Eduardo Souto de Moura (born 25 July 1952), the Portuguese architect that won the 2011 Pritzker Prize, is known for designs that are formally simple yet serious and at times, dramatic, created through his thoughtful use of colors and materials. His architecture is both versatile and consistent, contextual yet universal, and rarely affected by current trends or styles.
On April 2nd, the jury of the 10th Ibero-American Architecture and Urbanism Biennial DESPLAZAMIENTOS / DESLOCAMIENTOS met in Madrid to select the winner of the Ibero-American Award for Architecture and Urbanism.
Images of Souto Moura Arquitectos' first US project has emerged. Aimed to replace a former gas station at 2715 Pennsylvanian Avenue NW in Washington DC, the five-story red brick and concrete building will feature a ground floor restaurant and eight 2,000-square-foot apartment units with balconies, a gym and penthouse terrace.
As BizJournals reports, the proposal is being pitched by EastBanc Inc. as the new "entrance to Georgetown." The Portuguese architect chose red brick "because it seems to be the most appropriate for this part of the city."
From April 18 until August 24, 2015, the Hombroich Foundation will showcase the work of Pritzker Prize-winning architect Eduardo Souto de Moura. Spanning from his early career in 1980 to the present, the exhibition will explore de Moura’s influential style through models, plans, sketches and photographs. Celebrating such dynamic works as the reconstruction of the Franciscan convent of Santa Maria do Bouro in Amares and the the football stadium Estádio Municipal de Braga, highlighted projects will tell the lifelong story of de Moura’s designs.
Eastbanc has tapped Portuguese architect Eduardo Souto de Moura to transform a former "Four Seasons gas station" site into a mixed-use condo. According to a report on the Georgetowner, the developer has asked residents to have "an open mind" for the design, which, as Urban Turf points out, is likely to stand out in the historic Washington D.C. district. Little details have been released. “We are considering all options, from condo to rental to hotel,” Eastbanc President Anthony Lanier stated. “It’s early in the design phase.”
LaMIPA, a non-profit "architectural exchange platform" dedicated to exhibiting art and culture, will be part of the 2014 Beijing Design Week (BJDW) with a launch event on September 25th 2014 and following events on the 26th and 28th. Exhibiting seventy documentaries by Spanish and Portuguese architects, and organised in conjunction with the Spanish and Portuguese Embassies to China, the unique audiovisual LaMIPA collection will be part of the main section of the Beijing Design Week festival. Alongside the exhibition a series of lectures from a number of renowned practices including Souto de Moura and OAB Ferrater will also be taking place.
The much anticipated Time Space Existence collateral event at Palazzo Bembo and Palazzo Mora for the 2014 Venice Architecture Biennale brought together a diverse group of 100 architects from six continents in an "extraordinary combination." Summoned by the Dutch non-profit Global Arts Affairs Foundation, the exhibitions the architects were asked to produce documents current developments and thoughts in architecture, highlighting fundamental questions by discussing the philosophical concepts of Time, Space and Existence. Featuring well established architects next to lesser known practices, they all share a "dedication to architecture in the broadest sense of their profession."
The Dutch non-profit Global Arts Affairs Foundation has summoned a diverse group of 100 architects from over 40 countries to participate in the Collateral Event “Time Space Existence” at the 2014 Venice Architecture Biennale.
Ricardo Bofill, Norman Foster and Eduardo Souto De Moura are among the many participating, showcasing ideas, research and aspirations that will add commentary about the current state of architecture as well as highlight philosophical questions and concepts regarding time, space and existence.
A complete list of participants, after the break...
This Financial Times article describes the Post-Recession paradigm shift occurring in Portuguese architecture -- from construction to landscape, large to small. Pritzker Prize winners Alvaro Siza and Eduardo Souto de Moura have been leading this "micro" trend, designing hotels with exceptional materiality and craft. We've decided to round up some of these extraordinary structures, including: Casa Na Areia and Cabanas no Rio by Aires Mateus, Jorge Sousa Santos’ Rio do Prado, the Ecork Hotel by Jose Carlos Cruz and Villa Extramuros by Jordi Fornells. Last but not least, is ArchDaily’s building of the year for hospitality architecture -- the Tree Snake Houses from father Luís Rebelo de Andrade and son Tiago Rebelo de Andrade.
Porto Poetic, an exhibition covering the career and work of notable portuguese architects, started March 6 and will keep on going until April 13. The exhibition, which includes the work of Pritzker Prize winners Álvaro Siza and Eduardo Souto de Moura, will show sketches, plans, models and photographs of their most important work.
As an accompaniment to their ongoing Sensing Spaces Exhibition in London, the Royal Academy of Arts has produced six wonderful films interviewing the architects involved in the exhibition, unearthing what motivates and inspires them as architects, and what the primary themes of their exhibition projects are.
