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Images Emerge of Souto de Moura's First US Project

Images of Souto Moura Arquitectos' first US project has emerged. Aimed to replace a former gas station at 2715 Pennsylvanian Avenue NW in Washington DC, the five-story red brick and concrete building will feature a ground floor restaurant and eight 2,000-square-foot apartment units with balconies, a gym and penthouse terrace.  

As BizJournals reports, the proposal is being pitched by EastBanc Inc. as the new "entrance to Georgetown." The Portuguese architect chose red brick "because it seems to be the most appropriate for this part of the city."

Spotlight: Eduardo Souto de Moura

Eduardo Souto de Moura (born 25 July 1952), the Portuguese architect that won the 2011 Pritzker Prize, is known for designs that are formally simple yet serious and at times, dramatic, created through his thoughtful use of colors and materials. His architecture is both versatile and consistent, contextual yet universal, and rarely affected by current trends or styles.

The Hombroich Foundation Presents "Souto de Moura 1980 - 2015"

From April 18 until August 24, 2015, the Hombroich Foundation will showcase the work of Pritzker Prize-winning architect Eduardo Souto de Moura. Spanning from his early career in 1980 to the present, the exhibition will explore de Moura’s influential style through models, plans, sketches and photographs. Celebrating such dynamic works as the reconstruction of the Franciscan convent of Santa Maria do Bouro in Amares and the the football stadium Estádio Municipal de Braga, highlighted projects will tell the lifelong story of de Moura’s designs.

Eduardo Souto de Moura Tapped for Mixed-Use Condo Project in DC

Eastbanc has tapped Portuguese architect Eduardo Souto de Moura to transform a former "Four Seasons gas station" site into a mixed-use condo. According to a report on the Georgetowner, the developer has asked residents to have "an open mind" for the design, which, as Urban Turf points out, is likely to stand out in the historic Washington D.C. district. Little details have been released. “We are considering all options, from condo to rental to hotel,” Eastbanc President Anthony Lanier stated. “It’s early in the design phase.”

70 Documentaries By Spanish And Portuguese Architects To Be Exhibited In Beijing

LaMIPA, a non-profit "architectural exchange platform" dedicated to exhibiting art and culture, will be part of the 2014 Beijing Design Week (BJDW) with a launch event on September 25th 2014 and following events on the 26th and 28th. Exhibiting seventy documentaries by Spanish and Portuguese architects, and organised in conjunction with the Spanish and Portuguese Embassies to China, the unique audiovisual LaMIPA collection will be part of the main section of the Beijing Design Week festival. Alongside the exhibition a series of lectures from a number of renowned practices including Souto de Moura and OAB Ferrater will also be taking place.

100 Architects From 6 Continents Discuss "Time Space Existence" at the 2014 Venice Biennale

The much anticipated Time Space Existence collateral event at Palazzo Bembo and Palazzo Mora for the 2014 Venice Architecture Biennale brought together a diverse group of 100 architects from six continents in an "extraordinary combination." Summoned by the Dutch non-profit Global Arts Affairs Foundation, the exhibitions the architects were asked to produce documents current developments and thoughts in architecture, highlighting fundamental questions by discussing the philosophical concepts of Time, Space and Existence. Featuring well established architects next to lesser known practices, they all share a "dedication to architecture in the broadest sense of their profession."

Venice Biennale 2014: 100 Architects to Discuss "Time Space Existence"

The Dutch non-profit Global Arts Affairs Foundation has summoned a diverse group of 100 architects from over 40 countries to participate in the Collateral Event “Time Space Existence” at the 2014 Venice Architecture Biennale

Ricardo Bofill, Norman Foster and Eduardo Souto De Moura are among the many participating, showcasing ideas, research and aspirations that will add commentary about the current state of architecture as well as highlight philosophical questions and concepts regarding time, space and existence. 

A complete list of participants, after the break...

AD Round Up: Portugal's Micro-Hotels

This Financial Times article describes the Post-Recession paradigm shift occurring in Portuguese architecture -- from construction to landscape, large to small. Pritzker Prize winners Alvaro Siza and Eduardo Souto de Moura have been leading this "micro" trend, designing hotels with exceptional materiality and craft. We've decided to round up some of these extraordinary structures, including: Casa Na Areia and Cabanas no Rio by Aires MateusJorge Sousa Santos’ Rio do Prado, the Ecork Hotel by Jose Carlos Cruz and Villa Extramuros by Jordi Fornells. Last but not least, is ArchDaily’s building of the year for hospitality architecture -- the Tree Snake Houses from father Luís Rebelo de Andrade and son Tiago Rebelo de Andrade.

