As part of an initiative by architects and urban planners to mark the 50th anniversary of the founding of Cancun in Quintana Roo, Mexico, two comics have been released to portray the history of Cancun's Foundational Zone. Created by Pablo Landa of Landa + Martínez and David 'El Dee' Espinosa, this work explains the origins of the city's urban layout, as well as the history behind Cancun's Foundational Zone, to help understand its sustainable, pedestrian-friendly origins that promote community life.

This article is part of a collaboration with the website coolhuntermx and was originally published under the title "Julio de la Peña, the architect who built half of Guadalajara."

The moniker of having “built half the city” is often an exaggeration when discussing architects with a large volume of work. However, in the case of Julio de la Peña, the claim is not so far-fetched. This is true not only because of the sheer number of his projects, but also due to how iconic they are for Guadalajara.

With the emergence of COVID-19, we have had to adapt to living differently than we were used to, which has been directly reflected in our working style. Where and how do we work today? A large portion of the workforce has transitioned to working from home, where feasible. While comfortable for many, for others it has meant a radical shift, bringing new spatial and resource requirements. For architects, engineers, builders, and contractors, this challenge has been particularly complex, as much of their work involves handling large, high-cost devices.

In this article, we present 3 innovative solutions that replace the traditional, bulky plotter, allowing us to print in large formats from our own homes.

COVID-19 will likely change the way we live and work for an extended period. In this landscape, organizations have been seeking short-, medium-, and long-term solutions to guarantee their staff a safe return to work. Protecting the health of employees exposed to contact in the workplace requires implementing biosecurity strategies, social distancing, occupancy limits, cleaning, and disinfection. This article explores preventive measures recommended by HID Global, based on the application of identification technologies.

Water is one of the non-architectural elements most frequently used to complement design, harmonizing atmospheres and the overall experience of living. This can be achieved through reflecting pools, basins, fountains, or swimming pools. In tropical climates, it becomes a key tool that consolidates the architectural program, gathering spaces together and inviting residents to socialize around the pool. 

In large Latin American cities, marked by deep class polarization, insecurity becomes one of the direct outcomes of a lack of inclusive planning. In Bogotá, socioeconomic classes are divided into strata from 1 to 6—with 1 representing the most vulnerable population and 6 the most privileged. Bicistema has carried out four interventions in the localities of Kennedy, Suba, Teusaquillo, and Tunjuelito at public space points critical to women's safety.

Five years after our first encounter with the hidden substructure of Viaduct #2 in Albarregas Park, in the city of Mérida, Venezuela—and more than ten years since its reclamation by a growing community of skateboarders and street artists—this cultural hub continues to endure, an endogenous space driven by the momentum of its own effervescence.

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While brick is one of the preferred construction methods within the architectural culture of several Latin American countries, Uruguay's unique history with this material has been deeply shaped by the contributions of the renowned engineer Eladio Dieste. His work pushed brick to its ultimate lightness, creating curved surfaces through a pioneering technology he termed reinforced ceramics. In doing so, Dieste offered the country—and the world—a new perspective on the structural possibilities of brick, strengthening its role in local identity and inspiring further exploration and design with the material.

With an average of 12 square meters of green space per inhabitant, the city of Rosario was declared Argentina's "greenest" urban enclave in a recent report published by the Inter-American Development Bank's (IDB) Emerging and Sustainable Cities Initiative. This figure aligns with the standards set by the WHO, which recommends between 10 and 15 square meters of green space per person to ensure a decent quality of life for all citizens. The creation of new parks in recent years, combined with the upgrading of over 70 existing ones through the addition of amenities and technology, highlights the significance of green spaces for the people of Rosario.

Last week we announced the 15 finalist projects for the Building of the Year 2020 award (Obra del Año), which since 2008 has celebrated the best built architecture in Latin America and Spain, calling on our expert jury—that is, you, the readers—to choose your favorite completed buildings.

Today, the day has come to announce the winners of ODA2020.

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The state of Michoacán is located in western Mexico, bordered by the states of Jalisco, Querétaro, Guanajuato, Estado de México, Colima, and Guerrero. Covering an area of 58,598.7 km², it faces the Pacific Ocean. Its capital is Morelia, and it is the country's ninth most populous state. Furthermore, it boasts three UNESCO designations: 1) World Cultural Heritage for the Historic Center of Morelia, 2) World Natural Heritage for the Monarch Butterfly Biosphere Reserve, and 3) Masterpiece of the Oral and Intangible Heritage of Humanity for the Day of the Dead celebration.

