“My interest has always been in an architecture which reflects the modernity of our epoch as opposed to the rethinking of historical references. My work deals with what is happening now—our techniques and materials, what we are capable of doing today.”
Today is the 69th birthday of the great French architect and designer, Jean Nouvel. The winner of the Wolf Prize in 2005 and the Pritzker of 2008, Nouvel has attempted to design each of his projects without any preconceived notions, resulting in a variety of projects that - while strikingly different - always demonstrate an interesting use of light and shadow as well as a harmonious balance with their surroundings. More on the Pritzker-winning architect, after the break.
With ever-expanding traveling exhibitions attracting over 35,000 yearly visitors from around the globe, the Aspen Art Museum (AAM) has outgrown their cozy 9,000 square foot facility in which they have called home since their established in 1979. Japanese architect Shigeru Ban has been commissioned to design the new museum, being the first museum he has constructed in the U.S. The project is set for completion in August 2014. Continue reading for more information.
Pereira and Luckman, LAX original plan, 1952, Rendering. Courtesy Los Angeles World Airports Flight Path Learning Center.
Here in Los Angeles we have a complicated relationship with architecture and two con-current museum exhibitions demonstrate this in ironic and puzzling ways. This came into clear relief when, on Saturday, August 03, 2013, something amazing and unprecedented happened: architecture was on the front page of a major US newspaper, the Los Angeles Times.
This, it must be said, is a very unusual thing for architecture. Moreover, it was not the type of architecture you might expect to grab the spotlight. It was the un-built original plan for Los Angeles International Airport by Pereira and Luckman, c. 1952. If you’ve been to LAX you’ve seen their Theme Building. They also did the plan for LAX that was finally accepted—the less visionary, less ambitious plan. This was being re-presented to the world in the context of “Never Built” a show about the unrealized architectural dreams of Los Angeles currently showing at the A+D Museum.
The current conversation about redesigning cities usually focuses on Boomers or Milllennials, two extremes of the age spectrum. The largest percent of people are between 30-64 years old and everyone will eventually be elderly--a reality no one can escape.
We are a global society, more savvy, fashionable and in-the-know than ever before, and most of us want an urbanized lifestyle, meaning a blend of great food and conversation, tech modernization, access to healthy and alternative life choices, and being at the center of the action.
The best cities in the world like New York, Berlin, and Tokyo market themselves as meccas for young, energetic people that promise diversity and innovation. This generates a lack of ideal architecture for people over the age of 65 and shuts the door on them. Thus we lose the knowledge, stability, and experience they provide to civilization.
Despite a rise in female architecture students, the amount of women in architecture continues drop in the UK. Though this is not the case in many parts of the world - as female architects reportedly outnumber the men in South America - the UK has yet to find a solution to equalize the numbers for professional women in architecture. Jane Duncan, founder of Jane Duncan Architects and RIBA equality and diversity champion, weighs in the issue by asking “Why are so many women leaving architecture, and how can we buck the trend?” here The Guardian.
The 2010 launch of the “Boris Bike” - London’s cycle hire scheme, named after mayor Boris Johnson – was the clearest indication to date that cycling was no longer just for a minority of fanatics but a healthy, efficient and sustainable mode of transport that city planners wanted in their armoury. There are now more than 8,000 Boris Bikes and 550+ docking stations in Central London. And the trend’s not anomalous to London: Wikipedia reports that there are 535 cycle-share schemes in 49 countries, employing more than half a million bikes worldwide.
However, the real question is: will cycling actually change the city? Will it result in new urban forms or, as the title of Australian academic Dr Steven Fleming’s new book predicts, a “Cycle Space”? Like Fleming, I believe so. I believe that cycling might just be the catalyst for a 21st Century urban renaissance.
Interiors is an online film and architecture journal, published by Mehruss Jon Ahi and Armen Karaoghlanian. Interiors runs an exclusive column for ArchDaily, analyzing and diagramming films in terms of space.
The rise of the director in music videos came in the early 1990s, when MTV started crediting directors alongside artists and song titles. The influx of visionary directors such as Michel Gondry, Spike Jonze and David Fincher emphasized that music videos were becoming an auteur’s medium, much in the same way as film. The shift from stylized and performance-based music videos into narrative-based works, however, came much later, as the medium became more “cinematic” in its look and narrative structure.
“Increasingly we experience cities mediated by digital technology — whether that's via smartphone maps, digital transit signage, or texting a friend that you've arrived at a destination. How our city is built to support residents, businesses, and visitors [...] is now part physical and part digital.”
John Tolva, the Chief Technology Officer for the City of Chicago, is on a mission: a mission to bring the physical and digital worlds into conversation.
To embed more and more digital information into the physical world, a growing number of digital specialists are beginning to embrace the worlds of architects, planners and urbanists. But, so far, it has not been a two way street to make the digital leap.
Find out why architects should be at the forefront of the digital/spatial overlap, after the break...
