Science Forest / ADAT Studio. Image Courtesy of ADAT Studio
In the contemporary context, museums face contradictory sets of ideas: becoming attractions on and of themselves but presenting an understated image that shifts the attention to the exhibits, creating a safe and protected environment for the artifacts, yet opening them up to the public, becoming repositories of history yet catalysts for innovation. Searching for the balance between all of these constraints has resulted in the flourishing of diverse types of museums and cultural institutions, from those dedicated to the remembrance of a single event or persona to temporary homes for cultural events or spaces that expand their cultural offering beyond exhibition areas.
This curated selection of Best Unbuilt Architecture highlights projects submitted by the ArchDaily community that demonstrate the fusion of art, technology, and innovation within the realm of museums and cultural centers. Among the featured designs are works from renowned architectural offices, including CAA architects, NextOffice – Alireza Taghaboni, and Fentress Architects, along with several emerging firms. Ranging from a sculptural art museum in Dubai to a local cultural and recreational complex in Senegal, or an immersive science museum in Rome, Italy, this diverse compilation strives to showcase the spectrum of scales and purposes of cultural institutions.
Designed by MAD Architects, the FENIX Museum of Migration is set to be inaugurated in 2025 in Rotterdam’s City Harbor. The purpose of the institution is to showcase and highlight the stories of global migration through encounters with art, architecture, photography, and history. The museum broke ground in 2020 when the first images of the proposal were also released. MAD Architects is working with Bureau Polderman for the restoration of the historic warehouse dating back to 1932, which now represents the base and starting point for the museum experience.
The Shenzhen Museum of Contemporary Art and Urban Planning in China (MoCAUP) has recently opened an exhibition titled “Ma Yansong: Landscapes in Motion.” This retrospective showcases the work of MAD Architects, led by Ma Yansong, Dang Qun, and Yosuke Hayano, spanning nearly two decades and 52 projects. Running until December 17, the display is envisioned as a platform for imaginative exploration of future urban life.
Ennead Architects and KSS Architects have just unveiled the design for the Jean & Ric Edelman Fossil Park Museum of Rowan University. The museum is located at the heart of a 65-acre fossil park in Mantua Township, New Jersey. Spanning 44,000 square feet, the program focuses on exploration, preservation, and education. Moreover, it allows citizens and scientists to have the unique opportunity to participate in fossil excavation alongside research actively. The visitor and the researchers will study the events leading to the fifth mass extinction, all within the confines of a 66-million-year-old former quarry. The project is scheduled to open its doors to the public in early 2024, positioning itself as a symbol of scientific exploration and environmental stewardship.
In 2018, OMA opened the Fondazione Prada in Milan, Italy, housed within a former gin distillery established in 1910. The project which includes a statement facade cladded in 24-carat gold leaf and camouflaged mirrors, comprises the renovation of seven buildings in the Largo Isarco industrial complex on Milan’s southern outskirts, making the foundation neither a preservation project nor a new architecture. Recently, photographer Bahaa Ghoussainy captured the infamous structure in his new architectural photo series.
Powerhouse Parramata, Sydney’s new largest museum, has been announced to open in early 2025. The museum group overseeing the project sits at the intersection of the arts, design, science, and technology industries. Designed by Moreau Kusunoki in collaboration with local practice Genton, the museum will be located on the south bank of the Parramatta River in Western Sydney, acting as the largest cultural infrastructure project in the Australian capital city since the Sydney Opera House.
Estonian studio OÜ Kolm Pluss Üks won the international architecture competition for the Tartu Cultural Center. Selected out of a total of 107 proposals, the winning project titled “Paabel” is set to become the cultural heart of the city center, capturing the competition's main goal and developing an outdoor space solution. Kadarik Tüür Arhitektid OÜ took the second position for their design of “Tarte Tatin”, while the third place went to Denmark-based architectural studio Atelier Lorentzen Langkilde Aps.
Carlson-Reges House (1992-1996). Image Courtesy of Michael Rotondi
Michael Rotondi’s buildings—museums, civic centers, education facilities, monasteries, restaurants, and residences—evoke kinetic mechanisms that fold, hinge, twist, and split open. They express the architect’s feelings, thinking, and mood at the time they had been designed, and, on some occasions, during their assembly and construction. Rotondi was born in 1949 in Los Angeles.
He established his RoTo Architects, a research-based firm in his native city, in 1991 after co-heading Morphosis for 16 years with Thom Mayne. Parallel to his practicing career, the architect has been teaching and lecturing at SCI-Arc, Southern California Institute of Architecture, which he co-founded in 1972, led its graduate program from 1978-1987, and was the school’s second director for a decade from 1987 to 1997.
