Studio Gang’s innovative fire station and training facility Fire Rescue 2 has topped out in the Brooklyn neighborhood of Brownsville. A little more than year since construction on the 21,000-square-foot facility began, all of its major concrete elements are now in place, with the red glazed terracotta panels surrounding the building’s opening next to be installed.
New York City
Located within the existing James A. Farley Building (across from the existing Penn Station entrance), the new 255,000-square-foot Train Hall will serve as a new concourse for Amtrak and Long Island Railroad passengers, while an additional 700,000-square-feet will be dedicated to commercial, retail and dining spaces.
After receiving approval by the New York City Landmarks Preservation Commission last fall, Studio Gang’s expansion of the American Museum of Natural History is preparing to begin construction, reports New York YIMBY, as permits for the project have been filed with Department of Buildings.
To be known as the “Richard Gilder Center for Science, Education, and Innovation,” the expansion will consist of 245,000 square feet across six floors, approximately 80 percent of which will be located within the current museum footprint. Three existing museum buildings/wings will be reduced and adapted to accommodate the Gilder Center, which will house a variety of new exhibition and educational spaces, while enhancing connections to existing galleries. In total, approximately 203,000-gross-square-foot will be added to the Museum, already one of the largest natural history museums in the world.
Techniques, technologies, construction, controls: master it all during LIGHT IN ACTION, a fast-paced, one-day lighting education.
Take a break from the office desk to earn 3 AIA credits and 2 NCQLP credits. The program includes:
- tour of a rare NYC factory
- 'Art of Lighting' tour (1 AIA and NCQLP credit), showing art lighting techniques, through the Edison Price Lighting Gallery.
- dimming controls primer (1 AIA credit), including how to design for Title 24.
- 'LEDs as IoT' presentation (1 AIA and NCQLP credit), analyzing LEDs as the future hub for the Internet of Things.
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In 2017, many of the world's cities have become potpourri time capsules of architecture. We live in an eclectic era in which a 19th-century industrial loft, post-war townhouse, and brand new high rise condominium are all comparably desirable properties. This increasingly varied urban landscape—and the appetite for variety of the people who live there—makes it more difficult than ever for new architecture to grab the public's attention.
To combat this, architects often attempt to produce an "iconic" work: a building whose design is so so striking that it attracts even a layperson's focus. Sometimes this ambition pays off as timeless, and sometimes it irreversibly pock-marks the skyline. What follows is a collection of attention grabbing structures. Will they be remembered as eccentric landmarks or glaring eyesores? You decide.
New York Yimby has uncovered a new rendering of the FXFOWLE-designed 3 Hudson Boulevard showing an updated design featuring a 300-foot spire that would make the building the tallest in the Hudson Yards complex, and one of the tallest in the city.
Reports indicate that the building, formerly known as the Girasole, would rise a total of 1,350 feet, placing it just below 432 Park Avenue’s 1,397 foot peak. Approximately 1,050 feet of the building’s height would be occupiable, with 1.8 million square feet of office space spread across 66 total floors.
The SHoP-designed 111 West 57th Street, “the world’s skinniest skyscraper,” is at risk of never being completed due to soaring construction costs, the New York Post has reported. With fewer than 20 of the supertall skyscraper’s 82 stories currently constructed, a lawsuit filed by investment group AmBase is claiming the project is already $50 million over budget due in part to “egregious oversights” including neglecting to factor in the cost of construction cranes.
NY YIMBY has unearthed plans for a new mixed-use development at 540-544 Hudson in New York’s West Village. Designed by Morris Adjmi Architects, renderings show a brick building with a contemporary reimagining of the historic cornices found throughout the neighborhood.
In this episode of GSAPP Conversations, Kersten Geers—co-founder of OFFICE KGDVS—and Amale Andraos discuss their shared obsession with books, and the integral role that book-making plays in their professional offices and teaching. In this podcast, Geers echoes Aldo Rossi’s call to evaluate architecture within a cultural context, positioning books as the best tool to create a place in which architectural work acquires value and meaning; a device to establish a context of ideas.
Four teams have been selected as finalists in the “Driverless Future Challenge.” Organized by Blank Space with the City of New York and NY Tech Meetup, the competition asked teams to envision future strategies for implementation of autonomous transit in New York City.
Participants were tasked with evaluating the future of autonomous transportation through the four principles outlined by Mayor Bill de Blasio’s OneNYC initiative:
- Growth - Improve city infrastructure, modulate traffic, vehicle-to-vehicle communication, eliminate traffic lights, autonomous deliveries.
