Diller Scofidio + Renfro has won an international competition for the design of a new V&A collection and research center to be located in the Queen Elizabeth Olympic Park in East London.
ArkDes, the Swedish Centre for Architecture and Design, have launched a new Instagram account showcasing “surprising objects” and never-before-seen gems from Sweden’s national architecture collection. ArkDes Collections, which presents an eclectic mix of drawings, models, and photographs by architects including Ralph Erskine, Gunnar Asplund, Sigurd Lewerentz and Bernt Nyberg, has also highlighted significant work by lesser-known practitioners, such as Léonie Geisendorf and Mariana Manner.
With four million objects, the museum cares for one of the largest collections of architectural objects in Europe. Covering Swedish architecture from the mid-19th Century up to the present day, with an emphasis on the first half of the 20th Century, objects posted on the account are selected by curators, architects, designers, and thinkers.
https://www.archdaily.com/894761/arkdes-launches-new-instagram-uncovering-hidden-objects-from-swedens-national-architecture-collectionAD Editorial Team
The way we consume long-form content has transformed drastically in recent years. More and more parts of our everyday lives are now transitioning to new digital mediums to save us time.
If you are the type of person who enjoys plugging into a good hard rock or soft jazz playlist while hammering out those 10 sheets of section details, why not simultaneously gain some knowledge about self-motivation or the latest business tactics? These 6 audiobooks could be just what you need to hear to fuel your inner entrepreneur.
As part of our 2018 Venice Architecture Biennale coverage, we present the proposal for the Israeli Pavilion. Below, the participants describe their contribution in their own words.
In Statu Quo: Structures of Negotiation is the theme of the Israeli Pavilion at the 16th International Architecture Exhibition, La Biennale di Venezia. Curated by Ifat Finkelman, Deborah Pinto Fdeda, Oren Sagiv and Tania Coen-Uzzielli it traces the complex mechanism of the 'Status Quo' within shared holy places in Israel-Palestine, which functions as a controversial and fragile system of coexistence.
Solar Egg Public Sauna by Futurniture and Bigert & Bergström - Golden A' Design Award Winner for Architecture, Building and Structure Design Category in 2018. Image Courtesy of A' Design Award & Competition
A’ Design Award & Competition, the world’s largest and most diffuse international design awards, has announced results of their 2017–2018 design awards, featuring 1,962 Winners from 100 countries in 99 different design disciplines. Entries were evaluated by an internationally influential jury panel composed of established scholars, prominent press members, creative design professionals and experienced entrepreneurs who carefully analyzed each entry.
Not all architects get the opportunity to design a museum. Between budget, scale and factors external to the field of architecture, designing a museum--and actually getting it built-- may mark the pinnacle of one's professional trajectory.
These public buildings provide an invaluable service to the communities in which they are located; from education to commemoration and (occasionally) the provision of public space, museums are "shining lights" in which architecture plays a fundamental role.
Interior view of Pavilion designed by Francis Kéré at Tippet Rise Art Center in Montana. Image Courtesy of Kéré Architecture
Tippet Rise Art Center has announced the commissioning of architect Francis Kéré to design a 1,900-square-foot pavilion for the center’s 10,000-acre grounds in Montana, USA. Envisioned as a “communal gathering space nestled among a cluster of aspen and cottonwood trees,” new renderings by Kéré Architecture depict the scheme featuring a locally-sourced log canopy.
From a shortlist of 93 buildings, 61 London projects have been awarded the 2018 RIBA LondonAwards for architectural excellence, the city's most prestigious design honor. The winners include 14 housing schemes, 8 schools, and a city farm. All of these designs will be further considered for the RIBA National Awards, to be announced in June. The winners of the national award will then create a shortlist for the RIBA Stirling Prize – the highest award for architecture in the UK.
https://www.archdaily.com/894688/61-winners-announced-for-2018-riba-london-awardsNiall Patrick Walsh
A +100 meter stretch of land beneath a train overpass in Koganecho, a district of Yokohama, Japan, underwent a progressive refurbishment in which seven different types of community space, each designed by a different architect, were built within a pre-set spatial grid. Historically there were many social issues in the area, largely in relation to its profitable but dangerous black market and red-light district. Once the illegal activity was eradicated in 2005, the underpass presented a great opportunity for social re-development, and the resultant project - the Koganecho Centre - emphasized an age-old Japanese cultural commitment, where what was once broken is used to make something new.
Kjellander Sjöberg Architects have won the competition for Nacka Port, a new sustainable and dynamic urban block. The award-winning architecture firm, which is one of the leading architectural offices in Scandinavia will build the project in an area between Nacka and Stockholm, Sweden.
Out of the three architecture offices who were invited to compete, the latter being held in discourse with the Nacka Municipality and Architects Sweden, Kjellander Sjöberg’s proposal contributes to a “vibrant urban context with an inviting and varied program."
