The entries were judged by a jury of figures from Library and Desplans, with one winner and 12 honorable mentions selected. The winning entries were chosen with attention given to the relevance of the theme, dialogue between text and image, graphic research, and quality of reflection.
Snøhetta has released images of its proposed sustainable data center concept, named “The Spark.” The project seeks to address the typical high-energy-consuming typology of the data center, transforming it into an “energy-producing resource for communities to generate their own power.”
The proposal is adaptable for a wide range of contexts and can be scaled for any location around the world, fueling connected cities with energy from the center’s excess heat.
https://www.archdaily.com/896905/snohetta-designs-sustainable-data-center-as-the-body-and-brain-of-future-citiesNiall Patrick Walsh
Toronto-based photographer Ruta Krau has captured stunning photographs of the Andrews Building, one of Canada’s most noted brutalist buildings, and a celebrated part of Toronto's concrete architecture. Designed by John Andrews, architect of Toronto’s iconic CN Tower, the Andrews Building embodies the Modernist ethos of connecting with the surrounding environment, balanced above a ravine and emerging as a stepped pyramid from a natural ridge.
Krau’s photographs capture the rough, natural aesthetic of the Modernist building, with béton brut concrete stamped with the patterns of the timber used to mold the poured-concrete structure. Visible on both the interior and exterior, this texture compliments terra-cotta-colored floor tiles and wood-paneled feature walls.
Penda has released images of its proposed high-rise residential tower in Tel Aviv, featuring brickarches and cascading terraces influenced by the city’s Bauhaus era and the materiality of its Old Town. The 380-foot-high (116-meter-high) scheme will house a range of one to four bedroom apartments, as well as double-height penthouses.
For the scheme’s design, Penda rejected the “generic glass tower” in favor of a form and materiality which responds to Tel Aviv’s sunny Mediterranean climate.
Benoy has released images of their competition-winning design for a waterfront development in Wenzhou, China. INCITY MEGA will form part of the Central Green Axis masterplan, a dramatic landscaped district cutting through the urban fabric of Wenzhou.
The 2.6 million square foot (250,000 square meter) INCITY MEGA scheme will occupy two of the eight plots on the Central Green Axis, with a mixed-use program including retail, movie theaters, plazas, and gyms. The scheme is in response to a rapidly-growing consumer population in Wenzhou and will join the ranks of previous schemes in the region by Hammer Schmidt Lassen, UNStudio, and HENN.
C.F. Møller Architects has released images its proposed 470-foot-high (144-meter-high) office tower at the Port of Aarhus in Denmark. Intended as a “bright sculptural landmark,” the scheme combines cultural, retail, and business functions to activate the public realm in a former industrial port area.
C.F. Møller’s plans will include the retention of an existing 60,000 square foot (5,600 square meter) industrial complex on the site, which will be opened up to establish a stronger connection between indoor and outdoor spaces. The new tower’s geometry originates from the existing building, forming a dialogue between old and new urban fabric.
Foster + Partners has released details of their proposed comprehensive refurbishment of the Plaza Colón building in Madrid. Located at a historically significant site in Madrid, the scheme will see the transformation and revitalization of the existing structure to “create a new iconic landmark.”
Located at the junction of Madrid’s main north-south and east-west arteries, the building occupies one of the most important intersections in Madrid and forms a key part of the city’s long-term urban vision. The building also faces the bustling Plaza de Colón, one of the largest public spaces in Madrid, while linking three distinct districts containing luxury shopping, finance, art, and historic tradition.
https://www.archdaily.com/896786/foster-plus-partners-reveal-proposal-for-refurbished-axis-of-madridNiall Patrick Walsh
The “London Mastaba” has opened in Hyde Park. A temporary sculpture floating on the Serpentine Lake, the project is the first major public outdoor sculpture in the United Kingdom designed by the artist Christo. The opening comes as new photographs by Wolfgang Volz are released which chart the construction and completion of the striking art piece.
Featuring 7,506 horizontally-stacked barrels floating on the Serpentine Lake, the Mastaba coincides with an exhibition of Christo and Jeanne-Claude’s work at the Serpentine Galleries featuring sculptures, drawings, collages, and photographs spanning more than 60 years.
“LEGO House – Home of the Brick” offers the most thorough insight yet into the scheme’s creation, detailing major early construction issues, delays, and (spoiler alert!) the ultimate successful completion of one of the most iconic pieces of architecture created in recent years. The documentary dives into the history of the LEGO brand, the vision, and importance placed on the LEGO House by the company’s directors, and perhaps most interestingly, a series of interviews with Bjarke Ingels in which he reflects on the role of LEGO in the development of his own career.
https://www.archdaily.com/896653/bigs-lego-house-has-its-own-block-buster-netflix-documentaryNiall Patrick Walsh
Mohr purchased the apartment in 2016 and embarked on a journey of demolition, measurement, and extensive renovation including lowering ceilings and moving walls in order to recreate the interior likely envisioned by Le Corbusier.
Stretching over one mile (1.5 kilometers), the cable car links the two thriving residential districts of Amsterdam-West and Amsterdam-Noord through a system of three slender pylons and two stations. The cable car has been designed to accommodate a future third station depending on the pattern of growth for surrounding districts.
Arranged over four stories, the scheme is an addition to the 1971 museum designed by Gustavo Da Roza, and seeks to form a new cultural landmark for downtown Winnipeg.
https://www.archdaily.com/896511/michael-maltzan-architectures-inuit-art-centre-breaks-ground-in-winnipegNiall Patrick Walsh
More than an aesthetic centerpiece for Brutalist fanatics, the clocks are in fact a response to a decline in the middle class caused by increasing rent prices in modern metropolises.
In celebration of the launch, the studio is offering a mixed pack of 50 diverse, high resolution cuts outs for free, normally priced at £100. Users can gain access to the offer using the discount code “archdaily” on the cutout shop here during the purchasing process.
https://www.archdaily.com/896437/enliven-your-renders-with-studio-esinams-hi-res-cutouts-free-with-archdaily-discount-codeNiall Patrick Walsh
The laws of home decor often derive from personal opinion, varying depending on which “expert” you ask. In an effort to uncover the most serial interior design crimes of our time, technology giant Samsung turned to the British public.
In a public vote of 2000 UK adults, Samsung asked participants to vote on the worst interior design trends of the past 50 years. The results are as controversial as they are varied, with a total of 25 trends spanning half a century, and leaving no room intact.
https://www.archdaily.com/896422/do-not-try-this-at-home-the-25-worst-interior-design-trends-of-last-50-yearsNiall Patrick Walsh
Fusing elements typical to Mexican architecture with local London references, the pavilion centers on a courtyard enclosed by two rectangular volumes constructed using the characteristic celosia method.
WOHA has released an update of their first office skyscraper for China, as their Vanke Yun City scheme tops out in Shenzhen. Manifesting as three tower blocks attached to a central T-shaped core, the scheme seeks to present “an alternative office tower typology that responds to the sub-tropical climate in Shenzhen.”
Set against the backdrop of ubiquitous post-modernist skyscrapers, the 1.6 million-square-foot (150,000 square-meter) scheme aims to “radically transform the soulless skyscraper into a highly liveable, humane, and sustainable micro-vertical city.”
The project features 72,000 square feet of interior space across a 4.6-acre site, resulting in a 20% increase in public areas, and a doubling of outdoor space.