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The state of New Mexico is located in the western region of the United States, bordering Colorado, Oklahoma, and Texas (in the US) and Chihuahua (in Mexico). It has the highest percentage of Spanish-speaking population in the United States. As part of Aridoamerica, its landscape is predominantly shaped by cacti and desert species.

La Parleta is a project by the Ecuadorian architecture and construction collective EseColectivo, which gathers "highly valuable reflections, anecdotes, and experiences surrounding the profession." Below, we share some of their thoughts alongside their fourth episode, "Post-Apocalyptic Architecture."

Nicolas Norero presents a new season of his podcast, continuing his conversations on identity, memory, and ways of life. In this edition, the featured guests are Dust Architects, Salvador Macías, Luis Callejas, Grupo Talca, Germán del Sol, and Enrique Walker.

Street safety goes far beyond policing and lighting. While these factors may be important in certain contexts, community engagement and building social capital are key to making cities safer. “Feeling safe is crucial for people to embrace urban space,” says Jan Gehl.

Between 1960 and 1980, architectural development in the Magallanes Region was heavily driven by public investment from the Chilean state. The economic boom of the era enabled the construction of high-quality buildings and infrastructure designed by the country's most prestigious architecture firms, providing solutions to challenges related to territory, the city, and society. It was during this progressive development process that Modern Architecture assumed a crucial role.

In 1978, at the height of postmodern architectural discourse, twelve eminent architects were invited to participate in the *Roma Interrotta* exhibition, with the task of redesigning the first map of the city of Rome, created in 1748 by the architect Giambattista Nolli. Each participant was responsible for reinventing a portion of the original map to construct a theoretical or utopian condition, taking into account the historical forces that had swept through the territory during the intervening years.

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At the same rate that the real estate development industry aggressively intervened in the most favorable areas of the city valley—backed by state approvals and concessions, supported by massive banking resources, and employing top individual talent trained at public universities—popular settlement neighborhoods grew proportionally across complex topographies, receiving minimal institutional support, completely devoid of financial backing, and with negligible, residual, if not non-existent, technical assistance.

When analyzing an architectural project, we often focus on issues such as its programmatic demands and historical context, its design and representation process, and how it was built. We tend to study it as a finished product. Yet, once a work is constructed, it opens itself up to the city and to others, becoming vulnerable to flaws, imperfections, redevelopments, and unforeseen appropriations. The consequences then stem from conflicts, and social and political dynamics that shape the city, forming a fluid and shifting landscape. 

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When we visit an urban destination—or perhaps a rural one as well—can we truly say we know it? A brief vacation in a tourist destination might give us an impression of what a place "is." However, this is a far cry from reality, as tourism has always manipulated the impression left on visitors, obscuring the actual lived experience of the place. 

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Since the second half of the twentieth century, Brazil has become globally recognized for urban insecurity. Since then, the problem has intensified, with extraordinarily high homicide rates—comparable, in many cases, to countries at war. In 2018, 17 Brazilian cities ranked among the 50 most dangerous cities in the world.

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The city of Puebla, located in the central highlands of Mexico, is particularly well-known for its street layout and its predominantly Baroque architecture. A UNESCO World Heritage Site since 1987, it hosts a broad cultural dynamic centered on the preservation of built heritage and its appreciation from afar, as if it were a museum piece. Consequently, on our daily commutes, we notice the monumentality of its facades, while most often overlooking what lies behind the large wooden doors: what we have called “the heart of the Poblano home.”

The following article proposes rethinking architecture as a subject rather than an object. Carlos Medellín delves into the topic, arguing from both experimental and academic perspectives how people-centered architecture acts as an agent of change.

Within residential spaces, architects choose to give more or less prominence to certain areas of the program, depending on client preferences. While some prefer to prioritize more intimate spaces, others lean toward social areas—with the kitchen being a primary example.

Although the pragmatic function of a kitchen is to serve as a space for preparing food, there are few homes where it does not also double as a gathering place. Even in traditional dwellings like the Mapuche *ruka*, a central hearth is used both for cooking and for heating, conceptually evoking the same welcoming atmosphere as integrated urban kitchens. Today, fire is managed through stoves—with a strong modern shift toward induction cooktops for their safety and precise temperature control. Nevertheless, the core domestic principle remains the same, and contemporary architecture has allowed the kitchen to once again integrate seamlessly with daily activities and social zones.