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Eduardo Souza

Architect and Urbanist graduated from the Federal University of Santa Catarina (UFSC). Master in Urban Planning, History and Architecture Program, also at UFSC, with research related to the theme of mobility and urban sprawl. Interested in projects of urban requalification, non-motorized transport and public spaces, among many other subjects. Has been collaborating in ArchDaily Brasil since 2012 and is currently Editor of Architecture Classics and Articles.

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Faculty of Architecture of the University of Porto Through Fernando Guerra's Lenses

06:00 - 5 May, 2017
Faculty of Architecture of the University of Porto Through Fernando Guerra's Lenses

This week we present the Faculty of Architecture of the University of Porto through the lenses of Fernando Guerra. Here we share a complete series from the photographer of this iconic work, along with a brief text on the subject. The University of Porto plays a major role in the world's architectural landscape, always among the highest in rankings and boasting great architects like Eduardo Souto de Moura (Pritzker 2011), Fernando Távora and Álvaro Siza Vieira (Pritzker 1992).

Boa Nova Tea House by Alvaro Siza Through the Lens of Fernando Guerra

08:00 - 8 April, 2017

The following photo set by Fernando Guerra focuses on Boa Nova Tea House, a project by Portuguese architect Álvaro Siza Vieira. Completed in 1963, it was one of the first works done by the 1992 Pritzker Prize winner. Built on the rocks that hang over the sea in Leça da Palmeira, the tea house is in close proximity to another iconic project by the same architect, the Leça Swimming Pools, both classified as National Monuments in Portugal.

Get to Know the Work of 2017 Pritzker Prize Winners RCR Arquitectes Through These Videos

09:30 - 11 March, 2017

The work of the Catalan firm RCR Arquitectes was, until its founders won the 2017 Pritzker Prize this month, little-known worldwide, with appreciation of their projects largely restricted to the few European locations in which they have built and a number of well-informed academic circles. Rafael Aranda, Carme Pigem and Ramon Vilalta founded their office in the small town of Olot almost 30 years ago, and most of their work for the past three decades have been built in the surrounding regions of Catalonia. As the Pritzker jury has pointed out, one of their greatest qualities is their ability to show how architects can have "our roots firmly in place and our arms outstretched to the rest of the world." Through the videos presented in this article, it is possible to understand a little more about the work of the office, and more specifically, to appreciate the atmosphere of its built works.

Jenny Sabin Studio Selected as Winner of the MoMA PS1 2017 Young Architects Program

11:00 - 17 February, 2017
Jenny Sabin Studio Selected as Winner of the MoMA PS1 2017 Young Architects Program , Jenny Sabin Studio. Lumen. 2017 (rendering). Winner of the Young Architects Program 2017, MoMA PS1, New York. Image Courtesy of Jenny Sabin Studio
Jenny Sabin Studio. Lumen. 2017 (rendering). Winner of the Young Architects Program 2017, MoMA PS1, New York. Image Courtesy of Jenny Sabin Studio

Lumen by Jenny Sabin Studio has been named the winner of The Museum of Modern Art and MoMA PS1’s annual Young Architects Program. Opening on June 27 in the MoMA PS1 courtyard, this year’s construction is an immersive design that evolves over the course of a day, providing a cooling respite from the midday sun and a responsive glowing light after sundown. Drawn from among five finalists, Jenny Sabin Studio’s Lumen will serve as a temporary urban landscape for the 20th season of Warm Up, MoMA PS1’s pioneering outdoor music series. Lumen will remain on view through the summer.

Now in its 18th edition, the Young Architects Program at The Museum of Modern Art and MoMA PS1 has offered emerging architectural talent the opportunity to design and present innovative projects, challenging each year’s winners to develop creative designs for a temporary, outdoor installation that provides shade, seating, and water. The architects must also work within guidelines that address environmental issues, including sustainability and recycling.

The Importance of Human Scale When Sketching

08:00 - 25 January, 2017

I prefer drawing to talking. Drawing is faster, and leaves less room for lies. (Le Corbusier)

Even with the evolution of technology and the popularization of advanced computer programs, most architecture projects still begin with a blank sheet of paper and the casual strokes of a pen. Rather than simply representing a project, the sketch allows us to examine the project, understand the landscape or topography, or communicate an idea to another team member or even the client. Its main purpose, however, is to stimulate the creative process and overcome the fear of blank paper. Sketches are usually made with imprecise, overlapping, ambiguous strokes, accompanied by annotations, arrows, and lack great technical accuracy and graphic refinement.

Peter Zumthor's Therme Vals Through the Lens of Fernando Guerra

09:30 - 30 October, 2016

In this stunning photo shoot Fernando Guerra, of Últimas Reportagens, captures the Therme Vals, one of the most iconic works of the 2009 Pritzker Prize-winner Peter Zumthor.

© Fernando Guerra | FG+SG © Fernando Guerra | FG+SG © Fernando Guerra | FG+SG © Fernando Guerra | FG+SG + 49

These Stunning Photos Commemorate the 50th Anniversary of Alvaro Siza's Pool On The Beach

08:00 - 8 October, 2016
These Stunning Photos Commemorate the 50th Anniversary of Alvaro Siza's Pool On The Beach, © Fernando Guerra | FG+SG
© Fernando Guerra | FG+SG

To commemorate the 50th anniversary of Alvaro Siza Vieira’s Piscinas de Marés (Pools on the Beach) in Leça de Palmeira, Portugal, photographer Fernando Guerra shared an interesting photo shoot project with us.

