Shortly after the jury demanded further work to be done on the shortlisted proposals, The London School of Economics (LSE) has selected Rogers Stirk Harbour + Partners (RSHP) to design the new Global Centre for the Social Sciences. Besting proposals from OMA, Hopkins, Heneghan Peng and Grafton, RSHP’s winning design was also voted the public’s favorite by an overwhelming margin.
Following the announcement last month that the London School of Economics and Political Science (LSE) had shortlisted five designs for their new Global Centre for Social Sciences (GCSS) in London’s Aldwych, they have now revealed that “there’s not one really outstanding scheme” and “there’s some further work to do by the practices and the LSE.” Therefore contestants Rogers Stirk Harbour + Partners, OMA, Hopkins Architects, Grafton Architects, and Henegham Peng Architects must reconsider their proposed designs.
Inspired by the dolls’ house that Edwin Lutyens designed for The British Empire Exhibition in 1922, twenty British practices are each designing a contemporary dolls’ house in aid of the disabled childrens’ charity KIDS. Each version will sit on a 750mm square plinth to be auctioned at Bonham’s on the 11th November and contains one feature which would make life easier for a disabled child. Among the participating practices is Zaha Hadid Architects and Rogers Stirk Harbour + Partners. FAT will also be working with Turner Prize recipient Grayson Perry CBE, and Studio Egret West with artist Andrew Logan.
See all the entries after the break…
The London School of Economics and Political Science (LSE) and the Royal Institute of British Architects (RIBA) have unveiled five shortlisted proposals for the new £90 million Global Centre for Social Sciences (GCSS) in London’s Aldwych. The competition, which has attracted designs from the likes of Rogers Stirk Harbour + Partners and OMA, will be the school’s “biggest ever building project” and is set to “transform” the world-leading institution. Other entrants include Hopkins Architects, Grafton Architects, and Henegham Peng Architects. See the anonymous proposals after the break…
Five proposals for reconnecting Londoners with the River Thames have gone on display at London’s Royal Academy of Arts (RA). The competition, organised by the Architecture Foundation, “launched an open call for multidisciplinary design teams to put forward new ideas and visions for self-selected sites along the Tidal Thames” earlier this year. The five selected teams were shortlisted earlier this year and recently discussed their designs at a public design workshop. The schemes are now being exhibited as part of the Richard Rogers RA: Inside Out exhibition.
Read extracts of the proposals after the break…
“Architecture is too complex to be solved by any one person.”
Richard Rogers is an architect who understands the significance of collaboration. As a man with an intense social mind and a thirst for fairness in architectural and urban design, Rogers’ substantial portfolio of completed and proposed buildings is driven by the Athenian citizen’s oath of “I shall leave this city not less but more beautiful than I found it.”
In honor of his success, London’s Royal Academy (RA) is currently playing host to a vast retrospective of Richard Rogers’ work, from his collaborations with Norman Foster and Renzo Piano, to the large-scale projects that define Rogers Stirk Harbour + Partners (RSHP) today. The RA’s extensive exhibition has been condensed into a series of motifs that have defined his architectural work, punctuated by memorabilia which offer personal insights into how Rogers’ career has been shaped by the people he’s worked with and the projects that he has worked on.
Continue after the break for a selection of highlights from the exhibition.
Inspired by the dolls’ house that Edwin Lutyens designed for The British Empire Exhibition in 1922, twenty British practices are each designing a contemporary dolls’ house in aid of the disabled childrens’ charity KIDS. Each version will sit on a 750mm square plinth to be exhibited during this year’s London Design Festival (14th – 21st September, 2013) before being auctioned. Each design must contain “a unique feature to make life easier for a child who is disabled.”
Rogers Stirk Harbour + Partners (RSHP) have unveiled a three story flat-pack house in the courtyard of London’s Royal Academy of Arts (RA). Designed as an answer to the UK’s urgent need for cost-effective housing, the prototype demonstrates a method of building “high-quality, well-designed houses significantly cheaper than other traditional methods of construction.”
RSHP, known for their large-scale projects, envisage Homeshell as part of a wider platform which could encompass apartments, schools, factories and healthcare centers.
Richard Rogers, one of the leading architects of the British High-Tech movement, turns 80 today. Rogers made his name in the 70s and 80s, with buildings such as the Centre Georges Pompidou in Paris and the Headquarters for Lloyd’s Bank in London. His early work utilized what could be described as his signature style, with a highly expressive structure and the building’s services on the exterior of the building.
In the 1990s Rogers became involved in British politics, sitting in the House of Lords as a Labour Peer (his full title is Baron Rogers of Riverside). This led to an invitation by the government to set up the Urban Task Force, which in 1998 conducted a review into the causes of urban decay and outlined a vision for the future of British Cities in the paper ‘Towards an Urban Renaissance.’ For 8 years he was also chief advisor on architecture and urbanism for the Mayor of London.
