Located somewhere between opacity and transparency, translucent surfaces allow rays of light to partially pass through them, creating a "blurred" aspect to what is seen on the other side. This is an effect widely used in art, as in the works of the Icelandic–Danish artist Olafur Eliason, for example, who works with optical illusions through light and colorful and transparent surfaces. But it is also admired by contemporary architects, such as the Japanese office SANAA, or European offices such as Barozzi / Veiga or Lacaton & Vassal, among many others.

In buildings, when using translucent surfaces with materials such as polycarbonate or glass, elements become visually lighter and highlight interiors or even the building's structure, without intruding on inhabitants' privacy. Chairs, lamps, pots: there are several everyday objects that use translucency for aesthetics and lightness. In the bathroom, however, this is not so common. Usually made of porcelain, the traditional pieces used in this space are opaque and at times are not so flexible to allow for a designer's vision.

“Good design deserves great recognition”. This statement encapsulates the A'Design Award and Competition, an award for designers, innovators and companies that wish to stand out and attract the attention of the media, editors and buyers. These aspects are especially important in the world of design, where millions of products and projects are launched, and often end up being swallowed up and not receiving due recognition. To address this, every year projects are submitted to the A' Design Award with a focus on innovation, technology, design and creativity. It offers a chance for recognition, with the valuable curatorship of a renowned jury and the possibility of a successful international launch. The A'Design Award contains a series of public relations, advertising and marketing services to celebrate the success of its winners. In addition, and unlike other design awards, it is completely free of charge.

The practice of frequenting public baths was common in civilizations such as the Greeks, Persians and Byzantines, but it was the Romans who popularized their use as places of socialization and purification. These bathrooms were communal and people sat side by side in a collective latrine. The modern bathroom, more similar to what we know today, began with Sir John Harington and his invention of the first flush toilet in 1596. Another crucial advance occurred with Alexander Cummings in 1775, which included a siphon within the toilet to retain gases and odors. But it was only when houses were equipped with running water and effective drainage in the second half of the nineteenth century that the modern private bathroom emerged: a bathroom, a sink and a bath place, which can be a shower or a bathtub. The basics have remained almost unchanged since then, with a few cultural variations in different parts of the world.

These days, the bathroom is a space that goes far beyond its function. With numerous options on the market, it can be designed with the most diverse aesthetics in mind, become a space for relaxation or a design statement in an interior design project.

Museums play a key role in the preservation and dissemination of culture and knowledge. They can exhibit works of art, documents, photographs, historical artifacts or even plants and trees. Although today there are entirely virtual exhibition spaces, the primary functions of traditional museums are the conservation and protection of objects, which are invaluable due to their historical relevance, rarity or market value. From simple “Do not touch” signs to tape, security guards, or glass displays, each object receives a type of protection that is in accordance to its needs. These types of protection, in turn, must consider both the safety of the object, whilst also allowing for its appreciation and conservation, creating a controlled environment for the exposed object that preserves it indefinitely.

When browsing the 3D printing tag on ArchDaily, it is clear that this technology has developed at an incredibly fast pace. If in the early years we observed the concept as a distant possibility for the future or with small-scale examples, in recent years we have observed entire printed buildings and increasingly complex volumes being produced. Developed by reading a computer file, the fabrication is carried out through additive manufacturing with concrete - or other construction materials - and presents numerous difficulties in providing an efficient process that enables the constructive technique to become widespread. The pavilion printed by the Huizenprinters consortium, for example, illustrates this process well.

Textures can calm us, bring warmth or even guide us. They elicit our sense of touch and also affect us visually. This is because lights and shadows tend to form in relation to the irregularities and shapes that are present in some textures, which can in turn clearly differentiate these types of materials from other surfaces. For many, the idea of a space surrounded with white, smooth walls can be disturbing and monotonous. Embellishments such as paints, the inclusion of natural coatings or other elements can easily transform a space, emphasizing certain parts or creating new and attractive visuals. In interior design projects, textured walls have always been a popular way to add prominence to a space, either via the constructive system of building - such as brick or exposed concrete walls - or through different types of coatings that can be added later on.