Exhibition: Porto Poetic

Porto Poetic, an exhibition covering the career and work of notable portuguese architects, started March 6 and will keep on going until April 13. The exhibition, which includes the work of Pritzker Prize winners Álvaro Siza and Eduardo Souto de Moura, will show sketches, plans, models and photographs of their most important work. 

Siza, Souto de Moura, Kuma Reflect on Their 'Sensing Spaces' Exhibitions

As an accompaniment to their ongoing Sensing Spaces Exhibition in London, the Royal Academy of Arts has produced six wonderful films interviewing the architects involved in the exhibition, unearthing what motivates and inspires them as architects, and what the primary themes of their exhibition projects are.

The above video features both Álvaro Siza and Eduardo Souto de Moura, who both designed their Sensing Spaces exhibits with the other in mind. Siza explains his preoccupation with the joints between the natural and the man-made through his Leça Swimming Pool complex, and the way the rock formations informed his interventions. He also introduces his one-time protégé Souto de Moura's Braga stadium as expressing the same understanding of the natural and man-made.

See videos from the 5 other Sensing Spaces participants after the break

Installation (Blue Pavilion) by Pezo von Ellrichshausen. Image © Royal Academy of Arts, London, 2014. Photography: James Harris Installation by Diebedo Francis Kere. Image © Royal Academy of Arts, London, 2014. Photography: James Harris Installation by Kengo Kuma. Image © Royal Academy of Arts, London, 2014. Photography: James Harris Installation by Li Xiaodong. Image © Royal Academy of Arts, London, 2014. Photography: Benedict Johnson

Seven Architects Transform London’s RA into Multi-Sensory Experience

This past week London’s Royal Academy of Arts (RA) celebrated the opening of, what many claim to be, one of the most “epic” and “enchanting” exhibitions of 2014: Sensing Space: Architecture Reimagined. With a series of large scale installations by some of profession’s most acclaimed architects, such as Eduardo Souto de Moura, and Kengo Kuma, the immersive exhibition creates an atmosphere that encourages visitors to become part of the experience and open their minds to the sensory realm of architecture. 

"Architecture is so often the background to our lives," stated curator Kate Goodwin. "We often don't think about it - it's practical and functional, but when does it do something more?"

A preview of the installations, after the break.

AD Interviews Eduardo Souto de Moura On His Latest Prize

ArchDaily got the chance to briefly speak with Pritzker-prize winning Portuguese architect Eduardo Souto de Moura when he (along with the Porto Metro Authority) received the Veronica Rudge Green Prize in Urban Design at the Harvard Graduate School of Design earlier this month. His design for the Metro system in Porto, Portugal garnered high praise from the jury, with member Rahul Mehrotra explaining that the project “shows generosity to the public realm unusual for contemporary infrastructure projects.” Upon receipt of the award, the head of the Porto Metro, João Velez Carvalho, thanked Souto de Moura for his efforts in this “urban revolution” and touted Porto as a destination in which people actively and enthusiastically seek out the architecture of Souto de Moura and fellow Portuguese architect Alvaro Siza. 

Souto de Moura spent a few moments with us to describe both the challenges and rewards of working on a project that saw the completion of 60 new stations constructed in 10 years within the sensitive fabric of the city of Porto—a UNESCO World Heritage site. 

ArchDaily: What is your opinion of architecture prizes?

Eduardo Souto de Moura: I won’t be modest, I like describing my opinion about them because the profession is so tough and difficult that is it complicated to achieve a high level of quality. So when you’re awarded a prize it’s like a confirmation of your effort. But the other thing is that a project is not the act of an individual, it’s a collective act. When there’s a prize, the press and the people, the “anonymous people,” go see the project and talk about it, critique it. That’s what gives me the motivation to continue in the profession. And every time it gets more difficult. 

Winners Announced for 2013 Veronica Rudge Green Prize in Urban Design

The Harvard Graduate School of Design (GSD) has announced the 11th Veronica Rudge Green Prize in Urban Design award winners: Eduardo Souto de Moura’s Metro do Porto in Porto, Portugal, and the Northeastern Urban Integration Project in Medellín, Colombia. 

