Taller Síntesis, based in Medellín, Colombia, shared this article with us. It emphasizes the importance of recognizing the Colombian rural built environment—which accounts for most of the country's territory but not the majority of its architectural practice—with the aim of raising awareness of how architecture is developed and recognized in the country.

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2023 broke temperature records worldwide. People across different regions of the planet are already facing historic heatwaves, wildfires, and droughts with just 1.1°C of warming above pre-industrial levels. Under current policies, which put the world on track for a warming scenario of 2.5°C to 2.9°C by 2100, the stifling heat felt this year is just a small taste of the future ahead.

The academic world has much to contribute to the field of architecture and urbanism. Its research and proposals foster inspiring visions, new materials, and concepts, sparking essential debates on how we perceive, occupy, and design the built environment. Across their entire spectrum, final graduation projects offer students an opportunity to put forward a final proposal before earning their degree, addressing diverse themes and touching upon urgent issues. Consequently, we host an annual call for submissions open to all Portuguese-speaking countries to present a panorama of outstanding projects that help us reflect on the past year and look to the future.

The Instituto Corrida Amiga works to bring people closer and connect them to the spaces they inhabit, aiming to transform citizens' daily lives through the perspective of active mobility, access, and the right to the city.

Part of the institute's initiatives consists of educational practices designed for diverse audiences, featuring playful-educational activities that encourage active participation and collaboration. This allows participants to express their opinions and desires, fostering decision-making, critical thinking, and empathy.

Using plants to filter impurities from lakes and rivers is already a common practice in sustainability. It is an alternative that avoids artificial chemicals in favor of maintaining a balanced ecosystem. Now, students at the Rhode Island School of Design (RISD) have gone a step further, creating floating planters made of mycelium to clean pollutants from waterways while restoring wetland habitats.

The winning project of the Oscar Hagerman Prize International Architecture Competition has been announced. Established in 2017 to honor the career of architect Oscar Hagerman, the biennial competition recognizes social architecture concepts, encouraging participants to utilize regional materials while prioritizing user needs.

This episode of Arquicast brings the Final Graduation Project (TFG), or Capstone Project (TCC), to the center of the debate. This famous acronym represents a crucial milestone in every architect's education. For those who have already graduated, it remains one of the most memorable experiences of their university years. For current students, it can be a phase of conflicting emotions: the anxiety of the upcoming challenge coupled with the excitement of developing a project with complete autonomy.

Whether for environmental, structural, or aesthetic reasons, wood is widely used in contemporary architecture, although it still falls far short of its true potential. Properly managed, it becomes an inexhaustible resource—which, in itself, should attract significant attention from architects and other construction professionals.

To separate wood from its association with cladding and partitions—or purely ornamental uses—we have compiled 10 public and community projects of varying scales, from small neighborhood libraries to conference centers, built in locations as far apart as Ecuador and Bangladesh, that employ wood in their structures.

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Caring for the earth, caring for people, and caring for the future. These are the three ethical principles that have guided the practice of permaculture since the term was coined in the late 1970s by Australian ecologists David Holmgren and Bill Mollison. This was an era when the environmental movement gained significant traction, with the emergence of various organizations and movements united in an effort to curb the destruction of the planet's natural resources.

Its three core principles embody a commitment to caring for natural resources, pursuing a social life in harmony with nature, and creating systems to share these resources.

Favelas are an established reality in São Paulo, Brazil, housing more than 10% of the city's population. Within these communities, housing is a critical issue, due to both its inherent social dynamics and the poor environmental quality of indoor spaces—primarily caused by the overexposure of building envelopes to the sun and inefficient openings for ventilation. Against this backdrop, the project develops simple, replicable strategies to retrofit self-built housing based on the local climate.

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Estudio Lamela and Rogers Stirk Harbour + Partners (RSHP), alongside AYESA Ingeniería, will design the expansion project for terminals T4 and T4S at Adolfo Suárez Madrid-Barajas Airport. In addition to the terminal expansions, the project includes commercial areas, related equipment and furniture, as well as aircraft parking aprons.

Teatro Amazonas in Manaus and Theatro da Paz in Belém could soon achieve recognition as UNESCO World Heritage Sites. The first step toward this distinction for the Amazon theaters will be taken between December 13 and 15, during the first mobilization workshop in Manaus. This event will gather representatives from the governments of Amazonas and Pará, the city halls of Manaus and Belém, civil society, researchers, and the National Institute of Historic and Artistic Heritage (IPHAN).

The first architecture course in Brazil was established more than 200 years ago as part of the "French Mission" of 1816. The Royal School of Sciences, Arts, and Crafts of Rio de Janeiro offered the only course in the country for over fifty years. It was an institution geared toward educating the Brazilian elite, lacking any research purpose, and training an "architect-artist in service of the court."

