Video: First Look Inside Rogers Stirk Harbour + Partner’s “Cheesegrater”

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In a short film for The Guardian Lead Architect and Partner of Rogers Stirk Harbour + Partners, Graham Stirk, tours Robert Booth around the almost-complete Leadenhall Building. The building is referred to as a relative of it’s neighbour, Lloyds of London, which was completed by Richard Rogers‘s practice in 1986. Leadenhall, dubbed the “Cheesegrater” due to its angled façade, is twice the height of Lloyds and is considered to be the physical manifestation of the evolution of Rogers’ architectural and tectonic language. Although less “structurally showy” than its counterpart, the building is still unconventionally bold when it comes to structural expression.

3 of The New Yorker’s Best Architecture Reads

The National September 11 Memorial Museum by Snøhetta in New York. Image © Joe Woolhead

If you like magazines, then you’ll love this: the New Yorker, celebrating their recent redesign, have made their archive free for a limited period only. And, making up for their hiatus as they wait for a redesign of their own, Places Journal has gone to the effort of rounding up the best architecture reads from the last few years. Here are our top three:

Las Arenas / Richard Rogers + Alonso y Balaguer

Courtesy of Alonso y Balaguer

Architects: Richard Rogers, Alonso y Balaguer
Location: Gran Vía Corts Catalanes, 373 – 385, 08015 Barcelona, Barcelona, Spain
Collaboration: Rogers, Stirk, Harbour and Partners.
Area: 105000.0 sqm
Year: 2011
Photographs: Courtesy of Alonso y Balaguer

Spotlight: Richard Rogers

© 2013 Rogers Stirk Harbour + Partners LLP

Richard Rogers, one of the leading architects of the British High-Tech movement, turns 81 today. Rogers made his name in the 70s and 80s, with buildings such as the Centre Georges Pompidou in Paris and the Headquarters for Lloyd’s Bank in London, which utilized highly expressive structures that placed services on the exteriors.

Richard Rogers: “Forget About Greenfield Sites, Build In The Cities”

“London as it could be” / Rogers Stirk Harbour + Partners. Image © RSHP

In an article for The Guardian Richard Rogers questions why, with space still left in urban areas, we should build in the countryside? Lord Rogers, no stranger to political activism, chaired the UK’s Urban Task Force in the 1990s, culminating in his report Towards an Urban Renaissance. Now, over fifteen years later, his plea for denser, better designed urban environments has been rekindled as he argues that: “We can’t go on like this. The housing shortage threatens both the economy and our quality of life.” Laying out a clear argument reinforced by his forty years of experience as an architect, you can read his article in full here.

Vive la France: A Round-Up of French AD Classics

© Flavio Bragaia

In honor of Bastille Day, we’ve rounded up some of our favorite AD Classics built in France. From Bernard Tschumi‘s Parc de la Villette to our most popular classic project, Le Corbusier‘s Villa Savoye, take a moment to revisit these renowned works.

Moshe Safdie, Richard Rogers & Rocco Yim to Deliver Keynotes at WAF

The Marina Bay Sands. Image Courtesy of Safdie Architects

Held annually in Singapore, the WAF annually recognizes the world’s most amazing architecture projects (you can learn more here). They have announced an impressive line-up of prominent architects who will speak at the World Architecture Festival in October, including:

  • Rocco Yim of Rocco Design Associates will be speaking about his involvement in the West Kowloon Cultural District, the largest arts and cultural project in Hong Kong to date
  • Richard Rogers will speak candidly about his life as one of the most influential global figures in architecture and his future agenda
  • Moshe Safdie will be closing the Festival, looking back over his extensive career to talk exclusively about the defining moments that shaped its path

The renowned speakers complement a list of notable projects that will soon be revealed in a shortlist. Registration for the event, which takes place from October 1-3, is open now. Sign up and stay tuned to ArchDaily for the latest coverage of the and the co-located event, the INSIDE Festival.

What Can We Learn from Lloyd’s?

