The "After Schengen" photo series shows old border crossing points between different states in the European Union. After the Schengen agreement, most of these old checkpoints remain abandoned and out of service, allowing us to gaze into the past from the present. It causes many reflections, especially at a moment when European Union project is heavily discussed.
reSITE brings the 6th annual architecture and urbanism event, reSITE 2017: In/visible City, back to Prague at the Ricardo Bofill-designed Forum Karlin.
How does invisible infrastructure shape the visible aspects of a city?
40 international thought leaders will discuss the intersections of design and infrastructure and the presence of these vital systems in the architecture and landscape of cities.
The European Commission and Europa Nostra have unveiled the winners of the 2017 European Union Prize for Cultural Heritage / Europa Nostra Awards, which honor achievements in conservation, research, dedicated service, and education, training and awareness. Out of 202 applications from 39 countries, 29 winners have been selected.
Call for Submissions to 3rd Editiof of European Award for Architectural Heritage Intervention AADIPA
The Award for Architectural Heritage Intervention AADIPA, arises from the belief that heritage, as a vehicle for social integration and an economic vitalizing resource for the community, deserves to be appreciated and encouraged. In the current context, in which architectural heritage is considered not only to be a fundamental instrument of knowledge but also a first rate socio-economic resource for the sustainable development of the territory, the disclosure, distinction and recognition of works and quality projects contributing to the preservation of the collective memory is imperative.
Five European projects have been selected as finalists for the 2017 EU Prize for Contemporary Architecture - Mies van der Rohe Award. Chosen from a shortlist of 40 projects, the five finalists were lauded by the jury for their ability to “respond to the concerns of today’s European society.”
“Our instincts could be summed up by the words of Peter Smithson: ‘things need to be ordinary and heroic at the same time,’” said Jury Chairman Stephen Bates. “We were looking for an ordinariness whose understated lyricism is full of potential’.”
Through April, the jury members will visit each finalist project to evaluate the buildings firsthand and to see how they are used by the public. The Prize Winner will be announced in Brussels on May 16.
The five finalists are:
40 Projects Shortlisted for the 2017 EU Prize for Contemporary Architecture - Mies Van Der Rohe Award
The European Commission and the Mies van der Rohe Foundation have announced the 40 shortlisted works that will compete for the 2017 European Union Prize for Contemporary Architecture – Mies van der Rohe Award. The jury has chosen from 355 nominated works and the shortlist highlights the opportunities and the trends of today’s European territory: cities, housing, heritage, and memory. The five finalists will be announced in mid-February and the winner and the Emerging Architect in mid-May.
A third of the works tackle the challenge of contemporary architecture in relation with built heritage and a third of the work tackles the contemporary challenges of housing. The management of the historic urban landscape will be among the priorities highlighted by the ‘European Year of Cultural Heritage' in 2018.
"I would want the shortlisted schemes to demonstrate an interest in making places, in exploring convention and known typologies, in celebrating the pleasures of everyday use by a consideration of detail and an unspoken resistance to the current global tendency towards a self-referential architecture, one that belies context and the act of inhabitation." - Stephen Bates, Chairman of the Jury.
Seen the shortlist after the break.
The European Commission and the Fundació Mies van der Rohe has announced the 355 projects from 36 countries which have been nominated for the 2017 European Union Prize for Contemporary Architecture – Mies van der Rohe Award. Among the countries included, France and Spain are represented the most among the selected projects, with each country featuring 28 times. Meanwhile, Georgia, Moldova and Ukraine appear in the prize for the first time, with Georgia offering a commendable 7 listed projects.
Among the building types included on the list, as in the 2015 Prize housing and cultural buildings dominated. However, the 2017 Prize sees an increase in the number of educational buildings and mixed use buildings compared to two years ago.
The European Union Prize for Contemporary Architecture – Mies van der Rohe Award was established in 1987 and is awarded every two years, with the winner receiving a €60,000 prize. Previous winners have included the Harpa Concert Hall and Conference Centre in Reykjavik, designed by the Danish architectural firm Henning Larsen in collaboration with the Islandic practice Batteríið and the artist Olafur Elíasson, and the Neues Museum in Berlin, designed by David Chipperfield Architects and Julian Harrap. The winner in 2015 was the Philharmonic Hall Szczecin in Poland by Barozzi / Veiga.
The list will be narrowed to a shortlist of 40 projects in late January, with the winner announced in April 2017. In addition to the main prize, the Fundació Mies van der Rohe is once again running a special mention award for emerging architects, with winners of this award receiving a €20,000 prize.
Read on for the full list of 355 selected projects.
After a career as a professional skateboarder, Helsinki-based Janne Saario has become one of few landscape architects in the world with a practice devoted completely to designing skate parks for young people. Saario’s designs—all of which are located in Europe—diverge from the typical brutalist stereotypes of concrete skate park masses, and rather, are site-specific and heavily influenced by their natural surroundings.
“Young people are our hope and future,” says Saario. “And by offering beautiful and meaningful surroundings to grow, like wonderful skate parks, we can make a positive change on their picture of the world and future behavior.”