According to architect and researcher Sônia Marques, the requirements for admission to the Royal School were "knowing how to read, write, and count," and the curriculum of the architecture course consisted of subjects such as: ornamental drawing, ornamental sculpture, archaeology and applied mathematics, perspective and shadows, and stereotomy (the technique of cutting construction materials), among others. Its foundation aimed to meet the needs of a clientele consuming symbolic goods—a demographic developed and fostered primarily by the recent presence of the Portuguese court in Brazil. [1]

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In a year marked by physical distancing, social media became even more crucial for connecting with others and staying informed. @archdailybr's Instagram expanded its reach, and in 2020, brought our audience not only Brazilian and Portuguese projects, but also the top articles and news from the architectural world.

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When designing a building, one of the greatest challenges lies in integrating its base with the street level. To foster a more beneficial relationship with the city, bring "eyes on the street"—as Jane Jacobs put it—or even establish an active facade, architectural professionals employ various solutions.

Photovoltaic panels are increasingly gaining ground as a clean, renewable energy source. However, many of these systems only work under certain conditions—solar panels rely on direct sunlight, and photovoltaic plants are horizontal developments that require large areas.

The solution to these limitations may have been found by a 27-year-old Filipino student. Carvey Ehren Maigue, from Mapua University, developed a system that converts UV radiation into visible light to generate electricity. AuREUS System Technology, as it has been named, is a material that can be applied to pre-existing surfaces or structures.

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In 1936, the Brazilian Press Academy launched a competition for the design of its new headquarters in Rio de Janeiro. Herbert Moses, president of the Association, was, according to Cláudio Pereira (2002), in sync with international avant-garde trends, having even served as an interpreter for Frank Lloyd Wright during his lectures in Rio de Janeiro in 1931. It was Moses who handpicked the jury members, which consisted of ABI members, architects, and representatives from specialized organizations.

In a year deeply marked by virtual interactions, a temporary suppression of urban public spaces, and a profusion of digital exhibitions, the Virtual Online Museum of Art (Voma)—the world's first fully virtual art museum—has opened. Set in a context as intangible as its concept–perhaps on the shores of a lake or an inlet, one cannot be sure–the virtual building features a unique architecture, composed of complex, somewhat ambiguous volumes and a simulated materiality reminiscent of pigmented concrete.

The existence of urban centers as hubs of trade and culture spans millennia. As construction, water supply, and transportation technologies developed—especially vessels capable of carrying large volumes of goods and people—small villages transformed into major cities.

By 500 BCE, there were already one million inhabitants in Rome. Yet it was only after 1760, following the Industrial Revolution in England, that cities began to take center stage. Since then, cities have faced monumental challenges, and so far, absolutely nothing has been able to disperse populations or dismantle large urban centers.

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Access to adequate housing is difficult in a country like Brazil, which has a housing deficit of 6.3 million homes (FUNDO FICA, 2019). The perverse logic of the real estate market—where the costs of buying land and property, and even renting, are extremely high—coupled with the lack of public housing policies—in a social context where urban families earning up to two minimum wages spend 41.2% of their household income on housing consumption expenses (GUERREIRO; MARINO; ROLNIK, 2019)—makes homeownership extremely difficult for the poorest segments of the population.

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The future has always been impossible to predict with absolute certainty. While various films, books, and theories have attempted to decipher it—and many have come close—we continue to be surprised by what actually emerges. Take, for instance, artificial intelligence tools. As we wrap up 2023 and head into 2024, does this dynamic remain the same? Can these tools also drive social change?

They say that it doesn’t matter what happens, but how you see it. They also say that literature does not reproduce reality, but rather creates another. It all starts with an idea. Just an idea. Image and imagination go hand in hand, meaning they constitute the mechanism of human perception, thought, language, and memory. And in essence, architecture is nothing more than organizing ideas. The question is: how do we organize these ideas? Or rather, how do you see things? Is there really perception without social and cultural context? The short answer is no. The long answer involves interpretive anthropology, a bit of theory, and a great deal of criticism.

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Since March 2018, when a 2.5-magnitude tremor on the Richter scale startled the residents of Maceió, the population of the Alagoas state capital has become aware of—and gradually had to grapple with—the consequences of a tragedy that would soon fully unfold. Following the appearance of a series of cracks and sinkholes across various neighborhoods, geological analyses identified the primary cause of the ground subsidence: the extraction of rock salt—a mineral used in the manufacturing of caustic soda and PVC—which had been carried out in Maceió for over 40 years by the petrochemical company Braskem.

With new tremors in November 2023 and the imminent risk of the mines collapsing, Maceió's crisis returned to the Brazilian headlines, shedding light on a range of complex urban issues tied to the tragedy. From physical damage to city infrastructure and forced displacement to inflation and real estate speculation, the unfolding disaster reveals painful scenes of what is already being called one of the worst urban tragedies in the world. Immersed in this crisis, the city's population suffers from incalculable damage: "The cracks weren't just in the buildings; they were in us, in our souls."

The interaction between architecture and human well-being is a field drawing increasing interest in the contemporary world. The role of architecture in daily life extends far beyond its aesthetic or practical functions; it directly shapes the experience and well-being of those who interact with built spaces. This fundamental link between architectural space and human well-being is being increasingly explored by researchers and practitioners seeking to understand and optimize the impact of the built environment on people's health and quality of life.