Many of us agree with Roman Mars of 99% Invisible when he says that "we tend to not notice well-designed things"—yet many also agree that design is often perceived as being for only a select few. Consequently, we must ask ourselves what is truly democratic when it comes to design, and from there, help define and contribute our vision toward a more just society.

From the perspective of design and architecture, we can approach the democratization of design from various angles—from incorporating design into everyday needs to designing inclusively. At the core of it all lies the search for solutions that improve accessibility and livability in our daily lives.

The construction industry is one of the largest producers of pollutants and waste globally in its daily operations. To put this into perspective, in the mid-1990s in Great Britain, construction processes generated nearly 10 million tons of post-industrial waste. Approximately a decade ago, over 3.5 billion new bricks were used annually, while around 2.5 billion were demolished; of that total, only about 140 million were reused, with the rest sent to landfills.

The growing focus on sustainable architecture drives architects to explore alternative sustainable construction materials that can be implemented in new buildings. The research “Totora as a Thermal Insulation Material: Properties and Potential” was published by architect Leyda Aza Medina as a master's thesis in 2016 and won the ADUS 2021 academic practice award. The study offers a sustainable alternative, utilizing the renewable resource of totora reeds to develop thermal insulation for buildings in the Peruvian highlands.

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Founded in 2013 and based in Mexico City, David Pompa is a studio comprising designers, engineers, and makers established in Mexico and Austria. David Pompa grew up in both countries and studied product design in London. Over time, the studio has shown a strong interest in traditional materials and techniques, maintaining a commitment to Mexican culture since its inception—a dedication reflected in the creation of aesthetic and accessible design objects. On this occasion, they are presenting a new collection for Milan Design Week 2022 on Via Simone Saint Bon as part of Fuorisalone from June 5 to 12.

Since the 15th century, the territory of Misiones, Argentina, has witnessed the constant passage and local overlap of a vast number of highly diverse cultures. Indigenous Guaraní, Spanish conquistadors, Jesuit missions, Paulist bandeirantes, people from the Republic of Entre Ríos and later the Province of Corrientes, Paraguayans, Brazilians, and, finally, a sweeping influx of European immigrants fleeing the world wars make up some of the layers of its immeasurable cultural fabric.  

On the path toward poverty reduction, economic growth, and environmental sustainability, both water and sanitation measures play a fundamental role, demonstrating the importance of access to a resource like water in people's lives. To mark World Water Day, celebrated every March 22, we present the Palacio de Aguas Corrientes (Water Company Palace) in Buenos Aires—one of the greatest creations of the 19th-century European foundry industry outside Europe, combining art and engineering in a unique Argentine work declared a National Historic Monument in 1989.

The National Architecture Award of Chile is presented by the Colegio de Arquitectos (Architects Association) to recognize "a lifetime dedicated to the service of architecture," according to the organization. First awarded in 1969, the inaugural recipient was Juan Martínez, architect of landmark projects such as the Law School at the University of Chile and the Votive Temple of Maipú.

Publishing architecture is necessary for the discipline itself to be understood as such. Without it, architecture becomes an endeavor devoid of public inquiry, confined to private practices. Yet its presence opens up a field that translates a material language into a written one, reformulating the discourses emerging from this arena. Among the “smallest” of these publications are fanzines—mediums that arise from a desire for self-management and low-cost, small-run production, capable of adapting to diverse content, whether in the form of a booklet or simply folded paper.

The playful potential of the fanzine has sparked growing popularity in Chile, culminating in its inclusion in the XXI Chilean Biennial of Architecture and Urbanism in 2019. Although awareness of this medium predated this event, there is still a gap in understanding its characteristics. This necessitates asking simple, almost naive questions about the specific conditions of its production—discussions that ultimately reveal an invisible network woven among individuals who, without knowing it, were already connected.

It is well known that the construction industry is one of the world's largest producers of CO2. While significant progress has been made in technology and design and construction processes, a long road remains to minimize or virtually eliminate carbon emissions in the development of the built environment. 

Is there a future for our cities without a sustainable way of life? For some time now, urban sustainability has been viewed primarily through the lens of climate change rather than a holistic vision that integrates society and the way we live in community.

What new ways of living are we experiencing amid social, economic, and ecological shifts? We need to bring to the table different reference cases from around the world and understand the latest trends shaping how we live in our cities.

