competitions because it funds the construction of a working prototype in addition to offering prize money. This is an international design competition organized by the Singapore-based ONG FOUNDATION for architects, engineers, designers and innovators to create new-to-the-world solutions. Every year, about two million shipping containers are no longer used. What if these could be upcycled into sustainable architecture to reduce the total carbon footprint of global development?
ELISAVA wants to meet you and for this reason we travel to your city to explain you the educational project related to the Official Degrees in Design and in Engineering in Industrial Design.
The fairs are organized around Spain between October 2015 and March 2016, and the full schedule is available on the website.
What do outer space capsules, submarines, and office buildings have in common? Each was conceived as a closed system: a self-sustaining physical environment demarcated from its surroundings by a boundary that does not allow for the transfer of matter or energy.
The ruins of Tintagel Castle, one of English Heritage's most visited sites, has been announced as the site for a new two-stage international ideas competition. The castle, which is linked to the legend of King Arthur, is located in north Cornwall (in the south of the UK) and is built on a rocky outcrop connected to the mainland by a narrow, now eroded, land-bridge. English Heritage require a new footbridge which will be 28 metres higher than the current one, spanning a total distance of 72 metres, with an estimated budget of around £4million (around $6.3million).
Nearly two hundred years after construction first began, and 150 years after being formally closed to the public, Isambard Kingdom Brunel's Rotherhithe shaft in the Thames Tunnel is slated to become London's newest performance space.
Learn more about the project after the break.
Architect Juan Esteban Correa Elejalde’s client tasked him with designing an off-the-grid getaway for a rural site near Medellín, Colombia. After completing the initial design concept, Correa Elejalde ordered a soil study of the client’s land.
Unfortunately, the results showed the site to be “pretty much a pool,” he said; the high water table and thick layers of loose soil would provide little capacity to support heavy objects above.
In 1989, California's central coast was rocked by a 6.9 magnitude earthquake, destroying infrastructure and buildings in San Francisco, Oakland, and a host of coastal cities. The Loma Prieta Earthquake caused an estimated $6 trillion in damage, prompting researchers to develop techniques for management of severe seismic activity in urban centres. Twenty five years later, a team of engineers at Stanford University have invented a cost-effective foundation for residential buildings capable of withstanding three times the magnitude of the catastrophic 1989 earthquake.
Find out more on Stanford's earthquake-resistant technology after the break
Settled neatly in the quiet hum of London's Kensington Gardens rests Smiljan Radić's 2014 Serpentine Pavilion, an ethereal mass of carefully moulded fiberglass punctuated by precisely cut openings. Radić desired a structure that appears thin and brittle, yet was strong enough to support itself, and his affection for the rudimental layered qualities of papier-mâché - his maquette medium of choice - inspired the use of fiberglass by AECOM, who engineered Radić's wild ideas. In this article, originally published by Metropolis Magazine as "Paper-Thin Walls," an AECOM engineer explains their solution. Read on after the break to find out more.
This year's MoMA PS1's Young Architects Program opens tomorrow (you can see the schedule of events here). Find out how the innovative winning design (a tower of fungal bricks), by The Living's David Benjamin, was tested and built with this article, originally posted on Arup Connect as "Engineering a mushroom tower".
Soft, spongy, and delicious on pizza, mushrooms have approximately as much to do with structural engineering as alligators or lawnmowers. Or so we thought, until architect David Benjamin of New York firm The Living walked into our offices with a brick grown from fungi.
This brick was the key to his concept for an entry to MoMA PS1’s Young Architects Program competition. Every year, the museum commissions a designer to build a centerpiece for its popular outdoor Warm Up concert series.
If architectural design competitions are where brave, innovative ideas rise to the top, The Living’s mushroom tower (official name: Hy-Fi) checked all the right boxes. In addition to the novelty factor, mushroom bricks offer a host of sustainability benefits. The raw materials needed to produce them — mushrooms and corn stalks (waste material from farms) that the spores feed on — are as eco-friendly as they come. Bricks can be grown in just five days, and the process produces no waste or carbon emissions. When the structure is taken down at the end of the summer, they can be composted and turned into fertilizer.
You asked, an expert Arup engineer has answered!
In the first of our video series with Arup, structural engineer Matt Clark addresses ArchDaily reader Hannah Worthington's inquiry, submitted via our facebook page: "How do you work out the structural capacity of a tree branch to build a tree house?"
Dying to get your question answered in the next "Ask Arup" video? Ask away in the comments below.
Our friends at Arup Connect spoke with Matt Williams, a leader of the façade engineering group in Arup’s Americas region and one serious sketcher, about the role of sketching in the digital age. The following interview, originally titled "To Sketch or Not to Sketch," discusses how sketching enables communication and how our over-reliance on technology isn't really as efficient as we may think.
One of the things we’ve been trying to develop in the façades group is people who can relate to the architect, developing and responding to the key architectural requirements. Having come from an architectural background myself, historically there seems to be a bit of a conflict, if that’s the right word, between architects and engineers. There shouldn’t be, though. Everyone wants the same thing at the end of the day: a successful project.
Read the rest of the interview, after the break...