Though it has long been assumed that newborns don't see color at all, more recent studies have shown that they can indeed distinguish between different shades. And even though young minds may not fully realize what they're looking at, the impression and effect of a bright visual still elicit a potent response. This remains true throughout our lifetime: colors can influence our feelings in powerful ways. Architects and designers have long employed this to their advantage, especially when it comes to interior spaces. Whether it be to highlight specific architectural features, create certain moods, distinguish areas in open concept layouts, or brighten a room with its finishing touches, colors are a pivotal tool for professionals throughout the design process. The combination of multiple bold shades — color blocking — in particular can be a success if done right.
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week David and Marina of FAME Architecture & Design discuss how to prepare for undergraduate architecture school. The two cover learning different skills and tools such as software programs, sculpture, drawing, and painting; learning about construction; common challenges students face; architectural education in general; dealing with negativity in the profession of architecture; and more.
https://www.archdaily.com/1000578/the-second-studio-podcast-preparing-for-architecture-schoolThe Second Studio Podcast
Minimaforms Presents The Order of Time at the Architectural Association School of Architecture Gallery. It is an immersive installation aimed to connect the preoccupations of physics, art, and architecture by revealing the ordering of spaces and constructed relationships through direct experience.
Three Sculptural installations are the highlight of the exhibition. Spherical organizations deployed through mathematical logic and designed to extend space within reflective light boxes, gifting its viewer a new immersive moment at every turn. ArchDaily had the chance to engage in a conversation with Theodore Spyropoulos; Artist & Architect at Minimaforms and Director of the Architectural Association’s Design Research Lab, on issues that tackled the interdisciplinary nature of architecture, the creative process of the installation, and how it influences the creation of spaces, buildings & cities.
Architect Tadao Ando has been commissioned to design this year’s Costume Institute exhibition highlighting the work of Karl Lagerfeld. The opening of the exhibition titled “Karl Lagerfeld: A Line of Beauty” was marked by the world-renown Met Gala, a fundraising event attended by celebrities and personalities perceived to be culturally relevant in the fashion scene. Perceived as a thematic and conceptual essay on Lagerfeld’s work, rather than a traditional retrospective, the exhibition aims to illustrate the designer’s method of creative expression and its significance in the industry.
The skin absorbs matter, and the world is contemplated, touched, heard, and measured through our bodily existence. Juhani Pallasmaa, a Finnish architect known for propagating sensory architecture, defends the notion that, unlike vision, touch is the sense of proximity, becoming a main axis by covering the entire body. It is a fact that, when speaking of touch, the first image that comes to mind is usually contact with hands. However, there are other ways to feel architecture that can be developed in projects, such as the touch of bare feet on a particular surface.
This year marks the centennial of the first edition of Vers Une Architecture, Le Corbusier’s epoch-making book. Though a new English translation appeared in 2007 to much acclaim, most other practicing architects read the first English edition that appeared in 1928, entitled Towards a New Architecture. Comparing the three editions is instructive, particularly in one crucial respect: the insertion of the word “new” in the title. The book wasn’t really about new architecture, because very little of it showed buildings in the International Style. Instead, it was in many respects a clever diatribe intended to convince Europeans that they had no choice but to renounce every kind of architecture that had been built before the Great War and begin anew. It was remarkably successful in fulfilling that aim.
https://www.archdaily.com/1000499/away-from-old-architecture-what-le-corbusier-really-meantMark Alan Hewitt
Yasmeen Lari, recognized as the first female architect in Pakistan, has had a significant impact both in her home country and internationally due to her innovative and socially conscious approach to architecture. Through a systemic approach, Lari’s work takes into consideration local culture, site-specific opportunities, and challenges. Born in Pakistan in 1941, Yasmeen Lari moved to London with her family at the age of 15. After graduating from Oxford Brooks School of Architecture, she returned to Pakistan at the age of 23 to establish Lari Associates with her husband, Suhail Zaheer Lari. The couple settled in Karachi. Here, she began to study Pakistan’s ancient towns and the vernacular architecture of earth buildings, igniting her interest in the architectural heritage and traditional techniques of her country. In 1980, she co-founded the Heritage Foundation of Pakistan with her husband, becoming instrumental in the preservation of her country’s rich cultural heritage.
From April 20 to 30, the second edition of the Model: Festival d'Arquitectures de Barcelona took place, debuting a new theme, Radical Empathy, and a new location, the surroundings of the new Parque de las Glorias. This year, managed by the Fundació Mies van der Rohe, the event turned the city into a laboratory of experimentation and dissemination of architectural and urban thought, providing an opportunity to rethink new models and new imaginations of the city.
