In contemporary architecture, commercial spaces have become more than points of sale; they are stages where identity, image, and experience converge. Stores, showrooms, and branded interiors often operate as laboratories where architects experiment with form, material, and light, translating corporate narratives into spatial experiences. In this context, the architect emerges as a mediator of desire, shaping atmospheres that guide perception, evoke emotion, and subtly influence behavior. This role reveals a complex intersection between design and capitalism: the creation of spaces that sell not only products, but also aspirations, lifestyles, and cultural meaning. By transforming commerce into an architectural performance, these projects invite reflection on how the discipline negotiates its agency in a world where visibility and image have become as essential as function.
OODA announces the House of Nassr, a new integrated sports complex designed for Al Nassr FC in Riyadh, Saudi Arabia. Planned as a comprehensive facility supporting both athletic performance and club operations, the project brings together a high-performance training centre, administrative and media spaces, athlete support facilities, and social areas, with a hotel scheduled for a second phase of development. The complex occupies an area of approximately 4,000 square meters. While the overall project remains ongoing, the first phase has been completed in 2025, marking OODA's first realized project in Saudi Arabia.
5050 Gansevoort mixed use building. Project render. Image Courtesy of Powerhouse Company
In January 2025, New York City Mayor and the New York City Economic Development Corporation (NYCEDC) announced new steps in the reimagining of Gansevoort Square, a 66,000-square-foot site located on Little West 12th Street between Washington Street and 10th Avenue in Manhattan's Meatpacking District. The redevelopment of the site aims to integrate a mix of affordable housing for New Yorkers, new retail space for residents and visitors, and opportunities to expand the Whitney Museum of American Art and the High Line. The Request for Proposals outlined a vision for up to 600 units of mixed-income housing, with a goal of 50 percent of the total units being permanently affordable, along with ground-floor commercial space. International architectural practice Powerhouse Company recently revealed its competition proposal, exceeding these demands with 1,000 rental homes in a supertall tower, half affordable and half market-rate, mixed equally throughout the building's full height.
India's built environment has, in recent years, gained visibility through a growing number of transformative architectural and infrastructure projects. Cities and towns scale faster each year, despite looming concerns around climate and economic volatility. The nation has shown resilience in balancing rapid urbanization with resource constraints; this is no small feat. India's architectural practices rarely rely on novelty alone; they are built on systems that have existed for centuries. Through ArchDaily's Building for Billions, recurring stories have highlighted the social intelligence and adaptive capacity embedded in these practices, revealing an architecture that operates less as isolated form and more as infrastructure.
The UIA World Congress of Architects is an international event for architectural dialogue organised by the International Union of Architects (UIA, by its French acronym), a non-governmental organisation that unites national associations of architects from over 100 countries, representing more than one million professionals. The first UIA Congress of Architects, which also marked the institution's founding, was held in Lausanne in 1948 during the post-war reconstruction period. Since then, UIA congresses have been held every three years in a different city within a member country, serving as the organisation's main recurring event. In 2026, the Congress will be held in Barcelona, and UNESCO has consequently designated the city as the World Capital of Architecture 2026. Each Congress focuses on a key topic relevant to the profession, articulated through a central theme. Recent themes include Copenhagen 2023: "Sustainable Futures. Leave no one behind." and Rio 2020–2021: "All the worlds. Just one World." The topic for 2026 is "Becoming. Architectures for a Planet in Transition," welcoming renowned figures in contemporary architectural thought and practice for a broad and critical overview of the possible futures of architecture.
Across Latin America, renovation has become less about preservation alone and more about responding to changing ways of living. Rather than freezing buildings in time, many contemporary projects work with existing structures to adapt them to new domestic routines, social dynamics, and spatial needs. Through strategic changes in materials, composition, color, and light, these interventions reinterpret everyday spaces while maintaining a strong connection to their original context.
In this process, houses and apartments become sites of transformation where flow, continuity, and shared spaces are carefully reconsidered. Renovation operates as a precise architectural tool, one that prioritizes natural light, openness, and flexibility to support daily life as it evolves. Instead of imposing new forms, these projects repurpose what is already there, aligning spatial decisions with the habits and rituals of those who inhabit them.
This year's selection of Best Latin American Houses brings together both renovations and ground-up projects, covering reinterpretations of local construction techniques and innovative architectural responses. The works are set in a wide range of contexts, from dense urban environments to rural and coastal landscapes.
Hunnu City Ecological Corridor. Image Courtesy of Bechu & Associés
Bechu & Associés has been selected as the winner of the international open competition for the masterplan of Hunnu City, a new satellite city planned south of Ulaanbaatar, Mongolia. Announced in 2025, the winning proposal establishes a long-term urban framework for a 31,503-hectare site located near Chinggis Khaan International Airport, with phased development planned between 2025 and 2045. The project forms part of Mongolia's broader territorial strategy under the Ulaanbaatar 2040 Master Plan and the national Vision 2050 framework, positioning Hunnu City as a new emerging major city intended to support population decentralization, economic diversification, and long-term urban resilience.
