The Pritzker Prize is the most important award in the field of architecture, awarded to a living architect whose built work "has produced consistent and significant contributions to humanity through the art of architecture." The Prize rewards individuals, not entire offices, as took place in 2000 (when the jury selected Rem Koolhaas instead of his firm OMA) or in 2016 (with Alejandro Aravena selected instead of Elemental); however, the prize can also be awarded to multiple individuals working together, as took place in 2001 (Herzog & de Meuron), 2010 (Kazuyo Sejima and Ryue Nishizawa of SANAA), and 2017 (Rafael Aranda, Carme Pigem, and Ramon Vilalta of RCR Arquitectes).
Wang Shu: The Latest Architecture and News
New technological developments in construction have given architects great freedom when designing. Innovations in construction materials and their properties allow for the creation of increasingly original and surprising facades. The buildings constructed as a result can even inspire people to travel thousands of kilometers just to see these masterpieces. This week, we present 15 of most ground-breaking facades through photos by prominent photographers such as Paul Ott, Peter Bennetts and Laurian Ghinitoiu.
Wang Shu (born November 4, 1963) is a Hangzhou-based architect and dean at the China Academy of Art, known for his thoughtful resistance to what he considers “professionalized, soulless architecture.” His honoring of local tradition, environment, and craftsmanship saw him become the first Chinese citizen, and one of the youngest people overall, to receive the Pritzker Prize in 2012 for "an architecture that is timeless, deeply rooted in its context and yet universal.”
Architecture’s most prestigious award, the Pritzker Architecture Prize, has announced the appointment of two new jurors to their distinguished jury: architect Wang Shu and Brazilian ambassador and architectural critic André Aranha Corrêa do Lago.
The 8-strong group will be tasked with selecting the upcoming 2018 laureate, who will become the 40th winner in the prize’s history.
“As we approach the 40th anniversary of the Pritzker Prize, the addition of André Corrêa do Lago and Wang Shu continues to embody the international range reflected by both present and past Laureates and Jury,” commented Tom Pritzker, Chairman of Hyatt Foundation. “The contributions of both individuals to the field of architecture, from different vantage points, makes them ideal members of the jury.”
[Architecture can] change the life of people and give them a new one right away. This is not a job for normal people to do. This should be the work of God.
Until April 30th, the Louisiana Museum of Modern Art in Denmark is exhibiting the work of Wang Shu. The first in a new series of monographic exhibitions collectively titled "The Architect's Studio," this show of the work of the 2012 Pritzker Prize winner features an exhibition catalog that includes essays from Kenneth Frampton, Ole Bouman, Yiping Dong and Aric Chen. The following excerpt from the exhibition catalog, written by Kenneth Frampton, is republished here with the permission of the author and publisher.
The work of the Amateur Architecture Studio has come into being in categorical opposition to the recent, rapacious development that has engulfed large tracts of the Chinese continent, and which was first set in motion by Deng Xiaoping’s 1983 decision to open up the People’s Republic of China to foreign trade, first with special economic zones and later with regard to the entire country. Based in Hangzhou, Wang Shu and Lu Wenyu have witnessed firsthand the juggernaut of maximizing Chinese modernization from its impact on their own city. Three decades ago, Hangzhou had been expressly chosen by them as a desirable place in which to live and work, largely because of its venerable artistic traditions and its harmonious report with nature, symbolized for them by the virtually sacred West Lake, set in the very heart of the city and traversed, then as now, by the flat-bottomed boats plying across its surface. Wang Shu’s unique sensibility takes as its point of departure the equally panoramic tranquility of traditional Chinese painting. As Wang Shu has written:
“I am always amazed by these paintings when I see that the trees, the buildings and mountains are not just placed haphazardly... every building is laid out in a certain way in relation to the landscape and the trees, the direction it faces depending on the light and the features of the location, which make it suitable for human habitation.”
Currently on display at the Aedes Architecture Forum Berlin, "ZÀI XĪNG TǓ MÙ: Sixteen Chinese Museums, Fifteen Chinese Architects," takes an in-depth look at China’s recent museum boom and its effects on the socio-political and cultural landscape of modern China.
As part of the exhibition, filmmaker Moritz Dirks sat down with 16 of the top architects working in China today, including Wang Shu, Dang Qun of MAD Architects, and Zhu Pei of Studio Pei-Zhu, to discuss the challenges of creating cultural spaces that relate both to the global, digital, urban contexts of the contemporary world and to the strong heritage and identity of Chinese culture.
Continue after the break for the 16 interviews.
Wang Shu and Lu Wenyu of Amateur Architecture Studio are known for their distinctly contextual attitudes towards design which prize tradition and timelessness above anything else. In many cases, their use of materials is governed by local availability of salvaged building elements. Tiles, in particular, represent a material used repeatedly by Amateur Architecture studio and for Wang Shu, who won the 2012 Pritzker Prize, they offer a political as well as an architectural message.
In honor of International Museum Day we’ve collected twenty compelling museum projects. In this round up you’ll find a truly global selection; from Wang Shu's Ningbo Historic Museum in China and Tod Williams + Billie Tsien's Barnes Foundation in Philadelphia to Monoblock's Contemporary Art Museum in Buenos Aires, see all of our editors’ favorites after the break!
