The Fondazione Teatro dell'architettura has announced the architecture firm Al Borde (Ecuador) as the winner of the 2024 BancaStato Swiss Architectural Award. Founded in Quito by Pascual Gangotena, David Barragán, Maríaluisa Borja, and Esteban Benavides, Al Borde conceives a collective approach to design and construction, paying special attention to climate variables, the involvement of local communities, traditional construction techniques, and innovation. As they state, Al Borde “inhabits the territory of questioning, where certainties about what architecture should or should not be are constantly under construction.”

"Las Tres Esperanzas [The Three Hopes] are three constructive actions that make up the educational space where not only children and adolescents were and are shaped, but where we also formed ourselves as architects." These engaging opening words already reveal a journey which, as the result of a sequence, demonstrates that the threads of events are too complex to weave and understand from a single point of view.

For this reason, the sequence of diverse perspectives organized in this new book presented by Al Borde is so significant. It highlights not only a process—and a series of parallel events—but the singularity of a construction. It stands as testament to both the complexity, timeline, and unforeseen events, and the collaborative efforts, learning, and lessons that come with creating a work of architecture.

On Wednesday, August 23, the first episode of a new documentary series exploring Al Borde's projects will be released. Building with Living Trees dives into the stories behind Casa-Jardín, a single-family residence located on the outskirts of Quito.

On Wednesday, August 23, the first episode of a new documentary series exploring projects by Al Borde will premiere. "Building with Living Trees" dives into the stories behind the Casa-Jardín, a single-family home located in the suburbs of Quito.

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"This semester you can do whatever you want; the only condition is that the final project must be built at full scale." This is how the seventh-level studio taught by the award-winning firm Al Borde begins at the Universidad Tecnológica Indoamérica (UTI) in Ambato, Ecuador.

More than 60 built projects have emerged from this studio, including Nido del Quilico, a project developed in 2016 by Darío Cárdenas, Jonathan Proaño, and Daniel Sandoval. The following text is adapted from a post-studio interview conducted by the Al Borde team with Darío Cárdenas.

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The 2018 International Housing Finance Summit, organized by INFONAVIT, brought together experts from various disciplines to discuss the future of cities and the lessons learned to date. Held on May 2 and 3 at the Camino Real Polanco, the event hosted prominent figures who examined urban transformation processes to evaluate models that could guide us toward an integrated urban plan.

The event featured the participation of Al Borde, a firm that has materialized its ideas across various Latin American countries, earning numerous awards and accolades. In 2016, they served on the nominating committee for the Mies Crown Hall Americas Prize (MCHAP) and were part of the official selection at the Venice Biennale, which was themed 'Reporting from the Front.' Currently, they are among the winners of the "Young Architects in Latin America" competition, a collateral event of the 16th International Architecture Exhibition at the Venice Biennale.

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In recent years, earthen construction has gained renewed attention in architecture. Materials such as adobe, rammed earth, and compressed earth blocks, once mainly associated with vernacular traditions, are increasingly being explored by contemporary architects. Rather than representing a simple return to the past, this renewed interest reflects a broader reconsideration of how architecture engages with materials, local resources, and environmental conditions.

For centuries, building with earth was part of everyday construction across many regions of the world. Techniques such as adobe, rammed earth, cob, and other soil-based systems developed gradually through adaptation to climate, available resources, and local construction practices. These methods responded directly to environmental conditions while shaping cultural ways of building. This knowledge circulated through collective practices rather than formal architectural education, allowing techniques to evolve through continuous experimentation.

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As artificial intelligence (AI) becomes increasingly embedded in society, it's essential to pause and reflect on the foundations that sustain it—and the dimensions to which it extends. At the heart of AI's learning are datasets, whose structure and content shape how these systems interpret and respond to the world. This reliance creates a deep interdependence—one that not only informs AI's capabilities but also defines its potential blind spots. In light of this, we must ask: What forms of understanding might this process exclude, especially those not easily captured in digital form?

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The Sharjah Architecture Triennial 2023 opened on November 11, 2023, with a wide program focused on the overarching theme of The Beauty of Impermanence: An Architecture of Adaptability. While on-site in Sharjah, the ArchDaily team had the chance to sit down with curator Tosin Oshinowo and discuss her curatorial view, the development of the main themes of the program, and the larger principles and intentions behind the event. Informed by her experience growing up in Lagos, Oshinowo has focused the Triennale on the celebration of places that thrive under conditions of scarcity and the alternative models that the Global South can provide in working towards a more equitable and livable future.

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Prior to the opening of the Sharjah Architecture Triennial 2023 on November 11, 2023, the organizers have revealed details of several new commissions and site-specific interventions that will explore and expand on the overarching themes of this year’s edition, The Beauty of Impermanence: An Architecture of Adaptability. The three-day opening program has also been announced, featuring talks, tours, screenings, workshops, and performances. Curated by architect Tosin Oshinowo, the event set out to explore the innovations born out of conditions of scarcity in the Global South and ways in which cultures collaborate, adapt, re-use, and re-appropriate resources to move towards a more resilient and equitable future. Architects, designers, and studios have been invited to contribute with installations and projects to be displayed across the city and the surrounding desert.

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Today is the premiere of the first episode of a new documentary series that explores the projects of Al Borde. Titled "Building with Living Trees", this first instalment highlights the stories behind Casa Jardín (Garden House), a single-family home located in the suburban area of Quito, Ecuador.

Designed for an ecologist named José, the residence is developed into three small independent pavilions with hybrid structures that combine living trees with various construction systems. These structures utilize a vernacular technique of living fences that has been employed in the Andes since ancient times, showcasing a genuine pursuit of coexistence between architecture and nature.

A group of 31 architects, studios, and designers have been invited to participate in the Sharjah Architecture Triennial from 11 November to 10 March 2024. For its second edition, the Triennial aims to explore innovative design solutions emerging from conditions of scarcity in the Global South. The participants, representing 27 countries, offer a diverse and international response to the theme, addressing its implications for the future of architecture. The Triennial is curated by Tosin Oshinowo and revolves around the theme "The Beauty of Impermanence: An Architecture of Adaptability."

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The 2023 Sharjah Architecture Triennial (SAT) will take place from November 11th, 2023 to March 10th, 2024, under the theme "The Beauty of Impermanence: An Architecture of Adaptability". Focusing on how scarcity in the Global South has led to a culture of re-use, re-appropriation, innovation, collaboration, and adaptation, the second edition of the architectural exhibition, curated by Tosin Oshinowo, aims to shift global conversations towards creating a more sustainable, resilient, and equitable future.

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The height of the ceiling of a space heavily influences our perception of it. Generally, local building codes regulate the minimum dimensions for ceiling height, which are calculated to ensure adequate quality of life in the environment. But the exact height of the ceilings is often defined by the dimensions of other materials that make up the building, the height of the constitutive slabs, or even by rounding the dimensions of the stair steps. It is common, with the densification of cities aimed at increasing profitability, for entrepreneurs to design with minimum ceiling heights in houses and offices, reducing construction costs. On the other hand, in older structures, more generous ceilings can be observed, which generally enable a greater degree of design freedom. But how can architects make the most of these spaces?