One of Mexico's greatest architects, Luis Ramiro Barragán Morfín (March 9, 1902 – November 22, 1988) revolutionized modern architecture in the country with his use of bright colors reminiscent of the traditional architecture of Mexico, and with works such as his Casa Barragán, the Chapel of the Capuchinas, the Torres de Satélite, "Los Clubes" (Cuadra San Cristobal and Fuente de los Amantes), and the Casa Gilardi, among many others.
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The "architectural pilgrimage" is much more than just everyday tourism. Studying and admiring a building through text and images often creates a hunger in architects, thanks to the space between the limitations of 2D representation and the true experience of the building. Seeing a building in person that one has long loved from a distance can become something of a spiritual experience, and architects often plan vacations around favorite or important spaces. But too often, architects become transfixed by a need to visit the same dozen European cities that have come to make up the traveling architect's bucket list.
Changing Climate, Changing Cities: The New York Times Launches Series on the Urban Effects of Climate Change
Contrary to some beliefs, climate change is not simply some unidentifiable threat perpetually on the horizon, but a phenomenon that has already had real impact on real world places. To illustrate the effects of our changing environment, the New York Times has launched a new multi-media series called “Changing Climate, Changing Cities,” written by architecture critic Michael Kimmelman, that aims to expose how climate change is “challenging the world’s urban centers.
As the common phrase attests, “history is written by the victors.” We therefore know that the story of the West is that of Europe and the United States, while the other actors in world history are minimized or invisible: it happened to the Chinese and Japanese during World War II, to the Ottoman Empire in sixteenth-century Europe, and to racial majorities in the common reading of Latin American independence. The same thing happens in architecture.
We experience our cities daily through ordinary acts, whether it’s commuting, looking for a quiet place, having lunch downtown, or even exercising. However, one of the most exceptional ways to experience the different roles of a city's urban space is through traditional festivals, rooted in local cultures presented through different clothing, culinary arts, dances and other arts.
Over the past ten years the development of intelligent construction models, closely tied to energy efficiency, has introduced new materials that have one or more properties modified, in a controlled and partial way, by external stimuli such as radiation, temperature, pH, humidity, wind, and other environmental factors.
Wall thickness, color, scale, solar dynamic, spaces built with a subtle metaphor immersed around the meaning of life, seem to be elements immersed in all of Luis Barragán's architecture. Elements of an enduring legacy, away from the ephemeral world of fashion, textiles and haute couture; however, it’s the search for the heightening of the senses, present in the architecture of Barragán, that inspired designers to put the name of the architect on catwalks and the world of apparel.
Now in its eighth edition, Design Week Mexico, in collaboration with Museo Tamayo, has unveiled the design for a major public architectural pavilion designed by leading German architects Nikolaus Hirsch and Michel Müller. Until Spring 2017, the installation will be a cultural attraction at Chapultepec Park, Mexico City’s largest public park.
I want you to let me do all the ideas I still have in my head.
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