Bamboo is an ancient building material that has been used in a variety of countries and building types. A sustainable material with a unique aesthetic, it is arguably one of the greatest architectural trends of the moment.
This material's structural and sustainable qualities demonstrate that bamboo can be three times more resistant than steel and grow about 4 feet (1.22 meter) in just one day.
Allford Hall Monaghan Morris Architects have released plans for a mixed-use shopping and office block to replace 1-2 Broadgate on the City of London campus. The multi-colored block design will include 74,000 square meters of commercial space as part of the revitalization of the iconic 1980s office complex. Linked to Liverpool Street station, the new development would include retail and leisure as part of the new shopping center.
Meis Architects have released new renderings of the FC Cincinnati soccer stadium in Ohio. After FC Cincinnati won their bid to become a Major League Soccer (MLS) team, the design was made to seat 26,500 people at a cost of $200 million. The stadium will be built with a retractable roof canopy and ETFE pillows that can be lit with the soccer club’s blue and orange colors.
Opened on October 13th 2018, the scheme is set across a subtropical park in the southern Taiwanese city of Kaohsiung, occupying a former military training base to symbolize the city’s transition from a major international harbor into a rich, diverse, cultural hub, connecting local and international artistic talent.
If the surest sign of summer in London is the appearance of a new pavilion in front of the Serpentine Gallery, then it’s perhaps fair to say that summer is over once the pavilion is taken down. The installations have gained prominence since its inaugural edition in 2000, acting as a kind of exclusive honor and indication of talent for those chosen to present; celebrated names from the past names include Zaha Hadid, Rem Koolhaas, and Olafur Eliasson.
Foster + Partners have revealed a design for an office building in Luxembourg. The new office development will be located in Belval, on the border of France and Luxembourg, and aims to help revitalize the area by making a positive contribution to the site and its surroundings. Designed for BESIX Real Estate Development, the project responds to the rich industrial heritage of Belval with co-working spaces and collaborative offices that address the changing nature of the workplace.
The design for the tallest residential building in the world has been unveiled, situated in New York City. “Central Park Tower” by Adrian Smith + Gordon Gill architecture will stand at 1,550 feet (472 meters). The firm’s Jeddah tower in Saudi Arabia is also currently under construction, on track to be the world’s tallest tower.
https://www.archdaily.com/904133/the-tallest-residential-building-in-the-world-is-coming-to-new-york-cityNiall Patrick Walsh
The American Institute of Architects Committee on Design is holding its first South American conference this week in Santiago and Valparaíso, Chile. Starting on October 20 and running through the 27th, the conference is organized by the Copperbridge Foundation in collaboration with Chilean Constructo and Massantiago. The CoD conference will include a focus on each city's contemporary architecture and urban fabric, as well as tours, presentations and exhibitions with Chilean institutions.
Architecture startup AI SpaceFactory have revealed new images of their smart skyscraper projects. These next generation skyscrapers merge cutting-edge design with smart building technology developed in-house. The projects, ranging from twenty to fifty stories, are now in various stages of construction. AI SpaceFactory describes its buildings as living machines: physical, digital, and biological platforms which work together to enhance real-world experiences.
The winning team explored the tectonic possibilities of intersecting shapes, investigating what happens with two different planes intersect. The resulting sculpture created two converging planes merging together to create an iconic ‘X’ which, when intersected by a cylindrical volume, creates a heart-shaped space.
https://www.archdaily.com/904130/reddymade-wins-the-times-square-valentine-heart-design-competition-of-2019Niall Patrick Walsh
Whatever the form—personal, theoretical, scholarly—architects frequently veer into the philosophical terrain when defending otherwise subjective design decisions. Personally, this may be justifiable. But professionally, this reliance on quasi-philosophical spin is one of the fundamental ways architecture differs from other practical pillars of society, such as law, finance or medicine. Those disciplines are based on structures of knowledge (precedent or code, economics, and science, respectively) that mediate between professional decisions and subjective judgement.
Africa’s tallest skyscraper is set to begin construction in two weeks time. Designed by Spanish architects Rafael de la-Hoz Arquitectos and Moroccan firm CHB Cabinet Hakim Benjelloun, the 820-ft tall Bank of Africa Tower will take the title of tallest tower from the Carlton Centre in Johannesburg. Aiming for LEED Gold and HQE ratings, the tower will begin construction on November 1 and is expected be complete by May 30, 2022.