In more recent years Rogers has continued to produce work of great merit, winning the Stirling Prize in 2006 and 2009. He was also awarded the Pritzker Prize in 2007. On the occasion of his 80th Birthday, we invite you to look through his remarkable body of work:
Tomorrow (July 19th) at 1pm GMT, The Guardian will be hosting a live webchat with renowned English architect Richard Rogers. The soon to be 80-year old has already begun celebrating with a retrospective exhibition on his work at the Royal Academy. You can keep the Rogers-fest going by heading to The Guardian’s site and posting your questions in the comments section. The next day, you’ll be able to see responses from the architect himself. So, what would you ask Rogers?
Architects: Rogers Stirk Harbour + Partners
Location: London, England, United Kingdom
Structural Engineer: Arup
Landscape Architect: Edco Design London
Client: The British Land Company plc
Area: 84,424 sqm
Photographs: Courtesy of Rogers Stirk Harbour + Partners, Courtesy of The Leadenhall Building Development Company
Rogers Stirk Harbour & Partners’ Leadenhall Building became the tallest building in the City of London when it topped out on June 18th. The 50 story tower opposite Lloyd’s of London rises to a height of 224.5 meters 802 feet), its slender form creating its own distinctive profile within an emerging cluster London. The building’s tapering profile is prompted by a requirement to respect views of St Paul’s Cathedral, in particular from Fleet Street. The building comprises a number of distinct architectural elements that provide clarity to the composition both as a whole and as a legible expression of its constituent parts. These elements include the primary stability structure, the ladder frame, the office floor plates, the northern support core, the external envelope and the public realm.
More images and video of The Leadenhall Building after the break…
A few months ago we informed you about a competition to re develop the massive “wedding-cake” style building at 425 Park Ave in NY, near Mies’ Seagram Building and SOM’s Lever House. The objective of the developer, L&L Holding, was to turn this project into the next iconic building of the city, and for that they invited a group of eleven renowned practices, including ten Pritzker laureates.
The shortlist was announced in October, and included OMA, Rogers Stirk Harbour + Partners, Zaha Hadid Architects and Foster + Partners, which was later announced as the winner of the competition a few weeks ago.
Over the last days, the presentations of the architects to the clients appeared on YouTube, and now we have the opportunity to see these interesting group of architects doing a fundamental part of their work. In the videos we see each architect using their own presentation style, either a PPT, video or just physical boards, connecting it to the practice’s research and discourse, projecting their passion about certain features of their projects and engaging with the client around their main objective: to turn this into an iconic project.
Four videos that take us further into how we understand projects, showing insights that we often don’t have access to, turning the competition into a particular moment of architecture this year.
Zaha Hadid Architects, OMA and Rogers Stirk Harbour + Partners presentations after the break:
L&L Holding Company, LLC, today announced that four of the world’s most acclaimed architecture firms – Foster + Partners (Lord Norman Foster), Rogers Stirk Harbour + Partners (Lord Richard Rogers), OMA (Rem Koolhaas) and Zaha Hadid Architects – are participating this week in the conceptual design phase of its architectural competition for a new office tower to be constructed at 425 Park Avenue in Manhattan.
In April of this year, L&L Holding invited 11 of the world’s most accomplished architects to express their interest in competing for the commission to design a new tower at 425 Park Avenue. Of those invited, nine firms chose to enter the competition. After careful deliberations, L&L Holding narrowed its list to the four selected firms, each of which is led by a Pritzker Prize-winning architect with extensive international experience and proven expertise in office tower design.
The architects and their teams have prepared and are presenting their conceptual designs this week for a 650,000 square foot tower that will be designed to high L.E.E.D. sustainability standards.
Architects: Rogers Stirk Harbour + Partners & Vidal y Asociados arquitectos
Location: Sevilla, Spain
Project Team: María Álvarez-Santullano, María Astiaso, David Ávila, Stephen Barrett, Almudena de Benito, Jean-Pierre Casillas, Pablo Codesido, Luis Colino, Eva Couto, Esther Crespo, Marta Cumellas, Ana Belén Franco, Jason García, Claudia García-Nieto, Isabel Gil, Lennart Grut, Ivan Harbour, Carolina Hernández, Amarjit Kalsi, Verónica van Kesteren, Juan Laguna, Carmen Márquez, Irene Méndez, Mariola Merino, Héctor Orden, María Ortega, Javier Palacios, Almudena Pérez, Bárbara Pérez, David Pérez, Naira Pérez, Sonia Pérez, Martina Rauhut, Richard Rogers, Irene Rojo, Roberta Sartori, Amelia Seisdedos, Gentaro Shimada, Simon Smithson, David Sobrino, Graham Stirk, Oscar Torrejón, Paloma Uriel, Josefina Vago, Laura Vega, Luis Vidal, Laura Villa
Client: Centro Tecnológico Palmas Altas S.A.
Quantity surveyor: D-Fine
Project Area: 96,000 sqm
Budget: $132,000,000 Euro
Design Year: 2005-2009
Construction Year: 2007-2009
Photographs: Víctor Sájara
Richard Rogers on the Maggie’s Center building, by The Architects’ Journal
This small buildings has a great inside/outside integration, given by the combination of several transparent planes and the independent roof, as you can see on the photos.
After the break, more photos by architectural photographer José Miguel Hernández Hernández, and a short video by AJ.