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Serpentine Galleries Names Rogers & Adjaye to Pavilion Selection Board, Announces Zaha Hadid Exhibition

16:30 - 28 September, 2016
Serpentine Galleries Names Rogers & Adjaye to Pavilion Selection Board, Announces Zaha Hadid Exhibition, Images by Hélène Binet, Sylvain Deleu, John Offenbach, Luke Hayes, Claire Byrne, Iwan Baan, Neil MacWilliams, George Rex, NAARO, and Laurian Ghinitoiu
Images by Hélène Binet, Sylvain Deleu, John Offenbach, Luke Hayes, Claire Byrne, Iwan Baan, Neil MacWilliams, George Rex, NAARO, and Laurian Ghinitoiu

The Serpentine Galleries has announced a new process for the selection of architects for its successful Summer Serpentine Pavilion program.

For the event’s first 16 years, the annual commissions were selected by program founder and former Serpentine Galleries director Julia Peyton-Jones, who left her position earlier this year to pursue independent contemporary art and architecture projects. Replacing her are the Serpentine Galleries new CEO Yana Peel and Artistic Director Hans Ulrich Obrist, who will lead an advisory board featuring architects Richard Rogers and David Adjaye.

Step Inside Zaha Hadid Architects' Antwerp Port House With Thomas Mayer's Photos

11:00 - 25 September, 2016
Step Inside Zaha Hadid Architects' Antwerp Port House With Thomas Mayer's Photos, © Thomas Mayer
© Thomas Mayer

Opening to much fanfare earlier this week, Zaha Hadid Architects' Port House holds a commanding presence over the port of Antwerp. The design combines a listed and formerly derelict fire station, which was restored as part of the project, with an eye-catching glass extension which rises out of the older building's courtyard and thrusts itself towards the water in a dramatic cantilever. In the context of the port, where large infrastructure and colossal machines form the backdrop to everyday functions, the building boldly stakes its claim as the operational centerpiece, providing a space for the Port of Antwerp's 500 employees. Photographer Thomas Mayer visited the building, capturing its striking external presence and investigating how its structural gymnastics translate to the building's internal space.

© Thomas Mayer © Thomas Mayer © Thomas Mayer © Thomas Mayer +20

Zaha Hadid Architects' Antwerp Port House Photographed by Laurian Ghinitoiu

09:15 - 23 September, 2016
Zaha Hadid Architects' Antwerp Port House Photographed by Laurian Ghinitoiu, © Laurian Ghinitoiu
© Laurian Ghinitoiu

Zaha Hadid Architects' new Port House in the Belgian city of Antwerp, which has been almost a decade in planning and construction, officially opens this week. A monumental new structure sits above a repurposed and renovated (formerly derelict) fire station, providing a new headquarters for Europe's second largest shipping port. Housing 500 staff, who will now be under the same roof for the first time, the building represents a sustainable and future-proof workplace for its employees. Photographer Laurian Ghinitoiu has visited to capture his unique perspective on this new addition to the city's crane-covered skyline.

© Laurian Ghinitoiu © Laurian Ghinitoiu © Laurian Ghinitoiu © Laurian Ghinitoiu +42

Video: Zaha Hadid Discusses the Influence of Kazimir Malevich on her Work

16:00 - 1 September, 2016

This video, presented by the BBC, takes a look at the work of Zaha Hadid as inspired by her favorite artist: the Russian Suprematist painter Kazimir Malevich. Featuring interviews with the dame herself, the narrative looks all the way back to Hadid’s origins, including her time at the Architectural Association School in London. It was there that she designed “Malevich’s Tektonik,” a hotel along the Thames River based upon the works of Malevich. Hadid believed that this work radically drove the architectural outlook she would employ for the remainder of her career:

“I was very fascinated by abstraction and how it really could lead to abstracting plans, moving away from certain dogmas about what architecture is. That project really liberated me, freed me from all these rules.”

Check out the video, currently on display as part of the Zaha Hadid retrospective at the Venice Biennale, for more on how Hadid drew inspiration from the Russian artist.

Zaha Hadid's 2007 Serpentine Pavilion Re-Erected at Chatsworth House

16:15 - 29 August, 2016
Zaha Hadid's 2007 Serpentine Pavilion Re-Erected at Chatsworth House

Lilas, Zaha Hadid Architects’ design for the 2007 Serpentine Gallery pavilion, has been reinstalled at a new location on the south lawn of Chatsworth House, the Derbyshire home of the Duke and Duchess of Devonshire. The mushroom-like pavilion has been put on display as part of Sotheby’s annual Beyond Limits sculpture exhibition, and is for sale through the international auction house.

