https://www.archdaily.com/903653/barclay-and-crousses-university-of-piuru-edificio-e-in-peru-wins-the-2018-mies-crown-hall-americas-prizeNiall Patrick Walsh
The more architecture students that I converse with, the more I hear this common dissent amongst them: “I don’t want to become an architect.” Despite participating in long studio hours for a five-year professional degree, somehow very few peers actually want to become the kind of architects that create buildings.
Aside from the conventional alternatives of interior or graphic design, there is a rising trend in the popularity of firms that use architectural skills for beyond the scope of designing luxury condominiums for wealthy clients. For prospective architects (and current ones), below are examples of firms that may not be what one initially imagines to do with their degree, but a taste of the potential of what they can.
An installation at the Karolinska Institutet in Sweden is made entirely of translucent concrete panels. Composed of concrete and bubble wrap, the site blends both high and low technology processes. This high-tech lecture hall is an amorphous space with unique acoustic qualities.
The panels were created by compressing High-Performance Concrete between two layers of Bubble-Wrap. With 262,500 cavities and 1,000,000 membrane-perforations, the material creates a diffused echo-free ambiance.
Finnish office Lahdelma & Mahlamäki architects have won the competition to design a new high-rise district in Helsinki. Proposing a cluster of public space and triangular plan towers, the firm will see the phased construction of the high-density, mixed-use towers and public space alongside construction firm YIT. Located in the Pasila district, the project is called Trigoni as a reference to the triangular plan of the towers and the desire to create strong connections around sustainable development.
The American Institute of Architects have released the winning films for the 2018 Film Challenge. As part of the institute's larger Blueprint for Better campaign, the film challenge asked participants to produce, shoot, and edit 3 to 5 minute documentary-style short films. The AIA invited architects and filmmakers to collaborate in telling stories of architects, civic leaders and communities working together toward positive community impact.
David Chipperfield and Euroboden have collaborated on the design of a five-story building in Munich, located near the city’s Herzog Park. The 2800-square-meter scheme seeks to “fit sensitively into the historic fabric of the neighborhood.”
The design process revolved around the incorporation of history and pattern from the surrounding environment, without copying or resorting to historicization. The result is a scheme which is “simultaneously self-confident yet restrained, a building that integrates itself into its context without subordinating itself.”
Home to the historic engineering firm, AE Harris, for over 50 years, Birmingham’s treasured Jewellery Quarter is being revamped on account of modernized manufacturing methods adopted by the company.
Joint venture partners Galliard Homes and Apsley House Capital are working alongside Glenn Howells Architects to transform the site into a residential-led, mixed-use hub for the quarter.
On October 1, 1908, Ford launched its first model car in the American market, the Ford T, starting the automotive industry and establishing new paths for industrialization. Inspired by the manufacturing systems of weapons and sewing machines, in 1913, Henry Ford revolutionized production with the first moving assembly line to produce the Model T; a simple, safe, reliable and cheap car.
The price decreased over time as production became more efficient. The Model T cost $850 in its first year and, as the manufacturing process became more efficient, it decreased to $290 in 1927, the last year it was produced. Industrialization led to optimized costs, time, and logistics.
After creating the perfect sketchbook, Architools is back with a minimalist notebook made for designers and architects alike. The project is now raising funds on Kickstarter, and aims to bring a subtle elegance to the humble notebook. Named the Dérive, or “drift” in French, the notebook embodies qualities of wanderlust and sensory exploration. Featuring refined materials and design, it was made to inspire the next project or adventure.
Woods Bagot and Peddle Thorp have been announced as the winners of the international competition to create a new high-rise tower in central Auckland. Drawn from five finalists including Warren and Mahoney, Cox Architecture, Zaha Hadid Architects, and Elenberg Fraser, the winning design will stand 180m high. The building design is inspired by New Zealand’s natural landscape and the country’s unique geology and fauna.
New images have been published of Grimshaw and Arup-designed stations for the UK’s ”High Speed 2” railway system. Connecting London to the British Midlands, the mega-infrastructure project will be the UK’s second high-speed rail system, with HS1 already connecting London and the South East to the Channel Tunnel.
The Grimshaw and WSP-designed Curzon Street station in Birmingham will be the first brand new intercity station to be built in Britain since the 1800s, while Interchange Station, designed by Arup, will serve as a gateway station to the West Midlands and Birmingham Airport.
On the north side of Tempelhofer Feld, an airport-turned-park in southern Berlin, lays a large ditch. Surrounded by lots and bungalows and noticeable only to those in the know, this 19th century basin holds rainwater drained from the airport’s defunct runways before it is fed into Berlin’s canal network.