Colombian professor Francisco Sanin and South Korean architect Lim Jaeyong were appointed as co-directors for the 2019 Seoul Biennale of Architecture and Urbanism. The announcement is followed by an inaugural edition held in 2017 with 460,000 visitors in total.
Born in Medellin, Colombia, Sanin earned his degree at the Universidad Pontificia Bolivariana. He had a crucial role in Medellin's urban transformation, working alongside former governor of Antioquia Sergio Fajardo, and was co-commissioner of the Korean Pavilion at the 2008 Venice Biennale. Currently, Sanin is an architecture professor at Syracuse University School of Architecture. Also, a practicing architect with works in Colombia, South Korea, and China.
Balkrishna Doshi, the 90-year-old architect who became the first ever Indian winner of the architecture world's most prestigious award earlier this year, will present his Pritzker Prize Laureate Lecture entitled "Paths Uncharted" on Wednesday 16th May at 6:30 pm ET. The event is hosted by The University of Toronto’s John H. Daniels Faculty of Architecture, Landscape, and Design, at the school's new home in the Daniels Building at One Spadina Crescent. The lecture will be one of the first events at the new building and marks the 40th anniversary of the Pritzker Prize. 2018 will also be the first year that the award is presented in Canada.
https://www.archdaily.com/894485/watch-balkrishna-doshis-live-pritzker-prize-laureate-lectureAD Editorial Team
Propuesta: Acceso. Image Courtesy of Consejo Nacional de la Cultura y las Artes
As part of our 2018 Venice Architecture Biennale coverage we present the proposal for the Chilean Pavilion. Below, the participants describe their contribution in their own words.
At the centre of Sala dell’Isoloto stands a large-scale model of a building made of rammed earth. On closer examination, the sixty pieces that comprise the building’s oval shape appear less to be made of earth as carved in it. Layers of soil with slight variations in colour and texture recall that it is land what is at stake at the Chilean Pavilion. The layering of the pavilion’s pieces is the footprint of an artisanal process of production by which a fragile, discrete material—soil, bare earth—is transformed into a stable, monolithic object. Simultaneously heavy and fragile, these objects are in turn symbolic fragments of another transmutation: one by which slum dwellers were transformed into property owners in an event at Chile’s National Stadium, and one by which a city that grew unplanned becomes visible and fixed in a plan, that of a building able to narrate its own history.
https://www.archdaily.com/894633/chilean-pavilion-at-2018-venice-biennale-to-recreate-physical-model-of-national-stadium-to-illustrate-the-politics-of-housingAD Editorial Team
The Chicago Architecture Biennial has announced the appointment of curator and educator Sepake Angiama and architect and urbanist Paulo Tavares to the curatorial team for the event’s 2019 edition.
The new appointees will combine with Artistic Director Yesomi Umolu to lead the curation of the 2019 event, bringing expertise in research architecture and discursive practices.
https://www.archdaily.com/894627/chicago-architecture-biennial-appoints-sepake-angiama-and-paulo-tavares-as-2019-co-curatorsNiall Patrick Walsh
The Chicago Tribune has released images of an SOM-designed skyscraper scheme for the former Chicago Spire site. The two towers, measuring 1,000 and 850 feet tall (305 and 259 meters), are expected to contain 1.3 million square feet of floor space, including 850 residential units.
The proposal signals a new lease of life for 400 N Lake Shore Drive, where a 75-foot-deep, much-ridiculed foundation hole serves as the only reminder of the once-planned Chicago Spire, a 2000-foot-tall Santiago Calatrava-designed skyscraper.
I’m sitting in a busy suburban coffee-and-donut shop with the quiet, grandfatherly Indian architect, Jitendra Vaidya. When I started my life as an architecture intern in the late 90s, Jitendra was one of the most experienced technical designers I knew. Equally comfortable weighing the relative merits of various flashing details as he is discussing abstract design concepts, Jitendra is an old-school, universal architect. After more than half a century in a profession famous for grinding deadlines, Jitendra still maintains a joyful twinkle in his eye when he talks about architecture. So it’s no surprise that Jitendra is visibly animated today as he tells me about his teacher, the man who was just recognized as one of the world’s greatest living architects, B.V. Doshi.
For the Pritzker Prize—the profession’s highest honor—to be awarded to a 90-year-old academic urbanist who spent his long career primarily teaching architecture students and serving poor communities in India is a stunning development. To be fair, the caricature of Pritzker winners as arrogant, scarf- wrapped, Euro-American, Starchitects, is overblown and outdated. Recent winners such as Alejandro Aravena, Wang Shu, and Shigeru Ban, are connected in their mutual dedication to serving poor and displaced communities through innovative, culturally authentic designs. But even accepting this nuance, Doshi is fundamentally different from recent winners.
