This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

This week's featured career opportunities come from two design firms based in Beijing and Shanghai: IN.X Design and SLT- STUDIOLITE. Specialized in projects of varying scales and themes, both practices are highly active across diverse design sectors and are looking to recruit like-minded design talent to join their teams.

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Architect Martín Luis Gutiérrez Martínez was born in Gómez Palacio—a city in the state of Durango, Mexico—in 1927, and he never left behind his Northern roots or any of his lifelong convictions. During the brief and cherished time I shared with him, our conversations were always filled with his exceptional memory, enlivened by an untiring passion for living and feeling architecture.

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Today, August 13, commemorates two pivotal events in Mexico's history: the approximate founding of Tenochtitlan, capital of the Mexica civilization, around 1325 on an island in Lake Texcoco in the Valley of Mexico; and the fall of this empire in 1521 to the Spanish army led by the conquistador Hernán Cortés.

These are just a few of the many events that shape today's Mexico City, making it nearly impossible to summarize them all. Nonetheless, revisiting some of these milestones helps us understand the very ground we stand on and, above all, reflect on the future of our actions as architecture professionals: from the pre-Hispanic period, colonization, Independence, and the Revolution, to the foreign influences of the Modern Movement and the diverse interpretations that culminate in what we recognize today as contemporary architecture.

Although the COVID-19 pandemic postponed COP26 to November 2021, UN negotiators were still hard at work throughout 2020. Following a series of virtual events in June of last year, more than 3,000 national delegates concluded the Climate Dialogues, a series of 80 virtual meetings in which countries shared, reviewed, and discussed outstanding issues in international climate negotiations.

From the outset, countries agreed that the dialogues would not include the formal negotiations that typically occur at COPs and would not lead to any official decisions. Instead, they addressed events that countries had previously scheduled for 2020, alongside other informal exchanges. The dialogues served as a platform for countries and non-state actors to take stock of overall climate action progress in 2020, offering an informal space for negotiators to better understand outstanding issues as they prepared to resume negotiations in 2021.

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According to 2018 data from INEGI's National Survey of Demographic Dynamics (ENADID), the child population under fifteen in Mexico represents 25.3% of the overall total, which stands at 125 million people. The reality is that this population, despite representing just over a quarter of the total, has few to no spaces dedicated to their entertainment and development. With this figure in mind, this article reflects on public space and childhood in Mexican cities.

Congratulations, you made it through 2020!

This year was filled with far too many "unexpected" and "unforeseen" events. The pandemic transformed our external environment, shifting our psychological landscapes and behaviors in tandem. As an architectural observer and critic, I have found that the most profound change the pandemic brought to the profession is in our very way of seeing. "Lockdowns" have increasingly forced us to experience culture and space through images. This mode of observation traps us within digital platforms—relying on translated texts, edited photographs, and curated videos. Consequently, our sensory understanding of space (encompassing sight, hearing, smell, and touch) has been reduced to sight alone, leaving our critique of the built environment as a mere synthesis of fragmented impressions.

When the channels of intellectual nourishment shift, the evaluation systems of space inevitably change as well. But how does this affect design? Physicist Carlo Rovelli once noted, "Sometimes, a crazy perspective sees further than our usual blurry vision." Through the lens of the COVID-19 pandemic, I hope to expose issues and provoke collective reflection rather than mere complacency. In this year-end review, we attempt to respond to these shifts. Below are the ten most-discussed articles of the year, categorized into ten themes, offered in the hope of sparking further response and dialogue.

01.Social Distancing:Human——1.5m——Human
02. Female Architects:2020 Pritzker Prize Laureates: Yvonne Farrell and Shelley McNamara
03. Representatives of the Client:Shenzhen Opera House Competition Selects 20 Design Teams in a Clash of Titans
04. Contextual Disconnect:An Open Letter to Zumthor: "Architecture Should Not Be an Island"
05. Scale:Portzamparc Responds to the "Steel Ribbon" of the Suzhou Bay Cultural Center: The Coexistence of the Monumental and the Minute
06. Juxtaposition of Tradition and Contemporaneity:Jingdezhen Imperial Kiln Museum / Studio Zhu-Pei
07. Human Habitat:High-Density Hong Kong: Micro-living in 14㎡ Concrete Water Pipes
08. Experimental Exploration:KAIT Plaza, Kanagawa Institute of Technology / Junya Ishigami
09. Architecture for Animals:Kengo Kuma's New 'Casa Wabi Coop': A Grid Built of Charred Wood
10. Young Architects:2020 ArchDaily Best New Practices: 21 Firms from Around the Globe

Hiring this week is Shanghai-based Atelier I-N-D-J. Active in the fields of architecture, spatial, product, and furniture design with a highly distinct style, they welcome young talents passionate about architectural design to join their team.

