Although previously unknown except in his native Chile, architect Smiljan Radic has recently received international attention for his design of this year’s pavilion for London’s Serpentine Galleries. His latest and largest undertaking yet, a winery outside of Santiago, has been featured in this article by the New York Times. And now, his Mestizo Restaurant has been named one of the seven most outstanding 21st century projects in the Americas. If you’re unfamiliar with Radic’s unique works, we’ve compiled a round-up of some of our favorites for you to explore, including his Serpentine Pavilion, Copper House 2, the Mestizo Restaurant, a bus stop for the town of Krumbach, Austria, and his renovation of the Chilean Museum for Pre-Columbian Art. Enjoy!
To determine the finalists, the five jury members – Francisco Liernur, Sarah Whiting, Wiel Arets, Dominique Perrault, and Kenneth Frampton - spent the last twelve days visiting projects, speaking with the architects, users and owners of the spaces, and entering into intense debate among each other.
As jury member Dominique Perrault noted, “There’s a lot of means by which to evaluate projects – models, drawings, images – but we took all opportunities to test the quality of the architecture. In the end, only by visiting can you sense the ‘touch of god’ – the presence of the building itself in the context.”
The resulting finalists show tremendous variety – in terms of scale, place, typology, program, materials, etc. – making the task of choosing a winner all the more challenging. See all seven finalists, as well as a video of Kenneth Frampton discussing the selection process, after the break.
Last week, the 2014 Serpentine Pavilion opened in London‘s Hyde Park. The Serpentine Pavilion program invites architects who are yet to work in the UK to create a temporary installation at the gallery’s grounds for one summer, and this year it was the turn of Chilean architect Smiljan Radic, who rarely builds outside his native country and is arguably the least well-known architect in the Pavilion’s 14 year history.
Always a highlight in London’s architectural calender, critics almost line up to write their reviews. This year, they are almost entirely unanimous: Radic’s pavilion is, unquestionably, weird. But they’re also unanimous on another judgement: it may be one of the best Serpentine Pavilions yet.
Read on after the break to find out what the critics said about this year’s design
Architecture photographer Danica O. Kus has shared with us images of the 2014 Serpentine Gallery Pavilion, designed by Chilean architect Smiljan Radić. For a closer look at this unusual pavilion, inspired by Oscar Wilde’s short story The Selfish Giant, check out all of Ms. Kus’ images after the break.
UPDATE: Check out video from today’s press conference at the Serpentine Pavilion!
The 2014 Serpentine Gallery Pavilion, designed by Chilean architect Smiljan Radic, opened this morning in London‘s Hyde Park. The pavilion, a glass-fibre reinforced plastic shell resting on large quarry stones, was inspired by a papier mâché model which Radic created four years ago as a response to the Oscar Wilde story ‘The Selfish Giant‘.
More images after the break
Wiel Arets, Dean of the College of Architecture at Illinois Institute of Technology (IIT) and Dirk Denison, Director of the Mies Crown Hall Americas Prize (MCHAP), have announced the inaugural MCHAP shortlist – 36 “Outstanding Projects” selected from the 225 MCHAP nominees.
“The rich diversity of these built works is a testament to the creative energy at work in the Americas today,” said Arets. “When viewed alongside the innovative work by the MCHAP.emerge finalists and winner, Poli House by Mauricio Pezo and Sofia von Ellrichshausen which we honored in May, we see the evolution of a distinctly American conversation about creating livable space.” See all 36 winners after the break.
A year in the making, Krumbach in Austria has unveiled seven eye-catching bus shelters which have turned the world’s gaze on the tiny village. Designed by internationally renowned architects such as Wang Shu, Sou Fujimoto and Smiljan Radic, who worked in collaboration with local architects and craftsmen, the whimsical structures will put the village of 1000 residents on the map.
Curator Dietmar Steiner praised the commitment of those involved, saying “the entire project succeeded because it was supported in the most generous fashion by more than 200 people.” This included the architects, who took up their projects for little more than a free holiday in the area and the chance to engage in an unusual challenge. However, BUS:STOP was not merely a vanity project: Verena Konrad, Director of vai Vorarlberger Architektur Institut, noted that the project was important for “the successful connection of infrastructure and mobility for the rural area.”
See images of all 7 shelters after the break
In January of this year, the latest work by Smiljan Radic, the Chilean architect chosen to design the next Serpentine Pavilion, opened to public acclaim. The Museum of Pre-Columbian Art (Museo de Arte Precolombino), located in Santiago de Chile, is a restoration project that managed to sensitively maintain an original colonial structure – all while increasing the space by about 70%.
Two days before the The Museum of Pre-Columbian Art opened, the Museum of Metropolitan Art (MOMA) in New York issued a statement that it would demolish the American Folk Art Museum (AFAM), designed by Tod Williams Billie Tsien Architects, in order to accomplish its envisioned expansion. Two weeks ago, preparations for demolition began.