In our rapidly changing world where ideologies and forms of life are under threat, history is being disregarded. The 2018 Bruges Triennale proposes one question: “How flexible, liquid, and resilient can a historic city like Bruges be in an age when nothing seems to be certain any longer?” In parallel, the inspiration behind the concept lies in the geography of the city itself. Bruges is a city wrapped and braided with water and has been a metaphor for Liquid City since early times. Till-Holger Borchert and Michel Dewilde, curators of the 2018 Bruges Viennale, have asked artists and architects to translate the city’s fluidity and artistic legacy into picturesque installations, allowing visitors to become part of the creative process.
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Amaravati Government Complex. Image Courtesy of Foster + Partners
Design development of the new governmental complex in Amaravati is ongoing as Norman Foster makes a visit to Andhra Pradesh to oversee the progress and meet with Chief Minister N Chandrababu Naidu and his team.
After being selected as winners of an international competition to design the new capital state of Andhra Pradesh in Southeast India in 2017, Foster + Partners will be designing the central area of the 217-square-kilometer city which includes numerous secretariat buildings, along with two key buildings: Legislature Assembly and High Court Complex.
Since construction was halted on the Chicago Spire, the Santiago Calatrava-designed skyscraper at 400 N Lake Shore Drive, the hole which was to become the tower's foundation has become something of a local punchline, variously being caricatured as the site of semi-ironic proposals for inner-city adventure playgrounds or the pit into which the city's other failed ventures can be metaphorically dumped. But according to a report by the Chicago Tribune, that narrative might be about to change, as their sources within the city government have confirmed that a proposal is in the works to bring two skyscrapers to the site, designed by David Childs of SOM, the lead architect behind 1 World Trade Center.
Morphosis has released details of their competition-winning masterplan for Unicorn Island in Chengdu, China. One of four entrants to be successful, including the OMA scheme we covered yesterday, Morphosis were recognized for their “walkable park city interweaving business resources, green infrastructure, and lifestyle” to offer the optimum conditions for both large and small companies to thrive in the Chinese development zone.
As the Chinese economy transitions from a production-based system to one driven by services, the Unicorn island masterplan is an initiative commissioned by the Chengdu government to offer state-of-the-art resources and networks for both start-up firms and so-called “Unicorn” companies, those with a value of over one billion US dollars.
After being knighted in 1990 for services to architecture, winning the 1999 Pritzker Prize and then gaining peerage in the same year, it could be argued that there is no living architect that has had a larger impact on urban life than Norman Foster. In a recent talk, Foster addressed a sold-out Barbican Hall on the future of our growing urban landscape, in the seventh installment of the Architecture On Stage series organized by The Architecture Foundation with the Barbican. While the content was full of grandiose statements and predictions, of a scale similar to the projects Foster's practice undertakes, it was the problem-solving approach he showed that gave more of an insight into the man himself. The following 5 lessons gleaned from the presentation won't guarantee Foster-like levels of success, but they may be able to help you navigate the challenges that architecture can present, both personally and professionally.
Slated to open in 2020, Benoy has released their design for a central academic building in Jeddah, Saudi Arabia. It will house the Global Business School, an educational hub that will attract Saudi and international business students through executive education programs in collaboration with Program on Negotiation at Harvard Law School of Harvard University (USA), SC Johnson College of Business of Cornell University (USA), and Imperial College Business School (UK).
As part of our 2018 Venice Architecture Biennale coverage we present the proposal for the Egyptian Pavilion. Below, the participants describe their contribution in their own words.
The Egyptian pavilion curated by architects Islam El Mashtooly and Mouaz Abouzaid, and architecture professor Cristiano Luchetti proposes the theme of redevelopment and strategies of requalification of spontaneous commercial spaces across the entire country. The phenomenon of "free", unstructured, often abusive and illegal trading is predominant in many urban and suburban areas. The traditional souk is no longer confined to narrow streets and interstitial spaces of the historical fabric. Indeed, the space of commerce extends its tentacles seamlessly along the lines of urban streams without any apparent rule. The project for the pavilion focuses on these strategic spatialities but also on their content. The trading of Roba Becciah is a large portion of all market activities. Disused items produced and dismissed by consumerist societies are first collected, and then stacked in areas of such dimensions to create mono-functional enclaves for future trading purposes. The Roba Becciah represents for the curators an important metaphor of the anthropological-urban condition of the contemporary world.
https://www.archdaily.com/894490/egyptian-pavilion-at-venice-biennale-to-explore-how-urban-markets-are-redefining-the-concept-of-free-spaceAD Editorial Team
Communicating design intent and conveying space to non-technical clients has always been a challenge for architects. Fortunately, advancements such as virtual reality (VR) are starting to pave the way for new tools to address this challenge. The most immersive and effective solutions are ones that empower you to fully navigate 3D models, like Prospect by IrisVR. Created by architects, Prospect enables designers to easily jump into a 1:1, true to scale VR version of their 3D model.
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__the_Wailing_Wall__1980%E2%80%9382._Source_'Metaphors_and_Allegories-_Superstudio_Firenze'__Israel_Museum_Jerusalem__spring_1982.jpg?1526437624 "Courtesy of Metaphors and Allegories- Superstudio Firenze")
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