From its hilltop vantage point in the east end of Sheffield, UK, the Park Hill Estate surveys the post-industrial city which sprawls westwards. Its prominent location makes the estate highly visible and it has, over time, become engrained in the popular consciousness – a part of the fabric of the city. Although today it divides opinion, following its completion in 1961 it was hailed as an exemplary model for social housing. Designed by architects Jack Lynn and Ivor Smith under the supervision of Sheffield’s visionary City Architect John Lewis Womersley, the estate now stands as testament to an era when young British architects were revolutionizing the field of residential architecture with radical housing programs.
The Park Hill Estate was part of Womersley’s strategy to introduce more high-density housing to Sheffield, which he believed would foster a stronger sense of community than the ubiquitous back-to-back terraces. This policy went hand in hand with an urgent need for slum clearance; The Park, a slum so notorious for its high crime rate that it was known locally as ‘Little Chicago,’ was demolished to make way for the estate.
The challenges associated with the provision of adequate and affordable housing around the world demand that architects respond with original solutions that challenge traditional building forms, typologies and methods of delivery.
In recognition of this demand, last month’s World Architecture Festival in Berlin chose housing as its thematic focus. The festival made headlines with Patrik Schumacher’s inflammatory keynote speech that called for cities to be turned over entirely to market forces, scrapping social housing and privatizing all public space. The controversy that followed belied the diversity of the discourse on housing at the Festival and the presentation of innovative architectural responses to housing challenges.
http://www.archdaily.com/801341/real-takes-on-real-ly-successful-housing-experimentsMichael Maginness for PLANE—SITE
The Futuro House looks more like an alien spacecraft than a building. Designed by Finnish architect Matti Suuronen in 1968 as a ski chalet, the radical design was subsequently marketed to the public as a small prefabricated home, easily assembled and installed on virtually any topography. Its plastic construction and futurist aesthetic combined to create a product which is identifiable with both the future and the past.
Originally built to house over 7,000 people in the 1970s, the Aylesbury Estate in South East London was once one of largest housing projects in Europe. In recent years it has "fallen into rapid decline" and, according to British filmmaker Joe Gilbert, "perfectly encapsulates the growing housing crisis and problems caused by gentrification." With narration by Tom Dyckhoff, this short film aims to capture the reality of a housing utopia which has de-evolved into an uncomfortable reality.
http://www.archdaily.com/801145/londons-aylesbury-estate-a-housing-project-then-and-nowAD Editorial Team
The City of Frederiksberg, along with Real-dania By and Byg Foundation have selected a team led by Danish architects COBE to develop the "House of Food Culture." The project will be constructed on top of the new metro stations in Copenhagen's new Metro City Ring. The House of Food Culture and its townhouses will be built in brick, imitating the neighbouring facade lines and keeping with the style of the historic surroundings.
The House of Food Culture is to be built on top of the entrance to the forthcoming metro station that will host a daily flow of 10,000 people, while focusing on making it the focal point for urban life and a central meeting place.
UNStudio, in collaboration with Korean firm Heerim Architects & Planners, has won the competition to design the 32 tower masterplan of Eunma Housing Development in the neighborhood of Daechi-Dong, Seoul. The unique project commission is being led by the residents of the Eunma Housing Development themselves, who have tasked the architects with redeveloping their current homes into a new, future-orientated eco-design that can be used as a blueprint for other resident-driven development projects.
Foster + Partners has released plans for a connected pair of skyscrapers that will provide 660 new luxury condos in the Miami’s Brickell neighborhood. Taking advantage of updated height limit regulations, "The Towers" will top out at 1,049 feet (320 meters), becoming one of 5 new buildings that will share the title of Miami's tallest tower.
Historically, building heights in Miami have been restricted due to proximity to the Miami International Airport.
As part of a new exhibition at the National Building Museum in Washington D.C., twelve dollhouses tracing the history of British domesticity have been lent by London's Victoria & Albert Museum of Childhood. The show—Small Stories: At Home in a Dollhouse—spans 300 years and presents a miniature-sized, up-close-and-personal view of developments in architecture and design – from lavish country mansions, to an urban high-rise.
Archimatika Architects has unveiled the plans for “Leopol Town,” a new housing project located on Styiska Street in Lviv, Western Ukraine. Overall, the project will include seven buildings, with 757 flats, shops, cafeterias, restaurants, and public access at the lower levels.