“Every couple of years a new manifesto appears, but how long can it last? We need more people doing instead of talking. [At Amateur Architecture Studio] we spend an enormous amount of time experimenting, trying to resurrect the craftsmanship that is almost lost. We use a method that is passed on, hand-to-hand, to re-establish tradition instead of talking about abstract but empty concepts.”
- Lu Wenyu, Hangzhou, 2013
Pier Alessio Rizzardi: “A house instead of a building” is a really famous phrase of Amateur Architecture Studio. What is the meaning behind this concept?
Lu Wenyu: Once, Wang Shu said: “we only make houses, we don’t make architecture.” The house and architecture here have their own meanings. Making a house means making it for the people, making it more tranquil, or closer to nature, more humanized. Instead, architecture is an abstract concept, so many designs nowadays are actually architecture. So this sentence, from almost 20 years ago, “making houses, not architecture”, is about not making that abstract concept, but to make something really concrete and tangible, something that you can touch or that is made with your own hands… so when you see this house, you feel differently.
The President of the People's Republic of China, Xi Jinping, has reportedly called for an end to the "weird buildings" being built in China, and particularly in the nation's capital, Beijing. In a two hour speech at a literary symposium in Beijing last week, Mr Xi expressed his views that art should serve the people and be morally inspiring, identifying architectural projects such as OMA's CCTV Headquarters as the kind of building that should no longer be constructed in Beijing.
With China's construction boom being one of the most talked about features of today's architecture scene - and many a Western practice relying on their extravagant projects to prop up their studios - the Chinese leader's comments have the potential to affect the landscape of architectural practice worldwide. But what is behind these sentiments? Read on after the break to find out.
The Royal Institute of British Architects (RIBA) has announced 13 Honorary Fellowships and 11 International Fellowships which it will award at an event on February 3rd, along with the recently announced RIBA Royal Gold Medal.
Among others, the Honorary Fellowships include Director of Architecture at the British Design Council Vicky Richardson and academic Dalibor Vesely; the International Fellowships include Pritzker Prize Winners Thom Mayne and Wang Shu and his Partner Lu Wenyu. The Honorary and International Fellowships entitle winners to use the initials 'Hon FRIBA' and 'Int FRIBA,' respectively after their names.
Read on after the break for the full Fellowship lists
After inaugurating his first building in China – “The Building on the Water” – Álvaro Siza has just announced his second project in the country, again in collaboration with Portuguese architect Carlos Castanheira. This time the two architects will develop a museum for Hangzhou Art Academy.
The new museum - which will have approximately 15,000 sqm, a total area similar to that of Serralves Foundation building – will host an important collection of pieces from the famous German school of arts and design, Bauhaus, founded by Walter Gropius in 1919.
What happens when seven internationally acclaimed architects are invited to design sculptural bus stops for a tiny Austrian village of 1000 inhabitants? Collaborating with local architects and utilizing local materials to design the pavilions, Alexander Brodsky, Rintala Eggertsson, Ensamble Studio, Architecten de Vylder Vinck Taillieu, Smiljan Radic, Sou Fujimoto, and Wang Shu's Amateur Architecture Studio worked with Austria's Verein Kultur Krumbach to carry out the BUS:STOP project and usher in a unique new facet of culture to Krumbach. We brought you images of the design proposals earlier, and now we have photos of the incredible results: Hufton + Crow has just released a stunning new set of images showcasing the completed bus stops.
Hufton + Crow's brilliant photography captures the inimitable originality and sensational quality of the uniquely crafted pavilions embedded within the Austrian landscape. Immerse yourself in Krumbach and check out the latest images after the break.
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The 2014 Wienerberger Brick Award Winners exemplify brick's potential in contemporary architecture, transforming the common brick into something spectacular. This year's jury featured 2012 Pritzer winner Wang Shu, who commented on the "spatial and secret" feeling of the Grand Prize Winning Kantana Film and Animation Institute. See all seven winners after the break.
A year in the making, Krumbach in Austria has unveiled seven eye-catching bus shelters which have turned the world's gaze on the tiny village. Designed by internationally renowned architects such as Wang Shu, Sou Fujimoto and Smiljan Radic, who worked in collaboration with local architects and craftsmen, the whimsical structures will put the village of 1000 residents on the map.
Curator Dietmar Steiner praised the commitment of those involved, saying "the entire project succeeded because it was supported in the most generous fashion by more than 200 people." This included the architects, who took up their projects for little more than a free holiday in the area and the chance to engage in an unusual challenge. However, BUS:STOP was not merely a vanity project: Verena Konrad, Director of vai Vorarlberger Architektur Institut, noted that the project was important for "the successful connection of infrastructure and mobility for the rural area."
See images of all 7 shelters after the break
Last week, while the ArchDaily team was in Mexico City for the Mextrópoli Conference, we caught up with Pritzker Jury member Juhani Pallasmaa and asked him to shed some light onto the recent winners of one of architecture's highest honors. Watch Pallasmaa, a renowned Finnish architect and professor, explain what motivates his approach for recognizing architects in a world with "so much publicity."
"The Pritzker jury has now, for at least 5 years, tried to select architects who are not the most obvious names because there is so much publicity in the architectural world and we'd rather try to find architects who have not been published everywhere else..."