Germany’s contribution to the 2014 Venice Architecture Biennale scrutinizes the architecture of representation, its crisis, and potential cessation. Aside from the universal ambition of modernism to break with the past, Germany has undergone a number of decisive political and societal breaks during the last…Read more ›
What are the challenges in Africa’s current rapid socio-economic development that architects have the capacity to address? Can foreign architects play any role on the African continent today and during the coming decades? If so, how?Read more ›
The Italian Pavilion at the 2014 Venice Biennale looks at the country’s architecture through the lens of “grafting,” or the transferring of new ideas onto preexisting realities and structures.
Architect and Pavilion curator Cino Zucchi associates grafting with “the great capacity to…
Curated and commissioned by the German architects Oliver Schütte and Marije van Lidth de Jeude…, Costa Rica’s first pavilion at the Venice Biennale focuses on a competition-winning project for the new Costa Rican Legislative Assembly, a project which illustrates the “vicious circle of socialRead more ›
“Elements of Architecture,” the Rem Koolhaas-curated exhibition at the 2014 Venice Biennale, delved into several remarkable structural as well as technical components of architecture, including floors, walls, doors, stairs and toilets. But why was light missing?
My manifesto for the…
Mexico’s pavilion at the 2014 Venice Biennale is centered on Octavio Paz’s reflections on the contraposition between tradition and modernity. Echoing the request from Rem Koolhaas that the national pavilions focus on the theme Absorbing Modernity 1914-2014, Paz’s writings establish that…Read more ›
Textures and Ants …is one of five videos on display by Studio MK27 at the Palazzo Mora as part of the ”Time Space Existence“ exhibition, running parallel to the Venice Biennale.
Produced by Pedro Kok and Gabriel Kogan, the video shows Studio SC, a
ArchDaily has been asking architects ”What is Architecture?…” for over 6 years. It’s a question that few interviewees answer without hesitation or bristling. But after asking over 200 architects, we’ve noticed a pattern: even though many people start very similarly, theRead more ›
At its debut at the Venice Architecture Biennale 2014, Indonesia offers a peek into the country’s past 100 years of architectural history in its pavilion: “Craftsmanship: Material Consciousness.” Moving images projected onto glass panels tell Indonesia’s story through the development of six materials, traced over time: wood, stone, brick, steel, concrete and bamboo. See images of the pavilion and enjoy a statement from the curators after the break.Read more ›
“We were sensitive to the way in which society was becoming more consumption-oriented and gave serious thought to how we ought to respond to that change without simply accommodating ourselves to it.” -Toyo Ito
“I was entering a dead world, …
“We consider Bakema not so much an architect of buildings, but an architect of a new idea of what Holland could be–a new national identity, a new national landscape…with an architect in the center of this particular ambition.” – Guus …Read more ›
Dutch practice Bekkering Adams Architecten, in cooperation with ABT and BeersNielsen, recently unveiled an installation at the Palazzo Mora, Venice as part of a collateral event with this year’s Venice Biennale. Entitled Form-ContraForm…, the sculptural piece reflects on the conceptual and human perceptionRead more ›
In this extended interview by the Architectural Review, Charles Jencks provides an in-depth description of the 2014 Venice Biennale and critiques his former student Rem Koolhaas’ overall curation and theme: Fundamentals….
Arguing that the previous thirteen Biennales have, “more or less, tried to predict what
On the morning that France accepted a Special Mention for its exhibition “Modernity: Promise or Menace?” at the Venice Biennale, Curator Jean-Louis Cohen spoke to us about the questions raised within, on, and around the walls of the French Pavilion. Standing in…Read more ›
By the late 1960s, two dynamics were shaping a new urban reality in Italy: on the one hand, TV was heavily influencing Italian society, becoming an intrinsic part of daily life; on the other, the social tension resulting from student protests and accelerated…Read more ›
The Russian Pavilion at the 2014 Venice Biennale is selling the most important architectural ideas from Russia. Curators Anton Kalgaev, Brendan Mcgetrick, and Daria Paramonova selected twenty ideas that offer solutions to contemporary architectural issues and designed the pavilion as a commercial fair.…Read more ›
In this video from our friends at Spirit of Space, Daniel Libeskind talks about his installation for the Venice Pavilion at the 2014 Venice Biennale, entitled ‘Sonnets in Babylon’. The installation deals with drawing, an act that Libeskind believes is “the foundational…Read more ›