Despite its dazzling collection of masterpieces, London’s National Gallery has been cursed with a series of ill-advised architectural schemes over its two-century existence. Only once have its leaders made a truly inspired and visionary choice: in the mid-1980s, the gallery held a competition, won by Venturi, Rauch and Scott Brown (VRSB) of Philadelphia, to build a special collections building.
The addition was constructed from 1988 to 1991, using funds donated by the Sainsbury family as a gift to the nation and was immediately hailed as one of the finest buildings of its type erected in the 20th century. It has remained popular with Londoners and has served well as an expansion of William Wilkins’s undistinguished classical building ever since. Experts on the work of Robert Venturi, John Rauch, and Denise Scott Brown consider it one of their masterpieces. Apparently, the National Gallery has a different opinion.
https://www.archdaily.com/985449/in-london-a-venturi-scott-brown-masterpiece-is-threatenedMark Alan Hewitt
Across the globe, museums function as cultural landmarks – spaces of significance that quite often become defining symbols of a city’s architectural landscape. Historical examples such as the Museum de Fundatie in the Netherlands and The Louvre Museum in France continue to attract millions of visitors, with contemporary architectural interventions to them redefining their spatial contribution to their local context.
Three years after OMA was selected by the Jersey City Redevelopment Agency (JCRA) to design a new museum in Journal Square, the city’s downtown hub, it was revealed this morning that the building would be home to none other than the Pompidou Center’s first North American satellite: The Centre Pompidou × Jersey City.
"Is a museum defined by its collection? Or by its architecture? In The Art Museum in Modern Times, Charles Saumarez Smith suggests it is both and still something more". Lauren McQuistion, an architectural designer and Ph.D. Candidate in the Constructed Environment at the University of Virginia School of Architecture discusses in her Architect's Newspaper piece, Saumarez's book, exploring the notion of a modern museum.
This article is part of "Eastern Bloc Architecture: 50 Buildings that Defined an Era", a collaborative series by The Calvert Journal and ArchDaily highlighting iconic architecture that had shaped the Eastern world. Every week both publications will be releasing a listing rounding up five Eastern Bloc projects of certain typology. Read on for your weekly dose: Monumental Museums and Memorials.
Reimagining Museums for Climate Action. Design by Polytechnic
Reimagining Museums for Climate Action: An International Design Competition
Reimagining Museums for Climate Action asks designers, architects, academics, artists, poets, philosophers, museum professionals and the public at large to radically (re)imagine and (re)design the museum as an institution, to help bring about more equitable and sustainable futures in the climate change era. The competition aims to explore how museums can help society transform to a low carbon future, adapt to the impacts of climate change, and safeguard ecosystems.
As the world confronts a global pandemic that is impacting on all aspects of social, cultural and economic life, many of the certainties we
Museums are complex organizations: curators, exhibition designers, conservationists, editors, and marketers have to work together to ensure that artworks in galleries and exhibitions are properly displayed to the public. Instrumental to this process is the use of effective display cases, which must both protect the art and highlight it aesthetically. Below, we delineate some of these visual and practical considerations with photographic examples from Goppion, giving some indication how one should choose which display cases to use.
With no shortage of historical buildings in need of expansion or repurposing, alterations of older architecture via contemporary interventions have flourished in the past four decades – particularly in service of new or growing art museums. These spaces represent the resilience of our historical legacy through contemporary times, demonstrating that the combination even of two vastly different architectural styles can be both beautiful and impressive. Here are ten of the best examples of contemporary interventions on historical buildings in art museums around the world.
https://www.archdaily.com/920474/10-historical-museum-buildings-with-contemporary-interventionsLilly Cao
Manufacturers: Afrisam, Blackwood, Chartwell, Cladcom, Dracon National, +13Ecosense, Infin8, Krost engineering, Magnet engineering, Prestige tiling, Restaurant shopfitting, Space Lift, Union Steel, Upfront Media and Jalite, WBHO, Wescape & Hensjen, White Head, World of decorative concrete-13
Videos
The 3rd Annual Rifat Chadirji Prize - Barjeel Museum for Modern Arab Art in Sharjah - UAE
The 3rd Rifat Chadirji Prize for Architecture by Tamayouz Excellence Award.
Tamayouz Excellence Award is delighted to invite students, designers and architects worldwide to design an architectural and cultural landmark in the city of Sharjah in the UAE that hosts the Barjeel collection and represents modern art, architecture and design in the Arab world.
The competition hopes to see a contemporary museum does not become a historic pastiche but is relevant to contemporary architectural discourse whilst being informed by local cultural heritage and environmental conditions.
The Jean Nouvel-designed National Museum of Qatar has opened to the public in Doha. The architectural concept for the scheme has been inspired by the desert rose, and seeks to create a dialogue between the fluid, contemporary architectural form of the museum, and the historic objects it will contain. As quoted in a recent press release by Qatar Museums, the scheme will “give a voice to Qatar’s heritage whilst celebrating its future.” The museum opened to a lavish ceremony attended by architect Nouvel, and celebrities such as Victoria Beckham and Johnny Depp.
https://www.archdaily.com/893374/jean-nouvels-national-museum-of-qatar-takes-shape-as-new-images-releasedNiall Patrick Walsh
Foster + Partners have released images of their proposed Mullin Automotive Park at Enstone Airfield, now submitted for planning permission. Intended as a “world-class automotive museum in the heart of the British countryside” the scheme will rehabilitate a disused airfield to support a growing community of classic automobile collectors.
Designed as a collection of buildings arranged in a crescent, the museum draws inspiration from the concept of a rural estate, with a journey through a carefully-considered landscape towards a main focal building. As well as reflecting on the history of the automobile industry over the last century, the scheme will house an open-ended collection charting the future of mobility.
https://www.archdaily.com/909472/foster-plus-partners-plan-automotive-museum-on-disused-airfield-in-rural-englandNiall Patrick Walsh
Brazil's National Museum, one of Latin America's most important museums, was completely destroyed by a fire that started at 7:30 pm on Sunday evening. It housed over 20 million items related to the history of the Americas, many if not all of which were lost.
A report in the Rio Times indicates that the museum had operated normally on Sunday and closed its doors at 5:00 pm, two and a half hours before the blaze began. The cause of the fire remains undetermined.
The V&A Dundee, in collaboration with Rapid Visual Media, have released drone footage and imagery ahead of the building’s opening, marking Kengo Kuma’s first UK project. The footage showcases the new museum jutting out into Dundee’s River Tay, inspired by the cliffs of Scotland.
The museum is formed of 2,500 pre-cast concrete panels hung from complex curving walls, casting shadows which vary depending on weather conditions. As well as being Kuma’s first UK building, the V&A Dundee is also the first dedicated design museum in Scotland.