Midtown West; Courtesy of Flickr User David Boeke, Licensed via Creative Commons
A recent study by the Real Estate Board of New York (REBNY) concluded that by preserving 27.7% of buildings in Manhattan, “the city is landmarking away its economic future.” REBNY is challenging the Landmarks Preservation Commission, arguing it has too much power when it comes to planning decisions, and that by making business so difficult for developers it is stifling the growth of the city.
Yet not three days before releasing this study, president of REBNY Steve Spinola said in an interview with WNYC that “if you ask my members, they will tell you [the twelve years of Mayor Bloomberg's tenure] has been a great period of time for them”. The conclusion of WNYC is that the past decade has actually been a period of increased growth for developers, rather than a period of stagnation.
It would be easy to echo the opinion of Simeon Bankoff, executive director of the Historic Districts Council, who believes the actions of REBNY come down to greed, even comparing its members to Gordon Gekko, the anti-hero of the film Wall Street. But is greed really what’s behind this attack on the Landmarks Preservation Commission? Find out after the break.
ArchDaily is looking for some awesome, architecture-obsessed Interns to join our team for Fall 2013 (August 19th – December 6th)! If you want to research/write about the best architecture around the globe – and find out what it takes to work for the world’s most visited architecture website – then read on after the break…
Dharavi - Asia’s largest slum of one million with an average density of 18,000 residents per acre - is amidst a heated debate between its people, the government and private investors as it sits on some of India’s hottest real estate in Mumbai. While the government is grappling for solutions on how to successfully dismantle the low-rise slum and relocate its residents to a high-rise podium style typology, the investor’s profit-driven approach has placed residents on the defense, “rendering Dharavi a perfect storm of contested urbanism," as architect, urban designer and author William Hunter describes.
Freedom Tower; Courtesy of Flickr User Arturo Yee; Licensed via Creative Commons
NYC Mayor Michael Bloomberg's twelve years in office will leave an undeniable impression on the physical landscape of the city for future generations. The new and revised policies of this administration have encouraged unprecedented growth of New York City and its outer boroughs in the years following 9/11. According to a new series called The Bloomberg Years by WNYC and this article by Matthew Schuerman, Bloomberg's three consecutive terms have made New York City's skyline taller, have made the city more attractive and in turn, more expensive.
The Museum of New Art, in cooperation with the Union of Estonian Architects and Pärnu City Government, announced an international architectural competition on 1 July, to establish the Baltic Sea Art Park in Pärnu. The objective of the competition is to find the best vision in terms of architecture and planning to further develop the art park of the Baltic Sea countries. The deadline for entries is 10 October 2013, and the winners shall be announced on 15 October 2013. The competition prize fund is EUR 12,000.
The new dormitory at Gallaudet University exudes raw energy. Rough wood planks, exposed steel, polished concrete, and gleaming bamboo unite to provide architectural muscle. But the real power comes from a barely detectable dynamic. That energy doesn’t come from how the structure looks on its historic Washington D.C. campus, but how the building functions for the people inside. “It’s about how buildings structure and frame human interaction,” says David J. Lewis of LTL Architects. “The basic conditions of architecture were brought to the fore.”
The glass entry door slides open with a soft whoosh. Students ignore it as they crowd through the gap in a jumbled dance of elbows, hands, arms, and animated faces. Gallaudet is the preeminent liberal arts institution for youth who are deaf or hard of hearing, and most of its 1,821 students communicate with the expansive gestures and expressions of American Sign Language (ASL). That the students can make their way into the building without using their hands to open the door—thus halting the flow of the conversation—is cause for celebration. Here, at least, architecture has gotten out of their way.
Toledo Museum of Art; Courtesy of Flickr User Kevin Marsh, Licensed via Creative Commons
The 101-year old historic building that houses the Toledo Museum of Art in Ohio has gone off grid, reports Candace Pearson of Architectural Record. Through a series of upgrades that began in the early ‘90s, including covering 60% of the roof with solar panels, the Toledo Museum has gone from purchasing 700,000 kW of electricity a month to returning energy back to the grid - making it an exemplar of adaptability and sustainability in century-old public buildings. Find out how they did it at Architectural Record.
Is the word “starchitect” really denigrating to architects? Is it really a problem for the profession? Really? It depends on how you look at it.
And, yes, as it was pointed out to me, “This question itself is a rehash.” Well, the issue of labeling architects has been a rehash since the sixteenth century so we might as well trot it out one more time.
It’s a rehash principally because the way we label architects has implications for the profession’s bottom line. It drives fees up for a few and down for everybody else. It makes some firms busy and others less so. Or does it even do anything but put contemporary architecture on the minds of the general public, the broader client base?
Most critics agree that this year's shortlist for the Stirling Prize is more "modest" than in past years - which is not to say that they didn't have plenty to say on RIBA's selection. Check out the critical responses from The Financial Times'Edwin Heathcoate, The Guardian'sOliver Wainwright and The Independent’s Jay Merrick, after the break...
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