In an effort to combat the uncomfortable Soviet “sleeping neighborhood” feeling of the city, the project will feature open blocks, parceling, energy efficient systems, and sustainability principles to “invite nature in.”
This special edition of a+u takes an overview of early works, mostly houses, by 65 prominent architects around the world, including: Álvaro Siza, Richard Rogers, Glenn Murcutt, Valerio Olgiati, Lacaton & Vassal, Caruso St John, Smiljan Radic, ELEMENTAL, and Pascal Flammer. We asked each architect two questions – the visions they had when they designed the house, and how that vision has evolved over time.
The AA School of Architecture’sDRL Masters Program has developed a thesis project, entitled Growing Systems, which explores adaptable building systems using methods of robotic fabrication and generative special printing within the context of housing.
Centered on a new method of structural 3D vertical extrusion, the project combines the precision of prefabricated elements with the adaptability of on-site fabrication, in response to the flux and dynamism of cities. The method becomes a system of elasticity that can accommodate site parameters, as well as future adjustments.
The BIG-designed Grove at Grand Bay is now complete, becoming an new architectural icon for South Miami. Residents will now put the finishing touches on the units before a grand opening and move-in next month. The two twisting 20-story towers have been completely sold out, and mark BIG’s first completed condominium building in the United States.
AD Classicsare ArchDaily's continually updated collection of longer-form building studies of the world's most significant architectural projects. Here we've rounded-up ten groundbreaking residential projects from this collection, ranging from a 15th century Venetian palazzo to a three-dimensional axonometric projection. Although some appear a little strange, all have been realised and have made lasting contributions to the wider architectural discourse. You can study residential cubes, spheres and inverted pyramids—plus projects by the likes of OMA, Álvaro Siza, and Richard and Su Rogers—after the break.
http://www.archdaily.com/792326/ad-classics-ten-groundbreaking-residential-projectsAD Editorial Team
Following a successful pilot launch in Boston and $1 million in venture backing, a startup company called Getaway has recently launched their service to New Yorkers. The company allows customers to rent out a collection of designer “tiny houses” placed in secluded rural settings north of the city; beginning at $99 per night, the service is hoping to offer respite for overstimulated city folk seeking to unplug and “find themselves.” The company was founded by business student Jon Staff and law student Pete Davis, both from Harvard University, out of discussions with other students about the issues with housing and the need for new ideas to house a new generation. From that came the idea of introducing the experience of Tiny House living to urbanites through weekend rentals.
Inspired by the notion of micro-housing and the powerful rhetoric of the Tiny House movement, initiatives like Getaway are part of a slew of architectural proposals that have emerged in recent years. Downsizing has been cited by its adopters as both a solution to the unaffordability of housing and a source of freedom from the insidious capitalist enslavement of “accumulating stuff.” Highly developed and urbanized cities such as New York seem to be leading the way for downsizing: just last year, Carmel Place, a special micro-housing project designed by nARCHITECTS, was finally completed in Manhattan to provide studio apartments much smaller than the city’s current minimum regulation of 400 square feet (37 square meters). Many, including Jesse Connuck, fail to see how micro-housing can be a solution to urban inequality, yet if we are to judge from the early success of startups like Getaway, micro-architecture holds widespread public appeal. Isn’t user satisfaction the ultimate goal of architecture? In that case, it’s important to investigate the ingenuity behind these undersized yet often overpriced spaces.
In this interview, presented in collaboration with PLANE—SITE, Jack Self—co-curator of the British Pavilion at the 2016 Venice Biennale—reveals how the frontline of architecture in Britain today is not just a housing crisis, but "a crisis of the home." In provocatively presenting "the banal," Self reveals why the British participation at the 2016 Venice Biennale proposes five new models for domestic life, each curated through time of domestic occupancy, alongside how it seeks to address the ways in which we might live in the future.
http://www.archdaily.com/790670/video-designing-through-time-home-economics-2016-venice-biennaleAD Editorial Team
The role of government in ensuring social and affordable housing is complex. With budget cuts and shifts in political priorities changing the terrain constantly what the governments of our cities need are new long term ideas. This event seeks to propose new design, planning and collaborative approaches to design led by bringing together people from across all sectors and countries.