The young Álvaro Siza Vieira, then 26, was called to make salt water pools along the shore at Leça da Palmeira in Matosinhos, Portugal. The facility, which was completed in 1966, is made up of changing rooms, a café and two pools- one for adults and one for children - and became one of Siza Vieira’s most recognized projects, classified as a National Monument of Portugal in 2011.

© Fernando Guerra | FG+SG © Fernando Guerra | FG+SG © Fernando Guerra | FG+SG © Fernando Guerra | FG+SG + 31

AD Classics: Igualada Cemetery / Enric Miralles + Estudio Carme Pinos

01:00 - 19 May, 2013
AD Classics: Igualada Cemetery / Enric Miralles + Estudio Carme Pinos, © Flickr Frans Drewniak (CC BY-SA)
© Flickr Frans Drewniak (CC BY-SA)

Completed in 1994, the Igualada Cemetery was designed by Enric Miralles and Carme Pinos to be a place of reflection and memories. After 10 years of construction, their envision of a new type of cemetery was completed and began to consider those that were laid to rest, as well as the families that still remained.

The Igualada Cemetery is understood by the architects to be a “city of the dead” where the dead and the living are brought closer together in spirit. As much as the project is a place for those to be laid to rest, it is a place for those to come and reflect in the solitude and serenity of the Catalonian landscape of Barcelona, Spain. More on the project after the break.

© David Cabrera © David Cabrera © David Cabrera © David Cabrera + 19

AD Classics: MIT Chapel / Eero Saarinen

00:00 - 17 February, 2011
AD Classics: MIT Chapel / Eero Saarinen, © Flickr User: isabelle (CC BY-NC-SA)
© Flickr User: isabelle (CC BY-NC-SA)

© Flickr User: kathia shieh AD Classics: MIT Chapel / Eero Saarinen © Flickr User: j.czliao © Flickr User: kathia shieh + 11

Eero Saarinen is one of the most respected architects of the 20th Century, often regarded as a master of his craft.  Known for his dynamic and fluid forms, his design for the Massachusetts Institute of Technology’s chapel takes on a different typology than his previous works.  Completed in 1955, the MIT Chapel is a simple cylindrical volume that has a complex and mystical quality within.  Saarinen’s simple design is overshadowed by the interior form and light that were meant to awaken spirituality in the visitor.

AD Classics: Parc de la Villette / Bernard Tschumi Architects

01:00 - 9 January, 2011
AD Classics: Parc de la Villette / Bernard Tschumi Architects, © Flickr William Veerbeek (CC BY-NC-SA)
© Flickr William Veerbeek (CC BY-NC-SA)

© Cyrus Penarroyo © Cyrus Penarroyo © Cyrus Penarroyo © Flickr William Veerbeek (CC BY-NC-SA) + 12

As part of an international competition, 1982-83, to revitalize the abandoned and undeveloped land from the French national wholesale meat market and slaughterhouse in Paris, France, Bernard Tschumi was chosen from over 470 entries including that of OMA/Rem Koolhaas, Zaha Hadid, and Jean Nouvel.

AD Classics: Convent of La Tourette / Le Corbuiser

00:00 - 15 December, 2010
AD Classics: Convent of La Tourette / Le Corbuiser, © Fernando Schapochnik
© Fernando Schapochnik

The Convent of La Tourette is Le Corbusier's final building completed in Europe, and is also thought by many to be his most unique program. It was built to be a self-contained world for a community of silent monks, and to accommodate the unique and specific lifestyle of the monks, the monastery is made of one hundred individual cells, a communal library, a refectory, a rooftop cloister, a church, and classrooms.

© Fernando Schapochnik © Fernando Schapochnik © Fernando Schapochnik © Fernando Schapochnik + 48

AD Classics: Le Grande Louvre / I.M. Pei

00:00 - 18 November, 2010
AD Classics: Le Grande Louvre / I.M. Pei, © Flickr user: Rory Hyde (CC BY-NC-SA)
© Flickr user: Rory Hyde (CC BY-NC-SA)

AD Classics: Le Grande Louvre / I.M. Pei AD Classics: Le Grande Louvre / I.M. Pei AD Classics: Le Grande Louvre / I.M. Pei AD Classics: Le Grande Louvre / I.M. Pei + 13

In 1981, the newly elected French president, Francois Mitterrand, launched a campaign to renovate cultural institutions throughout France.  One of the most advantageous of those projects was the renovation and reorganization of the Louvre. 

AD Classics: National Assembly Building of Bangladesh / Louis Kahn

00:00 - 20 October, 2010
AD Classics: National Assembly Building of Bangladesh / Louis Kahn, © Flickr abrinsky (CC BY-NC-SA)
© Flickr abrinsky (CC BY-NC-SA)

© Courtesy of Wikimedia Commons © Courtesy of Wikimedia Commons AD Classics: National Assembly Building of Bangladesh / Louis Kahn AD Classics: National Assembly Building of Bangladesh / Louis Kahn + 11

Modernist architecture is traditionally understood to be utilitarian, sleek, and most of all without context, such that it can be placed in any context and still stay true to aesthetic principles and its functional requirements. However, Louis Kahn’s National Assembly Building of Bangladesh in Dhaka is an extraordinary example of modern architecture being transcribed as a part of Bangali vernacular architecture. The National Assembly building, completed in 1982, stands as one of Kahn’s most prominent works, but also as a symbolic monument to the government of Bangladesh.