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“Landscape architects have started conversations about embodied carbon. There is a realization that we can no longer ignore the grey parts,” said Stephanie Carlisle, Senior Researcher, Carbon Leadership Forum and the University of Washington, during the first in a series of webinars organized by the ASLA Biodiversity and Climate Action Committee.

The grey parts are concrete, steel, and other manufactured products in projects. And the conversations happening are laying the foundation for a shift away from using these materials. The landscape architect climate leaders driving these conversations are offering practical ways to decarbonize projects and specify low-carbon materials.

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Flat and polished surfaces tend to evoke feelings of coldness and sterility, while raw, natural materials can create a sense of warmth and connection. Textures can trigger memories and emotions, connecting us to past experiences and the sense of touch. In the seminal book "The Eyes of the Skin", Juhani Pallasmaa emphasizes the importance of sensory perception in architecture and objects beyond sight, particularly the role of touch and texture in shaping our experience. According to Pallasmaa, contemporary culture, influenced by technology and visual media, has overemphasized the visual aspect of spaces, neglecting other senses, especially touch, which is vital for understanding and appreciating the surrounding environment.

“We’re on the verge of one of the biggest revolutions that we’re going to face in the industry,” warns German Otto Bodenbender, Design Technology Manager at BIG Barcelona and Professor of ZIGURAT Institute of Technology.

First, it was the CAD revolution, with the introduction of computers; then it was the turn of BIM methodology, with new processes and workflows; and now, when many professionals haven’t yet gotten used to all those changes, we have AI. This is not just affecting how we do things, but is revolutionizing the entire lifespan of construction processes, introducing new computational capacities in every single aspect of architecture, construction, and engineering. 

GRAFT Architects has just won the competition to design the new Carl Bechstein Music Campus. Located centrally in Berlin, the Carl Bechstein Foundation’s main goal with the campus is to create a cultural hub entirely devoted to piano music. Serving as a focal point for the Bechstein Brand, established in 1853 and known for its variety of Bechstein pianos, this campus will serve as a focal point and a new headquarters for the foundation.

The manipulation and combination of materials are ongoing pursuits in architecture. This has not only broadened the possibilities for construction but also enabled the creation of distinctive shapes and aesthetics by using the same materiality. An example of this is Portland cement, an essential element in the mixture of water and aggregates that make concrete, which allows the creation of both load-bearing and decorative elements. In parallel, as a result of the exploration of innovative materials, fiber cement emerged (invented by Ludwig Hatschek) at the end of the 19th century, combining Portland cement, mineral-based materials, and cellulose fibers.

Nowadays, fiber cement —distinguished by its key technical qualities of slenderness, lightness, durability, and flexible aesthetics— has stood out in various applications associated with design, ranging from furnishings to facade systems. It is in the latter where it has adopted notable expressions due to its textures, incombustibility, rain resistance, and malleability. For this reason, we have developed a design guide that addresses the use of fiber cement, exploring the principles that should be considered when designing the facade, regarding its materiality, dimensions, layout, details, and special applications.

Videos

Continuing his work exploring the office spaces of architecture studios from around the world, Archmospheres photographer Marc Goodwin has reached Japan, where he captured the workspace of architecture studios such as Kengo Kuma & Associates, Tato Architects, Akihisa Hirata, and Nori Architects. Collaborating with Marc Goodwin, architect, and writer Samuel Michaëlsson traveled to Japan in the autumn of 2019 to interview the participants, resulting in a series of videos that further developed the exploration.

The photographs reveal snippets of everyday life in these studios. While not all of the buildings were designed by their occupying architecture studios, each office has added a personal touch to their space, aligning them with their internal culture and traditions. One such example is Tato Architects, for whom the kitchen has become an important gathering space, as they take turns preparing lunch for each other and eating together is a significant part of their office story.

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The Royal Ontario Museum (ROM) in Toronto will undergo an architectural transformation designed by Hariri Pontarini Architects. As one of the largest museums in North America and the largest in Canada, the architects have transformed its ground floor and the Bloor Street entrance, introducing an interior plaza “pulsing with activity and artistic expression.” Dubbed OpenROM, this multifaceted endeavor aims to “open the museum up even more to the public,” revolutionizing the museum experience and making it more accessible for the 1.4 million annual visitors of the cultural institution.

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Greenhouses are elegant and ingenious structures that incorporate simplicity in design while creating light-filled spaces that shape indoor climates. With walls and roofs composed mainly of transparent or translucent materials, these structures harness solar energy to create a controlled environment. As advances in materials and environmental management progress, they can seamlessly be integrated into architectural designs, offering innovative solutions that blend functionality with aesthetics. Beyond their original role in plant cultivation, they have evolved into projects that emphasize sustainability, education, and conservation. At their core, they offer experiences of exploration and discovery, showcasing the intricate relationship between sunlight, plants, and indoor environments.

The Joslyn Art Museum in Nebraska announced that the restoration and expiation works led by Snøhetta and Alley Poyner Macchietto Architecture (APMA) are nearing completion, as the transformed institution is scheduled to reopen on September 10, 2024. The new 42,000-square-foot Rhonda & Howard Hawks Pavilion, designed by Snøhetta and APMA will add new gallery spaces to Nebraska’s largest art museum, becoming the centerpiece of the large-scale project for reimagining the visitor experience.

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Oman has just announced plans for a $2.4 billion mixed-use project, the new Omani Mountain Destination on Jabal al Akhdar. Masterplanned by AtkinsRéalis, the scheme aims to attract sustainable development opportunities, hoping to "operate as Net Zero Carbon and striving to use 100% renewable energy." The project is in alignment with Oman Vision 2040, seeking a developed, diversified, and sustainable economy;, featuring residences, hotels, and a health village.

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Many buildings often fall into disuse due to our cities' constant economic, social, and technological changes. The programmatic inconsistency of current times demands great versatility and adaptability from our infrastructures, increasingly leading projects to become uninhabited, and left to abandonment and decay.

Next, we present a series of 20 Latin American projects in which old warehouses, homes, prisons, mills, and markets were recovered and transformed into Cultural Centers, Museums, and Galleries.

UNStudio, in collaboration with local partner HYP Architects, has won the competition for the design of the Kyklos building in Luxembourg. The project is part of Beval, a large-scale redevelopment initiative aiming to transform a former industrial site into an urban center complete with a university and technological center, in addition to residential, office, and retail spaces. When designing the Kyklos building, which will occupy a central position in the district's main square, the architects set out to find solutions to create the smallest carbon footprint for both operational and embedded metrics.

Allford Hall Monaghan Morris (AHMM)’s architectural studio has revealed the plans to convert a 1950s London office building into a co-living residential scheme. Initiated by developer HUB and Bridges Fund Management, “Cornerstone” is nestled on the fringes of the iconic Barbican estate, hoping to seamlessly transform the original office building to integrate 174 co-living residences.