Belatchew Arkitekter has released images of their proposed mixed-use residential tower in the Nacka City district of Stockholm. Named “Discus,” the tower seeks to form a new landmark for Nacka, directly above the district’s metro station.
Comprising approximately 500 apartments and 30 residential floors, the scheme will also include commercial and public facilities to form an active street front.
Kjellander Sjöberg Architects have won the competition for Nacka Port, a new sustainable and dynamic urban block. The award-winning architecture firm, which is one of the leading architectural offices in Scandinavia will build the project in an area between Nacka and Stockholm, Sweden.
Out of the three architecture offices who were invited to compete, the latter being held in discourse with the Nacka Municipality and Architects Sweden, Kjellander Sjöberg’s proposal contributes to a “vibrant urban context with an inviting and varied program."
The ArkDes Fellowship offers practitioners, spatial thinkers, and researchers operating in or around the fields of architecture and design opportunities for interdisciplinary research at ArkDes, the Swedish Centre for Architecture and Design. The first annual fellowship will be dedicated to the theme of Projecting the Future, providing four Fellows with space to conduct explorative work for a six month-long period (September 2018 to February 2019) in Stockholm.
Designed by David Svensson, a total of 400 meters of a neon resembled warm white LED from GE is a work of art representing the pulse of city life in busy Stockholm station.
The project, a piece of suspended light, is built by metal profiles and a ceiling where the warm and white light of a series of LED strips is projected, in the quest to represent the basic visual language of the line.
With construction well underway on the redevelopment of Stockholm’s Slussen interchange, one of the city’s busiest transportation hubs, the final building of the masterplan has been launched by the City of Stockholm and Foster + Partners.
Located at the focal point of the overall masterplan envisioned by Foster + Partners with Berg Arkitektkontor, landscape designer White Arkitekter and lighting designer ÅF, Mälarterrassen (named after Lake Mälaren, the large freshwater lake upon which much of Stockholm is located) will provide three levels of mixed-use space to re-invite locals and tourists alike to an area of the city previously dominated by automobiles.
C.F. Møller has been selected as the winners of a competition to design a community-focused highrise in the Stockholm neighborhood of Kista, a district known as the city’s tech hub that is in need of attractive, contemporary living options. Known as Geysir, the 15,000-square-meter building will provide 220 new units of varying size, as well as 2,000 square meters of retail space, helping to develop the urban quarter.
One of architecture’s most delightful anomalies is the diversity of solutions generated by any given site. From hypothetical university projects by architecture students to professional international design competition entries, the differing perspectives, stances, and experiences brought to rest on one site by several design teams can wield a bounty of contrasting ideas.
Recently, we reported on Nestinbox, a proposal by Swedish architecture firm Manofactory to attach a series of simple, functional houses to a cliff face in Stockholm, addressing the demands of increased populations and land prices in cities across the world. Now, the cliffs of Stockholm have been the subject of an entirely different, though just as evocative concept by Swedish firm UMA. Rather than private housing, UMA proposes the Stockholm Infinity Pool, a public pool 1km along the Sodermalm cliffs of Sweden’s capital.
Sweden is home to the world’s longest public bench. At 240 feet (around 72 meters) in length, the Långa Soffan (“long sofa”) was installed by the citizens of Oskarshamn in 1867 to overlook its rather unspectacular harbour, which opens toward the Baltic Sea. The function of this bench was not for passing time and taking in the coastal views, however; in times gone by it was rhythmically occupied by the wives of sailors awaiting their husband’s return from sea voyages. It allowed people to gather under a sense of common melancholy and collectively recall the smiles of their distant spouses before the ocean’s broad, blue canvas.
If we think about how the educational system worked in the past, we can quickly see that both the teaching style in schools as well as the school’s infrastructure were very different from the current system. The educational model of the twentieth century could be defined as being similar to the "spatial model of prisons, with no interest in stimulating a comprehensive, flexible and versatile education."
However, we are now at a time when social, economic and technological developments have created a more global society and where information and learning are becoming more affordable. This radical change has transformed the societies in which we live, leaving the current educational model based on a rigid and unidirectional teaching obsolete.
As such, there are schools that have not only broken the mold of traditional teaching but have formed new educational standards, exploring new paradigms and opening up new possibilities within the design of educational spaces. Since architecture and educational models often reflect the ideology of a society, how is the school of 21st century defined?
Utopia Arkitekter wants to start a discussion in Stockholm: how do we manage and develop our public spaces? The definition of the word public, according to the Oxford Dictionary, is something “open to or shared by all the people of an area or country.” However, as commercialism continues to rise, Utopia Arkitekter has a problem with our new applications of indoor “public” spaces. As architecture critic Rowan Moore writes in Why We Build, “Identity, desire and stimulation become things you have to buy, as clothes, restaurant meals of calculated diversity, and rides on the ski slope or up the Burj Khalifa.” The problem is that as our inner cities adopt more commercial indoor
The problem is that as our inner cities adopt more commercial indoor public spaces such as shopping malls, cafés or restaurants, the “public” is no longer represented by “all the people of an area,” simply due to economic restrictions. In a city like Stockholm, where darkness and temperatures below 10 degrees celsius prevail for 6 months of the year, the economic boundaries set up around indoor public spaces mean reduced opportunities for people to socialize outside of the home. Utopia Arkitekter’s proposal in response to this conundrum? An indoor park.
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