At a meeting convened today at the Biennale's headquarters at Ca’ Giustinian in Venice, Italy, Grafton Architects—Yvonne Farrell and Shelley McNamara—revealed the theme and outline for the 2018 Venice Architecture Biennale, which they have titled Freespace. According to the Directors, the forthcoming Biennale will celebrate "generosity and thoughtfulness," and "a desire to engage."
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Freespace: Grafton's 2018 Venice Biennale to Celebrate Generosity, Thoughtfulness, and a Desire to Engage
Renderings have been revealed for the upcoming apple store in Milan’s Piazza Liberty, designed by Foster + Partners in their latest collaboration with the technology giant. Following an extremely site-specific approach, the new flagship store will be located under the existing piazza, introducing a new public amphitheater and waterfall feature that will double as the store’s entrance.
Construction is an exercise in frugality and compromise. To see their work realized, architects have to juggle the demands of developers, contractors, clients, engineers—sometimes even governments. The resulting concessions often leave designers with a bruised ego and a dissatisfying architectural result. While these architects always do their best to rectify any problems, some disputes get so heated that the architect feels they have no choice but to walk away from their own work. Here are 6 of the most notable examples:
We can all recognise the great architectural landmarks of Ancient Rome: the Pantheon, the Colosseum, Trajan's Column – but do you know how they originally appeared or, perhaps more interestingly, how they sat within the context of the historic city? In this captivating 14-minute-long virtual fly-through by the Kahn Academy and Smarthistory, a YouTube channel dedicated to historical video essays, the ancient splendor of the Eternal City (at around 320AD) is presented alongside expert commentary.
In today's culture of narcissism and celebrity it's an assumed expectation that faces can be put to names. Even in 16th Century Europe, the large majority of notable persons had a likeness made of themselves and displayed for posterity – save for architects, it seems. Take, for instance, Andrea Palladio (1508-1580) – the Renaissance style-setter and author of the groundbreaking treatise The Four Books on Architecture, the seminal text of which inspired the likes of Thomas Jefferson. If challenged, could you easily put a face to Palladio's name? There is no accurate, agreed-upon "official" portrait of the architect – until now, that is.
With the 2017 Salone del Mobile now behind us, photographer Laurian Ghinitoiu has shared a collection of photographs from Milan Design Week. From housing prototypes to immersive "digital installations", the annual design show—which is often touted to be the fourth largest of any kind in the world—this year brought together a wide range of practitioners and design companies. In Milan, unusual collaborations are the order of the day.
In an presentation at Milan Design Week 2017, MAD Architects has revealed their proposal for the Scali Milano project, which invited five international firms (MAD, Stefano Boeri Architetti, Mecanoo, MIRALLES TAGLIABUE EMBT, and Cino Zucchi Architetti) to design a community-reactivation masterplan aimed at transforming a series of Milan's neglected railyards into "productive social landscapes that establish a harmony between Milan’s citizenry, the larger metropolitan region, and the natural environment."
Titled Historical Future: Milan Reborn, MAD's scheme proposes reorganizing the railyards into a series of interconnected micro-systems that follow five spatial concepts: “City of Connections,” “City of Green,” “City of Living,” “City of Culture,” and “City of Resources.”
Zaha Hadid Architects has collaborated with Samsung and digital art and design collective Universal Everything to create an immersive technology installation at the 2017 Milan Design Week, taking place this week in the Italian city. Named ‘Unconfined,’ the pavilion will showcase Samsung’s new Galaxy S8 smartphone by leading visitors through an immersive environment inspired by the device.
A team of architects and engineers at the Politecnico di Milano in Italy have unveiled Atropos, a six-axis robotic arm capable of printing continuous fiber composites. The one of a kind robot was developed by +Lab, the 3D printing laboratory at the Politecnico, who have taken inspiration from fibres found in the natural world. Through a technology known as Continuous Fiber Composites Smart Manufacturing, Atropos has the potential to create large, complex structures to aid the design and construction process.
We are pleased to announce a new content partnership between ArchDaily and Columbia University's Graduate School of Architecture, Planning and Preservation (GSAPP) in New York City.
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