4 Ways You Can Dress Like an Architect

12:00 - 8 August, 2016
4 Ways You Can Dress Like an Architect

1. All black.
2. Black with a bit of grey.
3. Black with a bit of white.
4. Match different shades of black. 

Done. Go home.

All jokes aside, there has never been a set uniform in the architecture profession. The truth is, there are a large variety of different architectural practices, and one’s attire to do architectural work often depends on each firm’s unique culture. There are corporate firms composed of hundreds of people in office blocks where “corporate” clothing is expected, or there are atelier style firms where jeans and a simple shirt are more appropriate for the design-build.

The architecture world is unique in that we are expected to be creative like artists, execute like engineers, negotiate like businessmen, and make like craftsmen but at the same time are asked to discover our own unique style and approach. Hybridity and improvisation abounds in architecture, which is definitely reflected in our fashion choices. In general though, the architect’s wardrobe is governed by four key words: eccentric, professional, relaxed and... well, still largely black.  Here we’ve profiled a few tips on how to dress by these four qualities.

Vintage Festival Shirt via ASOS mac shirt via COS Bjarke Ingels "Yes is More" Tee via Cafe Press Textured Gray Suit via ZARA +33

Round-Up: The Serpentine Pavilion Through the Years

10:30 - 28 June, 2016
Round-Up: The Serpentine Pavilion Through the Years

Lasting for close to two decades now, the annual Serpentine Gallery Pavilion Exhibition has become one of the most anticipated architectural events in London and for the global architecture community. With this year’s edition featuring not just one pavilion but four additional “summer houses,” the program shows no sign of slowing down. Each of the previous sixteen pavilions have been thought-provoking, leaving an indelible mark and strong message to the architectural community. And even though each of the past pavilions are removed from the site after their short summer stints to occupy far-flung private estates, they continue to be shared through photographs, and in architectural lectures. With the launch of the 16th Pavilion this month, we take a look back at all the previous pavilions and their significance to the architecturally-minded public. 

Serpentine Pavilion 2013. Image © Neil MacWilliams Serpentine Pavilion 2000. Image © Hélène Binet Serpentine Pavilion 2006. Image © John Offenbach Serpentine Pavilion 2015. Image © © Iwan Baan +34

Zaha Hadid Architects' Generali Tower Tops Out in Milan

08:00 - 27 June, 2016
Zaha Hadid Architects' Generali Tower Tops Out in Milan, Courtesy of Zaha Hadid Architects
Courtesy of Zaha Hadid Architects

Zaha Hadid Architects’ (ZHA) 170-meter-tall Generali Tower has topped out at 44 stories in Milan, Italy. The Generali Tower, along with two other towers, forms the centerpiece for the CityLife masterplan to revitalize the old site of Milan’s International Fair, which closed in 2005.

Through the redevelopment, which began in 2004, the site will be open “to year-round public use, with the inclusion of new civic spaces, public parks, and residential buildings, in addition to shopping areas and corporate offices, all with direct transport connections via the Tre Torri station on the line 5 of the city’s metro system.”

Zaha Hadid's Last Project is a Kurt Schwitters Exhibition in Zurich

14:00 - 16 June, 2016
Zaha Hadid's Last Project is a Kurt Schwitters Exhibition in Zurich , Courtesy of Galerie Gmurzynska
Courtesy of Galerie Gmurzynska

Zaha Hadid’s exhibition design for Kurt Schwitters: Merz opened to the public earlier this week at Galerie Gmurzynska in Zurich. In an article about the exhibition in T Magazine, senior designer and director at Zaha Hadid Architects (ZHA), Patrik Schumacher said, “It’s literally the last project of Zaha, finished by her team.”

The exhibition, presenting seventy works – in all media – from each period of the artist’s career, honors five decades of the gallery showing Schwitter’s work. Hadid’s design is a reflection on the artist’s well-known, but destroyed, Merzbau, a sculpture that filled the artist’s workspace from 1923-1937. According to the Hadid’s office, “[Merzbau was] a living, inhabited collage, ever-shifting and expanding, and this was the starting point for [Zaha’s] exhibition design which pushes beyond mere random collage to embrace the unpredictable richness and the complex variegated order found in nature.” The design builds on an established relationship between Hadid and Galerie Gmurzynska; Merz following in the footsteps of an earlier exhibition space designed for another of the architect’s inspirations, Kasimir Malevich.

