In the rapidly burgeoning city of Beirut, the post-war building boom is far from over. Much like its middle-eastern neighbors, it boasts of a plump share of designer architecture—as critic Oliver Wainwright refers to it, “a diverse shopping list”. It is here that the Beirut Terraces, a residential complex designed by Herzog & De Meuron, rises up to 119 meters, occupying a prominent place in the city’s skyline. In this collection of photographs by Bahaa Ghoussainy, one sees the Beirut Terraces from within, getting a glimpse of both the interior, as well as the multiple, unique views offered from inside the building.
From Greek architect and photographer, Yiorgis Yerolymbos comes a book which captures the construction process of Renzo Piano’s Stavros Niarchos Foundation Cultural Centre in Athens, Greece. Yerolymbos carefully documented every moment where the superfluous Olympic parking lot became a cultural center and sloping park with waterfront views. For almost a decade, and from every angle, the photographer watched the site transform. Birds-eye imagery proved to be some of the most captivating. As photographs, they manage to possess the characteristics of an architectural drawing.
Located in the largest remaining park in Beijing’s central business district, MAD Architects’ Chaoyang Park Plaza opened earlier this to year to much deserved fanfare. With a striking black glass form inspired by traditional Chinese ink landscape paintings, the complex is an immediate standout within its context.
In this photo series, Laurian Ghinitiou captures the series of buildings, drawing attention to their relationships to those surroundings. From the bustling streetscape, to the local residents fishing in the nearby pond, to KPF’s fast-rising CITIC Tower in the distance (soon to become Beijing’s tallest tower), Ghinitiou’s photographs are a reminder that all architecture is a product of the people and buildings around it – even the most dramatic of forms.
French photographer Laurent Kronental’s latest photo series, “Les Yeux des Tours” views of Paris, are framed by the quirky windows of the Tours Aillaud, and by the subtle differences in which the spaces around them are inhabited. Kronental considers the towers as some of the most spectacular of the Grands Ensembles built in the post-war economic boom in France. For him, photographing these buildings was a form of nostalgia, a way of satisfying a deep sense of childhood wonder and curiosity that fostered in him as a young boy perceiving them from the nearby business and shopping center "La Défense," questioning the lives of the people who live there.
Terrence Zhang has been named the winner of the 2017 Arcaid Images Architectural Photographer of the Year Award for his "striking image" of the Swimming Pool at the New Campus of Tianjin University in China, designed Atelier Li Xinggang. Announced on the final day of the World Architecture Festival (WAF) in Berlin, the image was lauded for its ability to capture the shafts of sunlight entering through the clerestory and interacting with the water.
The complications of war and violence demanded a bold piece of architecture to provoke the public's understanding of the impact it had on Germany. Daniel Libeskind chooses to engage with such events in his extension to Dresden's Military History Museum, by crashing a huge steel and concrete structure through the neoclassical facade, tearing apart the symmetry of the original building. Photographer Alexandra Timpau has captured the sharp edges and harsh angles of the museum's extension that convey the pain and the stark reality of war Libeskind and the museum refer to.
In his new series, “Corner Symmetry,” Hungarian photographer and printmaker Zsolt Hlinka captures some of his home city of Budapest’s most stunning buildings, manipulating them to make them appear as if they are perfectly symmetrical when viewed from the corner.
Overlaid on a variety of pastel-colored skies, the photographs are taken from extreme 2-point perspective, making the buildings appear to pop straight off the page. The study is a continuation of his Wes-Anderson-reminiscent series, “Urban Symmetry.”
Deeply rooted in the phenomenological ideas of Maurice Merleau-Ponty, Steven Holl’s architectural philosophy is centered on human experience, materiality, and a thorough engagement with the site or context. But more than his experiments with space and material, he is best known for his mastery over what is perhaps his favorite material, or medium: natural light.
His design for the Visual Arts Building at the University of Iowa, seen here through the lens of photographer Aaron Dougherty, is one of his projects that best explores these concerns. Clad in weathering zinc and stainless steel, the four-story building houses studios, teaching spaces, galleries and faculty offices for all visual arts departments—from Ceramics, Jewelry Design and Sculpture, to Printmaking, Painting, Video Art, and 3D Design.
Arcaid Images has revealed the shortlist of 20 images in the running for the title of World’s Best Building Image in their 2017 Arcaid ImagesArchitectural PhotographyAwards. The annual award selects photographs in four categories - Exterior, Interior, Sense of Place, and Building in Use - which are judged by an esteemed panel of designers, photographers and journalists based on their atmospheric quality, composition, use of scale and more.
“More than just informing people about the existence of such places, the best photos go beyond that and entice people to learn more about the buildings, cities, and landscapes – maybe even booking a flight to see them firsthand. That feeling hit me on numerous occasions,” said jury member John Hill, Editor of the World-Architects eMagazine.
After the first series of photographs revealing Madrid's architectural geometries, Joel Filipe shared his work with us again; this time the Into the Fog series. In these photographs, Filipe presents, through a layer of mist, well-known projects featuring the skyline of the Spanish capital.
