Ole Bouman, former director of the Netherlands Architecture Institute (NAi), has been appointed director of the new Victoria and Albert Museum-backed Shekou Design Museum in Shenzhen, China. Set to open at the end of 2016 in a Fumihiko Maki-designed building within the Sea World Arts and Culture Center, the new design museum aims to serve as an international platform for Chinese design.
“We wanted to offer the local residents an internationally important museum that would help promote the development of China’s creative industries and further progress design in China,” stated China Merchants Group (CMG) vice president Sun Chengming. CMG is collaborating with London’s V&A to realize the project.
More about Bouman’s appointment, after the break.
By the end of 2015, one in three of the world’s tallest buildings will be in China. With its government planned cities, the Chinese policy often favors high-density development, and some of the most radical and experimental urban design ideas can be applied in China – take for example the recent joint winner of the Shenzhen Bay Super City competition, Cloud Citizen, which takes on a more integrated and interconnected approach to vertical cities. In this article on The Guardian, Nicola Davison investigates how at this critical time in the country’s development, architects and urban planners may choose to move away from previous urban models of isolated skyscrapers, towards a more humane environment that seeks to emulate nature and create diverse public spaces. Read the article in full here.
Cloud Citizen, a proposal for a new high-rise typology by Urban Future Organization and CR-Design, in collaboration with a team of experts at Chalmers Technical University, has been jointly awarded the highest prize in the Shenzhen Bay Super City Masterplan Competition. Their futuristic design features a singular mega building complex that aims to create a hyper dense urban center that gives back to the environment. Read on after the break to learn more about the proposal.
Already one of the most remarkable examples of China’s urban growth in the last 30 years, Shenzhen will soon also host a bustling new financial district. The Shenzhen Bay Super City Masterplan aims to create a new city center with top headquarter offices for global corporations and related venues for international conferences, exhibitions, and cultural programs. KAMJZ Architects has recently revealed their competition entry with a plan that proposes a more sustainable city center through the design of a radical new typology for office towers. Read on after the break to learn more about the proposed masterplan.
Dutch based practice Mecanoo, nominated for this year’s RIBA Stirling Prize for the Library of Birmingham, have begun work on vast cultural centre in Shenzhen marking their first project to break ground on Chinese soil. Comprising of a large public art gallery, a science museum, a youth centre, and a book mall, the 95,000 square metre development will strengthen Longgang District’s identity by “providing citizens and visitors with a renewed sense of place.” Forming a dynamic link between the high-rise of the city’s commercial district and the open spaces of Longcheng Park, the four sculpted forms emerge from the ground to create a series of arches and sheltered spaces to facilitate public events.
See the full set of images and an illustrative film after the break.
RMJM‘s Shenzhen studio has just been awarded the contract to build a 93 metre public observation tower inspired by the importance of water in the historic Doumen District, Guangdong Province, China. Perched at the confluence of two rivers, the Doumen Observation Tower will rise from the waterfront of the Zhuhai, and is inspired by the form of a fish soaring above the water, clad in aluminum scales to protect from the hot Chinese sun. The tower will occupy a minimal footprint and will be surrounded by a large public plaza.
Check out the complete specs of Doumen Observation Tower after the break.
The Global Schindler Award is a new competition for students that will explore questions about universal mobility and access amidst rapid globalization and urbanization. In its inaugural year, a real site in Shenzhen – a booming commercial and industrial area adjacent to Hong Kong – has been chosen as the subject of the urban design proposals. Entrants are being asked to re-imagine the city as an inclusive urban environment and will be vying for portions of the $150,000 prize fund.
Students may compete as individuals or in teams, but must work under the supervision of a faculty member. Registration is open until November 15, 2014 and entries are due on January 31, 2015. The winners, which will be chosen by an esteemed panel of interdisciplinary jury members including landscape architect Kongjian Yu of Turenscape and architect Farshid Moussavi, will be announced in early 2015.
For more information, click here.
Re-Creation is a two-part installation based on a concept by Anssi Lassila. One part of the installation was constructed by a Finnish master carpenter and his team, and the other by a Chinese team. Together the two parts of the installation strike up a subtle and complex dialogue between the architects and local builders.
Presented by the pavilion designed by Alvar Aalto in 1956, the installation “takes a stand on our relationship with the modern legacy and its tradition of international dialogue, and represents a quintessential product of topical international dialogue while at the same time offering its own unique interpretation of the dynamic between tradition and modernity.” See images of the pavilion and enjoy a statement from the curators after the break.
The Pritzker Prize-winning architect Fumihiko Maki has revealed early designs for China‘s “first major design museum”, a project in the Shekou district of Shenzhen commissioned by China Merchants Group (CMG) in collaboration with London’s V&A Museum. The design model was unveiled yesterday at the Foreign & Commonwealth Office in London, where representatives of CMG and the V&A signed a collaboration agreement to deliver the museum, which is hoped to open at the end of 2016.
Maki’s design for the Shekou Museum features three severely cantilevered volumes atop a deconstructed plinth; a staircase at the corner of the building also leads to the green public space on the roof.
More on the project after the break
Shenzhen Maritime Base and Sports Schools / 2A2 Design Department, Beijing Institute of Architectural Design (BIAD)
Architects: 2A2 Design Department, Beijing Institute of Architectural Design (BIAD)
Location: Longgang, Shenzhen, Guangdong, China
Authors: Wang RuiPeng, Zhang Hao
Area: 27180.0 sqm
Photographs: Yang ChaoYing
Architects: O-OFFICE Architects
Location: Chiwan Road, Nanshan, Shenzhen, Guangdong, China
Design Team: Jianxiang He, Ying Jiang, Thomas Odorico, Zilong Liang
Concept: Ying Jiang (O-office Architects), Marc Maurer (Maurer United Architects), Teemu Hirvilaammi (Lassila\Hirvilammi Architects)
Area: 2662.0 sqm
Photographs: O-office & Maurer United