In today's culture of narcissism and celebrity it's an assumed expectation that faces can be put to names. Even in 16th Century Europe, the large majority of notable persons had a likeness made of themselves and displayed for posterity – save for architects, it seems. Take, for instance, Andrea Palladio (1508-1580) – the Renaissance style-setter and author of the groundbreaking treatise The Four Books on Architecture, the seminal text of which inspired the likes of Thomas Jefferson. If challenged, could you easily put a face to Palladio's name? There is no accurate, agreed-upon "official" portrait of the architect – until now, that is.
Latest projects in Italy
Latest news in Italy
With the 2017 Salone del Mobile now behind us, photographer Laurian Ghinitoiu has shared a collection of photographs from Milan Design Week. From housing prototypes to immersive "digital installations", the annual design show—which is often touted to be the fourth largest of any kind in the world—this year brought together a wide range of practitioners and design companies. In Milan, unusual collaborations are the order of the day.
In an presentation at Milan Design Week 2017, MAD Architects has revealed their proposal for the Scali Milano project, which invited five international firms (MAD, Stefano Boeri Architetti, Mecanoo, MIRALLES TAGLIABUE EMBT, and Cino Zucchi Architetti) to design a community-reactivation masterplan aimed at transforming a series of Milan's neglected railyards into "productive social landscapes that establish a harmony between Milan’s citizenry, the larger metropolitan region, and the natural environment."
Titled Historical Future: Milan Reborn, MAD's scheme proposes reorganizing the railyards into a series of interconnected micro-systems that follow five spatial concepts: “City of Connections,” “City of Green,” “City of Living,” “City of Culture,” and “City of Resources.”
Zaha Hadid Architects has collaborated with Samsung and digital art and design collective Universal Everything to create an immersive technology installation at the 2017 Milan Design Week, taking place this week in the Italian city. Named ‘Unconfined,’ the pavilion will showcase Samsung’s new Galaxy S8 smartphone by leading visitors through an immersive environment inspired by the device.
A team of architects and engineers at the Politecnico di Milano in Italy have unveiled Atropos, a six-axis robotic arm capable of printing continuous fiber composites. The one of a kind robot was developed by +Lab, the 3D printing laboratory at the Politecnico, who have taken inspiration from fibres found in the natural world. Through a technology known as Continuous Fiber Composites Smart Manufacturing, Atropos has the potential to create large, complex structures to aid the design and construction process.
We are pleased to announce a new content partnership between ArchDaily and Columbia University's Graduate School of Architecture, Planning and Preservation (GSAPP) in New York City.
Bjarke Ingels Group (BIG) have been revealed as the winners of a competition to conceptualize and design a new headquarters and bottling plant for San Pellegrino, located in the terme of the same name in the Alps of northern Italy. Finalists included MVRDV, Snøhetta, and aMDL, each of whom presented their proposals in October last year.
The results of a competition to propose an openable roof over the Arena di Verona, Italy have been announced. Three winners were chosen out of eighty-seven proposals to cover the famous amphitheater, a defining symbol of the city of Verona. The competition was announced in March 2016 in order to protect the Roman monument from the elements and to ensure that it continues to provide quality entertainment to spectators two thousand years after its construction.
As long as there have been buildings mankind has sought to construct its way to the heavens. From stone pyramids to steel skyscrapers, successive generations of designers have devised ever more innovative ways to push the vertical boundaries of architecture. Whether stone or steel, however, each attempt to reach unprecedented heights has represented a vast undertaking in terms of both materials and labor – and the more complex the project, the greater the chance for things to go awry.
Aerial Futures, Grounded Visions: Shaping the Airport Terminal of Tomorrow was a two-day symposium held in October 2016 as part of the European Cultural Center's collateral event at the 2016 Venice Biennale. It encouraged discussion about the future of air travel from the perspectives of architecture, design, technology, culture and user experience. The event featured presentations and discussions by the likes of airport architect Curtis Fentress, Nelly Ben Yahoun, Donald Albrecht, Director of the Museum of the City of New York; Anna Gasco, post-doctoral researcher at the ETH-Future Cities Laboratory in Singapore; Jonathan Ledgard, co-founder of the Droneport Project; and Ashok Raiji, Principal at Arup New York.
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