We all know that architecture is a complex field that requires input from many disciplines to be realized. While design lies at the core of every project, without technical expertise, many would not be what they are today. What would Brasilia be without Roberto Burle Marx's landscape design? Would OMA's CCTV Headquarters in Beijing stand without ARUP's structural calculations? Would ELEMENTAL's housing projects be the same without the contributions of their future residents?

We want to give you the opportunity to openly share your thoughts and experiences on this particular topic. Tell us what you think multidisciplinary design in architecture is, and share your story. Selected responses will be featured in an upcoming article.

Located at Castelli 3902, this project is the result of a collaborative partnership between the architecture and urban planning organization Proyecto Habitar and COOPTEBA SM/3F, a housing cooperative of education workers from the Province of Buenos Aires, San Martín, and Tres de Febrero. In a world where unequal access to urban goods and services shapes the lives of much of the population, the designers sought to work collectively and interdisciplinarily to address existing social and spatial injustices. Read on to learn more about this experience.

Since ArchDaily launched its recruitment services, we have received job listings from architecture practices of all scales across China, from Beijing and Shenzhen to Hangzhou. Characterized by their distinct design philosophies, these practices operate across diverse architectural fields, seeking talented professionals to join their teams. Concurrently, ArchDaily and its sister platform, the design and materials database Architonic, are seeking a Business Development Manager for China. Below is a curated selection of nine active openings and representative practices. We invite qualified candidates to apply.

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This article by Sebastián Trujillo Torres (Universidad Nacional de Colombia/CEPT University) was originally published under the title "A Manifesto of Lightweight Infrastructures" in issue 28 (2020) of Dearq journal (DOI: https://doi.org/10.18389/dearq28.2020.03) and is part of a joint publishing collaboration.

In recent years, wood has gained traction as a renewable, versatile, and aesthetically appealing building material. Its strength, ease of handling, and insulating properties give it advantages that other materials cannot match, making it an increasingly popular choice among designers, architects, and builders. However, while it offers multiple benefits, it is also susceptible to degradation and decay, requiring preservation care to withstand the passage of time and other external threats.

Historically, to address these durability issues, there were two options: applying chemical treatments or using tropical hardwoods. While the former generates harmful toxins, the latter drives deforestation in the context of climate change. Consequently—and driven by an increasing demand for the material—alternative methods have been developed to protect it. One of these is acetylation, a non-toxic process that, in addition to offering high performance, significantly reduces environmental impact.

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'Instituto de la neoprehistoria' is the title of the exhibition organized by guadalajara90210 in the municipality of Zapopan, Jalisco, Mexico, which emerges as a fictitious entity emulating an institutional structure. The project constitutes a speculative exercise that attempts to reimagine Mexican prehistory as immense and ambiguous, in a scenario where anthropomorphic and intersex beings and endemic megafauna—now extinct—coexist in perfect symbiosis. The name of the institution is based on research by the National Museum of Anthropology's “Departamento de la Prehistoria” (Department of Prehistory), which published a series of volumes on Mexican prehistory between the 1950s and 1970s.

"Domingos Libro" is hosted by Carmelo of Enorme Studio. Every two weeks, the series takes a deep dive into forgotten architectural publications, books, and architecture magazines from the '60s, '70s, and '80s that harbor the most fascinating backstories.

In this latest episode, we explore the monograph on Japanese architect Arata Isozaki published by Rizzoli, and his obsession with Marilyn Monroe—an obsession that led him to replicate her body's geometry across several of his buildings.

# Number of architectural projects completed annually: 3,000
# Total length of fabric sold annually: 3,999,220 meters
#Retail price of the most expensive textile: ¥ 4,000 / meter
# Textile Brand Kvadrat

Founded in Denmark in 1968, Kvadrat is a renowned textile brand deeply rooted in Scandinavia's world-famous design tradition. The name Kvadrat means “square” in Danish, inspired by the grid paper commonly used by designers and engineers for sketching in the 1960s. Refusing to be homogenized by global trends, the company maintains its distinct Scandinavian identity. As a leader in design innovation, Kvadrat continuously explores new ideas in material and technological applications within design and manufacturing, producing high-quality contemporary textiles and textile-related products for architects, designers, and private consumers worldwide.

This article is a collaboration with Colectivo RE and was originally published on August 2, 2020, in the second edition of Huevo de pato, a publication that aims to share thoughts and experiences as a strategy toward the democratization of knowledge and practice.