We want you, our readers, to not only be the first to share examples of co-living, cooperatives, and any new types of social housing you consider benchmarks, but also to share your thoughts on the matter in the form below. Selected comments will be published in an upcoming article.

Following the 60th anniversary of the iconic Casa en Jean Mermoz—a precursor to the ideas of Ciudad Abierta in Ritoque—Igor Fracalossi, PhD, proposed a reconstruction of its wooden formwork system. He knows the building well; since 2012, he has dedicated his research to studying "the most complex residential project in Chile to date.”

While walking through the exhibition of the reconstruction in the gardens and galleries of the Centro Cultural Las Condes in 2022, he explains in detail the innovative and unique construction aspects of this demolished work. The house was originally designed by Fabio Cruz Prieto, architect and founding master of the School of Architecture and Design at the Pontificia Universidad Católica de Valparaíso.

How do we experience cities? What moves us? What do we remember about them? Monuments? Museums? Are we merely tourists, or do we live the city as an experience? Art is part of the urban fabric—a way to create new paths, lifestyles, and reference points that lead us to identify the unique spaces and moments experienced within it. Art is not confined to museums; it is in the streets, on the walls, and on the buildings that shape the city. Public space dialogues with artistic expression, engaging people, neighborhoods, cities, and an interconnected world to create new modes of community within a culture that is attentive to and understands our contexts and ecosystems. 

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This article by Hugo Mondragón López and Bárbara Rozas Reinecke was originally published under the title "Contra el Olvido: La voz de Montserrat Palmer y el discurso de la arquitectura contemporánea en Chile" in issue 23 of Dearq magazine on July 1, 2018 (DOI: https://doi.org/10.18389/dearq23.2018.02).

Architect, professor, researcher, editor. Montserrat Palmer Trías was an authoritative voice in Chile's architectural and cultural scene between the late 20th and early 21st centuries. Through her editorial leadership of ARQ magazine, she shaped disciplinary debates while introducing a group of Chilean architects—whose renown was forged in the pages of the publication—to the international stage. Although she nurtured the myth of a woman operating purely on intuition, it is impossible to overlook her rigorous work as a researcher. Paradoxically, a decade after stepping down as the magazine's editor-in-chief, both her figure and her contribution to post-dictatorship Chilean architecture risk falling into oblivion. This article is an attempt to prevent that from happening.

The following is presented as part of a joint collaboration to help disseminate research, analysis, and opinions produced by the national and international academic community on architecture, urban issues, and related fields.

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What could be more familiar to any human being than food? Food connects landscape with culture, emotion, history, and overall planetary health. Sharing food and cooking for others is a fundamental act of care and a way of expressing generosity and hospitality, reminding us of how much we depend on one another. Food allows us to think simply about the complex relationships of our habitat, providing a common ground for people to connect just as they would in their own homes: around the kitchen table. 

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As part of the cultural agenda for Art Week 2022 in Mexico City, guadalajara90210—in collaboration with Michan Architecture and Luis Young—presented the exhibition "YACIMIENTOS," featuring works by 53 artists and architects. The venue, a building currently under reconstruction in the Condesa neighborhood, hosted the exhibition from February 12 to 20.

As in previous years, Chile's Ministry of Cultures, Arts, and Heritage has organized the exhibition of Testimonial Spaces, the country's most recent national pavilion presented at the 2021 Venice Biennale, in the lobby of the Museum of Contemporary Art in Parque Forestal (Santiago), making it accessible to the local public.

Although the ministry's open call for each biennale typically focuses on the design of a pavilion, the brief specifies that the selected curator will be responsible for developing both a curatorial concept and an architectural proposal. Certainly, in a contemporary context, the notion of a pavilion is a highly malleable category, making the distinction established in the guidelines particularly intriguing: while a curatorial concept should clearly be associated with some relevant architectural framework, it is not necessarily an architectural proposal in and of itself.

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“What's color? for architects and designers” is an exhibition by the artist Claudia Valsells. Curated by Julia Ruiz-Cabello and Gonzalo de Benito, the exhibition brings together testimonials from architecture practices on the use of color in their projects. It took place from December 10 to 14, 2021, at the Pavilion space of the architecture firm PLANTEA, in Madrid. The exhibition design, mirroring the studio where the artist has worked for more than two decades to create her own color chart, shapes the space.

