International student architecture competition 120 Hours has announced the winners of its 2017 competition, “The Way of the Buiy.” For this year’s edition of the challenge, which gives participants just 5 days from the announcement of the brief to its deadline to conceive a project, students were asked to design a 100-square-meter building housing a canteen and library for the LiangMeng school complex, located in the rural area of Puan City, China.

This year’s competition saw 3024 participants from 79 countries across the globe, with winners selected by a jury consisting of Jan Olav Jensen, Chiara Sala, Tran Kinh Manh, Angela Gigliotti, Fabio Gigone and Christian Hermansen Cordua. For the first time ever, the winning project will be constructed, after further development alongside the 120 Hours team. The building is expected to be completed by the end of 2017.

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MVRDV’s public Art Depot Boijmans Van Beuningen has broken ground on the northern edge of Rotterdam’s Museumpark in the heart of the city’s cultural campus. The 15,000-square-meter reflective vessel will store the esteemed collection of over 70,000 art and design objects, adding a new cultural landmark to join the nearby Kunsthal, Het Nieuwe Instituut, Chabot Museum and Sonneveld House.

Officially breaking ground this past Friday, the BREEAM Excellent-planned “Collection Building” will combine restoration facilities, exhibition spaces, offices, logistics, a bar, restaurant, public roof terrace and private collectors facilities alongside a specially commissioned atrium that will allow visitors to experience 90% of the collection, including artworks in storage.

BIVAK Architecture and Design has won a competition to design a rowing arena in Hungary for a host of championships taking place in the country in the coming years. The competition, hosted by the Hungarian Rowing Association (MKKSZ) and Hungarian Academy of Arts, was open to architects under 40 years of age. BIVAK’s winning proposal, announced in February 2017, centers on a 90-meter-long tower ‘gliding’ above the water.

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This article is part of our new series "Material in Focus", where we ask architects to share with us their creative process through the choice of materials that define important parts of the construction of their buildings.

The architecture of Casa 28 shows itself as an extension of the arid and exuberant landscape of the Cerrado. A variety of perspectives unfolds as you walk through the house. A family looking for tranquility and connection with nature commissioned this urban refuge located 10 minutes from the National Congress in Brasilia. The elements have different heights that confirm a spatial hierarchy. Extensive walls, coated with polymeric mortar, define fluid spaces and openings placed in all directions integrate cohabitating areas. We talked with architect Samuel Lamas from Equipe Lamas to learn more about the choices of materials used in the project and the influence these choices had on the design concept. Read the interview below:

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The Barbican Centre in London is celebrating its 35th anniversary. Widely regarded as the pinnacle of the Brutalist movement, the mixed-use development is home to 4,000 residents, the Guildhall School of Music & Drama, and the London Symphony Orchestra. Located in the heart of London, the Barbican is just one example of how Brutalist architecture forms a central part of our cities. To celebrate this progressive, modernizing, sometimes controversial style, GoCompare has created an online gallery illustrating Brutalist icons from across the world.

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A competition organized by the Seoul Metropolitan Government for the design of a new local art complex has been won by Korean firm Arcbody Architects. The brief called for the development of a new cultural hub revolving around the arts, to capitalize on local historical infrastructure and provide opportunities for creative enjoyment, education, and research.

"Art complex, Pyeongchang-dong, Seoul will be a multiplex community hub that connects human, cultural organizations, schools and academic associations with the art archive as the medium and aims to be a space for creative and artistic social activities,” explained the architects.

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Non-profit organization Art Jameel have announced a new Serie-Architects-designed Arts Center in Dubai that will partner with New York’s Metropolitan Museum of Art to acquire works by modern and contemporary artists from the Middle East.

The 10,000 square meter, three-story, multi-disciplinary space is designed to become a “hub for educational and research initiatives, while its wider programming embraces collaboration and partnerships with local, regional, and international artists, curators, and organizations.”