In April 2021, the A8 Design Center in Chengdu presented "2-Kilometer Lakeshore: 2021 Luxelakes Cross-disciplinary Exhibition of Independent Architects from Southwest China." The exhibition invited 31 independent architects to build experimental, interactive, and experiential micro-spaces along the Luxelakes waterfront, offering 31 distinct perspectives on the world. Operating under a tight budget of 30,000 RMB, the architects infused their creations with self-reflection and their own understanding of publicness. By facilitating dialogue among the architects and between the architects and the public, the exhibition sought to further stimulate public engagement with design.

Through the works of these 31 local young architects with global perspectives, we witness the diverse values of a new generation and their multi-dimensional thinking on architecture. Limu Architectural Lab deconstructs architecture into columns, plinths, roofs, and envelopes, dissolving pure form; Uyoung Architects boldly deploys pink walls to establish relationships of "seeing and being seen" and "hearing and being heard" with the environment; Bai Yang uses 70 hemlock logs to support an "iron hat"; TEKTONN ARCHITECTS uses 150 bamboo poles to construct an accessible rest area; Fanzhu Design uses iron to create three continuous arched spaces that offer shelter and passage; 00Group creates an enclosed, mirrored space; MUDA-Architects builds a "periscope" by the lake, featuring a bubble wrap facade that invites tactile interaction.

Citymakers is working with ArchDaily to publish a series of articles, conversations, and interviews with different actors in urban co-production, who are behind the Citymakers Barcelona Lab 2021, a program returning to Barcelona between November 8 and 12, 2021.

CityMakers is the global platform of experts in urban co-production best practices, seeking to connect city co-producers and influential leaders from around the world to inspire each other and drive transformation in their cities.

For this edition, Albert Santasusagna del Riu – IdRA – Barcelona Water Research Institute, presents his article "Towards a Globalization of Water Landscapes? Context Matters!".

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Growing up in the rolling coastal countryside of Dorset in West England, Fred Rigby drew creative inspiration from natural elements—a passion that ultimately shaped his design philosophy. Characterized by organic forms, natural symbolism, and earthy materials, his work fosters a deep connection to nature within indoor environments. Premium Scandinavian design brand MENU collaborated with Rigby to develop their latest office furniture collection as a response to the pandemic-induced shift toward working from home. By integrating the warm, soft, and nature-centric qualities of his work, the collection aims to bring a sense of calm to the anxieties of our time.

In November 2021, the Mayor Bruno Covas Augusta Municipal Park opened in central São Paulo. Despite the celebrations, the outcome could have been better. The decision to turn the area into a park was the result of a process that dragged on for years between developers planning to build residential and commercial towers on the site, and residents and activist groups advocating for a park on the same plot of land.

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It is well known that since its inception, the field of architecture has been predominantly composed of white, cisgender men, who to this day continue to occupy some of the most prominent positions in both architectural practices and prestigious awards. For this and many other reasons, the struggle to bring visibility to women in architecture has always been present, responding to the specific demands of each era and winning increasingly significant battles. However, inequalities persist, making it a challenging profession for women—and even more so for women of color, Indigenous women, Latinas, and those from disadvantaged economic backgrounds.

What if we told you that fungi could be the future of building materials? The possibilities of mycelium in architecture are becoming increasingly tangible, thanks to its capacity to be molded into everything from furniture and packaging to insulation panels and bricks. It offers excellent acoustic and thermal properties, along with remarkable fire resistance.

In Argentina, this is already a reality. Refugio Fúngico is a recent experimental biotechnological research and development project led by SUPERPRAXIS. It takes the form of a temporary installation in the city of San Carlos de Bariloche, crafted from a biomaterial made from organic waste and mycelium.

Although the Olympic Pool of Arica, built in 1972 by architect Alicia Meza and former CORMU members Nelson Berthelon and Sergio Román, received widespread national and international recognition at the time, today it is far from being part of the collective imaginary of modern architecture in Chile.

Exploring the relationship between comics and architectural representation, the thesis of Isis Zúñiga Campos invites us on a journey through the “Quebrada Márquez” housing complex, demonstrating how these narratives, built from drawings and images, can convey and represent both ways of inhabiting and the architectural experiences that surround us. Through the use of various graphic tools, drawing characters becomes a fundamental part of understanding how spaces are lived. Indeed, as the author describes, architecture without people is not architecture. While comics still have a long way to go in representing modes of living, in the meantime they reveal the pathways, spaces, and daily uses people create, offering a perspective closer to reality.

Below, the author explains this in detail in her own words.