Tonight the Pritzker Prize will hold its annual award ceremony, this year honoring the work of 2015 laureate Frei Otto, who sadly passed away the day before he was announced as this year's winner on March 10th. This year, the ceremony will be hosted in Miami Beach at Frank Gehry's New World Center, the first time the ceremony has been held in the Miami Area. Speakers will include Tom Pritzker and Chair of the Jury, Lord Peter Palumbo, alongside a selection of past Pritzker Laureates.
After news of Frei Otto winning the 2015 Pritzker Prize broke, the internet was filled with comments on his influence on the profession over the past half a century of architecture. Of course, with the news of the Pritzker sadly packaged with news of his death, the impulse for many to offer some words in remembrance heightened the outpouring of opinion.
In their notes on the selection of Frei Otto as the 2015 Pritzker Prize Laureate, the jury described him as an architect that took his work beyond the boundaries of the discipline, as an architect who was also a “researcher, inventor, form-finder, engineer, builder, teacher, collaborator, environmentalist, [and] humanist.”
To learn more about Otto’s multidisciplinary approach to architecture as well as his emphasis on experimentation, we turned to an interview he did with Juan María Songel in 2004, published in the book A Conversation with Frei Otto. In the interview, Otto discusses numerous topics of interest and relevance to architecture in the 21st century, and in particular the importance of experimentation and research, declaring: “Productive research must be brave!”
“The computer can only calculate what is already conceptually inside of it; you can only find what you look for in computers. Nevertheless, you can find what you haven’t searched for with free experimentation.” - From A Conversation with Frei Otto, by Juan Maria Songel
“Frei Otto: Spanning the Future,” a documentary profiling the internationally renowned architect and engineer Frei Otto, has been in production since 2012. Otto, who was named the 2015 Pritzker Prize laureate on Tuesday evening (following his death on Monday night), first gained international recognition half a century ago as a pioneer in designing tensile structures using metal frames and lightweight membranes.
Frei Otto passed away this past Monday, a day before being internationally celebrated as the Pritzker Prize’s 40th laureate. The first architect to ever receive the Prize posthumously, Otto was a brilliant inventor, architect and engineer who pioneered some of history’s most ambitious tensile structures.
On Tuesday evening the Pritzker Prize jury named Frei Otto as the 40th recipient of the award, making him the second German to receive the award and the first winner to receive it posthumously. Otto was both an architect and a structural engineer, perhaps best known for the 1972 Munich Olympic Stadium.
With regards to their decision the jury highlighted Otto’s “visionary ideas, inquiring mind, belief in freely sharing knowledge and inventions, his collaborative spirit and concern for the careful use of resources.”
Enjoy 10 photos of Otto’s projects after the break.
The sudden and unexpected announcement of the Pritzker Prize yesterday evening sent shockwaves through the architecture world. With the sad death of the Prize's latest laureate Frei Otto on Monday, the Pritzker made the unprecedented decision to announce the winner two weeks early, ensuring that Otto's final, crowning achievement would make its way into the obituaries of this great man.
Of course, despite the sudden nature of the announcement, the many critics on Twitter were on hand to lend their initial thoughts in what was an interesting mix of congratulations, sadness and nostalgia. Read on after the break for all the reactions.
Frei Otto has just been named the 40th recipient of the Pritzker Prize - two weeks prior to the expected official announcement. The abrupt news has been released early due the unfortunate passing of the German architect and structural engineer, who was best known for the 1972 Munich Olympic Stadium. The pioneering tensile structure, which stood in considerable contrast to the strict, authoritarian stadium that was its predecessor, was meant to present a different, more compassionate face for Germany.
Last night German architect Frei Otto was selected as the 2015 Pritzker Prize Laureate, the second German to win the award and the first to receive the award posthumously. The video above shows the impressive construction process of Otto’s German Pavilion at the 1967 International and Universal Exposition in Montreal (although unfortunately without sound).
We’ve just learned that the Pritzker Prize will be announced on Monday, March 23rd at 10am EDT. This prize — architecture’s most prestigious — has been awarded annually since 1979. Past winners include Philip Johnson, Zaha Hadid, Rem Koolhaas, Oscar Niemeyer, Norman Foster and Toyo Ito (full list). You can see ArchDaily’s coverage of the prize here. Stay tuned for the latest updates on this year’s winner. Who do you think deserves to win?
As the Pritzker Jury begins its deliberations for the 2015 Pritzker Prize, this is a critical time of year for shaping the landscape of architectural debate for the coming year and beyond. The following is an open letter to Martha Thorne, the Executive Director of the Pritzker Prize, from Conrad Newel, author of the popular blog Notes on Becoming a Famous Architect.
I have to hand it to you and all the people on the Pritzker committee, you guys are a very crafty bunch. Just when I thought I had you all figured out, you have now - even though only slightly - succeeded in confounding me.
From my 2011 analysis of the Pritzker, I figured that your potential pool of laureates was always a very predictable bunch. In fact anyone could look at my data and predict with reasonable certainty that the next laureate would most likely be an Asian or Caucasian male starchitect from Europe, The USA, or Japan. I further pointed out that none of your laureates have done much in the way of humanitarianism, despite the fact that the mission statement of the Pritzker also asks that the recipient should be making significant contributions to humanity. I maintained that this part of the mandate has been consistently overlooked.
The Pritzker Prize has announced that Richard Rogers will join the ranks as the latest member of its prestigious jury. Rogers, a Pritzker Laureate himself in 2007, is known for his innovative High-Tech style, establishing his name in the 1970s and 80s with buildings such as the Pompidou Centre in Paris and Lloyds of London. Since then, he has also become known for his advocacy in a range of urban issues, being commissioned by the UK Government to produce a report on British cities entitled "Towards an Urban Renaissance," and for his active role in politics as a member of the House of Lords.
Barcelona architect Benedetta Tagliabue has been appointed as the newest and ninth member of the Pritzker Architecture Prize jury, joining Martha Thorne (executive director), Peter Palumbo (chair), Alejandro Aravena, Stephen Breyer, Yung Ho Chang, Kristin Feireiss, Glenn Murcutt, Juhani Pallasmaa and Ratan N. Tata.
Robert Venturi, the architect famous for "less is a bore," turns 89 today. Venturi started his firm in 1964 and ran it with his wife and partner Denise Scott Brown from 1967 until 2012. Today the Pritzker Prize winner's legacy lives on as the firm continues under the name VSBA (Venturi Scott Brown Associates).
British writer Tim Abrahams finds Shigeru Ban's architecture "kooky, Middle Earthy, Hobbity" – an opinion which earns him the title of "idiot" in the eyes of newly appointed Architecture for Humanity Executive Director Eric Cesal. In an article for the Boston Review, Stephen Phelan uses the pair's opposing opinions to illustrate the Pritzker Prize winning architect's perceived failures and successes. Read his very engaging take, here.
As one of the leading architects of Japan's increasingly highly-regarded architecture culture, 2013 Pritzker Laureate Toyo Ito (born June 1, 1941) has defined his career by combining elements of minimalism with an embrace of technology, in a way that merges both traditional and contemporary elements of Japanese culture.