Construction of Santiago Calatrava’s Museu do Amanhã (Museum of Tomorrow) in Rio de Janeiro is underway and on-track to be completed in the second half of 2015. Located on the Pier Mauá, the museum will encompass a 15,000m2 built area and include gardens, leisure areas, bike paths, and a reflective pool, totaling over 30,000m2. The ground floor of the museum will include a store, auditorium, temporary exhibit rooms, a restaurant, administrative offices and space for research and educational activities. The upper floor, connected to the ground floor with ramps, will include long-term exhibits, a café and a panoramic lookout.
In recent years, the architecture world has seen a significant surge of interest in socially-conscious design; from sustainability to social housing, and from public space to disaster relief, architecture is beginning to take on some of the biggest humanitarian challenges of our era. But despite its popularity, public-interest design is still only a fringe activity in architecture, either bolted on to existing design or only practiced by a select group of people. In this short article originally published by Metropolis Magazine, Metropolis Editor-in-Chief Susan Szenasy makes the case that rather than working on the periphery, "the drive to improve living conditions for all life should be at the center of contemporary architecture and design."
On a bright April weekend, a group of committed, passionate, accomplished designers and their collaborators from the Americas and elsewhere gathered in downtown Detroit to speak about socially responsible design. It was the 15th annual Structures for Inclusion conference. The convener, Bryan Bell, is the architect behind the nonprofit organization Design Corps, and the spirit behind the SEED (Social Economic Environmental Design) rating program.
The Living Building Challenge will now fulfill the energy and water requirements for LEED. As the U.S. Green Building Council announced, this marks an important step in the USGBC's mission to make LEED an accessible platform that complements other construction rating systems.
The USGBC's decision essentially equates the two systems in the fields of water and energy efficiency, recognizing projects that meet the Living Building Challenge's standards within these areas as equivalent to LEED standards. By doing so, it encourages a spirit of collaboration toward sustainable goals across competing rating systems.
Stockholm-based practice Utopia Arkitekter has been selected to design a new travel centre in Uppsala after their "sculptural, eye-catching jewel of a building" won the municipal design contest. Featuring a travel centre, fitness centre and restaurant on the lower floors and offices in the floors above, the building aims for LEED Platinum certification. The design revolves around the incorporation of bicycles, providing commuters with extensive bicycle parking facilities as well as changing room and shower facilities for a convenient transfer from bicycle to train.
More on the design after the break
Steve Mouzon, a principal of Studio Sky and Mouzon Design, is an architect, urbanist, author, and photographer from Miami. He founded the New Urban Guild, which hosts Project:SmartDwelling. The Guild’s non-profit affiliate is the Guild Foundation, which hosts the Original Green initiative.
The LEED rating systems were a great idea in the beginning, but they have become a symbol of all that is wrong with green building today. Getting a LEED rating is slow, difficult, and expensive, and the rating is skewed heavily to Gizmo Green solutions that are completely ignorant of where the building is being built, and for whom. We need the opposite sort of system today: one that is intelligent about where a building is built and who it’s being built for, and that is fast, friendly, and free so that anyone can use it.
Originally published by Metropolis Magazine, this comprehensive analysis by sustainability expert Lance Hosey examines the current disputes within the green building industry, where market leader LEED currently finds competition from the Living Building Challenge, aiming for the "leading edge" of the market, and the Green Globes at the other end of the scale. Arguing for a more holistic understanding of what makes materials sustainable, Hosey examines the role that materials, and material industries such as the timber and chemical industries, can have in directing the aims and principles of these three sustainability rating systems - for better or for worse.
Material Minds, presented by ArchDaily Materials, is our new series of short interviews with architects, designers, scientists, and others who use architectural materials in innovative ways. Enjoy!
Arthur Andersson of Andersson-Wise Architects wants to build ruins. He wants things to be timeless - to look good now and 2000 years from now. He wants buildings to fit within a place and time. To do that he has a various set of philosophies, processes and some great influences. Read our full in-depth interview with Mr. Andersson, another revolutionary "Material Mind," after the break.
Leadership in Energy and Environmental Design (LEED), with its advantages and disadvantages, has dominated the green building certification market for a long time. But now alternatives - like the GBI's Green Globes, the Living Building Challenge, and Build It Green – are beginning to emerge. So how does a competitor like Green Globes shape up in comparison to LEED? And what does this developing competition mean for green rating systems in general? To learn more, keep reading after the break.
Have you ever wondered if you would be happier working in a LEED building? Wonder no more - a new study says no. Although the findings indicate employees are generally satisfied with working in green-certified buildings, they are no happier than they would be in a non-LEED building. The study, which contradicts previous findings, was conducted by Sergio Altomonte from the Department for Architecture and Built Environment at the University of Nottingham and Stefano Schiavon from the Center for the Built Environment at the University of California Berkeley.