Courtesy of Galerie Gmurzynska Courtesy of Galerie Gmurzynska Courtesy of Galerie Gmurzynska Courtesy of Galerie Gmurzynska +11

One of Zaha Hadid's Last Designs to Be Built in Chelsea

06:00 - 15 June, 2016
One of Zaha Hadid's Last Designs to Be Built in Chelsea, © Brigitte Lacombe
© Brigitte Lacombe

The Moinian Group announced that they had been collaborating with the late Zaha Hadid to develop a “visionary” new project for New York City. The project, at 220 Eleventh Avenue in West Chelsea, is a multi-residential apartment building with a cultural institution at street level.

This announcement comes after Zaha Hadid Architects pledged to complete all 36 projects that were in construction or design development at the time of her death, as her office continues her powerful legacy.

Sunset Strip Billboard Competition Finalists Include Zaha Hadid and Gensler

06:00 - 14 June, 2016
Sunset Strip Billboard Competition Finalists Include Zaha Hadid and Gensler , Orange Barrel Media with Tom Wiscombe Architecture and MoCA – West Hollywood Belltower. Image Courtesy of City of West Hollywood
Orange Barrel Media with Tom Wiscombe Architecture and MoCA – West Hollywood Belltower. Image Courtesy of City of West Hollywood

The visual identity of West Hollywood’s Sunset Strip has been synonymous with billboard advertising since the 1960s. Over time, different eras have been displayed through the advertising; from the rock bands and cigarette brands of the 60s and 70s, to the highly commercialised signage of today. As part of an initiative to probe the value of this signage as both an identifier and a valuable public asset, The City of West Hollywood (WeHo) launched The Sunset Strip Spectacular Pilot Creative Off-Site Advertising Sign Competition.

The competition sought a multi-dimensional, kinetic billboard “spectacular,” and attracted firms from advertising, marketing, design, architecture and engineering backgrounds. A pool of nine entrants has been narrowed down to four finalists: JCDecaux/Zaha Hadid Project Management Limited; Orange Barrel Media/Tom Wiscombe Architecture/MoC; Outfront Media/Gensler/MAK; and TAIT Towers Inc. Following public presentations in May, the proposals are now visible to the public before the jury make their recommendation later this month.

Orange Barrel Media with Tom Wiscombe Architecture and MoCA – West Hollywood Belltower. Image Courtesy of City of West Hollywood JCDecaux with Zaha Hadid Design – The Prism. Image Courtesy of City of West Hollywood Outfront Media with Gensler and Mak Center – Now Playing Sunset. Image Courtesy of City of West Hollywood Tait Towers – The Vortex. Image Courtesy of City of West Hollywood +4

Student Proposal for London's Bishopsgate Goodsyard Builds on the Legacy of Zaha Hadid

09:30 - 22 May, 2016
Student Proposal for London's Bishopsgate Goodsyard Builds on the Legacy of Zaha Hadid, Courtesy of Yale School of Architecture
Courtesy of Yale School of Architecture

In their semester-long project at Zaha Hadid’s final studio course at the Yale School of Architecture, students Lisa Albaugh, Benjamin Bourgoin, Jamie Edindjiklian, Roberto Jenkins and Justin Oh envisioned a new a high density mixed-use project for London's Bishopsgate Goodsyard, the largest undeveloped piece of land still existing in central London.

Courtesy of Yale School of Architecture Courtesy of Yale School of Architecture Courtesy of Yale School of Architecture Courtesy of Yale School of Architecture +17

Zaha Hadid to be Remembered With Exhibition in Venice

14:00 - 13 May, 2016
Grand Buildings, Trafalgar Square. Image © Zaha Hadid Architects
Grand Buildings, Trafalgar Square. Image © Zaha Hadid Architects

In celebration of the four decade career of the late Zaha Hadid, Fondazione Berengo will host an exhibition of her paintings, drawings, and models at the 16th century Palazzo Franchetti in Venice, coinciding with the 2016 Venice Biennale. The exhibition will display the full range of Hadid's design work from built projects, to those under construction, and others ultimately never realized. Some of the early, unrealized work that will be represented includes Malevich’s Tektonic, a bridge concept for the Thames River, which Hadid developed while she was still a student at the Architectural Association School in London (1976-77), as well Peak Club, Hong Kong (1982-83), Hafenstrasse, Hamburg (1989), Grand Buildings, Trafalgar Square, London (1985), the Victoria City master-plan for Berlin (1988), and the Cardiff Bay Opera House (1994-95).