Some background: MOMA had hired Diller Scofidio + Renfro a year earlier to design the expansion. The office asked for a period of six months to consider the possibilities of integrating the American Folk Art Museum into the design. After studying a vast array of options (unknown to the public) they were unable to accommodate MOMA’s shifting program needs with the AFAM building. They proposed a new circulation loop with additional gallery space and new program located where the AFAM is (was) located.
What appears here is not strictly a battle between an institution that wants to reflect the spirit of the time vs a building that is inherently specific to its place. It represents a lost design opportunity. What if the American Folk Art Museum had been considered an untouchable civic space in the city of New York, much like the The Museum of Pre-Columbian Art is for the city for Santiago? Then a whole new strategy for adaptive reuse would have emerged.
Joining the ranks of Sou Fujimoto (2013), Herzog & de Meuron and Ai Weiwei (2012),Peter Zumthor (2011),Jean Nouvel (2010),SANAA (2009),and more, little-known Chilean architect Smiljan Radic will be the fourteenth architect to design London’s Serpentine Gallery Pavilion. Renderings of his design reveal a semi-translucent, cylindrical structure that rests on large quarry stones.The pavilion, to open June 26th, will remain in Kensington Gardens for four months.
Although Radic has constructed little outside his home country, his work has gained attention due to its versatility and attention to context. If you’re unfamiliar, we recommend checking out Mestizo Restaurant, which similarly incorporates stone into its design, as well as his most recent. Julia Peyton-Jones, Director, and Hans Ulrich Obrist, Co-Director, of the Serpentine Galleries explained their choice: “We have been intrigued by [Radic’s] work ever since our first encounter with him at the Venice Architecture Biennale 2011 [sic]. Radic is a key protagonist of an amazing architectural explosion in Chile. While enigmatically archaic, in the tradition of romantic follies, Radic’s designs for the Pavilion also look excitingly futuristic, appearing like an alien space pod that has come to rest on a Neolithic site. We cannot wait to see his Pavilion installed on the Serpentine Gallery’s lawn this summer.”
More info and images after the break…
First-Place Winner of Santiago Landmark Competition: Smiljan Radic + Gabriela Medrano + Ricardo Serpell
Smiljan Radic, Gabriela Medrano, and Ricardo Serpell have won a competition to design a new landmark for Santiago, Chile: an antenna tower to be placed on the summit of San Cristobal Hill, in the heart of the city. The “Santiago Antenna Tower,” a unique telecommunications tower with panoramic views, should be completed in 2017, in time for the centenary of the Metropolitan Park of Santiago.
Further detail and the architect’s description of the project, after the break.
Smiljan Radic has been announced as the winner of the competition to design a landmark on San Cristobal Hill, in the heart of Santiago, Chile, that consolidates the hill’s numerous antennas into a single infrastructure.
According to the Contest Director, Luis Eduardo L. Bresciani, the purpose of this competition was to generate an innovative structure of iconic character, an architectural work of outstanding quality that would differ from other towers in other cities and give an identity not just to the hill, but to the city of Santiago. The jury also took into account the landscape of the site, particularly the care with which the park would be treated, as well as the tower’s relationship with the statue of the Virgin and the hilltop in general. Finally, the functionality of the infrastructure, which should act as both a telecommunications tower as well as a public space with panoramic views, was considered. See the six shortlisted proposals, after the break.
Krumbach, a small Austrian village of 1000 inhabitants, is not the place you’d expect to find structures from a variety of architecture’s biggest names. But thanks to Verein Kultur Krumbach, a new association dedicated to encouraging culture in the village, that’s exactly what’s happening, with seven international architecture firms agreeing to design bus stops for Krumbach.
Read after the break to find out more about the seven designs.
BUS:STOP Krumbach is a recently initiated project in the Bregenzerwald region of Austria that will pair seven well-known architecture offices from around the world with seven local architects and allow them to work together on the design of seven new bus shelters in the town of Krumbach. A true collaboration between tradition and innovation, national and international, BUS:STOP hopes to create a series of small and functional buildings with their own unique characters that tell not only the story of these architects, but also of this special region.
For the list of participating offices and to learn more about BUS:STOP, read on.
Architect: Smiljan Radic Clarke
Location: Santiago, Chile
Collaborators: Danilo Lazcano, Cristobal Tirado, Gonzalo Torres
Contractor: Constructora Alcoy Ltda.
Structural Engineer: Luis Soler y Asoc.
Lighting: Eduardo Godoy
Project Year: 2005
Construction Year: 2007
Constructed Area: 652 sqm
Photographs: Gonzalo Puga
Architect: Smiljan Radic Clarke
Location: Talca, Chile
Collaborators: Loreto Lyon, Danilo Lazcano, Augusto Vergara, Gonzalo Torres
Contractor: Constructora Covasa Ltda.
Constructive System: Steel frame
Project Year: 2004
Construction Year: 2005
Site Area: 5,000 sqm
Constructed Area: 165 sqm
Photographs: Cristobal Palma