To arrive at this conclusion, data was collected through a web-based survey tool by the Center for the Built Environment (CBE) at the University of California Berkeley. In total, 65 LEED and 79 non-LEED buildings were selected to participate in the study. Building occupants were surveyed and asked to rate their satisfaction on a 7-point scale of 17 indoor environmental quality parameters, including amount of light, furniture adjustability, air quality, temperature, and sound privacy.
At the annual Greenbuild International Conference in Philadelphia last week, the US Green Building Council (USGBC) finally announced the latest version of LEED. Aiming to make a larger forward step than previous versions, LEED v4 is described by Rick Fedrizzi, the CEO and president of USGBC as a "quantum leap". But what are the key changes in the new LEED criteria, and what effect will they have? Furthermore, what problems have they yet to address? Read on to find out.
Architects: GUND Partnership
Location: Gambier, OH, USA
Architect In Charge: GUND Partnership
Landscape Architect: David Berarducci Landscape Architecture
Area: 41500.0 ft2
Project Year: 2012
Photographs: Brad Feinknopf
After fifty years of neglect the Empire Stores, located next to the Brooklyn Bridge, are now the most coveted waterfront property in New York. Midtown Equity has partnered with Studio V Architecture to adaptively reuse the 19th-century coffee warehouse into 380,000 square-feet of office, restaurant and commercial space, highlighted by a Brooklyn-centric cultural museum. "After the Brooklyn Bridge," says Joe Cayre, Chairman of Midtown Equities, "the Civil War era Empire Stores are the most iconic structures on the Brooklyn waterfront. As a Brooklyn native who raised my family in the borough, it is an honor for my firm to be chosen for the redevelopment of the Empire Stores."
Learn more after the break...
The term 'green' is notoriously difficult to define, and even more so when it comes to architecture. An often overused and fashionable way of describing (or selling) new projects, 'green' design seems to have permeated into every strand of the design and construction industries. Kaid Benfield (The Atlantic City) has put together a fascinating case study of a 1,700 dwelling housing estate near San Diego, challenging what is meant by a 'green' development in an attempt to understand the importance of location and transport (among other factors) in making a project truly environmentally sustainable. In a similar vein, Philip Nobel (The New York Times) explores how 'green' architecture is less about isolated structures and far more about "the larger systems in which they function". Read the full article from Kaid Benfield here, and Philip Nobel's full article here.
The US Green Building Council’s federally adopted LEED certification system has come under legislative siege with lobbyists from the timber, plastics and chemical industries crying out, “monopoly!” Mississippi, Georgia and Alabama have lead efforts to ban LEED, claiming the USGBC’s closed-door approach and narrow-minded material interests have shut out stakeholders in various industries that could otherwise aid in the sustainable construction of environmentally-sensitive buildings.
Most recently, Senator Roger Wicker of Mississippi, slipped in a last minute amendment to both the Housing and Urban Development and Department of Transportation appropriation bills stating no tax money may be used to require implementation of any green building certification system other than a system that:
In an excellent article for The New Republic, Sam Roudman brilliantly tackles many of the same, timely issues as Michael Mehaffy and Nikos Salingaros in "Why Green Architecture Hardly Ever Deserves the Name." Roudman unpacks the loop-holes of LEED, most notably how it ignores a building's intended use, which often make a building anything but sustainable at all. Read the whole article at The New Republic.
Originally published on Intercon, Ohioan and Africa-based architect Charles Newman, LEED AP discusses the pitfalls of LEED in rural Africa. Newman, who is currently working for the International Rescue Committee in Bukavu, Democratic Republic of Congo, is dedicated to the integration of sustainability in communities worldwide. Learn more about his work and travels on his blog Afritekt. While in a small southern town of the Democratic Republic of Congo in mid-2012, a colleague of mine approached me for some guidance on a large health proposal he was putting together. A portion of the grant would be earmarked for the construction of hundreds of clinics across the DR Congo, and he mentioned that the donor would be very interested in “green” building standards. Knowing that I was a LEED Accredited Professional, he began asking how we might be able to incorporate such building standards into the designs for the pending projects. I rattled off some general guidelines such as using local materials – recycled ones if available, incorporating existing infrastructure, natural ventilation, etc. He jotted down a few notes, then began to pry a little deeper. “What about the LEED point system? Could we incorporate that into our strategy?” My response was frank: “No, not really. LEED doesn’t work here in rural Africa.”
Mary Ann Lazarus, FAIA of HOK Joins AIA in Sustainability and Health Initiative as a Resident Fellow
The AIA has appointed green-building leader Mary Ann Lazarus, FAIA, to a consulting position as a Resident Fellow. In this position, Lazarus will help guide and influence a program heavily based in sustainability and health as the AIA implements its ten-year pledge to the Decade of Design: Global Urban Solutions Challenge, a Clinton Global Initiative Commitment to Action. The purpose of the commitment is to document, envision and implement solutions that leverage the design of urban environments through research, community participation, and design frameworks. It is a commitment based in the interest of public health with special attention to the use of natural, economic, and human resources.
More about Mary Ann Lazarus's work and future at the AIA after the break.