© Flickr CC User Mark Kent

Following the news that Lloyd’s of London is planning to leave it’s Grade-I listed headquarters designed by Richard Rogers, Edwin Heathcote has written an interesting article asking whether the Lloyd’s Building - along with some other more spectacular failures of ‘iconic’ commercial architecture – can teach us anything about how we ought to design buildings. He argues that while high-profile design serves developers well, tenants seem to prefer bland yet functional corporate buildings, leading Heathcote to ask: shouldn’t we be seeking something in between? You can read the article in full here.

Lloyd’s Set to Leave Richard Rogers-Designed Headquarters

© Flickr CC User Mark Kent

Insurance firm Lloyd’s of London has indicated that it plans to leave its famous Richard Rogers-designed headquarters, which it has occupied since construction ended in 1986. Lloyd’s has recently been involved in talks with Henderson, the developer of Make Architects‘ Gotham City project which earlier this year gained planning permission for a site adjacent to their current headquarters.

More on the building’s uncertain future after the break

Bodegas Protos / Richard Rogers + Alonso y Balaguer

Courtesy of + Alonso y Balaguer

Architects: Richard Rogers, Alonso y Balaguer
Location: Peñafiel, Valladolid, Spain
Area: 22,000 sqm
Year: 2008
Photographs: Courtesy of Richard Rogers + Alonso y Balaguer

The Story of Maggie’s Centres: How 17 Architects Came to Tackle Cancer Care

Dundee, Scotland, 2003 by Frank Gehry / Courtesy of Maggie’s Centres. ImageThe third center was designed by Frank Gehry, a close friend of Maggie’s. “Frank gave us so much publicity, and allowed us to raise the money,” Jencks says. Each center is self-financed through donations.

Maggie’s Centres are the legacy of Margaret Keswick Jencks, a terminally ill woman who had the notion that cancer treatment environments and their results could be drastically improved through good design. Her vision was realized and continues to be realized today by numerous architects, including Frank Gehry, Zaha Hadid, and Snøhetta - just to name a few. Originally appearing in Metropolis Magazine as Living with Cancer,” this article by Samuel Medina features images of Maggie’s Centres around the world, taking a closer look at the organization’s roots and its continued success through the aid of architects.

It was May 1993, and writer and designer Margaret Keswick Jencks sat in a windowless corridor of a small Scottish hospital, dreading what would come next. The prognosis was bad—her cancer had returned—but the waiting, and the waiting room, were draining. Over the next two years until her death, she returned several times for chemo drips. In such neglected, thoughtless spaces, she wrote, patients like herself were left to “wilt” under the desiccating glare of fluorescent lights.

Wouldn’t it be better to have a private, light-filled space in which to await the results of the next bout of tests, or from which to contemplate, in silence, the findings? If architecture could demoralize patients—could “contribute to extreme and mental enervation,” as Keswick Jencks observed—could it not also prove restorative?

This is the central idea behind the experiment Keswick Jencks, or “Maggie,” started with her husband, architectural historian and theorist , more than two decades ago. Their mission—to provide free, global care for cancer patients through great architecture—has since expanded to encompass 17 building projects (“Maggie’s Centres”), many of them by celebrated architects like Richard Rogers and Rem Koolhaas.

VIDEO: Fernando Romero, In Residence

In Residence: Fernando Romero on Nowness.com

NOWNESS has released the latest in their “In Residence” series, a collection of short videos that interview designers in their homes. This time, internationally renowned Mexican Architect Fernando Romero presents his Mexico City villa, designed by Francisco Artias in 1955, which he describes as “the ultimate modernity dream come true.”

Richard Rogers’ Pre-Fab Y-Cube Takes on UK Housing Crisis

The Y-Cube Deployed. Image Courtesy of Rogers Stirk Harbour + Partners

The Y-Cube, a £30,000 factory-built 26 square meter flat which can be easily transported and craned into place, has been prototyped and successfully tested in the UK. The YMCA asked Rogers Stirk Harbour + Partners to create the Y-Cube, an affordable alternative for residents moving on from the non-profit’s hostels. And now, the YMCA wants more of these one-bedroom dwellings.

