What happens when seven internationally acclaimed architects are invited to design sculptural bus stops for a tiny Austrian village of 1000 inhabitants? Collaborating with local architects and utilizing local materials to design the pavilions, Alexander Brodsky, Rintala Eggertsson, Ensamble Studio, Architecten de Vylder Vinck Taillieu, Smiljan Radic, Sou Fujimoto, and Wang Shu’s Amateur Architecture Studio worked with Austria’s Verein Kultur Krumbach to carry out the BUS:STOP project and usher in a unique new facet of culture to Krumbach. We brought you images of the design proposals earlier, and now we have photos of the incredible results: Hufton + Crow has just released a stunning new set of images showcasing the completed bus stops.
Hufton + Crow’s brilliant photography captures the inimitable originality and sensational quality of the uniquely crafted pavilions embedded within the Austrian landscape. Immerse yourself in Krumbach and check out the latest images after the break.
A year in the making, Krumbach in Austria has unveiled seven eye-catching bus shelters which have turned the world’s gaze on the tiny village. Designed by internationally renowned architects such as Wang Shu, Sou Fujimoto and Smiljan Radic, who worked in collaboration with local architects and craftsmen, the whimsical structures will put the village of 1000 residents on the map.
Curator Dietmar Steiner praised the commitment of those involved, saying “the entire project succeeded because it was supported in the most generous fashion by more than 200 people.” This included the architects, who took up their projects for little more than a free holiday in the area and the chance to engage in an unusual challenge. However, BUS:STOP was not merely a vanity project: Verena Konrad, Director of vai Vorarlberger Architektur Institut, noted that the project was important for “the successful connection of infrastructure and mobility for the rural area.”
See images of all 7 shelters after the break
Krumbach, a small Austrian village of 1000 inhabitants, is not the place you’d expect to find structures from a variety of architecture’s biggest names. But thanks to Verein Kultur Krumbach, a new association dedicated to encouraging culture in the village, that’s exactly what’s happening, with seven international architecture firms agreeing to design bus stops for Krumbach.
Read after the break to find out more about the seven designs.
From Iwan Baan‘s website we are bringing you two more projects by 2012 Pritzker laureate, Wang Shu: The Ceramic House (Coffee House) in the Jinhua Architecture Park, where Ai Wei Wei, working as the curator, brought together 16 architects from around the world to create a pavilion-city along the banks of the river Yiwu; and the Zhongshan Road renovation in Hangzhou.
Some more photographs after the break, and the complete photoset on Iwan’s website.
China must be going crazy.
In recent years, the growth of China has been incredible. We have often likened the massive surge of projects in the country to the explosive levels of architectural experimentation in Dubai. OMA, Hadid, Holl, Foster, Morphosis – strong powerhouses of architecture – all seeking to help China meet the demands of its emerging world power position by springing from the basis of a historically isolated culture and leaping to craft a more globalized image for the country. Such an image creates the desire for an architecture which can continually out shine itself as it challenges traditional materiality, scale and contextual relationships in China’s modern cities such as Shanghai and Beijing, Hangzhou and West Kowloon.
Perhaps, that is precisely why many have not heard of Wang Shu and Amateur Architecture Studio. And, perhaps, that is precisely why this Pritzker award carries such weight.
The Pritzker Prize’s purpose is “to honor a living architect whose built work demonstrates a combination of those qualities of talent, vision, and commitment, which has produced consistent and significant contributions to humanity and the built environment through the art of architecture”.
In my opinion Wang Shu’s architecture presents a contemporary and progressive approach that acknowledges the rich tradition of Chinese architecture. As the future generations of Chinese architects are influenced by his architecture, a generation that will be an active part of China’s growth, he will indirectly improve how millions will live in the next few years.
He calls his office Amateur Architecture Studio, but the work is that of a virtuoso in full command of the instruments of architecture — form, scale, material, space and light - Karen Stein, Pritzker Prize jury.
Works by Wang Shu:
More about the announcement:
Founder of Amateur Architecture Studio and Head of Architecture at the China Academy of Art, Wang Shu was the first Chinese architect to hold Harvards Graduate School of Design (GSD) Kenzo Tange professorship. The Harvard lecture honors architect Kenzo Tange by bringing distinguished architects from around the globe to the GSD.
Wang Shu’s practice caught the world’s attention with their pavilion for the 10th Venice Architecture Biennale in 2006. As a critique of the architectural profession, excessive building and the on-going demolitions caused by the rapid urbanization of China, their installation ‘Tiled Garden’ was constructed of 66,000 recycled tiles salvaged from demolition sites. Their work is embedded in the history and traditions of Chinese culture, referencing everyday building tactics and the Chinese vernacular tradition of building, hence their practice name “amateur architecture”.
Reference: The Harvard GSD