The Peak, Hong Kong. Image © Zaha Hadid Architects Malevich’s Tektonic . Image © Zaha Hadid Architects Hafenstrasse, Hamburg . Image © Zaha Hadid Architects Victoria City Berlin. Image © Zaha Hadid Architects +9

AD Classics: Bergisel Ski Jump / Zaha Hadid Architects

04:00 - 9 May, 2016
AD Classics: Bergisel Ski Jump / Zaha Hadid Architects, © Helene Binet
© Helene Binet

Situated on the peak of Bergisel Mountain above the picturesque alpine city of Innsbruck, Austria, the Bergisel Ski Jump represents the contemporary incarnation of a historic landmark. Designed by Zaha Hadid between 1999 and 2002, the Ski Jump is a study in formal expression: its sweeping lines and minimalist aesthetic create a sense of graceful, high-speed motion, reflecting the dynamic sensation of a ski jump in a monumental structure that stands above the historic center of Innsbruck and the mountain slopes around.

© Helene Binet © Zaha Hadid Architects © Zaha Hadid Architects © Helene Binet +27

Panel Discussion: Architectural disAssociation

14:00 - 4 May, 2016
Panel Discussion: Architectural disAssociation, Event poster
Event poster

Architectural disAssociation - A reflection on the state of the education of architecture at the AA. Open discussion inviting everyone with an opinion of the school - students, tutors and alumni alike to retrospectively reflect on the state of the AA's unit system and speculate the possible future of its education. This discussion will have no panel as it is an open floor discussion.

AD Classics: Dutch Parliament Extension / OMA

04:00 - 22 April, 2016
AD Classics: Dutch Parliament Extension / OMA, © OMA
© OMA

Designed shortly before Zaha Hadid left the Office of Metropolitan Architecture (OMA)—led by Rem Koolhaas—to found her practice, Zaha Hadid Architects, the proposed extension for the Dutch Parliament firmly rejects the notion that imitation is the sincerest form of flattery. Rather than mimic the style of the existing historic buildings, OMA elected to pay tribute to the complex’s accretive construction by inserting a collection of visibly postmodern, geometric elements. These new buildings, unapologetic products of the late 1970s, would have served as unmistakable indicators of the passage of time, creating a graphic reminder of the Parliament’s long history.

"The Final Push". Image Courtesy of A.D.A. EDITA Tokyo Co., Ltd. Courtesy of A.D.A. EDITA Tokyo Co., Ltd. "The Podium: Accommodation for Orgies of Speech". Image Courtesy of A.D.A. EDITA Tokyo Co., Ltd. Elevations. Image Courtesy of A.D.A. EDITA Tokyo Co., Ltd. +9

AD Classics: Vitra Fire Station / Zaha Hadid

04:00 - 21 April, 2016
AD Classics: Vitra Fire Station / Zaha Hadid, © Christian Richters
© Christian Richters

Although Zaha Hadid began her remarkable architectural career in the late 1970s, it would not be until the 1990s that her work would lift out her drawings and paintings  to be realized in physical form. The Vitra Fire Station, designed for the factory complex of the same name in Weil-am-Rhein, Germany, was the among the first of Hadid’s design projects to be built. The building’s obliquely intersecting concrete planes, which serve to shape and define the street running through the complex, represent the earliest attempt to translate Hadid’s fantastical, powerful conceptual drawings into a functional architectural space.

© Helene Binet © Helene Binet © Helene Binet © Helene Binet +24

Zaha Hadid Architects Will Complete Four Projects in 2016

16:05 - 19 April, 2016
Zaha Hadid Architects Will Complete Four Projects in 2016, © Zaha Hadid Architects
© Zaha Hadid Architects

Zaha Hadid Architects has 36 projects underway in 21 countries, and four of them will be completed this year. The Salerno Maritime Terminal will open later this month, the Port House, Antwerp, in September, the King Abdullah Petroleum Studies and Research Center (KAPSARC) in Riyadh, in October, and the Mathematics Gallery at the Science Museum in London, in December.

In spite of the untimely death of the practice’s namesake last month, the firm has pledged to continue with its slate of projects, stating, “Zaha is in the DNA of Zaha Hadid Architects. She continues to drive and inspire us every day, and we work on as Zaha taught us – with curiosity, integrity, passion and determination.”