Reviled by Parisians for its shocking inside-out appearance when it first opened in 1977, the Centre Pompidou has reached its 40th birthday, and as a gift, is set to receive to 2-year, $110 million renovation that will preserve the unique structure for years to come.
There are at least as many definitions of architecture as there are architects or people who comment on the practice of it. While some embrace it as art, others defend architecture’s seminal social responsibility as its most definitive attribute. To begin a sentence with “Architecture is” is a bold step into treacherous territory. And yet, many of us have uttered — or at least thought— “Architecture is…” while we’ve toiled away on an important project, or reflected on why we’ve chosen this professional path.
Most days, architecture is a tough practice; on others, it is wonderfully satisfying. Perhaps, though, most importantly, architecture is accommodating and inherently open to possibility.
This collection of statements illustrates the changing breadth of architecture’s significance; we may define it differently when talking among peers, or adjust our statements for outsiders.
Harvard Graduate School of Design (GSD) is pleased to announce a research residency at the Wimbledon House, a modern masterpiece designed by world-renowned British architect Richard Rogers. Open to accomplished professionals and scholars working in any field related to the built environment, the Richard Rogers Fellowship is dedicated to advancing research on a wide range of issues—social, economic, technological, political, environmental—that are critical to shaping the contemporary city.
Serpentine Galleries Names Rogers & Adjaye to Pavilion Selection Board, Announces Zaha Hadid Exhibition
The Serpentine Galleries has announced a new process for the selection of architects for its successful Summer Serpentine Pavilion program.
For the event’s first 16 years, the annual commissions were selected by program founder and former Serpentine Galleries director Julia Peyton-Jones, who left her position earlier this year to pursue independent contemporary art and architecture projects. Replacing her are the Serpentine Galleries new CEO Yana Peel and Artistic Director Hans Ulrich Obrist, who will lead an advisory board featuring architects Richard Rogers and David Adjaye.
1. All black.
2. Black with a bit of grey.
3. Black with a bit of white.
4. Match different shades of black.
Done. Go home.
All jokes aside, there has never been a set uniform in the architecture profession. The truth is, there are a large variety of different architectural practices, and one’s attire to do architectural work often depends on each firm’s unique culture. There are corporate firms composed of hundreds of people in office blocks where “corporate” clothing is expected, or there are atelier style firms where jeans and a simple shirt are more appropriate for the design-build.
The architecture world is unique in that we are expected to be creative like artists, execute like engineers, negotiate like businessmen, and make like craftsmen but at the same time are asked to discover our own unique style and approach. Hybridity and improvisation abounds in architecture, which is definitely reflected in our fashion choices. In general though, the architect’s wardrobe is governed by four key words: eccentric, professional, relaxed and... well, still largely black. Here we’ve profiled a few tips on how to dress by these four qualities.
As one of the leading architects of the British High-Tech movement, Pritzker Prize-winner Richard Rogers stands out as among the most innovative and distinctive architects of a generation. Rogers made his name in the 70s and 80s, with buildings such as the Centre Georges Pompidou in Paris and the Headquarters for Lloyd's Bank in London. To this day his work plays with similar motifs, utilizing bright colors and structural elements to create a style that is recognizable, yet also highly adaptable.
The Royal Institute of British Archtects (RIBA) has announced the launch of its new global architecture award for the world’s best new building, called the RIBA International Prize. Open to any qualified registered architect around the world, the new prize will be awarded to a building that “demonstrates innovative and visionary design whilst making a distinct contribution to its users and to its physical context.”
The Urban Land Institute (ULI) has selected Richard Rogers as the 2015 recipient of the J.C. Nichols Prize for Visionaries in Urban Development. The Institute’s highest honor, the award "recognizes a person or a person representing an institution who has demonstrated a longtime commitment to the creation of communities that reflect the highest standards of design and development."
Rogers was selected as the prize's 16th recipient for "his career-long focus on creating sustainable communities that thrive by providing a high quality of life for all citizens."
London-based practice Rogers Stirk Harbour + Partners (RSHP) have announced the elevation of five associates to partner level while Mike Davies CBE, who has worked alongside Lord Rogers for more than forty years, will be reducing his roles. Davies has been involved in some of the practice's most significant projects including the Pompidou Centre in Paris, Lloyd's of London, the Millennium Dome, and Terminal 5 at London's Heathrow Airport. As a Chevalier de la Légion d’Honneur, Davies is currently the project director for Grand Paris, the masterplan for Greater Paris 2025 which was commissioned by former President Nicolas Sarkozy. According to RSHP, Davies "will remain employed in a part-time role."
A group known as Architects for Social Housing (ASH) is gaining attention after stating its intention to hold a protest at the RIBA Stirling Prize Award ceremony tomorrow evening. Their protest is directed at the shortlisting of NEO Bankside, the Rogers Stirk Harbour + Partners-designed luxury apartment complex on London's south bank, which they say "has not only broken every planning requirement for social housing in Southwark, but in doing so has set a very dangerous precedent for the mechanics of social cleansing in London."