The above video features both Álvaro Siza and Eduardo Souto de Moura, who both designed their Sensing Spaces exhibits with the other in mind. Siza explains his preoccupation with the joints between the natural and the man-made through his Leça Swimming Pool complex, and the way the rock formations informed his interventions. He also introduces his one-time protégé Souto de Moura's Braga stadium as expressing the same understanding of the natural and man-made.
See videos from the 5 other Sensing Spaces participants after the break
This past week London’s Royal Academy of Arts (RA) celebrated the opening of, what many claim to be, one of the most “epic” and “enchanting” exhibitions of 2014: Sensing Space: Architecture Reimagined. With a series of large scale installations by some of profession’s most acclaimed architects, such as Eduardo Souto de Moura, and Kengo Kuma, the immersive exhibition creates an atmosphere that encourages visitors to become part of the experience and open their minds to the sensory realm of architecture.
"Architecture is so often the background to our lives," stated curator Kate Goodwin. "We often don't think about it - it's practical and functional, but when does it do something more?"
A preview of the installations, after the break.
ArchDaily got the chance to briefly speak with Pritzker-prize winning Portuguese architect Eduardo Souto de Moura when he (along with the Porto Metro Authority) received the Veronica Rudge Green Prize in Urban Design at the Harvard Graduate School of Design earlier this month. His design for the Metro system in Porto, Portugal garnered high praise from the jury, with member Rahul Mehrotra explaining that the project “shows generosity to the public realm unusual for contemporary infrastructure projects.” Upon receipt of the award, the head of the Porto Metro, João Velez Carvalho, thanked Souto de Moura for his efforts in this “urban revolution” and touted Porto as a destination in which people actively and enthusiastically seek out the architecture of Souto de Moura and fellow Portuguese architect Alvaro Siza.
Souto de Moura spent a few moments with us to describe both the challenges and rewards of working on a project that saw the completion of 60 new stations constructed in 10 years within the sensitive fabric of the city of Porto—a UNESCO World Heritage site.
ArchDaily: What is your opinion of architecture prizes?
Eduardo Souto de Moura: I won’t be modest, I like describing my opinion about them because the profession is so tough and difficult that is it complicated to achieve a high level of quality. So when you’re awarded a prize it’s like a confirmation of your effort. But the other thing is that a project is not the act of an individual, it’s a collective act. When there’s a prize, the press and the people, the “anonymous people,” go see the project and talk about it, critique it. That’s what gives me the motivation to continue in the profession. And every time it gets more difficult.
The Harvard Graduate School of Design (GSD) has announced the 11th Veronica Rudge Green Prize in Urban Design award winners: Eduardo Souto de Moura’s Metro do Porto in Porto, Portugal, and the Northeastern Urban Integration Project in Medellín, Colombia.
When commenting on the significance of the two prize-winning projects, jury member Micahel Sorkin stated: "If there are lessons to be drawn for urban design from Medellín and Porto, I think the broader lesson has to do with the disruption of the segregation of the disciplines in the design field. Historically we have understood that Landscape Architecture sits in one place, Architecture in another, and Urban Design and Planning [in another, with all three disciplines] in constant conflict about their territorial rights. One of the things that is revolutionary about the Medellín project is that distinguishing among the disciplines is no longer possible."
More about the prize-winning projects, courtesy of the GSD:
The Royal Academy of Arts’ (RA) in London will soon be transformed into a multi-sensory “architectural maze” with the construction of seven installations by seven world-famous architects for the exhibit, Sensing Space: Architecture Reimagined. Participants, handpicked by curators Kate Goodwin and Drue Heinz, include Alvaro Siza, Eduardo Souto de Moura, Pezo von Ellrichshausen and Kengo Kuma.
Thanks to Alvaro Siza and Eduardo Souto de Moura, Portugal's two Pritzker Laureates, Sao Paulo will soon have its own temporary summer pavilion - a la the Serpentine Gallery - in the city's most important green space: Ibirapuera Park.
Sketchbook No. 76 is the reproduction of a sketchbook of the renowned Portuguese architect and last year’s Pritzker Prize laureate, Eduardo Souto de Moura. The sketchbook was in use between September 2011 and January 2012 and records first ideas, fleeting sketches, studies, and spontaneous jottings that offer a starting point for every project but also function as a working resource. One can quite litterally experience the architectural design process and how developing existing ideas are further developed in different variants. Sketchbook No. 76 is a homage to the medium of drawing and manifests that this working method remains an essential element of the creative process.
Eduardo Souto de Moura was awarded the Pritzker Prize just last week (our coverage of the ceremony here). This video takes a look inside Souto de Moura’s office in Porto and the surrounding city including his Burgo Tower which has become a landmark. Also taking a look at scale the video displays a wide variety of his work throughout Portugal in varying scales from a single family home to the Braga Stadium.