Cedric Price Works 1952-2003: A Forward-Minded Retrospective, written and edited by Samantha Hardingham, is a two-volume anthology bringing together for the first time all of the projects, articles and talks by British architect Cedric Price. Co-published by the Architectural Association (AA) and the Canadian Centre for Architecture (CCA), the publication will be launched on 14th October 2016, celebrating Price’s illustrious career as an influential thinker, philosopher, teacher and architect.
The Canadian Centre for Architecture (CCA) has announced Phyllis Lambert, architect and CCA Founding Director Emeritus, as the winner of the Arnold W. Brunner Memorial Prize 2016 Architecture Awards from The American Academy of Arts and Letters in New York. The $20,000 prize is given to an architect of any nationality who has made a significant contribution to architecture as an art.
Lambert "is the conscience of modern and contemporary architecture, protecting its past and advocating for its future as a vital art form," said jury chairman Elizabeth Diller.
With just over two weeks left in the 14th Venice Biennale of Architecture, Paolo Baratta, President of La Biennale, is hosting a one day conference on the intersection between archives, exhibitions and digital integration. Focusing on the themes of the "dissipation of memory" and the "vulnerability of digital data" in an age of ever-changing technological platforms, the conference is the third in a series of archive-themed events hosted at the Giardini in the Biennale Library, and will feature a screening of Digital Amnesia, a documentary on the lifespan of archival technology, along with a round table discussion with leading archivists and curators from around the world. Panelists include the Mirko Zardini, Director and Chief Curator from the Canadian Centre for Architecture, archive superintendents from three Italian provinces, professors from three Italian universities, and Debora Rossi, the chief archivist for the Venice Biennale.
The NSA Muscle, an interactive inflatable structure built in 2003 that responded to touch and presence by changing its shape, is the latest subject explored in the Canadian Centre for Architecture's series on pioneering projects of digital architecture. Joining a roster of influential names including Peter Eisenman, Frank Gehry and Chuck Hoberman, this e-book recounts a conversation between Greg Lynn and the author of the project Kas Oosterhuis of ONL [Oosterhuis and Lénárd]. The 'breathing' structure was covered by a grid of 'muscles' that contracted and relaxed in response to external stimulus, combining commercial pneumatics and virtual control technology in new ways to prototype an new kind of interactive architecture.
Discover the story by downloading NSA Muscle for free after the break.
“Architects make architecture; Phyllis Lambert made architects,” Rem Koolhaas said of his decision to award Phyllis Lambert with this year’s Golden Lion for Lifetime Achievement at the Venice Biennale. In an interview published on iconeye.com, the website for Icon Magazine, the 87-year-old founding director of the Canadian Centre for Architecture (CCA) discusses her career, Mies van der Rohe, and the state of contemporary architecture with the editor of Icon, Christopher Turner. Read on to learn about her influential life in architecture.
Congratulations on your Golden Lion for Lifetime Achievement. How did you learn that you'd been awarded the honour?
Thank you very much. I got a phone call from the curator, Rem Koolhaas, telling me and I had to wait for weeks as it went before the board, unable to tell anybody – then I got an official letter. Isn't it wonderful?
Curated by architect Greg Lynn, the 'Archaeology of the Digital' exhibition at the Canadian Centre for Architecture is currently on display until October 13. Conceived as an investigation into the foundations of digital architecture at the end of the 1980s and the beginning of the 1990s, the exhibit features four seminal projects that established bold new directions for architectural research by experimenting with novel digital tools: The Lewis Residence by Frank Gehry (1985–1995), Peter Eisenman’s unrealized Biocentrum (1987), Chuck Hoberman’s Expanding Sphere (1992) and Shoei Yoh’s roof structures for Odawara (1991) and Galaxy Toyama (1992) Gymnasiums. Videos of conversations with the architects can be viewed after the break.
Taking place this Thursday, March 7th, at 6:00pm, the Canadian Centre for Architecture (CCA) will present the first 2013 Mellon Lecture, a free event, featuring Japanese architect Yoshiharu Tsukamoto, founding partner of Atelier Bow-Wow in Tokyo with Momoyo Kaijima. Yoshiharu Tsukamoto will present his concept of Architectural Behavior, which investigates the physical responses to natural elements such as light, air, heat, wind, water, human behavior related to custom, and the way in which buildings relate to the city and their surroundings. For more information, please visit here.
Coinciding with the exhibition Alturas de Macchu Picchu: Martín Chambi – Álvaro Siza at work on view at the Canadian Centre for Architecture (CCA) for an extended run until 29 April 2012, Pritzker prize-winning architect Álvaro Siza will give a not-to-be-missed lecture on Thursday 26 April 2012 at 7 pm at the CCA. The event is a rare opportunity to hear the preeminent architect speak in person. Siza’s lecture discusses his design development of the Iberê Camargo Museum in Porto Alegre, Brazil, completed in 2008 and noted for its sculptural volumes and tight integration with a coastal escarpment. As with all of Siza’s projects, hand sketches play a key role in the design process, from massing studies to fine-tuning details. For more information, please visit here.
The Canadian Centre for Architecture (CCA), Montréal presents Imperfect Health: the Medicalization of Architecture, on view in the main galleries which started on October 15th and is up until April 1, 2012. Photographs, publications, art and design projects and architectural models and drawings reveal some of the uncertainties and contradictions surrounding health issues and considers how architecture acknowledges, incorporates and affects them. The exhibition questions common understandings of “positive” and “negative” outcomes within the flux of research on and cultural conceptions of health. It continues the CCA’s ongoing investigations into how the design and use of urban spaces shapes human well being. More information on the exhibition after the break.