“The beauty is that the units can be moved off site as quickly as they are installed,” says Andy Redfearn of the YMCA, “as we operate on short-term leases – we expect people to stay [in the Y-Cube] for between three to five years, giving them time to skill up and save for a deposit.”

Richard Rogers to Design Two New Stadiums for Hugo Chávez Park

The proposed football stadium. Image Courtesy of the municipality of

On January 17th, the mayor of Caracas, Jorge Rodriguez, and British architect Richard Rogers signed a contract that confirms Rogers will oversee the design and construction of two new stadiums within ”Hugo Chavez” Park. Both stadiums should be completed by 2015.

The 200-hectare ”Hugo Chavez” Park will be located around the race course La Rinconada and the Museum Alejandro Otero (MAO). The project, which began in April 2013, includes the construction of a football stadium with capacity for 50,000 people and a baseball stadium with capacity for 45,000, plus a multipurpose gym and the new headquarters of the Bolivarian University of .

VIDEO: Ruth and Richard Rogers’ London Home

 

In one of the latest short films from Nowness, director Matthew Donaldson explores the home of Ruth and Richard Rogers in London’s . What appears to be a typical Georgian terrace from the outside, complete with “a resplendent facade in London brick with uniform windows and smart stucco”, opens up into a bold, colourful and homely series of internal spaces that could only belong to Richard Rogers.

Review: ‘Richard Rogers: Inside Out’ at the Royal Academy

Zip-Up House Concept drawing (1968) – courtesy of Rogers Stirk Harbour + Partners. Image © Richard and Su Rogers

“Architecture is too complex to be solved by any one person.”

Richard Rogers is an architect who understands the significance of collaboration. As a man with an intense social mind and a thirst for fairness in architectural and urban design, Rogers’ substantial portfolio of completed and proposed buildings is driven by the Athenian citizen’s oath of “I shall leave this city not less but more beautiful than I found it.”

In honor of his success, London’s Royal Academy (RA) is currently playing host to a vast retrospective of Richard Rogers’ work, from his collaborations with Norman Foster and Renzo Piano, to the large-scale projects that define Rogers Stirk Harbour + Partners (RSHP) today. The RA’s extensive has been condensed into a series of motifs that have defined his architectural work, punctuated by memorabilia which offer personal insights into how Rogers’ career has been shaped by the people he’s worked with and the projects that he has worked on.

Continue after the break for a selection of highlights from the exhibition. 

Does Prince Charles Abuse His Power Over Architects?

Richard Rogers has been at odds with the Prince before. Image © 2013 Rogers Stirk Harbour + Partners LLP

Developers in London are so afraid of encountering opposition from the Prince of Wales that they seek his approval before applying for planning permission – so says Richard Rogers, as revealed by this article in BD. , who is not shy about promoting his traditional tastes, has a sometimes difficult relationship with the architecture community, and Rogers previously accused him of “an abuse of power” when he was ousted from his Chelsea Barracks Project. You can read the full article here.

AD Classics: Inmos Microprocessor Factory / Richard Rogers Partnership

Courtesy of Partnership

Having made his name with the Centre Georges Pompidou and the Lloyd’s building, Richard Rogers – who turns 80 today – was commissioned in 1980 to design the Inmos microprocessor factory in Newport, Wales. The factory’s design was targeted for the delicate process of microchip assembly, which requires a clean and controlled space. Built at the time of the computer-chip boom, construction had to be completed within one year, a factor which would greatly influence the design.

Rogers’s response, based on his previous high-tech designs, was to move the services to the outside of the building and split the interior into ‘clean’ spaces for microchip assembly and ‘dirty’ spaces for other tasks. Moreover, Rogers opted for an off-site prefabrication of parts, which not only increased the speed of construction, but would also allow for the factory to be easily replicated as a model.

Read more after the  break…