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A competition for the expansion of the MCH Messecenter, Denmark’s largest exhibition hall, has been won by the team consisting of CC Contractor with Schønherr, Cubo Arkitekter, and engineering firm Midtconsult. Given the center’s importance within Herning, the competition called for a new approach to the site’s physical organization, to provide more coherent and functional relationships with the surrounding context in order to host larger events in the future and serve as an even bigger tourist attraction.

Within a masterplan created by Schønherr, a new admissions building designed by Cubo Arkitekter will incorporate a distinctive façade with a homogenous character to directs visitors from the new arrival area to the Jyske Bank Boxen arena, exhibition Hall M, and the arcade that extends towards the rest of the MCH Messecenter.

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The winning entries to the Kip Island Auditorium competition have been announced by Bee Breeders, which invited proposals for the addition of a new iconic auditorium addition to the Riga International Convention Centre, in Latvia’s capital. The competition asked for alternative approaches to the design of public and civic facilities, while “reinvesting an estranged program in the urban landscape."

Here are the three winners of the Kip Island Auditorium competition:

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In any city across the world, there are countless examples of unsung architecture – well-designed if inoffensive buildings that strive to please by not standing out from the crowd. For German photographer Paul Eis, these buildings provide the perfect canvas for his work. Displayed on his Instagram account, the_architecture_photographer, Eis captures these buildings in their best light, and then digitally adds in bright colors, elevating these structures from mundane to magnificent.

After a several year battle, the Frank Lloyd Wright School of Architecture has been approved to maintain its accreditation as an institute of higher learning. The school’s status had earlier been threatened due to new laws by the Higher Learning Commission (HLC) that require universities, colleges and other institutions to be financially and administratively independent from "larger institutions with multi-faceted missions."

With the decision, the school will be able to continue to offer its 3-year Master of Architecture program, as well as its additional education programs such as its 8-week-long non-degree Immersion Program.

Competing against a shortlist of internationally acclaimed architects, the team led by newly established practice Vargo Nielsen Palle (in collaboration with ADEPT and Rolvung & Brøndsted Arkitekter) has been selected as the winners of the NEW AARCH competition, which sought designs for several new buildings for the Aarhus School of Architecture and the development of the surrounding area in Aarhus known as Godsbanearealerne.

The restricted competition consisted of three invited practices – BIG, SANAA and Lacaton & Vassal – and the three winners of the earlier open qualifying competition, Vargo Nielsen Palle, Erik Giudice Architects, and ALL (Atelier Lorentzen Langkilde). Vargo Nielsen Palle’s proposal was chosen as the unanimous winner.

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Sliperiet, Umeå Arts Campus has developed a new type of 3D printer that features increased printing flexibility at a lower cost. Called Hangprinter. The system is suspended by a series of thin fishing lines, it does not require a frame or rails, but rather, it can be attached to any stable surface, for instance, a ceiling.

As a part of the +Project innovation initiative, the Hangprinter is in the process of making a “Tower of Babel,” a project that currently measures almost three-and-a-half meters tall, making it the tallest object the system has made, as well as “much taller than the scope of any commercially available large format printer.”

Invented by Torbjørn Ludvigsen, who began the project while a student at Umeå University, the Hangprinter’s design was originally formulated to reduce costs. “The frame or box was almost half the cost of the final 3D printer, and I thought I could do without it,” said Ludvigsen. Hangprinter can be put together for about 200 Euros.

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Marrying the great expanses of the American west with a series of mirrored faces, MIRAGE is an installation situated in the Southern California desert and the work of Doug Aitken, an American artist, and filmmaker. An experimental adaptation of the traditional suburban ranch-style house, the sculpture hones in on architecture’s relationship with its landscape, manifesting itself as a life-sized kaleidoscope.

The California Ranch Style house was first designed by a small collective of architects in the 1920s and 30s, inspired by the spatial fluidity of Frank Lloyd Wright’s work and melded with the local single storey homes that belonged to ranchers. Following the Second World War, the simplicity of this housing typology resulted in its quick rise in popularity, adopted by commercial builders to match the rapid urbanization of the American countryside.