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Set in the heart of one of the world's most arid deserts, the Nasca aqueducts form a hydraulic system that, for nearly two thousand years, has demonstrated advanced geological and hydrological knowledge. This system allows water to be sourced for both human consumption and agriculture, creating fertile oases in the desert. The Nasca Aqueducts represent a unique hydraulic system in the Americas, owing to their distinct design, construction technique, location, and function. They serve as an exceptional testament to the capacity of ancient societies to overcome adverse conditions, offering solutions that could be applied to the climate challenges of our time.

This article by Miguel Paredes Maldonado was originally published with the title "House, City, Territory: A Collective Investigation into the Transformations of Contemporary Urban Living" in issue No. 31 of Dearq journal on September 1, 2021 (DOI: https://doi.org/10.18389/dearq31.2021.02).

The article explores the interscalar relationships recently established between the domestic realm of housing and the collective spheres of the city and territory, viewed through the lens of developing new “urban commons.” This exploration is framed as a collective research project based on participation in architectural competitions and developed within a pedagogical framework at the University of Edinburgh (United Kingdom) between September and December 2020. Its findings highlight the pronounced infrastructural basis of contemporary urban living and identify the primary processes of transfer between the domestic and collective domains across a series of urban housing scenarios.

We present this article as part of a joint collaboration to help disseminate the research, analysis, and opinions developed by the national and international academic community on architecture, urban issues, and related fields.

What do we mean by heritage? This is one of the main questions raised by Alejandro Orellana, director of Relatos de Barrios—a Chilean project that seeks to reclaim the heritage and historical value of housing complexes, highlighting the community dimension behind the lives of their residents.

A documentary and a book are the results of their experience with the “CCU Worker Housing” in La Serena, later renamed the “Rengifo Housing Complex.” Designed in 1957 by architect Carlos Feuereisen Polanco and built in 1958 by Negochea and Vergara, it represents a characteristic housing typology of the city.

This article by Maya Orzechowska was originally published under the title "Five Principles for a Vulnerable and Intimate Architecture: Drawing Alternative Boundaries and Openings to the Home and the Self" in the 31st issue of Dearq journal on September 1, 2021 (DOI: https://doi.org/10.18389/dearq31.2021.04).

This article investigates how the boundaries and openings of the home are not separate from one another; rather, they play an active role in the politics of bodily and social health. For an increasing number of people, both the idea of the home and the reality of housing fail on a daily basis; therefore, this article seeks alternatives to the narrative of the home, of a utopian internal intimacy that endorses withdrawal, and of a non-responsible relationship toward the public realm. It suggests that the result is dystopian, concealing and exacerbating vulnerability and its resistance to change. In contrast, a vulnerable and intimate architecture focuses on the vulnerable body, drawing the uncanny, repressed, and emotional into the home.

We present it below as part of a joint collaboration to contribute to the dissemination of research, analysis, and opinion produced by the national and international academic community on architecture, urban issues, and related fields.

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Recently, Tec de Monterrey unveiled “Skyspace: Espíritu de Luz,” an installation designed by American artist James Turrell that now joins DistritoTec in Monterrey, Mexico, as a cultural destination that enhances spatial quality through innovation. Arising from the “Light & Space” art movement, this piece was designed as an observatory to generate a unique visual experience through a sequence of lights every 12 hours, at dawn and dusk. It also serves as a tribute to the life and legacy of Don Eugenio Garza Sada and Eugenio Garza Lagüera.

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On February 8, at Torre Glorieta Cibeles and as part of Mexico City Art Week, MASA Inc. presented an exhibition showcasing pieces by Manuel Bañó, Hollie Bowden, Frida Escobedo, Héctor Esrawe, Mario García Torres, Adeline de Monseignat, Marrow, Brian Thoreen, Joe Sweeney, ROOMS Studio, EWE Studio, and VISSIO.

Gathering spaces in rural areas play an important role in improving the quality of life for local communities. In April 2022, Fundación Mi Parque launched the book “Rural Public Spaces: Community, Architecture, and Landscape” as both a contribution and a guide for a design discipline that seeks to highlight and address the need for meeting spaces in rural environments. The book is the culmination of five years of fieldwork, during which 37 community spaces were built, benefiting more than 26,000 residents in the Choapa Province of Chile's Coquimbo Region.

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