PLH Arkitekter has been announced as one of two winners in the international design competition for Rail Baltica, organized by The European Railroad Lines, Ltd. As a part of the European transport network, Rail Baltica will be a multi-modal public transport hub in the Latvian capital of Riga, with a railway bridge crossing the Daugava River.
The focal point of the project will be a train station building “that creates a strong visual identity in the cityscape, strengthening the sense of Riga as a metropolis.” Inspired by the archetypal form of the arch and the Art Nouveau period, the building will feature canopies that resemble arched fern leaves. On the north side of the building, the canopy shape allows for a unique view over the historic city, ideal for travelers entering or leaving the city to create a strong sense of place.
The origin of Gothic architecture, a style which defined Europe in the later Middle Ages, can be traced to a single abbey church in the northern suburbs of Paris. The Basilique royale de Saint-Denis (Royal Basilica of Saint-Denis), constructed on the site of an abbey and reliquary established in Carolingian (800-888 CE) times, was partially rebuilt under the administration of Abbot Suger in the early 12th Century; these additions—utilizing a variety of structural and stylistic techniques developed in the construction of Romanesque churches in the preceding centuries—would set medieval architecture on a new course that would carry it through the rest of the epoch.
The Fundació Mies van der Rohe has announced the three winners of the inaugural Young Talent Architecture Award (YTAA) 2016. Established this year to “support the talent of recently graduated Architects, Urban Planners and Landscape Architects who will be responsible for transforming our environment in the future,” 9 finalists were selected from a shortlist of 30 projects, which was then narrowed down to 3 winners.
One of the key challenges faced by the European currency union, the Euro, was that of their design. In 2002, when the banknotes entered circulation across large parts of the European Union, the imagery that they possessed had to represent a continent of cultures. The answer: to create fictitious illustrations or, as the European Central Bank states, "stylised illustrations [of windows, doorways and bridges], not images of, or from, actual constructions." In a recent exhibition architect Anna Pang, in collaboration with Johan Holkers and Rolf Stålberg, have attemped to present the "fictive architecture" of the Euro as sugar sculpture.
Europe’s migration crisis has intensified the need for cities to develop new tools and strategies to help people build skills, earn a living, and establish their place in society. To address this challenge, New York-based design nonprofit Van Alen Institute has launched Opportunity Space, a competition inviting multidisciplinary teams to propose a temporary mobile structure in Malmö, Sweden that will support a wide range of social programs.
The winning team will receive a $10,000 prize, a $5,000 travel budget, and up to $25,000 to implement their proposal in and around Malmö’s Enskifteshagen Park for two months in spring 2017.
The Fundació Mies van der Rohe has announced a list of 30 projects that will compete for the inaugural Young Talent Architecture Award (YTAA) 2016. The award was established this year to “support the talent of recently graduated Architects, Urban Planners and Landscape Architects who will be responsible for transforming our environment in the future,” and joins the Foundation's European Union Prize for Contemporary Architecture – Mies van der Rohe Award “in promoting high quality work amongst emerging and established architects through the acknowledgement of the value of good buildings.”
More than 200 projects were submitted from over 100 European architecture schools, which were narrowed down to a shortlist of 30 projects by an esteemed jury of architects and curators. Three winners will be selected at the Teatro Piccolo Arsenale in Venice on October 28th 2016 as part of the 2016 Venice Biennale.
The shortlisted projects are:
The Center for Architecture and AIANY are currently accepting applications for the Stewardson Keefe LeBrun Travel Grant. The purpose of the grants is to further the personal and professional development of an architect in early or mid-career through travel. Travel plans should be focused on a selected topic of interest to the individual, rather than a part of a larger humanitarian or institutional endeavor. If appropriate, the winner may be asked to present at the Center for Architecture upon return.
Architectural practice requires a degree of intimacy and insight into complex sets of forces. While building is architecture’s bread and butter, it’s not always the best format to make a statement. It’s sometimes not even the most appropriate language to respond to a brief. Volume spoke with Reinier de Graaf of OMA/AMO about how research and media can become a vessel for political agendas.
On June 11th, the European Biennial of Contemporary Art, also known as Manifesta, began its 100-day stint in this edition's host city, Zurich, Switzerland. The festival's center-piece is a timber raft floating on Lake Zurich, known as the Pavilion of Reflections. The temporary structure was designed and realized by Studio Tom Emerson and a team of thirty students from ETH Zurich. Constructed primarily of timber, Christian Jankowski, curator of Manifesta 11, describes the exhibit “as a floating multi-functional platform with a giant LED screen, a stand for spectators, a swimming pool and a bar.”
"There is Much More at Stake Than Simply Being In or Out" – Rem Koolhaas Speaks Out Over a Potential EU 'Brexit'
In a recent interview with the BBC, Rem Koolhaas (OMA) has spoken out against the campaign seeking to remove the United Kingdom from the European Union, upon which the British people will vote in a referendum next week. Reflecting on his time spent at London's Architectural Association (AA) in the 1960s and '70s, Koolhaas fears that advocates for withdrawal may be looking at the past through rose-colored glasses.
If you look at the arguments to leave you can see this is a movement of people who want to fundamentally change England back into the way it supposedly was before.