I was part of the last generation of architectural students who didn't use computers (we’re only talking the early 1990’s here; there was electricity, color TV’s, rockets, just no renderings.) In my final year at college I miscalculated how long it would take me to finish my thesis project. As the deadline approached, I realized it was too late for me to match my fellow students’ presentations. At the time Zaha Hadid, and her deconstructivist paintings, set the style for architectural illustration. That meant many student projects being rendered in oil paints on large canvases.
Drawing: The Latest Architecture and News
The BDA Prize, an annual design and ideas competition, exists to generate forward-looking ideas to better our community through design and dialogue.
Architecture is a profession deeply dependent on the visual. It’s imagined, sold, critiqued and consumed almost entirely on the strength (or lack thereof) of drawings. We pick and prod at images presented at angles we’ll never be able to see, admiring the architectonic qualities of elements we’ll never actually experience.
The World Architecture Festival, with co-curators Make Architects and the Sir John Soane’s Museum, announced today the winners of their annual Architecture Drawing Prize, established in 2017 to recognize the “continuing importance of hand drawing, whilst also embracing the creative use of digitally produced renderings.”
This article was originally published by Metropolis Magazine as "Can’t Be Bothered: The Chic Indifference of Post-Digital Drawing."
In architectural circles, the appellation “post-digital” has come to mean many things to many people. Some have used it as a shorthand descriptor for the trendy style of rendering that has become popular among students and, increasingly, architectural offices. Others have used it to describe a more profound shift in architectural production that is at once inoculated against the novelty of digital technique and attuned to the sheer ubiquity of “the digital” in contemporary life.
Le Corbusier's "Five Points of Architecture" functioned in the twentieth century as the go-to guide for architectural production; it is also a significant work in understanding the legacy of modern architecture. Horizontal windows, free design of the facade, pilotis, roof gardens, and perhaps the most significant point, free design of the ground plan form the Franco-Swiss architect's manifesto. In terms of design practice, this last point means distinguishing structure and wrapper, which allows the free disposal of dividing walls that no longer fulfill a structural function.
Residential projects were once characterized by a clear division of environments linked to domestic dynamics, now filtered by modern discourse, the house became flexible and capable of new spatial articulations.
To better understand the modern domestic space, we gathered some of the most emblematic examples of residences and their floor plans.
Architectural comprehension as a field deals with representation as a synthesis of varied efforts - constructive, compositional, spatial, and technical qualities - which are then articulated in the constructed building. For this purpose, it is essential to think about the graphic representation that presupposes all these efforts, since it is both a procedure and a product of architectural design.
Being a 21st-century designer is not always a walk in the park, but it certainly has its perks. Fortunately, innovative product and software designers have created numerous programs that transform our ideas and visions into visual and tangible reality.
Concepts, the “next-generation design platform” is an iOS application, suitable for all design and engineering fields. Accommodating almost 80% of all design tasks, product designers, fashion designers, game designers, and industrial engineers can benefit from what the application has to offer. The TopHatch creation - which is trusted by leading designers at Disney, Apple, Nike, PlayStation, Unity, and several other leading corporations - was initiated as a simple prototype, and gradually built on feedback and innovative updates.
Following our Top Apps for Architects article, the award-winning vector-based app, is launching a brand new update, with exclusive features that enable a limitless, customized, and more precise creative experience, exclusively shared with ArchDaily readers.
Continuing their Time-Space-Existence series of monthly videos leading up to this year’s Venice Biennale, PLANE—SITE have released a new conversation with architect and former Harvard GSD chair of architecture Toshiko Mori. Each video highlights the ideas that drive the work of well-known designers, with this episode focusing on Mori’s philosophy of visual communication, dialogue with history and considering the future in her work.
Tishk Barzanji's Illustrations Envision Complex Universes Inspired By Surrealism And Modern Architecture
It is rare to find artists who can instigate critical reflection on architecture by combining references such as 'The Red Wall' (La Muralla Roja) by Ricardo Boffil, with the complex illustrations of Giovanni Battista Piranesi and pop culture icons. But Tishk Barzanji, a London artist, is one who does.
Through his digital illustrations, he explores elements of modern architecture from a filtered view by using references that create a dreamlike and surreal universe, producing compositions that express an austere and somewhat disturbing atmosphere.
What do architectural drawings do? Convey visual information about the design of buildings. This much is certain. They do much else besides. They can be idiomatic and ideological, they can express the personality of those who make them and by whatever means—charcoal, pencil, pen, or computer program. They can inspire, provoke and radicalize. They might be realistic or the stuff of fantasy. Or, of course, they can instruct those charged with building a three-dimensional representation of what they see on paper or, in recent years, on computer screens. Intelligence visible, they can also be art.
So, judging an open competition of architectural drawings from around the world, like The Architectural Drawing Prize, can only ever be an exercise in open-ended judgment even when these have been sorted into three technical categories: Hand-drawn, Digital, and Hybrid. How do we begin to compare Chris Raven’s intriguing digital analysis of Publicly Accessible Spaces in St Paul’s Cathedral with Xinyuan Cao’s almost fond cross-section through the Renovation of Denggao Village, two commended entries in the Digital Drawings category?
The black sheep of all architectural drawing has got to be technical drawing. Everybody loves drawing perspectives, sketches —you know the creative, interesting and expressive part of architectural drawing. But what about the aspects of drawing: the technical, logical, rational part? It might not be as sexy as freehand drawing, but it is just as important.
If you don’t know proper technical drawing skills it will show in your work; your perspectives will look ‘less smart’ and badly proportioned and your designs will lack consistency. So in order to make technical drawings look less cold and more approachable, I’m sharing the best 20 technical drawing tips I’ve come across.
The Architecture Drawing Prize received 166 entries from 26 different countries, offering a fascinating cross-section of approaches to and uses of architectural drawing today: from highly sophisticated design drawings to lyrical hand-drawn sketches, and everything in between. The exhibition retains a sense of this variety so along with the three category winners, it was decided to showcase the ten entries that received commendations from the judges.
Open Screen Limited is now accepting submissions for its "Archisketch Drawing Contest," with more than $2,500 in prize money to be won.
Trained in Architecture, Urban Design, and Theory, Alina Sonea illustrates the complex and often paradoxical nature of the cities we inhabit. The Feldkirch-based artist and architect has, since 2013, completed a series of detailed illustrations that employ graphic yet delicate black lines to render dense images of fantastical metropolises.
Update: The deadlines for this opportunity have been extended
- Call For tutors : Extended till January 28
- Call for participants : Ends on February 28
MEDS workshop “Meetings of Design Students” is an international workshop that takes part each summer in a different country, focusing on various issues, themes, topics and settings that will help any designer expand their expertise. It is a chance to get in touch with diverse approaches to design, different building techniques, traditions and skills. MEDS workshop is both practical and educational because it focuses not only on creative theoretical designs, but actually compels participants to execute these designs during the 2-week span of the workshop. You can apply to MEDS as a tutor or as a participant.
Architects are people of great taste, who enjoy the finer things in life – especially when it comes to pens. The saying goes: ‘don’t judge a book by its cover’, but inevitably we find ourselves judging an architect by their choice of pen. It’s easy to do when your colleague decides to grab the nearest biro to sketch a quick diagram, leaving you to squirm as you sit and watch it indent the paper.
Pens are powerful tools for architects, that harness our thoughts and ideas into potential three-dimensional structures. In the age of the digital world, pens have become sacred, grounding us back to the simple pleasure of drawing to begin the creative process. After years of trying and testing all the different writing instruments out there, we eventually find the one which can say a lot more about ourselves than you may think.