The Royal Institute of British Architects (RIBA)’s Future Trends Survey for November showed that confidence in workload among UK architects fell back slightly with the workload index returning back to +29. This is compared to +37 in October, which was the second highest ever balance figure. The highest balance figures were in Northern Ireland (+50) and the North of England (+46), areas with the RIBA state “were initially the slowest to indicate a return to growth.” In addition, the percentage of respondents reporting that they had personally been under-employed remained at 12% for the second month running – the lowest figure since the survey began in January 2009. Practices report that they are currently employing 6% more year-out and post Part II students than they were twelve months ago.
The Royal Institute of British Architects (RIBA) have today announced a call for entries to the 2015 RIBA Awards programme. The prestigious awards are designed to celebrate the best architecture projects that have been opened within the past two years. Projects of all sizes and budgets from across the UK (excluding those in Scotland) are eligible to be entered to the RIBA Regional Awards. Scottish projects can be entered into the RIAS Awards. Those that are successful in the regional rounds are made eligible to be considered for the RIBA Stirling Prize, one of the most coveted awards in the architectural world.
Stephen Hodder, the current President of the Royal Institute of British Architects (RIBA), has spoken out about a “U-turn” following the proposal of March 19th (passed under past President Angela Brady) condemning the Israeli Association of United Architects (IAUA) for its failure to “resist projects on illegally-occupied land” in the West Bank and Gaza. According to BDOnline, the RIBA has “been forced to abandon its policy [...] after an internal report said it should never have been put to a vote in the first place.”
This highly controversial episode, which has overshadowed Hodder’s presidency, has also garnered criticism both in the UK and as far afield as the USA. Architects such as Richard Meier and Daniel Libeskind have stated that the RIBA’s actions have been “short-sighted and appear to be an attempt to simplify a very complex issue.” In the UK, Paul Finch writing in the AJ asked whether there would “be a rush to suspend the Russians because of what is happening in Ukraine? Were the Chinese suspended when they were destroying much of their magnificent built heritage, or invading Tibet?” “Certainly not”, he concluded.
The Royal Institute of British Architects (RIBA) have announced the President’s Medals Student Awards at a special event today in London. The awards, recognised as the world’s most prestigious set of awards in architectural education, were inaugurated in 1836 (making them the institutes oldest award, including the RIBA Gold Medal). Three medals in particular – the Bronze for a Part I student, the Silver for a Part II student, and the Dissertation Medal – are awarded to “promote excellence in the study of architecture [and] to reward talent and to encourage architectural debate worldwide.” In addition to these, the winners of the Serjeant Award for Excellence in Drawing and the SOM Foundation Fellowships are also announced.
317 schools of architecture from over 61 countries were invited to nominate design projects and dissertations by their students. This year saw the majority of winners come from London schools, including the Bartlett School of Architecture (UCL), Kingston University, the University of Westminster, London Metropolitan University (the CASS), the Royal College of Art, the University of East London, and the University of Greenwich. University College Dublin (Ireland) and the University of Brighton (UK) also saw their students commended, alongside the University of Sydney (two students) and the University of Hong Kong (one student).
See drawings from all the winning and commended students after the break.
The Royal Institute of British Architects (RIBA) has announced a major retrospective of the work of celebrated Scottish architect Charles Rennie Mackintosh, with an exhibition to be held at the RIBA’s Headquarters in London from February to May 2015. Having shown talent as a draughtsman from a young age, Mackintosh started his architectural apprenticeship at the age of just 16, and the exhibition features over 60 original drawings, watercolours and perspectives spanning his entire career from the late 19th century until his death in 1928.
Read on after the break for more on the contents of the exhibition
The Royal Institute of British Architects (RIBA)’s Future Trends Survey for October showed that confidence is very high among UK architects, with the workload index up rising substantially to +37 from +29 in September - the second highest ever workload forecast balance figure. This positive figure was spread right across the country with the most optimistic reports coming from Scotland, with a workload index figures of +80, and Wales, which reported a figure of +28. In addition, the percentage of respondents reporting that they had personally been under-employed was down “considerably” to 12% – the lowest since the survey began in January 2009.
The UK government’s Department for Communities and Local Government (DCLG) has concluded that UK architecture should continue to be governed by “light-touch regulation based on protection of title,” following the first phase of a review into the future of the Architects Registration Board (ARB). Now, a second phase of the review promises to investigate options to deliver this regulation, determining whether or not it is best achieved by the ARB.
A statement released by the DCLG says that it will now work “with all parts of the profession to identify opportunities to simplify the role of the regulator,” with BD Online reporting that the available options including absorbing the role of the ARB into that of the Royal Institute of British Architects (RIBA), or to keep the ARB as an independent body – but with the DCLG warned that “it should not be assumed that an independent regulatory body would necessarily have the same form or role as the existing regulatory body.”
