In 1919, the creation of the Bauhaus school in Germany marked an important moment in the history of architecture, one that would ignite innumerable debates about architecture and design for years to come. This school, which later became more of a movement than an institution, faced an array of political resistance throughout its existence, eventually closing its doors in 1933 during the Nazi regime. However, the knowledge instilled by the Bauhaus transcended time and space to travel across the globe and make its mark on cities worldwide.
Kengo Kuma & Associates have proposed a new 40-story mixed-use skyscraper incorporating a historic Gothic Revival facade in Seattle. Located in the Belltown neighborhood, the project would reuse the ornate five-story Bebb & Gould’s Terminal Sales Annex facade. Made in collaboration with Ankrom Moisan Architects and the landscape architecture firm Berger Partnership, the project aims to reinforce the Gothic and Art Deco heritage of Seattle’s downtown.
The City of Utrecht Council, in collaboration with advertising agency Clear Channel, has transformed 316 bus stops across the city into “bee stops.” The adaption involved installing green roofs onto the bus stops, creating bee-friendly spaces for the endangered species.
Past, Present, Future is an interview project by Itinerant Office, asking acclaimed architects to share their perspectives on the constantly evolving world of architecture. Each interview is split into three video segments: Past, Present, and Future, in which interviewees discuss their thoughts and experiences of architecture through each of those lenses. The first episode of the project featured 11 architects from Italy and the Netherlands and Episode II is comprised of interviews with 13 architects from Spain, Portugal, France, and Belgium.
The goal of the series is to research these successful firms and attempt to understand their methods and approaches. By hopefully gaining a clearer picture of what it means to be an architect in the 21st century, the videos can also serve as inspiration for the next generation of up-and-coming architects and students as they enter the field.
Bar producer Makr Shakr has unveiled new rooftop robotic bars in Milan and London. Founded by MIT professor Carlo Ratti, the company's new projects are made to engage with the city and explore the potential of technology. In Milan, the project is the city's first robotic bar, while the London bar is on display at the Barbican as part of its AI: More than Human exhibition. Makr Shakr's bars aim to combine barman roots with food tech around the future of human-machine collaboration.
Architecture lost itself in an identity crisis not long ago. The discipline wandered in self-reflection, reexamining how practitioners go about their work, how the built environment should appear, and why. Movements came and went. Promising paths dead-ended. Eventually, the profession gave up looking for ways out of its uncertainty, leaving us where we are today.
In premodern eras, new construction techniques, evolving opinions on art, and shifting societal beliefs drove styles. Advances were slow, but once established, became long-lived norms. The Gothic period lasted four centuries, the Renaissance three. From the nineteenth century on, though, more than a hundred aesthetic and philosophical movements lived quickly and died. As historian Charles Jencks notes, there were “a plurality of live architectural traditions” even during the International Style’s forty-year hegemonic heyday.
As an architect, critic and winner of the 2002 Pritzker Prize, Glenn Murcutt, (born 25 July 1936) has designed some of Australia's most innovative and environmentally sensitive buildings over a long career—and yet he still remains a one man office. Despite working on his own, primarily on private residences and exclusively in Australia, his buildings have had a huge influence across the world and his motto of "touch the earth lightly" is internationally recognized as a way to foster harmonious, adaptable structures that work with the surrounding landscape instead of competing with it.
Andres Jacque / Office for Political Innovation has released their design for the Reggio School in Encinar de los Reyes, Madrid. Promoted by the Reggio Center for Pedagogical Research and Innovation, the project is based on the idea that architectural environments can evoke in children the desire for exploration and inquiry.
https://www.archdaily.com/921802/andres-jaque-office-for-political-innovation-unveil-experimental-madrid-schoolNiall Patrick Walsh
Map: Crowther Lab, Fuente: Bastin et al. 2019 Plos One, Created using Datawrapper
The climate in Madrid in 2050 will look more like the climate in Marrakesh, Morocco today. Stockholm will feel more like Budapest, London like Barcelona, Moscow like Sofia, Seattle like San Francisco, and Tokyo like Changsa in China.
Foster + Partners have won the international competition to design the new Bilbao Fine Arts Museum in Spain. The winning proposal was revealed by the president of the Provincial Council of Bizkaia and the Bilbao Fine Arts Museum Foundation Board. The revitalization will turn Plaza Arriaga into the new heart along the museum’s spine. The proposal seeks to reorient the museum towards the city by restoring the façade of the existing building and making it more permeable, while enhancing the institution’s unique identity.
Eduardo Souto de Moura (born 25 July 1952), the Portuguese architect that won the 2011 Pritzker Prize, is known for designs that are formally simple yet serious and at times, dramatic, created through his thoughtful use of colors and materials. His architecture is both versatile and consistent, contextual yet universal, and rarely affected by current trends or styles.
Funded by Norman Foster in 1967, Foster+Partners studio develops projects that integrate architecture and engineering with interior and object design. In a special collaboration with Porcelanosa – experts in the fabrication of furniture and accessories made out of stone, ceramic, brass, wood and KRION®–, they have designed a collection of bathrooms in simple and minimalistic ways, highlighting the essence of the materials and the trade of their fabrication.
