Already one of the most remarkable examples of China’s urban growth in the last 30 years, Shenzhen will soon also host a bustling new financial district. The Shenzhen Bay Super City Masterplan aims to create a new city center with top headquarter offices for global corporations and related venues for international conferences, exhibitions, and cultural programs. KAMJZ Architects has recently revealed their competition entry with a plan that proposes a more sustainable city center through the design of a radical new typology for office towers. Read on after the break to learn more about the proposed masterplan.
Dutch based practice Mecanoo, nominated for this year’s RIBA Stirling Prize for the Library of Birmingham, have begun work on vast cultural centre in Shenzhen marking their first project to break ground on Chinese soil. Comprising of a large public art gallery, a science museum, a youth centre, and a book mall, the 95,000 square metre development will strengthen Longgang District’s identity by “providing citizens and visitors with a renewed sense of place.” Forming a dynamic link between the high-rise of the city’s commercial district and the open spaces of Longcheng Park, the four sculpted forms emerge from the ground to create a series of arches and sheltered spaces to facilitate public events.
See the full set of images and an illustrative film after the break.
RMJM‘s Shenzhen studio has just been awarded the contract to build a 93 metre public observation tower inspired by the importance of water in the historic Doumen District, Guangdong Province, China. Perched at the confluence of two rivers, the Doumen Observation Tower will rise from the waterfront of the Zhuhai, and is inspired by the form of a fish soaring above the water, clad in aluminum scales to protect from the hot Chinese sun. The tower will occupy a minimal footprint and will be surrounded by a large public plaza.
Check out the complete specs of Doumen Observation Tower after the break.
The Global Schindler Award is a new competition for students that will explore questions about universal mobility and access amidst rapid globalization and urbanization. In its inaugural year, a real site in Shenzhen – a booming commercial and industrial area adjacent to Hong Kong – has been chosen as the subject of the urban design proposals. Entrants are being asked to re-imagine the city as an inclusive urban environment and will be vying for portions of the $150,000 prize fund.
Students may compete as individuals or in teams, but must work under the supervision of a faculty member. Registration is open until November 15, 2014 and entries are due on January 31, 2015. The winners, which will be chosen by an esteemed panel of interdisciplinary jury members including landscape architect Kongjian Yu of Turenscape and architect Farshid Moussavi, will be announced in early 2015.
For more information, click here.
Re-Creation is a two-part installation based on a concept by Anssi Lassila. One part of the installation was constructed by a Finnish master carpenter and his team, and the other by a Chinese team. Together the two parts of the installation strike up a subtle and complex dialogue between the architects and local builders.
Presented by the pavilion designed by Alvar Aalto in 1956, the installation “takes a stand on our relationship with the modern legacy and its tradition of international dialogue, and represents a quintessential product of topical international dialogue while at the same time offering its own unique interpretation of the dynamic between tradition and modernity.” See images of the pavilion and enjoy a statement from the curators after the break.
The Pritzker Prize-winning architect Fumihiko Maki has revealed early designs for China‘s “first major design museum”, a project in the Shekou district of Shenzhen commissioned by China Merchants Group (CMG) in collaboration with London’s V&A Museum. The design model was unveiled yesterday at the Foreign & Commonwealth Office in London, where representatives of CMG and the V&A signed a collaboration agreement to deliver the museum, which is hoped to open at the end of 2016.
Maki’s design for the Shekou Museum features three severely cantilevered volumes atop a deconstructed plinth; a staircase at the corner of the building also leads to the green public space on the roof.
More on the project after the break
Shenzhen Maritime Base and Sports Schools / 2A2 Design Department, Beijing Institute of Architectural Design (BIAD)
Architects: 2A2 Design Department, Beijing Institute of Architectural Design (BIAD)
Location: Longgang, Shenzhen, Guangdong, China
Authors: Wang RuiPeng, Zhang Hao
Area: 27180.0 sqm
Photographs: Yang ChaoYing
Architects: O-OFFICE Architects
Location: Chiwan Road, Nanshan, Shenzhen, Guangdong, China
Design Team: Jianxiang He, Ying Jiang, Thomas Odorico, Zilong Liang
Concept: Ying Jiang (O-office Architects), Marc Maurer (Maurer United Architects), Teemu Hirvilaammi (Lassila\Hirvilammi Architects)
Area: 2662.0 sqm
Photographs: O-office & Maurer United
The Shenzhen Bi-City Biennale of Urbanism/Architecture, which enters its final weeks, has already welcomed more than 120,000 visitors. The Value Factory offers a jam packed program to conclude a very inspiring UABB 2013. From now until the end of February, visitors can enjoy tours, workshops, exhibitions, performances and debates. Check out this month’s full program after the break.
Farrells has been announced as winner of an international competition to masterplan two prominent commercial zones in Shenzhen’s Qianhai financial district. Adjacent to the district’s Qianhaiwan metro station, the two districts are expected to boost cross-border trade between Shenzhen and Hong Kong. The first, 460,000-square-meter masterplan will feature a 320-meter-tall skyscraper and two 185-meter gateway towers, providing high-end office, residential and retail space, as well as serviced apartments.
During the Shenzhen Bi-City Biennale of Urbanism/Architecture, we had the opportunity to speak with David Gianotten, partner-in-charge of OMA’s Hong Kong office. Gianotten launched the Dutch firm’s Asian headquarters in 2009, where he supervises major projects such as the Shenzhen Stock Exchange and the Taipei Performing Arts Centre.
Standing outside of the recently completed Stock Exchange headquarters, he answered our questions about urbanization, innovation and the intricacies of running an office in an environment with such rapid urban growth. Shenzhen has proven an experiment of economic openness and is a vivid example of China’s recent growth. The city’s skyline is practically a physical graph of an upward-trending economy, with buildings designed by nearly every internationally renowned architecture firm. But OMA’s Shenzhen Stock Exchange building stands apart from the rest not only because of its impeccable construction (a rarity in the fast-paced building booms of Chinese cities), but also because it houses the institution that lists China’s biggest companies.
The 254 meter tower is an elegant structure that combines pure volumes with an exoskeleton grid clad in translucent glass. It represents a characteristic OMA-approach to innovative architectural solutions, made possible by extensive programmatic and technical research.
Read the full interview (which includes Gianotten’s insights on the study of architecture, the role of architects, and the importance of simplicity when communicating complex innovation) after the break.
As part of the Shenzhen Architecture Biennale, Finnish practice Lassila Hirvilammi Architects entered into a collaboration with Chinese architect Gigi Leung to explore the themes of copying, authenticity and knowledge transfer between cultures. Working with master craftsmen, they created two versions of the same space (each influenced by their respective cultures), intentionally blurring the line between copying and taking inspiration.
Read on for more on this lesson in sharing differing architectural understandings