The Museum of West African Art (MOWAA) has just unveiled a 20-acre project for a Creative District in the historic center of Benin City in Edo State, Nigeria. MOWAA, in collaboration with Adjaye Associates, is planning to establish a comprehensive environment dedicated to the artistic and cultural realms of the past, present, and future. The space provides support and collaboration opportunities for young professionals in the creative and cultural fields while also fostering partnerships with institutions throughout West Africa. At the heart of the project is the Creative District’s role in contributing to economic growth and development.
The Royal Commission for AlUla has appointed Lina Ghotmeh and Asif Khan as the lead architects for two upcoming museums to be added to the cultural oasis of AlUla, a destination in North-West Saudi Arabia displaying 7,000 years of continuous human history. Ghotmeh is set to design the contemporary art museum to house works by artists from the Red Sea, the Arabian Sea, and the Eastern Mediterranean in dialogue with their contemporaries from across the world. Asif Khan will design the Museum of the Incense Road, the first museum dedicated to the millennia-old network of major land and trading routes. The architects have been selected following an international competition.
The new Aalto2 Museum, designed by A-Konsultit Architects, will showcase the cultural legacy of the architecture and design of renowned architect Alvar Aalto. The Museum will open to the public on 27 May 2023, fulfilling the architect's desire to establish a venue for the fusion of various mediums and art forms at the Ruusupuisto park in Jyväskylä, in Central Finland.
The Alto2 Museum Centre comprises three buildings: the renovated Alvar Aalto Museum, the Museum of Central Finland, and the new addition of the Aalto2 center which will join them this year. The original Alvar Aalto Museum will open its doors after having undergone structural repairs, and changes in facilities to serve the new Aalto2 concept. The Aalto2 design connects both museums and is based on an international competition held in 2015, which attracted nearly 700 entries worldwide, demonstrating the international appeal of Aalto’s architectural style.
David Chipperfield, laureate of the 2023 Pritzker Prize, has designed over a dozen museums throughout his career, with some still under construction. As a typology that has significant urban and social impact, Chipperfield and his team have skillfully leveraged each commission to transform neighborhoods and cities while still honoring the essence of the place and what was there before. His museums make powerful statements without being obtrusive, and this is reflected in the choice of materials and the construction solutions used.
Like an oversized minimalism, Chipperfield gives the materials space to unfold and be understood. In his galleries and museums, the materials appear exposed, clean, and highlighted through contrast. They give character to the space while giving prominence to the art on display, generating suitable atmospheres for its proper appreciation. Regularity, continuity, and repetition help shape this background, while the filtered light finishes building the right scene.
Two decades in the making, the Grand Egyptian Museum (GEM) in Cairo is one of the most anticipated cultural buildings, set to be an architectural marvel and a leading scientific, historical and archeological study center. The vast, billion-dollar mega-project occupies a site of around 500,000 square meters adjacent to the Pyramids UNESCO World Heritage Site in the Giza Plateau. Within its halls, what will soon be the world’s largest archeological museum will showcase 3,500 years of ancient Egyptian history, revealed through a collection of more than 100,000 artifacts –many of which will be displayed for the first time.
The world’s largest science fiction event Worldcon will take place in the Chengdu Science Fiction Museum, designed by Zaha Hadid Architects. Under construction, the 59,000 sq. m venue that will host the 81st annual World Science Fiction Convention and the Hugo Awards, is set to become a vibrant center of innovation and gathering place for the “leading incubator of science fiction writing in China”. In fact, the city of Chengdu, home to over 20 million residents, is transforming into an important global center of scientific innovation and research.
Through the “Search History” exhibition at MAXXI Museum in Rome, Lara Lesmes and Fredrik Hellberg, directors of the architecture and art studio Space Popular, set out to explore the work of Also Rossi and to translate his notions of “urban fact” and “analogous city” to the virtual realm. The installation is a reflection on the proliferation of metaverse platforms and the concept of virtual urbanism. The exhibition is part of the fifth edition of Studio Visit, a partnership between Alcantara and the MAXXI Museo nazionale delle arti del XXI secolo, which challenges designers to put forward a personal reinterpretation of the works of the masters in the MAXXI Architecture Collections.
In June 2020, the statue of 17th-century slave trader Edward Colston was toppled in the southwestern city of Bristol in England. Before this, the statue sat on a plinth in a prominent public park, before being hauled into Bristol Harbour by Black Lives Matter protestors. This act has led to a long-overdue reckoning in the UK and other Western nations, a reckoning that has necessitated a deeper analysis of monuments that line cities, and how deeply imperialism can be interlinked with parts of the built environment. The ever-green question is, what do we do with these buildings?