Abu Dhabi-based Brazilian designer and artist Fábio Araujo has a fascination with abandoned places – the mystery of where the man made clashes with the natural to create unique colors, textures and compositions.
These places are the subject of his series, aptly titled “Abandoned Places,” in which he uses a series of digital manipulations to create small islands floating within and contrasting with their clean, solid backgrounds.
Other works by Araujo include “Favela,” where the Brazilian housing typology has been reimagined as located within the sky, and miniature models of scenes and buildings including the Burj al Arab hotel in Dubai.
Architectural Photography Award launched by the Association of Hungarian Architects and the Hungarian Architecture magazine The main objective of this contest is to encourage and inspire thinking about our man-made environment via architecture-related photographs.
An exhibition is going to be opened in Budapest in November, 2017 to present the winning as well as the shortlisted finalist photos of the contest. From here the exhibition is to be moved on to Bratislava, Prague and Cracow at the beginning of the year 2018. All the photos exhibited are also to be published in a special issue of the Hungarian Architecture
The door: despite being one of the most fundamental architectural elements, the immense significance these portals hold in architecture and culture can hardly be questioned. Historically, empires erected gigantic gateways to welcome visitors and religious shrines installed doors with ornate embellishments to ward off evil just as contemporary governments have built arches to commemorate important events.
In this photo-series, however, architect Priyanshi Singhal directs her focus to doors in a humbler vein—those of homes and hole-in-the-wall shops. Armed with her camera, she travels through narrow winding streets in age-old Indian towns and villages—characterized by their mixed land-use—as she studies and documents the inherent relationship between architectural tradition, culture, and a people. A door and its chaukhat (threshold) hold deep spiritual meaning in India’s traditional vastu shastra system of architecture. Furthermore, Singhal’s work provides us a brief glimpse of the imprint that the vagaries of time, community and economy have left on India’s historical urban fabric.
Global photography community EyeEm has announced the finalists of their 2017 Photography Awards. Free and open to photographers of all skill levels and backgrounds to submit through the EyeEm web platform and app, this year’s awards received more than 590,000 submissions from users around the world across five categories: The Architect, The Great Outdoors, The Photojournalist, The Portraitist, and The Street Photographer.
The architecture category alone received over 95,000 submissions, from which 20 images were selected by a jury of photographers and editors from institutions including National Geographic and the BBC. All of the finalist images will be displayed at the 2017 EyeEm Photography Festival & Awards in Berlin from September 15-17, where each of the category winners and Photographer of the Year will be announced.
Continue on to see the 20 finalists in the architecture category.
In this series, architect and photographer Nipun Prabhakar captures the uniquely expressive doors of the city of Kathmandu, Nepal. More than just passageways between spaces, doorways in Kathmandu are used as social spaces where people regularly meet and as a physical representation of the building owner’s interests.
Prabhakar explains:
“The most versatile piece in a building, [the door] has been a mode of expression [for] ages. The door in apartments and modern societies is just a mode of a transition from outside to inside. In traditional cities and neighborhoods, like that of Kathmandu, it’s much more than that. It’s the place where people spend most of their time. Sitting at the Chaukhat, socializing and chatting. The door is not just a tangible unit, it’s the respect you give to your building.”
The project began as a design by Ole Scheeren for local firm Pace Development, and was completed by his own firm following his departure from OMA in 2010. The architects describe the project:
The design of MahaNakhon dismantles the typical tower and podium typology, creating a skyscraper that melds with the city by gradually ‘dissolving’ as it flows downward to meet the ground. A series of cascading indoor/outdoor terraces at the base of the tower accommodates retail and entertainment facilities, evoking the shifting protrusions of a mountain landscape.
In this series, photographer Julien Lanoo turns his camera toward Adjaye Associates' Aishti Foundation in Beirut, a shopping center and museum showcasing the private contemporary art collection of Tony Salamé, the founder of Lebanese luxury retailer Aishti.
Located on a coastal brownfield site in central Beirut, the building integrates the two distinct programs by establishing what the architects call a "celebration of views into the spaces as well as a homogenising tiled design that presents a language throughout the building’s floor, façade and roof." Interior spaces are organized around a reflective central atrium, while an undulating landscape along the water reclaims seaside public space, and opens up views over the city of Beirut.
The exhibition 'Sketches of Spain' by photographer Ola Kolehmainen has been recently shown in Barcelona at the SENDA Gallery. The exhibition summarized the last ten years of Kolehmainen’s work. In 2015, the artist was awarded the RIBA Honorary Fellowship for his contribution in promoting the architecture of his generation.
With his particular vision, Ola Kolehmainen seeks to show the constant abstractions that are partially hidden in modern architecture. His photography is dramatic and inspiring, we can find pieces of European avant-garde mixed with the crudeness of the materials and their uses. With minimal format, he shows us details we normally miss completely from well-known works such as the Barcelona Pavilion by Mies Van der Rohe (key architect in Kolehmainen's work), or the Niemeyer Center in Avilés, by Oscar Niemeyer.
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