Contemporary challenges and developments in technology inevitably trigger changes in the way we design and build our cities. SUMMARY, one of ArchDaily's Best New Practices of 2021, is a Portuguese architecture studio focused on the development of prefabricated and modular building systems. Striking a balance between pragmatism and experimentalism, the firm develops prefabricated solutions in order to respond to a driving challenge of contemporary architecture—to speed up and simplify the construction process. Founded in 2015 by the architect Samuel Gonçalves, a graduate of the School of Architecture of the University of Porto, the studio has presented at prominent events such as the 2016 Venice Biennale. We talked with Samuel about the firm's practical experience in prefabrication and modulation, as well as their experiments and forays into research.

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Metal façades give buildings an air of sophistication and modernity. They also bring a cleanness to the façade, due to their precise fabrication and well-resolved connections between other materials and building elements. There are currently multiple product options available for coatings, offering extensive colour options, including metallics, with different levels of durability (natural aging and corrosion). One of the main issues when approaching metal façades is the risk of corrosion, which can create points of weakness in the material and interfere with the aesthetics of the building. So, with this in mind, what do architects need to focus on to ensure that building envelopes age gracefully, while maintaining aesthetics and performance over time?

Artificial lighting plays an essential role in spatial quality. Badly thought-out lights can disrupt an architecture project and even bring harmful effects to occupants' health; while a well-balanced luminotechnic project can highlight positive aspects of the surroundings and make it much more enjoyable. Generally, however, projects tend to be too rigid and not in-tune with the flexibility of contemporary spaces. In addition, a badly made lighting decision can be complex and expensive to rectify. For example, electrical points in slabs, linings or walls are not easily modified if the distribution of a space is changed. At most, when this is resolved with hanging or free-standing lamps, we end up having to deal with bothersome electrical wires throughout the space.

Cladding systems have important functions in buildings. They can confer thermal insulation, protect internal spaces from the weather and–just as important–give the building a "face", improving its appearance and clearly identifying the element of design. "Cladding" refers to the components that are linked to the structure of a building to form non-structural external surfaces. While in the past wooden cladding was the only option, there are currently multiple possibilities of materials, colors, weights, textures, anchoring systems, and many other variables available. Below, we outline some of the main materials used for façade cladding, and the projects that use them in a remarkable way:

Pricing architectural project work is a complex issue that is not usually addressed during one's formative school years, and it usually takes time for professionals to develop a good system that works for them and their clients. Issues such as scope of work, hours worked, project area and project complexity will influence the final cost of a job. In addition, another thing that can keep project professionals awake at night is how to charge clients in a way that is sustainable for the business and comfortable for future users of the designed space.

Our environment influences how we feel; we have all experienced this. For students, it is easier to study in a bright place, artists look for inspiring atmospheres, and our mood can improve with the right color scheme. These aspects are also important for kindergartens, daycare centers and schools, because a child-friendly design can stimulate the curiosity and imagination of children, so that they learn in a playful way. The design of a room supports the learning and creativity of children. Daylight systems, for example, flood rooms with light, making them appear larger and friendlier.

Commercial building refurbishment projects present architects with design challenges. Transforming 18th century Bodmin Jail into a modern hotel meant an acknowledgement of restrictions in relation to the building’s infrastructure. Listed buildings often have construction regulations to preserve historic and architectural interests, impacting thermal comfort and how daylight is introduced to transform building spaces.

These design challenges can make architectural planning appear more complex, particularly when a building is being repurposed. Common challenges include sourcing materials to replicate or meet existing infrastructures. The adaption of floor plans, consideration of user comfort and introduction of technology in planning phases, also influence contemporary design. The Bodmin Jail Hotel required skylight installations that could work within an existing and iconic sloping roof.

Comfortable outdoor spaces are more desirable than ever. Over the past couple of years, people have been spending more time at home, connecting with nature from the relative comfort of covered balconies, patios, and pergolas. But even with pleasant views, cooling breezes, and the warmth of the sun, covered outdoor spaces can be uncomfortable. Temperature variations, glare, rain, and wind quickly create an unpleasant experience. In warmer climates, insects can be an additional a nightmare.