- Equity - Making sure all citizens benefit from autonomous technology, focusing on accessibility, focusing on transit deserts, creating new jobs.
- Sustainability - Reduce need for parking, curbing emissions, increase carpooling, introducing micro-transit, new green spaces and bike lanes, renewable energy sources.
- Resilience - A more durable and safer transit system, reducing drunk driving, “Vision Zero,” pedestrian-first, faster emergency services.
Entries were received from more than 25 countries, proposing ideas for everything from driverless food carts and a fully-autonomous MTA transit system, to enhanced use of NYC’s 311 system as a driverless dispatching center, to Link NYC Wifi stations that become stops for autonomous micro-buses. The four finalist teams were selected by a multidisciplinary jury featuring top architects including Jeffrey Inaba (Inaba Williams), Odile Decq (Studio Odile Decq) and Jürgen Mayer H. (J. MAYER H.).
The four finalists include:
Francine Houben on Washington D.C.'s Central Library, A Balancing Act Between Mies and Martin Luther King Jr.
In the tenth episode of GSAPP Conversations, Jorge Otero-Pailos (Director of the Historic Preservation Program at Columbia GSAPP) speaks with Francine Houben, founder and creative director of the Dutch practice Mecanoo. Recorded before the school's annual Paul S. Byard Memorial Lecture, their conversation centers on her practice's work to renovate and redevelop the Martin Luther King Jr. Memorial Library in Washington D.C., Mies van der Rohe's last building and only library project.
New York City’s fast-tracked Penn Station transformation project is moving forward, as Governor Andrew Cuomo has announced the closing of the $1.6 billion deal to redevelop a large section of the James A. Farley Post Office into the new “Moynihan Train Hall.”
The project will consist of a new 255,000-square-foot terminal for the Long Island Railroad and Amtrak, increasing Penn Station’s total concourse floor space by more than 50 percent, while an additional 700,000 square feet will be developed for commercial, retail and dining spaces to create a new mixed-use civic space for West Manhattan.
Architect Jeehoon Park has filed a lawsuit against Skidmore, Owings & Merrill (SOM), claiming the design of New York City’s One World Trade Center was stolen from a project he developed as a graduate student at the Illinois Institute of Technology in 1999.
The lawsuit states that the 104-story One World Trade bears a “striking similarity” to his 122-story “Cityfront ‘99” tower, which also featured a glass facade of inverted triangular planes.
James Hansen, professor of Earth and Environmental Sciences at Columbia University, former NASA scientist, and the planet’s preeminent climatologist, was among the first to sound the alarm on climate change during his 1988 testimony before Congress. Since then, he has continued to shine a light on the problem through lectures, interviews, TED talks, and his blog. He has warned that a mere 2-degree increase in temperature could result in a sea level rise of five to nine meters by the end of the century, flooding coastal cities and rendering them uninhabitable.
Inspired by Hansen, filmmakers Menilmonde have imagined Manhattan underwater. The French duo's previous videos experiment with subtle subversions of the world we experience, and their latest creation, 2°C New York City, is arguably their most powerful to date.
The 744-piece set features a new rendition of the building made from the classic plastic blocks, following a 208-piece interpretation released in 2009. The new set provides a much more realistic portrayal of the Wright's original building as well as the 10-story limestone tower added by Gwathmey Siegel & Associates Architects in 1992 (based on Wright's original sketches).
Moscow-based architecture practice Meganom has unveiled their design for a supertall luxury skyscraper in Manhattan. The parcel, on 262 Fifth Avenue is located in the city’s NoMad neighborhood near Madison Square Park. The site owner, Israeli developer Boris Kuzinez from Five Points Development, submitted plans for the project in September 2016. Kuzinez and Meganom have previously worked together on several projects, including the award-winning Tsvetnoy Central Market in Moscow. 262 Fifth Avenue will be the debut project in the U.S. for both, and the skyscraper will be the tallest ever built by a Russian architect in America.
MoMA Completes First Phase of Renovations, Reveals Designs for Extension by Diller Scofidio + Renfro and Gensler
At this morning’s press event, The Museum of Modern Art in New York (MoMA) unveiled the completed renovations to the east end of its museum campus, while also revealing for the first time the full design of their multi-year expansion project designed by Diller Scofidio + Renfro in collaboration with Gensler.
With the completion of the east wing renovation, which began in February 2016, the museum has created two spacious third-floor galleries by reconfiguring 15,000 square feet of space, allowing for better flexibility in installing the collection and temporary exhibitions.