Grey Cube Gallery proudly presents the first Black & White Show for the month of February 2020. Contest is open to all artists worldwide over 18 years of age. Entries must include the black and white or shades of gray as the primary focus. All visual art mediums (except video and sound) are allowed. The Best of Show winning artwork will be displayed as the poster of the show. All wining artists ( Merit Award & Honorable Mention) will receive a digital award certificate. The application fee is $16 for the 2 images of artwork. You may enter more than
Drawing: The Latest Architecture and News
Contemporary Art Room Gallery is proud to announce their 1st “Landscapes” Online Art Competition for the month of January 2020. This is an international competition and artists from around the world are welcome to submit their work. The gallery invites all artists and photographers from around the world to submit ther best best representational and non-representational art related to the Landscapes theme. The Landscapes theme is considered to be any art with interpretation of natural elements such as mountains, hills, valleys, deserts, forests, farmland, trees, rivers, lakes, polar regions, rainforests, islands and tropical landscapes. All visual art mediums are
Archisource presents ‘Drawing of the Year 2019’. Our first competition celebrating the talent of architecture and design students and young professionals through a single drawing. With four categories to win from, we are celebrating the extensive variety of drawings that are created around the world each year.
This competition is in no way limited to architecture and we very much welcome those from other arts and design industries.
We are collaborating with a number of exciting partners to provide a collection of prizes worth a total of £1,500 including; a limited edition physical award designed by Mamou-Mani Architects, an Artist 15.6
The second issue of Room will reconvene in the Kitchen; a space that savors the possibilities of both cultural appreciation and cross contamination, serving basic sustenance and special occasions. Taste here is significant though subjective, with its stainless steel tongue wiped perpetually in an attempt to cleanse the palate. Nuanced residues of gender, class, labour, race, and climate cling to the cloth among germs and grains of salt.
The kitchen is a volume of complex geographies. Contents enveloped in their natural and synthetic skin's come together from landscapes distant and near, to land on the counters of the heart of
To celebrate in its own way the 100 years of the Bauhaus,
the team of illustrators in architecture “sauvarjon”
has produced 100 illustrations for which an exhibition is still in preparation.
To celebrate in its own way the 10th anniversary of the opening of the Nantes School of Architecture on the banks of the “Ile de Nantes”,
the collective offers a great illustration contest, free, open to all
around the main theme of "Replica!"
and hopes to collect 100 illustrations from different authors, which will also be the subject of an exhibition and auction during the National Days of Architecture in October 2019.
The main and only
Álvaro Siza was born in 1933, on the same year that the Bauhaus closed its doors. He is perhaps the last living modernist or, at the very least, the most significant voice to carry out the unfinished modernist project all the way into the 21st century. 'Siza – Unseen & Unknown' showcases this continuity through 100 sketches, as well as its contradictions. These drawings are from his most personal archive, in addition to small collections of close friends and family. Hence, they focus not only on the professional legacy but also on the familial one, where Maria Antónia Siza (1940–1973)
Drawing as an architectural tool serves not only as a means of communication, but through drawing we can also gain a deeper understanding of the subject. To this purpose, Alessandro Luporino has created the Illustrated Dictionary of Architecture. The series of beautiful and evocative illustrations serve as companions for the book “Dictionary of Architecture,” by Nikolaus Pevsner, John Fleming, and Hugh Honor.
Though many designers today spend their working hours immersed in computer drawing programs, few would deny that hand-drawn work still holds a unique beauty. The traditional lightbox as a drafting tool has become sadly scarce in the modern architectural practice, but architecture graduate Tom Williams hopes to encourage more people to utilize them once again with his free monthly zine, The Lightbook.
To anyone enrolled in an architecture school, final year projects tend to be the perfect time to go all in. Whether you go for 3D visualizations or build remarkable models, your final presentation is the chance to display every conceptual and technical skill acquired throughout the years.
For his B.A. Final project, architect Mohammad Pirdavari of Ati-Naghsh Hamraz Consultants, presented his modernist stadium proposal in a series of freehand Airbrush drawings. His intricate graphics helped accentuate the stadiums’ raw material and detailed relationship between the main exposed structure, and the smaller covered one.
Starting this month, ArchDaily has introduced monthly themes that we’ll explore in our stories, posts and projects. We began this month with Architectural Representation: from Archigram to Instagram; from napkins sketching to real-time-sync VR models; from academic lectures to storytellers.
It isn’t particularly novel or groundbreaking to say that the internet, social media, and design apps have challeged the relation between representation and building. A year ago we predicted that "this is just the beginning of a new stage of negotiation between the cold precision of technology and the expressive quality inherent in architecture". But, is it? Would you say digital tools are betraying creativity? This is an older dilemma than you think.
In this new edition of our Editor's Talk, four editors and curators at ArchDaily discuss drawings as pieces of art, posit why nobody cares about telephone poles on renders and explore how the building itself is becoming a type of representation.
Internationally renowned for her avant-garde search for architectural proposals that reflect modern living, Zaha Hadid made abstract topographical studies for many of her projects, intervening with fluid, flexible and expressive works that evoke the dynamism of contemporary urban life.
In order to further knowledge of her creative process and the development of her professional projects, here we have made a historic selection of her paintings which expand the field of architectural exploration through abstract exercises in three dimensions. These artistic works propose a new and different world view, questioning the physical constraints of design, and showing the creative underpinnings of her career.
I was part of the last generation of architectural students who didn't use computers (we’re only talking the early 1990’s here; there was electricity, color TV’s, rockets, just no renderings.) In my final year at college I miscalculated how long it would take me to finish my thesis project. As the deadline approached, I realized it was too late for me to match my fellow students’ presentations. At the time Zaha Hadid, and her deconstructivist paintings, set the style for architectural illustration. That meant many student projects being rendered in oil paints on large canvases.
The BDA Prize, an annual design and ideas competition, exists to generate forward-looking ideas to better our community through design and dialogue.
Architecture is a profession deeply dependent on the visual. It’s imagined, sold, critiqued and consumed almost entirely on the strength (or lack thereof) of drawings. We pick and prod at images presented at angles we’ll never be able to see, admiring the architectonic qualities of elements we’ll never actually experience.
The World Architecture Festival, with co-curators Make Architects and the Sir John Soane’s Museum, announced today the winners of their annual Architecture Drawing Prize, established in 2017 to recognize the “continuing importance of hand drawing, whilst also embracing the creative use of digitally produced renderings.”
This article was originally published by Metropolis Magazine as "Can’t Be Bothered: The Chic Indifference of Post-Digital Drawing."
In architectural circles, the appellation “post-digital” has come to mean many things to many people. Some have used it as a shorthand descriptor for the trendy style of rendering that has become popular among students and, increasingly, architectural offices. Others have used it to describe a more profound shift in architectural production that is at once inoculated against the novelty of digital technique and attuned to the sheer ubiquity of “the digital” in contemporary life.
Le Corbusier's "Five Points of Architecture" functioned in the twentieth century as the go-to guide for architectural production; it is also a significant work in understanding the legacy of modern architecture. Horizontal windows, free design of the facade, pilotis, roof gardens, and perhaps the most significant point, free design of the ground plan form the Franco-Swiss architect's manifesto. In terms of design practice, this last point means distinguishing structure and wrapper, which allows the free disposal of dividing walls that no longer fulfill a structural function.
Residential projects were once characterized by a clear division of environments linked to domestic dynamics, now filtered by modern discourse, the house became flexible and capable of new spatial articulations.
To better understand the modern domestic space, we gathered some of the most emblematic examples of residences and their floor plans.