William J. Clinton Presidential Center by Ennead Architects. Photo by Timothy Hursley
Dallas Architecture Forum, a non-profit organization for everyone interested in learning about and improving the architecture, design, landscape and urban fabric of the North Texas region is pleased to continue its 2015-16 Lecture Season with the outstanding architect Kevin McClurkan, Management Partner of Ennead Architects of New York City. McClurkan's many major projects include the Clinton Presidential Library in Little Rock; the Newseum adjacent to the US Capitol in Washington, DC; and The Standard hotel on the High Line Park in New York City. He will speak on Tuesday, November 3 at 7 p.m. in the Horchow Auditorium
Museum of Modern Art; New York, United States of America. Image Courtesy of The Leading Culture Destinations Awards
The winners of the 2015 Leading Culture Destinations Awards have been announced at a ceremony in London. The Awards recognize the success of “museums, art organizations, and cultural destinations from around the world [that] are investing in iconic architecture, cross-sector collaborations, [and] audacious programming […] to diversify the experiences offered to visitors and establish their global reputations.”
Designed by Antonio Gaudí in Barcelona when he was 30, and designated a World Heritage Site by UNESCO in 2005, Casa Vicens will be converted into a museum and open its doors to the public during the second half of 2016.
Built between 1883 and 1889, Casa Vicens was the first house designed by Gaudí. The building’s current owner, a subsidiary of the financial group Mora Banc Grup, is currently working on its restoration and the museum planning. “The mission of Casa Vicens as a house museum is to present the first Gaudí house, presenting it as an essential work to understand his unique architectural language and the development of Art Nouveau in Barcelona,” explained the executive manager of the project, Mercedes Mora, in a recent interview with Iconic Houses.
In collaboration with the Colombian Society of Architects, the National Centre for Historical Memory (NCHM) has announced a new international competition to design Colombia's National Museum of Memory. Commemorating decades-long internal conflict in Colombia, the competition is part of a series of initiatives to make reparations to victims of the unrest, and will be the first national museum constructed in the midst of ongoing armed conflict. It is hoped that the museum will bring together mainstream historical accounts and "voices of resistance" to create a cultural landmark that is "restorative, monumental and memorial in nature." On June 1, the organizers will conduct a competition Q&A live stream in Spanish, after which point competition registration will be open until June 19. Entries can be submitted until July 29, with a winner announced on August 13. To read more about the competition and to register, click here.
In honor of International Museum Day, we're taking a look back at the 21st century's most exciting museums. The following is an excerpt from the recently released book, The Architecture of Art Museums – A Decade of Design: 2000 – 2010 (Routledge) by Ronnie Self, a Houston-based architect. Each chapter of the book provides technical, comprehensive coverage of a particular influential art museum. In total, eighteen of the most important art museums of the early twenty-first century - including works from Tadao Ando, Herzog & de Meuron, SANAA, Steven Holl, and many other high-profile architects - are explored. The following is a condensed version of the chapter detailing Shigeru Ban and Jean de Gastines' 2010 classic, Centre Pompidou-Metz.
The Pompidou Center – Metz was a first experiment in French cultural decentralization. In the late 1990’s, with the prospect of closing Piano and Roger’s building in Paris for renovations, the question arose of how to maintain some of the 60,000 works in the collection of the National Museum of Modern Art available for public viewing. A concept of “hors les murs” or “beyond the walls” was developed to exhibit works in other French cities. The temporary closing of the Pompidou Center – Paris spurred reflections on ways to present the national collection to a wider audience in general. Eventually a second Pompidou Center in another French city was imagined.
Toledo Museum of Art; Courtesy of Flickr User Kevin Marsh, Licensed via Creative Commons
The 101-year old historic building that houses the Toledo Museum of Art in Ohio has gone off grid, reports Candace Pearson of Architectural Record. Through a series of upgrades that began in the early ‘90s, including covering 60% of the roof with solar panels, the Toledo Museum has gone from purchasing 700,000 kW of electricity a month to returning energy back to the grid - making it an exemplar of adaptability and sustainability in century-old public buildings. Find out how they did it at Architectural Record.
NEW YORK–Although the American Folk Art Museum has avoided dissolution thanks to a cash infusion from trustees and the Ford Foundation, the institution’s ongoing financial troubles raise difficult questions about the relationship between signature architecture and cultural capital.
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