Shanghai-based JYOM Architecture and GBL Architects have released new renderings of 601 Beach Crescent, the 'Gateway Tower' counterpart to Bjarke Ingels Group's Vancouver House project. As the Daily Hive reports, developer Pinnacle International recently submitted its formal rezoning application to develop the vacant site on the north end of the Granville Street Bridge in downtown Vancouver. Conceptually, the tower was designed to replicate the motions of the dancing female form.
Did you know that 64 million European children spend more time at school than anywhere else other than their home? European children spend approximately 200 days each year at their primary schools. With this information, how do we go about designing healthier classrooms that create productive learning environments? This question is perhaps more important than ever, as this will be the first time since the 1970s that Europe and the UK will see a boom in the construction and renovation of schools. What a tremendous opportunity this is for both architects and educators to rethink what an educational facility should be and how the physical environment can be designed to have a positive impact on learning.
Bjarke Ingels Group has been selected to design the Skypark Business Center South as part of Luxembourg's new Airport City plan. Located just outside of Luxembourg City, the project is the first development within the masterplan, and is expected to start construction during 2019. The new airport district aims to become an economic hub comprised of four floors of shops, restaurants, fitness activities, and offices. The news of Skypark Business Center South comes two years after the presentation of the airport district’s master plan.
WXCA and Bellprat will design the PolishPavilion for Expo 2020 Dubai, having overcome more than 30 other proposals. The winning scheme seeks to create an “open, tree-like modular structure” inspired by Poland’s rich wildlife.
The pavilion will feature an integrated exhibition with “kinetic flocks of birds floating over visitors’ heads,” referring to the many migratory birds which settle in Poland each year “inspiring legends, connecting minds, and creating the future.”
SLICE consists of a layered module of functional plugins, combined to create basic spatial configurations. In tandem with the design of SLICE’s spatial profile, Shanghai-based Sehat has proposed a shared, on-demand digital service for module rental, maintenance, and payment.
How does the built environment--whether fictitious or entirely founded in reality--impact how we experience and process film? From lesser-known indies to blockbuster movies, the ways in which architecture and the built environment inform everything from scene and setting, to dialogue and character development has far-reaching effects on the audience’s cinematic experience. Below, a roundup of everything from recent releases to classic cinephile favorites uncovers the myriad ways in which film utilizes architecture as a means of achieving a more authentic and all-encompassing form of storytelling.
Andres Gallardo, the self-taught Spanish photographer, recently traveled to Paris to capture the city’s urban architecture, documenting the spirit of the buildings, the city’s rich architectural history, and international design influence.
Gallardo describes the city as “magical,” which he chooses to document in both monochrome and color photographs, incorporating overall perspectives and small structural details that often obscure the structures’ overall identity.
Culled from our annual documentaries posts, these films feature architecture and architects in more informative and intimate ways. With more and more film festivals dedicated to architecture itself, you can likely catch these on the big screen in a city near you!
https://www.archdaily.com/903284/the-best-architecture-documentariesArchDaily Team
British designer Paul Cocksedge's ‘impossible’ living watercolor design was selected as a finalist for the UK National Pavilion during Expo 2020 in Dubai. Every color in the pavilion comes from the flag of a nation exhibiting at the event, expressing unity, partnership and possibility. The overlapping shades reflect the theme of the Expo – Connecting Minds, Creating The Future. At the heart of the building, a sculptural centerpiece envelops visitors in color and light, giving the sense of an ‘impossible’ structure.
After a season packed with significant architecture news, Melbourne has announced the opening of the 2018 MPavilion designed by Carme Pinós. The pavilion is widely considered to be the southern hemisphere’s answer to the Serpentine Pavilion, and has featured designers such as Rem Koolhaas, Bijoy Jain, and Amanda Levete.
This year’s design, from Spanish architect Carme Pinós, takes its inspiration from origami, with wings opening out to welcome the city into the pavilion itself. The roof, made of two distinct halves, is perched upon three mounds incorporating public seating.
José Esparza Chong Cuy has been appointed as the new Executive Director and Chief Curator at Storefront for Art and Architecture. Following the departure of former director Eva Franch i Gilabert to London as the new Director of the Architectural Association, the extensive international search to fill her shoes began. An architect, curator, and writer, originally from Mexico, Esparza Chong Cuy was named and will assume the position starting November 1st.
Storefront, a non-profit organization based in New York City, engages in the advancement of design and architecture with interdisciplinary dialogue through exhibitions and projects that aim to transcend geographic and ideological boundaries. Charles Renfro, President of Storefront's Board of Directors, remarks, "We are thrilled to welcome José to the helm of Storefront, the very institution where he began his curatorial career over a decade ago."