Last month, Japan officially scrapped plans for the controversial Zaha Hadid Architects-designed National Stadium that was intended to be the centerpiece of the Tokyo 2020 Olympics. Since the decision, ZHA released a statement that denied responsibility for the project's ballooning costs, saying the Japan Sport Council (JSC) has been approving the project's design and budget "at every stage."
Now, British architect Richard Rogers, who served on the jury that selected ZHA's stadium design, has joined the conversation claiming Japan has "lost their nerve" and warning that their decision to "start over from zero" will harm Japan's "reputation as a promoter of world-class architectural design."
Read on for Roger's full statement:
The Royal Institute of British Architects (RIBA) have revealed the six projects that will compete for the 2015 Stirling Prize, the award for the building which has made the greatest contribution to British architecture over the past year. Following a rigourous system of regional awards (all of which you can see on ArchDaily), the shortlist has been picked from a handful of nationally award-winning projects.
Rogers Stirk Harbour + Partners, having previously won the prize in 2006 for the Barajas Airport in Madrid and in 2009 for the Maggie’s Centre at Charing Cross Hospital, has been nominated four times before. They are joined by Allford Hall Monaghan Morris (AHMM), Niall McLaughlin Architects, and Heneghan Peng Architects, who have each made the shortlist before. This is the first year that McInnes Usher McKnight Architects (MUMA) and Reiach and Hall Architects have been shortlisted. The winning project will be announced on the 15th October 2015 at a ceremony in London.
See this year's full shortlist and read extracts from the judges' citations after the break.
The 15th edition of the "Days of Architecture" is almost here! This festival will take place from 25 September 2015 to 24 October 2015, in the Upper Rhine Valley. Punctuated by nearly 200 events, the festival aims to bring the architecture to the largest population.
When it was announced in 2012 that London's Robin Hood Gardens – Alison and Peter Smithson's world-famous Brutalist housing estate – was to be demolished, there was outrage among the architectural community. Since then, many have called for the profession to act in order to protect "one of Britain’s most important post-war housing projects," which led to a fresh bid to save the scheme in March of this year. Richard Rogers, Simon Smithson (a partner at RSHP and son of Alison and Peter Smithson), and academic Dirk van den Heuvel have now called upon members of the public to voice their concerns to the UK Ministry for Culture, Media and Sport, before the end of the week:
"Previous efforts in 2009 to have the building listed failed, but the case has now been re-opened and we understand that the new Minister for Sport, Tourism and Heritage will be reviewing the arguments at the end of this week [w/c 15th June 2015]."
The Washington DC International Spy Museum is seeking permission to relocate to a new $100 million building designed by Richard Rogers at L’Enfant Plaza. Contingent on approval from the Commission of Fine Arts, as the Washington Business Journal reports, the new 100,000-square-foot, six-story proposed museum would be sited on an open area adjacent to the L'Enfant Plaza hotel.
“I think everyone in the city knows that’s somewhat of a dead area right now,” said Spy Museum Chief Operating Officer Tamara Christian to WBJ. “When we came to Penn Quarter, it was somewhat of a dead area. Now it’s completely energized, and we’re really hoping that we’ll be able to be a catalyst to energize L’Enfant.”
The Architects' Journal have reported that London based practice Rogers Stirk Harbour + Partners (RSHP), headed by Richard Rogers, has refined its in-house structure "as the practice continues to implement its long-term succession plan." The practice, who will move into their new home on level fourteen of the Leadenhall Building following its completion last year, will operate one studio led by Richard Rogers alongside partner Simon Smithson; another by Graham Stirk with partner Richard Paul; and a third headed by Ivan Harbour.
Richard Rogers has announced that the home he built for his parents in Wimbledon, London, will be gifted to Harvard’s Graduate School of Design (GSD) for the training of doctorates in the field of architecture. The home, which will be donated by his charity, the Richard Rogers Charitable Settlement, was completed between 1967 and 1968 by Richard and his then wife Su Rogers. Originally designed for his parents, Dr. William Nino and Dada Rogers, the Grade II* listed pre-fabrictated single storey dwelling was later adapted for Rogers' son Ab and his family, before being put on the market in 2013 for £3.2million ($4.8million).
The Pritzker Prize has announced that Richard Rogers will join the ranks as the latest member of its prestigious jury. Rogers, a Pritzker Laureate himself in 2007, is known for his innovative High-Tech style, establishing his name in the 1970s and 80s with buildings such as the Pompidou Centre in Paris and Lloyds of London. Since then, he has also become known for his advocacy in a range of urban issues, being commissioned by the UK Government to produce a report on British cities entitled "Towards an Urban Renaissance," and for his active role in politics as a member of the House of Lords.