Schmidt Hammer Lassen Architects and Architectus have announced the opening of Tūranga, the new central library for Christchurch, New Zealand. Built to address the earthquakes that damaged Christchurch in 2010 and 2011, the library is one of the first public buildings to open downtown after the disasters. Working with Architectus and the indigenous Māori people of New Zealand’s South Island, the design was made to celebrate rebirth in Christchurch.
The Basilica di Siponto by Edoardo Tresoldi has been awarded the “Gold Medal for Italian Architecture – Special Prize to Commission,” considered the most prestigious award in Italian architecture.
The wire mesh sculpture reinterprets the volumes of an Early Christian basilica which formerly sat on the site of the sculpture, adjacent to an existing Romanesque church. The scheme serves as a “bridge towards the memory of the place” allowing the public to contemplate time and history.
Anna Liu and Mike Tonkin of London-based Tonkin Liu have developed an innovative medical device for use in patients’ windpipes. The prototype stent is based on the firm’s signature Shell Lace Structure, a “single-surface structural technology designed and developed through a decade of research for architectural and engineering applications.”
Migration as a result of changing climate has already begun. And while this poses enormous challenges for governments - particularly at a global moment that seems indisposed towards immigration and immigrants - there is also the concern that heritage will inevitably be lost. In places like Scotland, rising sea levels have put ancient sites at risk; the same is the case in island nations in the Pacific. As mounting environmental risks become more inevitable day by day, cities around the world are turning to more resilient forms of architecture and urban planning to combat both short term shocks and longer term pressures as a means of ensuring their future.
When it's time to dress up for Halloween, Carnival or theme parties, people often choose costumes that resonate with their interests. This is especially true for architects, who are particularly well-suited to designing and building head-turning outfits. For students and young architects, the yearning to construct (and destruct) stems from the will to create elaborate headpieces and ingenious appendages.
https://www.archdaily.com/881710/architecture-costumes-for-halloween-carnival-and-office-partiesAD Editorial Team
Many contemporary design innovations have embraced the growth and expansion of new technologies. BREAKFAST, a Brooklyn-based rapid product and prototype company, has released ‘Brixel’ a product that combines the customizability technology can provide with the most fundamental building block of architecture - the brick.
The Brixel is an infinitely rotating brick controlled by a software app on your phone. The sleek design and variety of available shapes provide the designer or architect with the tools needed to create a 3-dimensional, interactive installation. Brixel’s design flexibility allows it to be used in many applications, such as dynamic wall installations, railings, facades, and sculpture. Andrew Zolty, BREAKFAST's Co-Founder and Head of Design described Brixel:
Sometimes a door can be a huge headache in a project. Think of a continuous, clean facade... having a door in the middle of it can ruin the clarity of the design. But a door need not be the traditional wood-paneled, brass-knobbed portal most of us are used to, much less an eyesore.
But what if they could disappear from sight entirely? We’ve all dreamed of hidden passages and secret rooms tucked away in our homes. But for these to work, the entry must be disguised or hidden itself.
Swiss practice Herzog & de Meuron have released revised plans for the Museum of the 20th Century project in Berlin's Cultural Forum. Designed to house the extensive National Gallery on 20th century art collection, the project was made in partnership with the Berlin State Museums and the Prussian Cultural Heritage Foundation. Herzog & de Meuron originally won the competition to design the museum building in 2016, and the revised design features new plans and a facade that opens the building to the outside.
Online shop Toffu has produced a stylish content library aimed at architects seeking to improve their Photoshop, Illustrator, or CAD drawings. Hosting a range of vector and cad format packs, the library's vibrant content is markedly different from standard black and white line figures.
The content is available in elevation, plan, and isometric format, featuring people, furniture, icons, vehicles, and vegetation. Check out the Toffu site here to explore their full content.
https://www.archdaily.com/903938/refine-your-visuals-with-toffus-premium-content-libraryNiall Patrick Walsh
Below, we have rounded up the 30 most influential architects in London, complete with examples of the architectural works which have put them on the city and world map.
What comes to mind when you encounter the term “sensory design”? Chances are it is an image: a rain room, a funky eating utensil, a conspicuously textured chair. But the way things actually feel, smell, even taste, is much harder to capture. This difficulty points to how deeply ingrained the tyranny of vision is. Might the other senses be the keys to unlocking broader empirical truths? Does the ocular-centric bias of art, architecture, and design actually preclude a deeper collective experience?