The collection has been branded as TONO and its objects can be mixed and adapt to diverse typologies, from residential interiors to commercial spaces and offices.
Designer Honglin Li has created a proposal for a waste-to-energy skyscraper in the Great Pacific Garbage Patch. Called FILTRATION, the project was awarded Honorable Mention in the 2019 eVolo Skyscraper Competition. The modular, prefabricated megastructure contains several Material Recovery Facilities and Water Treatment Plants to recycle the floating garbage and clean seawater while taking on the world energy crisis.
ArchDaily, Strelka Institute, and Strelka KB have selected a long list of 50 architectural projects nominated for the joint ArchDaily & Strelka Award, which celebrates emerging architects and new ideas that transform the contemporary city. Now the readers of ArchDaily and Strelka Mag can vote for their favorite project to decide the finalists.
Islam, other than describing a religious belief, is a word that identifies a unique type of architecture that dates back thousands of years. It has been formed by a civilization that transformed the qualities of this belief into visible and tangible material, building structures with a striking focus on details and experiences within enclosed spaces.
Islamic architecture is an architecture that does not change its form easily. In fact, its principles have been more or less the same since thousands of years ago, with minor changes based on functional adaptations. To this day, hundreds of buildings still stand as a representation of the history of Islamic architecture and are still used just as they have been in the past.
War, however, has no religion or cultural nostalgia, and even the holiest, most historically-significant sites are threatened with complete destruction. The Great Umayyad Mosque in Aleppo, originally built by the first imperial Islamic dynasty and currently situated within a UNESCO World Heritage Site, stood yet again as a battlefield during the recent Syrian War, but this time, lost its most significant and resilient element, an 11th-century Seljuk Minaret.
American home services website Angie's List has released a series of commissioned images showcasing eight United States landmarks in cross-section. Dubbed Cutaway America, the project takes a new perspective on projects that people are used to seeing from the outside. From idealistic designs that attempt to become one with nature to complex infrastructure, these cutaways hint at a longer story of America and its history.
Videos
Image Courtesy of TuDelft and the Spong3d project
The term "resilience" has been employed in a wide range of subjects. The scientific definition is the ability of a substance or object to recover its form after suffering some trauma. In other words, it is quite different from resistance, as it concerns the capability of adapting and recovering. In ecology, resilience is about the ability of an ecosystem to respond to a perturbation or disturbance, resisting damage and recovering quickly. In architecture, however, designing something while having resilience in mind can lead to a variety of approaches. Resilient designs are always site-specific. Predicting the potential scenarios for typical building use, and even any disasters that could challenge the integrity of the project and its occupants is an important starting point. Furthermore, it is possible to address adaptive structures and materials that can ''learn'' from their environment and continuously reinvent themselves. Since there are software and robots with algorithms that learn from their contexts, why can't we use the same approach in construction?
We have selected 10 adaptive materials and solutions that work under the concept of Resilience in Architecture and Construction. We are left wondering whether these solutions will someday become mainstream or merely occasional innovations.
Since 2007, Lisbon Architecture Triennale has been developing its mission as a non-profit organization fostering debate, thinking and practice in Architecture. The large number of activities initiated throughout its 10 years of existence is the best witness to this commitment.
https://www.archdaily.com/921450/details-about-lisbon-triennale-2019Pedro Vada
Despite his late entry into architecture, Geoffrey Manning Bawa FRIBA, (July 23, 1919 – May 27, 2003), explored modernism and its cultural implications and created a unique, recognizable style of design which had a lasting impact on architects across the world. Well versed in Modernist theory, Bawa was one of the original proponents of Tropical Modernism, a design movement in which sensitivity for local context combines with the form-making principles of modernism. Bawa’s architecture led to the formation of a new architectural identity and aesthetic for many tropical environments, and won him recognition and awards, including the Chairman’s Award of the Aga Kahn Special Chairman’s Award for Architecture (2001) and the title Deshamanya, in recognition of his contributions to his country by the government of Sri Lanka.
OMA has won the competition to design a new international financial center in Shenzhen, China. Called the IFEC, the project combines large scale conference facilities with a 400-room hotel and public programs. Located at the waterfront of Qianhai, the New District in the Pearl River Delta, the IFEC was designed to be a beacon for ships sailing along the 21st-century maritime silk road.
MAD Architects’ first built project in Europe is nearing completion in the French capital of Paris. Led by Ma Yansong, MAD was awarded the project in 2012 following an international design competition, working in collaboration with French firm Biecher Architectes. The building, named “UNIC,” emerges as part of a mixed-use masterplan envisioned adjacent to the Martin Luther King Park: a 10-hectare green space.
ETH Zurich has unveiled details of “Concrete Choreography,” an installation recently inaugurated in Riom, Switzerland. The installation presents the first robotically 3D printed concrete stage, consisting of columns fabricated without formwork, and printed to their full height in 2.5 hours. The process is expected to greatly improve the efficiency of concrete construction while achieving the fabrication of complex components.
https://www.archdaily.com/921635/eth-zurich-develops-3d-printed-concrete-columnsNiall Patrick Walsh
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