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Humor is a very rare quality in architecture, most architects are too serious
-Andreas Ruby, director of the Swiss Architecture Museum S AM, Basel

Since its founding in 1996, Slovenia architecture firm Sadar+Vuga has grown to become one of their country’s most influential architectural forces, with a range of projects covering interior design, to stadiums, to city master plans. In a new documentary by director Damjan Kozole, the firm’s history is being archived for the first time.

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Tesla has completed a massive, 55,000-panel solar farm on the Hawaiian island of Kauai that will allow them to experiment with medium-term energy storage at a utility scale. Hooked up to the farm are 272 of the company’s lithium Powerpacks, which are capable of storing of combined 52 megawatt-hours of power.

Focussing on prefabricated and sustainable means of construction, Italian practices 3GATTI Architecture Studio and OFL Architecture have envisioned an airy forest resort and spa in the historical region of Kurzeme, Latvia. The Pinecones Resort does its name justice by the spiky cone-like units that inhabit the site, made possible through the use of an inflatable roof constructed from ETFE, a lightweight polymer film.

ETFE, or Ethylene Tetra Fluoro Ethylene, is the most extensively used material for inflatable roofing. Being 100% recyclable and having a minimal carbon footprint in terms of transportation and installation, the material is highly sustainable and in the case of this particular project, offers flexible and dynamic building forms.

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Professor Alan Short of the University of Cambridge has published a book advocating for the revival of 19th-century architectural ideas to address the crippling energy use of modern skyscrapers. The Recovery of Natural Environments in Architecture proposes an end to the architectural fetish for glass, steel, and air conditioning, instead drawing inspiration from forgotten techniques in naturally ventilated buildings of the 1800s. The book is a culmination of 30 years’ research and design by Prof. Short and his colleagues at the University of Cambridge.

James Corner Field Operations, the urban design and landscape architecture firm behind the High Line in New York City, has been selected by Georgetown Heritage to complete a similar transformation of a historic canal in the Washington D.C. neighborhood of Georgetown. Working with the National Park Service and the D.C. Office of Planning, the team will design a comprehensive master plan for a one-mile section of the Chesapeake and Ohio National Historical Park (C&O Canal NHP) to update the site from a historic location into a community asset.

John Redington, a Texas-based illustrator, documents abandoned rural sheds and their modest architectural impact. In this visual essay he reveals this unseen, underrepresented vernacular arguing that the "shaky charm of the abandoned shed could offer a look into a more humble form of inspiration for architects."

The car rattles on a loose road as thick white dust rises from the back of its tires. On either side seas of sunburned grass just barely keep themselves from breaking onto the path. The sky sits heavily on the horizon, as the fragrance of both wild and cultivated plants fill the air.

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As any architect who has played with LEGO can tell you (which, let’s face it, is nearly all of us), one of the most exciting yet struggling steps is just starting off on that tabula rasa of the standard, flat LEGO base. But for anyone looking to build something within the context of their environment, you were flat out of luck. Now, that all may be changing, thanks to a new LEGO-compatible tape, currently being funded on Indiegogo.

Architectural research initiative arch out loud, in partnership with Last House on Mulholland (LHOM), has released the winner of their competition to design a house of the future, to be sited directly below the Hollywood Sign.

Serving as a “design charette” to generate ideas about potential uses for the currently open site, the competition called for residential designs that demonstrate the use of innovative technology and integrative environmental strategies, while capitalizing on the prominence of the site.

The Hollywood competition received entries from 500 designers across the world, selecting three winners, with an additional owner’s choice.

The winners of the Hollywood design competition are:

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Sordo Madaleno Arquitectos (SMA) has revealed their recent competition proposal for St Regis Los Cabos, a 12.4-hectare hotel and residential project on the southern tip of the Gulf of California in Mexico, bordering the Pacific Ocean.

In response to the site’s natural conditions—vast area, views, and exposure to predominant winds—the project’s volumetric design focuses on the use of camouflaged materials, terraces, and methods to provide shelter from the wind, all of which creates two parallel undulating forms at the edge of the beach.

The hotel and its amenities will be aligned with the east side of the complex, such that they achieve a layout with as many rooms as possible with direct views of the Pacific Ocean that rotate to ensure privacy.

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