Founded nearly 50 years ago in Rome, it is difficult to pin down an overarching theme in the work of Studio Fuksas: their designs have been built in North America, Asia and across Europe (with another design planned for Australia); they regularly operate at varying scales, from a colossal trade fair center and an international airport down to a small parish church; and their buildings all demonstrate huge stylistic variety. In this interview from Indian Architect and Builder‘s April 2015 issue, Massimiliano and Doriana Fuksas discuss the process behind their work, and the role of variation, context and concept in their designs.
Indian Architect & Builder: Did you always want to be an architect? Can you share with us your journey while discovering your commitment towards this field?
Massimiliano Fuksas: No, I never thought I’d want to be an architect. My early aspirations were to become a poet. The beauty of language, various forms of expression and prose always intrigued me. This ambition then evolved in to the desire of being an artist. Architecture was really my last choice. The thought of being an architect occurred to me only when I was around twenty. I was in university when I realized that architecture is probably the easiest and simplest interpretation of art and culture. As I continued my journey in the University of Rome, I began to develop a passion for this multifaceted field of knowledge. It was in my third year of university when I found my fervor for architecture and saw myself as an individual in the practice of architecture; a field that in one or more ways satisfied my earlier ambitions of being a poet and an artist.
Italian architects Studio Fuksas have been selected, along with Canberra-based Guida Moseley Brown Architects, to design the Australia Forum, a new national convention centre in Canberra, Australia. Located at one apex of Central Canberra’s Parliamentary Triangle, Studio Fuksas describe their design as a “completely transparent and permeable” volume which is “in constant dialogue with the urban context and the environment,” integrating into the surrounding hills and the nearby Lake Burley Griffin by reflecting their presence in its skin.
If there is a universal truth, it is that nobody likes spending time in an airport. This article from the Financial Times corroborates this fact, pointing out that, no matter how well-designed a terminal is, people make every effort to leave it as soon as possible. While the novelty of air travel has worn off since its inception in the 20th century, the work devoted to designing airports has only increased. We’ve collected some of our favorite terminals we’d actually love to get stuck in, including works by Eero Sarinen, SOM, Fentress, J. Mayer H., KCAP, Paul Andreu, bblur architecture and 3DReid, Corgan Associates, De Bever, and Studio Fuksas. Enjoy!
Architects: Studio Fuksas
Location: Shenzhen Bao’an International Airport, Bao’an, Shenzhen, Guangdong, China
Architect In Charge: Massimiliano and Doriana Fuksas
Architect Of Record: BIAD (Beijing Institute of Architectural Design), Beijing
Area: 500,000 sqm
Photographs: Courtesy of Studio Fuksas
This week at the 52nd edition of the Salone Internazionale del Mobile in Milan, over 2,500 exhibitors showcased an endless collection of the latest international products and home-furnishing designs. Among them included a variety of elegant and intelligently designed items envisioned by some of our favorite architects. Continue after the break to scroll through a list of the best architect-designed products featured at the Milan Design Week 2013.
Massimiliano and Doriana Fuksas has been announced as winner of an international competition to design and construct the first cultural center in Chengdu, China. In their winning proposal, Fuksas combined four, elliptical shaped buildings with a spiral structure to create an inclusive artist complex that offers a center for the performing arts, a cultural center, offices Writer and Literary Association, and an apartment building for artists.
Learn more about the Chengdu Tianfu Cultural and Performance Center after the break.
Architects: Massimiliano and Doriana Fuksas
Location: 401, rue le Titien 34000 Montpellier, France
Year: 2007-2012: competition 2007, won competition April 2007, building site January 2010, Inauguration September 2012
Project Team: Damon Belusco (project leader), Michele D’Arcangelo, Nicola Cabiati (model), Ana Gugic (interiors)
Client: Région Languedoc-Roussillon
Contractors: GFC – structure, SMAC – façades, BARSALOU – frames
Consultants: ALTIA – Acoustics, NEVEUX-ROUYER – Landscape Architects, ALMA Consulting – Kitchen design
Net surface: 23,600 sq.m.
Gross surface: 25,736.80 sq.m.
Area surface:16,500 sq.m.
In an effort to attract large-scale world-class conventions and exhibitions, the city of Milan embarked on an ambitious plan to build a $700 million trade show complex. Massimiliano Fuksas was engaged to bring to life a new design that would house exhibition halls, auditoriums, conference rooms, restaurants and cafes, meeting halls, and office spaces for the Fiera administration. What would emerge from the recently reclaimed brownfields was a Fiera that covers 2.1 million square feet and stretches nearly a mile. More details after the break.
Projects like the High Line, Bloomingdale Trail, and Allegheny Green Boulevard illustrate that disused, industrial infrastructure is rife with re-use potential and often can create new ways for a city to connect. However, what opportunities can this infrastructure present when it is still in use?
Read about the problem facing Bari and how it might be resolved after the break…