When commenting on the significance of the two prize-winning projects, jury member Micahel Sorkin stated: "If there are lessons to be drawn for urban design from Medellín and Porto, I think the broader lesson has to do with the disruption of the segregation of the disciplines in the design field. Historically we have understood that Landscape Architecture sits in one place, Architecture in another, and Urban Design and Planning [in another, with all three disciplines] in constant conflict about their territorial rights. One of the things that is revolutionary about the Medellín project is that distinguishing among the disciplines is no longer possible."

More about the prize-winning projects, courtesy of the GSD:

Seven Architects, Seven Multi-Sensory Installations Planned for London’s RA

The Royal Academy of Arts’ (RA) in London will soon be transformed into a multi-sensory “architectural maze” with the construction of seven installations by seven world-famous architects for the exhibit, Sensing Space: Architecture Reimagined. Participants, handpicked by curators Kate Goodwin and Drue Heinz, include Alvaro Siza, Eduardo Souto de Moura, Pezo von Ellrichshausen and Kengo Kuma

Alvaro Siza and Eduardo Souto de Moura To Create Temporary Pavilion in Sao Paolo

Thanks to Alvaro Siza and Eduardo Souto de Moura, Portugal's two Pritzker Laureates, Sao Paulo will soon have its own temporary summer pavilion - a la the Serpentine Gallery - in the city's most important green space: Ibirapuera Park. 

Exterior Image Interior Image Exterior Image Courtyard

Eduardo Souto de Moura Sketchbook No.76

Sketchbook No. 76 is the reproduction of a sketchbook of the renowned Portuguese architect and last year’s Pritzker Prize laureate, Eduardo Souto de Moura. The sketchbook was in use between September 2011 and January 2012 and records first ideas, fleeting sketches, studies, and spontaneous jottings that offer a starting point for every project but also function as a working resource. One can quite litterally experience the architectural design process and how developing existing ideas are further developed in different variants. Sketchbook No. 76 is a homage to the medium of drawing and manifests that this working method remains an essential element of the creative process.

Video: Projects by Eduardo Souto de Moura

Eduardo Souto de Moura was awarded the Pritzker Prize just last week (our coverage of the ceremony here). This video takes a look inside Souto de Moura’s office in Porto and the surrounding city including his Burgo Tower which has become a landmark.  Also taking a look at scale the video displays a wide variety of his work throughout Portugal in varying scales from a single family home to the Braga Stadium.

2011 Pritzker Prize Ceremony: Eduardo Souto de Moura, and Barack Obama

Last night we had the honor of attending the 2011 Pritzker Prize Ceremony in Washington D.C., where Portuguese architect Eduardo Souto de Moura received this important recognition.

This was the third time we attended the event (after 2009 in Buenos Aires and 2010 in New York) and it was a special evening, not only because of the renowned architects attending the event, but also for the presenting speech by President Barack Obama. Obama, a friend of the Pritzker family, delivered a short but interesting speech to Souto de Moura and the architects. Obama’s interest in architecture goes way back as we’ve heard him state that he thought he could be an architect, but as he said at the speech “I expected to be more creative than I turned out, so I had to go into politics instead”.

It’s worth mentioning that Obama referred to the Pritzker Prize as the Nobel of architecture, a common comparison that puts the importance of this recognition in context.

After several mentions to architecture, his hometown Chicago, Mies (his campaign HQ was in a Mies building), Louis Sullivan, Frank Lloyd Wright, and Jefferson’s Monticello, he mentioned that architecture is about “creating buildings and spaces that inspire us, that help us do our jobs, that bring us together, and that become, at their best, works of art that we can move through and live in. And in the end, that’s why architecture can be considered the most democratic of art forms“.

Eduardo Souto de Moura and Renzo Piano
Eduardo Souto de Moura and Renzo Piano

About Souto de Moura’s work he mentioned that it was “effortless and beautiful”, and he highlighted the fact that the Braga Stadium was a democratic building, as he not only served the audience but people on the outside.

After Obama and Lord Palumbo (chairman of the Pritzker jury) Eduardo Souto de Moura accepted his recognition, and said something very interesting that made me understand contemporary Portuguese architecture. He developed his work during the 1974 revolution in Portugal, after which the country required to give housing to millions of people. At that time post modernism was starting strong in the country, but that wasn´t the way to do housing (with columns and arches), which led to a late modernism that we see on his works, which in my opinion became a legacy to the new generation of Portuguese architects. More photos after the break: