New Zealand has appointed Auckland architect David Mitchell to serve as creative director and lead the country’s first participation at the 2014 Venice Biennale. Bridging from Rem Koolhaas’ theme, “Fundamentals”, Mitchell plans to exhibit New Zealand’s tradition of pacific-style architecture and light timber construction through a series of models.
“We’re going to show off some of the most unsung architecture in the world, our Pacific architecture,” described Mitchell. “It’s an architecture made out of poles, beams and panels and not out of heaps of rocks, bricks and tiles.”
Laboratorio de Arquitectura Dominicana (LAD) has been selected to curate the Dominican Republic’s first pavilion for the 2014 Venice Architecture Biennale. Developed by Dominican dictator Rafael Trujillo and inspired by Mussolini’s 1942, the “exhibition will explore modern attitudes and local narratives around the 1955 Fair of Peace and Fraternity of the Free World.”
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Morocco will host its first pavilion at the 2014 Venice Architecture Biennale. Curated by the Foundation FADA’ (Fondation pour l’Art, le Design, et l’Architecture) and directed by architect Tarik Oualalou, the concept for the Moroccan pavilion will be based upon Morocco’s role as an urban and architectural laboratory in the twentieth century. The project, entitled “Fundamental(ism)s,” will be organized in two parts:
Australia’s creative team for the 2014 Venice Architecture Biennale, felix._Giles_Anderson+Goad, has announced 11 unrealized projects that will be showcased as part of the Augmented Australia 1914-2014 exhibition. Ranging from an inner-city cathedral to a treetop activist shelter, the country-wide selection of projects will be brought to life using three-dimensional augmented models, images, voice overs and animations.
The Indonesian Ministry of Tourism and Creative Economy has partnered up with the Indonesian Institute of Architect to appoint architects Avianti Armand and Setiadi Sopandi, along side architectural historian David Hutama, Arsitek Muda Indonesia (AMI) founder Achmad Tardiyana, and writer Robin Hartanto as the curator team in charge for the first ever Indonesian Pavilion at the 2014 Venice Architecture Biennale.
The team, selected through a nation-wide open competition, will curate a pavilion that will tell stories about Indonesian experience on building things during the last one hundred years. As the team described, “It is inevitable that our way of building things – nowadays – is pretty much (still) dominated by handy works, through the hands of our skilled and unskilled laborers as well as well-trained artisans. Some utilize intricate and sophisticated tools, but many are relying on the touch of the hands and fingers.“
OfficeUS is seeking five fellows to take on the role of Principals during the 2014 Venice Biennale at the US Pavilion. From May 23, 2014 through November 23, 2014, the Principals will speculate on and project new futures of a history of American architectural exports on exhibit at the pavilion. The work of OfficeUS will be published as a book and exhibited at Storefront for Art and Architecture in the spring of 2015.
The five Principals are emerging architects in the early to middle stages of their careers (less than 15 years out of school) with proven ability as creative hurricanes, tinkerers, provocateurs, code makers, code breakers or party hosts whose work represents the highest standard of excellence in design. Applicants must be able to balance engaging the biennale audience with the ability to focus on design work.
Submission deadline is December 2. For more information on the award, evaluation and schedule, please click here.
The U.S. Department of State has selected Storefront for Art and Architecture and PRAXIS Journal to organize the US Pavilion at the 2014 Venice Architectural Biennale, “Fundamentals,” curated by Rem Koolhaas.
The US exhibition, titled, OfficeUS: Criticism by Remaking, will be curated by Eva Franch i Gilabert, Ana Miljački and Ashley Schafer.
More info on the US Pavilion, after the break…
FAT Architecture, Crimson Architectural Historians and Owen Hatherley have been selected to curate the British Pavilion at the 2014 Venice Biennale next June. The chosen team will respond to Rem Koolhaas’ theme “Absorbing Modernity: 1914-2014” with a project titled “A Clockwork Jerusalem.”
Vicky Richardson, British Council, said: ”We look forward to working with FAT, Crimson and Owen Hatherley on ‘A Clockwork Jerusalem’. The Selection Committee felt their approach was both challenging and poetic, and that their work will make an important contribution to understanding modernity in British architecture.”
BD Online reports that the British Council has shortlisted two teams who will compete for the honor of curating the British Pavilion at the 2014 Venice Architecture Biennale. With Rem Koolhaas at the helm of this year’s Biennale (June 7 – November 23), the selected theme will be: ‘Absorbing Modernity: 1914-2014.’
The two teams facing off are: architect David Knight, The Guardian architecture critic Oliver Wainwright, and planner Finn Williams VS. the architects of FAT, architectural historians Crimson and writer Owen Hatherley.
The final pair were chosen from a longlist of four, including a team led by DSDHA and another made up of Graham Bizley of Prewett Bizley Architects and Rob Gregory, programme manager at the Architecture Centre. The final winner will be announced in august.
Story via BD Online.
Responding to Director Rem Koolhaas’ theme “Absorbing Modernity: 1914-2014” for the 2014 Venice Architecture Biennale, titled “Fundamentals”, the British Council has launched an open call for exhibition proposals that investigate how an aspect of British architecture has adapted to the condition of modernity during this era.
The Canada Council for the Arts and the Royal Architectural Institute of Canada (RAIC) has announced “Arctic Adaptations: Nunavut at 15″ as winner of a national juried competition to represent Canada at the 2014 Venice Biennale in Architecture. Lateral Office of Toronto will organize and curate an exhibition designed to celebrate the 15th anniversary of Canada’s largest but least populated northern territories, known for its pristine arctic wilderness and Inuit lifestyle.
Read more about Canada’s contribution to the Biennale after the break.
The U.S. Department of State recently announced a request for proposals from any U.S. nonprofit organization at the 14th Venice Architecture Biennale, which is set to take place June 7-November 23, 2014. This includes museums, galleries, design centers, schools of architecture and design, and independent curators affiliated with a non-profit organization. The deadline for submissions is April 1, 2013. For more information, please visit here.
At a presentation in Italy this morning, Rem Koolhaas announced that the title of the 2014 Venice Biennale will be “Fundamentals.” According to Domus magazine’s live-tweeting of the event, Koolhaas wants this Biennale, which he will curate, to use historical research to explore how Modernity and globalization has, since 1914, formed the architecture we practice today. The Biennale will focus on the erasure of national architectural identities and the formation, over the last 200 years, of a global architecture which produces, in Koolhaas’ words, “the same stuff, with the same materials, in the same styles. How did this happen?”
Read more about Koolhaas’ 2014 Biennale topic, after the break…