During the 10 days of the festival, 5 temporary installations were presented as a tool to build a more sustainable, fraternal, and fair city. Among the proposals, we could find a breastfeeding area designed by Equal Saree, the roof of a parking lot transformed into a mushroom structure by Harrison Atelier, and a surface that provides information about the benefits and disadvantages of the city's air created by Daryan Knoblauch, among others. At the same time, a series of 4 digital architectures and augmented realities were added, incorporating new experiences and technologies.
The city of Panama has been experiencing an architectural rebirth. Buildings that have become outdated and deteriorated over time are now being renovated, restored, and modernized - and one of the main offices carrying out this task is Sketch, an architecture studio that defines itself as "energetic, multidisciplinary, and a firm believer that design should be both smart and fun."
Their renovation and remodeling projects, such as the STEPS Dance Academy, the DiabloRosso Gallery, and the mixed-use building La Moderna, are clear indications of this transformative spirit that revolves around efficiency and relevance. Learn about these projects in detail below.
Contemporary Indian design culture can aptly be described with one word - fusion. A close look at the trends in fashion, cinema, music, and art soon reveals the country’saspirations as a globalized nation. Reveling in a new era, India’s art and design appear as a combination of influences from traditional life and the Western world. A “neo-Indian” image informs multiple forms of cultural expression, including architecture and interior design. As Indians and Indian architecture carve the country's place in the world, a new design trend flourishes - one that is driven by modern lifestyles, international influences, a colonial past, and a desire to stay connected to its roots.
Designed by Renzo Piano Building Workshop, a new building for Istanbul Modern, Türkiye’s first museum of modern and contemporary art, will open to the public on May 4th, 2023. The official opening ceremony of the museum is set to take place at a later date. The museum, measuring over 10,500 square meters, is located on the Karaköy waterfront, a historic district at the intersection of the Bosphorus and Golden Horn. The new building offers spaces for temporary exhibitions, interdisciplinary educational programs, film screenings, and an extensive art collection.
ELEMENTAL, Herzog & de Meuron, Office for Metropolitan Architecture (OMA), Philippe Starck, and UNStudio are just a few of the internationally renowned architectural firms working with Qatar Museums to establish five new cultural facilities in Qatar. The new constructions will be overseen by Qatar Museums, tasked with maintaining and expanding Qatar's cultural assets through managing the nation's expanding network of museums, heritage sites, festivals, and public art installations.
Dismantling the system of slave and child labor in the architecture and construction industry does not seem like a simple task, especially on a global scale. However, this is precisely the mission of the Design for Freedom (DFF) initiative, created by CEO and founder of the Grace Farms Foundation, Sharon Prince, along with Bill Menking, professor and editor-in-chief of The Architect's Newspaper.
Through events and freely available tools, Design for Freedom seeks to "raise awareness and inspire responses to halt forced labor in the construction materials supply chain," offering paths to ensure transparency and ethics in the architectural production process.
The architecture firm MAD Architects, based in Beijing, China, has presented the design of its first project in South America, the mixed-use "Qondesa" tower in Quito, Ecuador, which will soon become the tallest building in the city.
Following findings from a study published in the Nature Ecology & Evolution journal this April, it has become public knowledge that the phenomenon dubbed the Great Pacific Garbage Patch (an area of 620,000 square miles between California and Hawaii) is serving as host to an entire coastal ecosystem. Marine wildlife is using the massive area compiled of human plastic waste as a floating habitat, and scientists are shocked at the number of species that have managed to establish life in this otherwise hostile environment.
The news once again brings into sharp focus not only pressing issues of climate change and ocean pollution but also the question of environmentally-induced migration, even at a microbial level. Architecture is moving into more and more experimental realms when it comes to considering locations for the communities of our future – and rising sea levels have promoted water to the top of the list. But these deliberations are not as recent as one might think: floating cities have been around for centuries and individual homes on water are common in areas of Benin, Peru or Iraq, among others.
Courtesy of Practise for Architecture and Urbanism
The Federal Aviation Administration has chosen the New York-based Practice for Architecture and Urbanism (PAU) studio to design the country's newest air traffic control towers. I.M. Pei's iconic mid-century towers will be replaced by PAU's adaptable and highly sustainable prototype, which offers a unique architectural solution that combines form and function for the twenty-first century. The new towers are vital to U.S. Transportation Secretary Pete Buttigieg's goal to reach net-zero greenhouse gas emissions from the U.S. aviation sector by 2050. They have been updated to reflect aviation technology, safety development, and changing environmental and climatic conditions.
Igreja da Luz. Image by hetgallery, via Visualhunt.com
The use of light in religious constructions as an element of association with the divine has been present throughout the history of humanity. Historically, a series of temples from various religions have used this technique as an attempt to visually and perceptibly approach humans to a sacred and intangible dimension. Light is often given a spiritual connotation and significant symbolic force, capable of modifying people's relationships, perceptions, and experiences with their surroundings. Thus, it is an element that has been, and still is, used by architecture to create scenarios and effects in many religious spaces, especially churches.
