The 1995 recipient of the Pritzker Prize Tadao Ando (born 13 September 1941) is highly regarded for his unparalleled work with concrete, sensitive treatment of natural light, and strong engagement with nature. Based in Osaka, Japan, Ando's ascetic yet rich version of modernism resonates with the traditional Japanese conception of architecture, and has caused him to be regularly referred to as a "critical regionalist."
Although societies have transformed through the ages, wealth never truly seems to go out of style. That said, the manner in which it is expressed continually adapts to each successive cultural epoch. As a consequence of evolving social mores and emerging technologies, the ideal of “luxury” and “splendour” sees priorities shift from opulence to subtlety, from tradition to innovation, and from visual ornamentation to physical comfort.
AD Classics are ArchDaily's continually updated collection of longer-form building studies of the world's most significant architectural projects. In these ten examples of "high-end" residences, which represent centuries of history across three separate continents, the ever-changing nature of status, power and fine living is revealed.
Religion, in one form or another, has formed the core of human society for much of our history. It therefore stands to reason that religious architecture has found equal prominence in towns and cities across the globe. Faith carries different meanings for different peoples and cultures, resulting in a wide variety of approaches to the structures in which worship takes place: some favor sanctuaries, others places of education and community, while others place the greatest emphasis on nature itself. Indeed, many carry secondary importance as symbols of national power or cultural expression.
AD Classics are ArchDaily's continually updated collection of longer-form building studies of the world's most significant architectural projects. The collection of sacred spaces collated here invariably reveal one desire that remains constant across all faiths and cultures: shifting one’s gaze from the mundane and everyday and fixing it on the spiritual, the otherworldly, and the eternal.
Dream of Venice Architecture, the second in a series by Bella Figura Publications, has brought together a collection of contemporary architects and architectural writers to share their personal experiences of La Serenissima: the great Italian city of Venice. "Water runs through her veins," Editor JoAnn Locktov writes. "Bridges, palaces, churches – every structure is a testament to the resiliency of imagination."
The Noguchi Museum has selected Tadao Ando, alongside artist Elyn Zimmerman, as recipient of the third annual Isamu Noguchi Award, "given to recognize individuals who share Noguchi’s spirit of innovation, global consciousness, and East-West exchange." Complimenting Ando's "minimalist approach, sensitivity to light, and incorporation of natural elements," the judges believe the self-taught Japanese architect's "unparalleled work with concrete" embodies many of the principles embraced by Noguchi.
"Like Noguchi’s sculpture, which gave equal importance to the object and the space it inhabited, Ando’s work harmoniously integrates edifice and environment, while interior and exterior are intimately connected through his incorporation of water, light, wind, sky, and landscape into his building designs," the museum described in a press release.
"A living space should be a sanctuary. It has to be a place where you can reflect on your life." - Tadao Ando
NOWNESS has released a new video, this time interviewing the legendary Japanese architect Tadao Ando about his first New York building: Ichigoni 152. Planned to replace a parking garage on the corner of Kenmare and Elizabeth Street in Manhattan’s Nolita, the seven-story, seven-residence building aims to embody the energy of living in New York, while maintaining its role a "quite" and "sensitive" place of refuge for its inhabitants. "I would like to create something that only a Japanese person could do," says Ando. "It's about sensitivity."
Tadao Ando has unveiled his first New York building. An “ultra-luxury” condominium project known as 152 Elizabeth Street, the 32,000-square-foot building will replace an existing parking lot with a concrete structure comprised of seven residences - all of which will be “treated as custom homes” and “individually configured.”
“Part concrete, part jewel box, the building makes a strong yet quiet statement with a façade comprised of voluminous glass, galvanized steel and flanked by poured in-place concrete and a living green wall that rises the height of the building,” says the architects. The green wall, measuring 55-feet-high and 99-feet-wide and spanning the entire southern façade, is expected to be one of the largest in New York and will be designed by landscaping firm M. Paul Friedberg and Partners.
Tadao Ando has unveiled designs of his latest project, a 7 story luxury residential project in Manhattan. The building at 152 Elizabeth Street is Ando's first in New York, and includes his signature design features of simple cubic forms, polished in-situ concrete and curtain glass.
More on 152 Elizabeth Street after the break
Construction is slated to begin in August (2014) on an expansion project that will transform the lower level of Tadao Ando’s Pulitzer Arts Foundation building in St. Louis into a public space for exhibitions, new programs and artist-driven activities. Previously used as offices and storage, the two new galleries, also designed by Ando, will expand the Pulitzer’s programable space by nearly 50 percent. This will be the building’s first major renovation since opening in 2001.
Tadao Ando has been commissioned to design his first New York City building. Though little information has been released, the residential development firm Sumaida + Khurana has closed a deal with the Japanese architect to design a 32,000 square foot, eight-unit, luxury condominium building at 152 Elizabeth Street in Nolita. Construction is expected to begin later this year and the building will be completed in 2016.
Raimund Abraham's last project, a "stunning" design for a building atop an unused NATO missile base in Hombroich, has been realized four years after the architect's death. At the time of his passing, Abraham was working on this project as part of a unique outdoor art complex close to Düsseldorf, Germany. A competition has now been announced to determine the future for the space which has become an "an integral part of Hombroich's cultural sphere."
Taking place February 8-9, the Building Pulitzer Colloquium, which is free and open to the public, will bring together key participants in the design and construction of this iconic building. The colloquium will provide unique insight into the extraordinary collaboration and dedication required to realize this project. Hosted by the The Pulitzer Foundation for the Arts and Washington University in St. Louis, the event focuses on how this building, designed by an internationally recognized architect, was completed. Topics will include the working structure between Tadao Ando’s office and the St. Louis-based team, the realization of Ando’s design intent through the translation of American methods of construction, and the creation of a work environment that fostered construction excellence. More information on the event after the break.
Brought to you by Studio-due, Luce/Light explores four contemporary buildings of concrete, iron, water and glass that share a unique and indissoluble relationship with light. The Italian buildings featured are Fabrica by Tadao Ando, Il Cubo Nero (The Black Cube) by Silvia Dainese Studio + dns dsn, the Nardini Grappa Distillery Bolle by Massimiliano Fuksas and Memoria e Luce (9/11 Memorial) by Daniel Libeskind.
Located just outside of the Connaught Hotel in London’s Mayfair district is Tadao Ando’s latest work. The iconic Japanese architect’s water installation is best described as ‘liquid sliding over glass lenses’. The pool surface is covered with a series of glass lenses that sit just below the water, and on intervals steam arises nearly masking the mature trees that sit within the installation. Ando’s piece is one of the most recent additions to Mayfair which has experienced numerous refurbishment projects creating a resurgence in this part of the city.