Venice Biennale 2014: British Council Calls for Proposals
Responding to Director Rem Koolhaas’ theme “Absorbing Modernity: 1914-2014” for the 2014 Venice Architecture Biennale, titled “Fundamentals”, the British Council has launched an open call for exhibition proposals that investigate how an aspect of British architecture has adapted to the condition of modernity during this era.
Venice Biennale 2014: Lateral Office to Represent Canada with Nunavut Exhibition
The Canada Council for the Arts and the Royal Architectural Institute of Canada (RAIC) has announced “Arctic Adaptations: Nunavut at 15″ as winner of a national juried competition to represent Canada at the 2014 Venice Biennale in Architecture. Lateral Office of Toronto will organize and curate an exhibition designed to celebrate the 15th anniversary of Canada’s largest but least populated northern territories, known for its pristine arctic wilderness and Inuit lifestyle.
Read more about Canada’s contribution to the Biennale after the break.
Call for Entries: Organize the U.S. Representation at the 14th Venice Architecture Biennale
The U.S. Department of State recently announced a request for proposals from any U.S. nonprofit organization at the 14th Venice Architecture Biennale, which is set to take place June 7-November 23, 2014. This includes museums, galleries, design centers, schools of architecture and design, and independent curators affiliated with a non-profit organization. The deadline for submissions is April 1, 2013. For more information, please visit here.
Koolhaas Reveals Title for 2014 Venice Biennale
At a presentation in Italy this morning, Rem Koolhaas announced that the title of the 2014 Venice Biennale will be “Fundamentals.” According to Domus magazine’s live-tweeting of the event, Koolhaas wants this Biennale, which he will curate, to use historical research to explore how Modernity and globalization has, since 1914, formed the architecture we practice today. The Biennale will focus on the erasure of national architectural identities and the formation, over the last 200 years, of a global architecture which produces, in Koolhaas’ words, “the same stuff, with the same materials, in the same styles. How did this happen?”
Read more about Koolhaas’ 2014 Biennale topic, after the break…