The future Las Vegas Museum of Art (LVMA) will be the city's first stand-alone museum, designed by Pritzker Prize-winning architect Francis Kéré. In fall 2024, the City of Las Vegas granted LVMA two acres of land in Symphony Park, neighboring the city's downtown arts district, as part of a public-private partnership. The project is intended to serve the city's more than 2.4 million year-round residents, including nearly 300,000 students living within a 10-mile radius of the park, as well as tens of millions of visitors from around the globe. The 60,000-square-foot building was designed by Kéré Architecture, which teamed up with Skidmore, Owings & Merrill (SOM) to provide Las Vegas with "a gathering place for community and a beacon for the cultural world," and is scheduled to open in 2029.
As Syria is emerging from over a decade of conflict at the time of writing, it is an opportunity to rediscover its architectural gems. Just to the north of the country's principal port city of Latakia is a Modernist creation that is the Center for Marine Research. Its pyramidal structure is situated on a prominent headland surrounded by sea on three sides. To the east is a bay with hotels and beaches while to the north and west is the open Mediterranean Sea reaching Turkey and Cyprus beyond. Despite its importance both as a research institution and as a piece of architecture, it lies abandoned and isolated today.
Bratislava, the rapidly developing capital of Slovakia—located in the heart of Europe—continues to strengthen its presence on the European architectural map. As a growing hub of contemporary design—already home to projects by Zaha Hadid Architects, Massimiliano & Doriana Fuksas, Stefano Boeri, Studio Egret West, and Snøhetta—the city has now reached another important milestone: an international architectural and urban design competition has been announced to shape the future of Zváračák, one of the last major brownfield sites near the city center.
Amid countless questions, reflections, and debates about rethinking what a hotel can be, current hotel architecture faces growing complexities that span user experience, environmental responsibility, and the relationship with local context. Contemporary hotel design shows a clear—and increasingly prominent—intention to blend seamlessly and harmoniously with its surroundings, building a sense of identity that responds to local cultures, traditions, and character. The interconnection with nature, along with the reinterpretation of hotels as spaces for engaging with their surroundings, creates a direct relationship that expands their boundaries beyond the history and origins of the many practices that have shaped—and continue to define—their local characteristics and philosophy of life.
In a time when many hotels are designed to look like destinations, the real challenge is to design hotels that grow from their destination. But how can large-scale urban projects be integrated into sensitive landscapes without overpowering them? How is it possible to build with density while preserving a sense of intimacy and create identity in places that already carry strong local character?
This week's architectural news reflects a broad engagement with how institutions, practitioners, and cultural platforms are positioning themselves in relation to both legacy and long-term change. Across museums, galleries, and major cultural events, architecture is being framed as an evolving public infrastructure, one that must respond to expanding collections, shifting curatorial models, and growing expectations around accessibility, sustainability, and civic presence. Alongside these institutional developments, professional recognitions and appointments have foregrounded practices rooted in site specificity, conservation, and critical research, highlighting architecture's role in mediating between historical contexts and contemporary needs.
December 18 marks the United Nations' International Migrants Day, which aims to highlight the need for safer, fairer, and more inclusive migration systems. Proclaimed on December 4, 2000, the day seeks to recognize the multiple dimensions of migration beyond its economic and humanitarian aspects. According to the UN, mounting evidence indicates that international migration is beneficial for both countries of origin and destination. In this sense, International Migrants Day offers an opportunity to spotlight the value of the possibility to migrate and the contributions of millions of migrants worldwide to the cities and cultures in which they are integrated.
Aligned with this perspective, the UN's 2025 theme, "My Great Story: Cultures and Development," emphasizes how human mobility drives growth, enriches societies, and helps communities connect, adapt, and support one another. At the same time, International Migrants Day also acknowledges the increasingly complex environment in which migration occurs. Conflicts, climate-related disasters, and economic pressures continue to force millions of people from their homes in search of safety or opportunity. From both perspectives, it is essential to recognize the role of architecture in building integrated, multicultural communities and in responding to the conditions that lead people to migrate from their territories in the first place.
This article is part of our new Opinion section, a format for argument-driven essays on critical questions shaping our field.
Who designs architecture today? In a professional landscape increasingly defined by collaborative workflows, generative software, and distributed teams, the figure of the architect as a singular creative author feels both anachronistic and inadequate. This article argues that architectural authorship is no longer an individual act, but a collective and distributed condition shaped by institutions, technologies, and shared forms of labor. The transition from individual to collective authorship is not simply a consequence of larger offices or digital tools; it signals a deeper structural shift in how architecture is produced, communicated, and validated.
Kistefos Museum has announced Swiss architectural practice Christ & Gantenbein as the winner of its international design competition for a new museum building at the Kistefos site in Jevnaker, approximately one hour north of Oslo. Conceived as a significant new addition to one of Europe's leading sculpture parks and cultural destinations, the project is scheduled to open in 2031 and will house the art collection of Kistefos founder and collector Christen Sveaas through the Christen Sveaas Art Foundation. Following the announcement, Christ & Gantenbein will now work with Kistefos Museum to further develop the concept design toward realization.
