Following an open competition, the Australian Institute of Architects have announced "repair" as the theme of the Australian Pavilion at the 2018 Venice Architecture Biennale. Baracco+Wright Architects, collaborating with artist Linda Tegg, will oversee the cultivation of "thousands of temperate grassland species" within the pavilion, alongside "large-scale architectural projections." According to the AIA, "visitors will enter a physical dialogue between architecture and endangered plant community, reminding us what is at stake when we occupy land."
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Australian Pavilion at the 2018 Venice Biennale Will Cultivate Thousands of Temperate Grassland Species
HASSELL has unveiled the design of a striking new building to be located along Sydney’s Darling Harbour. Known as The Ribbon, the $700 million mixed-use development will rise between two elevated highways, connecting visitors between the city and the waterfront and becoming the new gateway to the western end of Sydney’s central business district.
In a major victory for preservationists, one of Sydney’s few examples of brutalist architecture, the Sirius Apartment Building, has been saved from the wrecking ball after court ruled against the government’s attempt to deny it a place on the State Heritage Register.
Hong Kong tops the list of the world's most expensive housing markets relative to income, with Sydney, Auckland, Vancouver, Los Angeles and San Francisco also making the list.
Danish practice 3XN Architects has revealed design plans for what will be the world’s largest fish market in Sydney, Australia. Selected from a submission pool of more than 60 international design studios, 3XN’s design will relocate the existing Syndey Fish Market from its location in Pyrmont to a nearby wharf in Blackwattle Bay on Bridge Road in Glebe, creating a new food and dining destination on the Sydney inner harbor.
New images have been revealed of SANAA’s design for the expansion of the Art Gallery of New South Wales in Sydney, Australia, as the project has received a $244 million AUD ($186 million USD) commitment from the NSW Government, more than two-thirds of the project’s total estimated budget. A supplemental campaign will be launched later this year for the remaining $100 million, $70 million of which has already been pledged.
Foster + Partners has been selected as the winners of an international competition to design a new office tower for Sydney’s Circular Quay, steps away from the city’s harbor and iconic Opera House. Located between George and Pitt streets, the tower will serve as a centerpiece of the urban district’s reinvigorated masterplan, featuring a scheme characterized by its array of pedestrian pathways that cross through the site at multiple levels. Injecting life into the area, the laneways will be lined with retail shops, cafes and bars, helping Sydney maintain its identity as a unique cultural destination.
Rem Koolhaas and David Gianotten Reveal OMA’s Design for Australia's MPavilion 2017.
Vivid LIVE, part of the annual festival of lights and music known as Vivid Sydney, is taking place this weekend. As in previous years, the event was launched with a mesmerizing video projection mapped onto the sails of Sydney's iconic Opera House. Titled "Audio Creatures," this year's projection was created by Ash Bolland sees the Opera House writhe and squirm to a soundtrack by Amon Tobin; at times the shells of the building crack open to reveal new life inside, at other moments, infestations crawl their way across from the building's edges.
Construction is an exercise in frugality and compromise. To see their work realized, architects have to juggle the demands of developers, contractors, clients, engineers—sometimes even governments. The resulting concessions often leave designers with a bruised ego and a dissatisfying architectural result. While these architects always do their best to rectify any problems, some disputes get so heated that the architect feels they have no choice but to walk away from their own work. Here are 6 of the most notable examples:
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