Drawings have long been used as a method for architects to represent their projects. However, architects sometimes make drawings to communicate a sense of space in a deeper and more meaningful way – in a manner that begins to venture into the realm of art. A new exhibition opening at London‘s V&A Museum this Saturday entitled Architects as Artists examines the overlapping relationship between architecture and art, and documents the many ways in which it is used and created.
The RIBA President’s Awards for Research, established to “promote and champion high-quality research and encourage its dissemination to the profession,” have announced the 2014 laureates. Spanning four categories – Master’s, PhD, University, and Practice-Located Research – the winning theses and projects highlight the need for research across the profession to nurture innovation and strategic thinking. Ruth Morrow, chair of the jury and Professor at Queen’s University Belfast, commented on the judging panel’s “disappointment” at the lack of entries submitted from outside London.
The disparity between the six London based schools and those in the rest of the UK (of which there are more than forty high-calibre institutions) continually makes itself manifest in RIBA student awards. In spite of this, half of the awards and commendations given this year are for students studying at schools outside the capital; the remaining half were awarded to students of The Bartlett (UCL). Morrow hopes that “next year, in the 10th anniversary year of the awards, that more universities and practices from across the nations and regions will submit entries.”
See this year’s winning and commended projects after the break.
Ben Derbyshire, managing partner at HTA Design and a newly-elected member of the Royal Institute of British Architects (RIBA) Council, has called for a significant overhaul of the RIBA election process if the organization is to reverse ”a long term decline in the fortunes of the profession, the role of architects in commerce and society, the influence of design in the quality of environment and on long term sustainability.” Derbyshire, writing in his column for Building, argued that future RIBA presidents should only be drawn from the elected councillors if the RIBA is to avoid “the likelihood of successive Presidents failing to share agendas” – alongside five other proposals that he believes will strengthen the architectural profession. Read on after the break for more of his comments.
The Royal Institute of British Architects have announced an international design competition to regenerate Centenary Square, one of Birmingham‘s largest public spaces, and neighbor to Birmingham’s International Convention Centre, the Old Rep Theatre, and the the Library of Birmingham by Mecanoo which was shortlisted for the 2014 Stirling Prize.
The Royal Institute of British Architects (RIBA)’s Future Trends Survey for September showed that, for yet another month, confidence is high among UK architects, with the workload index up fractionally to +29 from +28 in August. Again, this positive figure was spread right across the country, with the most optimistic reports coming from Northern Ireland and the North of England, reporting workload index figures of +80 and +46 respectively – promising figures considering that these two areas were “slowest to show signs of recovery” after the recession, according to the RIBA.
This year’s RIBA Stirling Prize shortlist was seen by many as the strongest in years. The practice who emerged victorious, beating off competition from internationally recognised practices including Zaha Hadid Architects, Renzo Piano Building Workshop, Mecanoo, O’Donnell + Tuomey and Feilden Clegg Bradley, was Haworth Tompkins: but who exactly are they? Ellis Woodman pinned his hopes on the successful Everyman Theatre before the award was announced, uncovering the practice’s rich history in designing performance spaces through a discussion with founding partner, Steve Tompkins. For Woodman, their theatre work “has left a legacy of spaces that count among the most beautiful and provocative created in Britain over the past twenty years.”
In the great tradition of the RIBA Stirling Prize, the announcement of Haworth Tompkins‘ Everyman Theatre as the winner of the 2014 RIBA Stirling Prize took many by surprise. The Everyman surpassed the public’s favourite, Mecanoo‘s Library of Birmingham, and the bookies’ (and many critics’) favourite, O’Donnell + Tuomey‘s LSE Saw Swee Hock Student Centre - as well as two household names in Zaha Hadid‘s Aquatics Centre and Renzo Piano‘s Shard.
In what was seen by many as the strongest shortlist in years, the underdog Everyman has emerged victorious. But was it a worthy winner? Read on after the break to find out what the critics made of this unexpected result.
Haworth Tompkins’ Everyman Theatre has won the RIBA Stirling Prize for 2014, beating competition from Zaha Hadid, Renzo Piano, Mecanoo, O’Donnell + Tuomey and Feilden Clegg Bradley. The result was announced last night by RIBA President Stephen Hodder at an event held at the RIBA’s Headquarter’s in London, with Hodder saying that “Haworth Tompkins have struck the perfect balance between continuity and change” and calling the scheme “a ground-breaking example of how to build a daring, bold and highly sustainable large public building in a historic city centre.”
The RIBA and the BBC have partnered to screen a series of interactive online films in the final week leading up to the announcement of the 18th RIBA Stirling Prize. As the UK’s most prestigious architecture award, given annually to “the architects of the building that has made the greatest contribution to the evolution of architecture over the past year,” the shortlist has garnered worldwide attention. Although the ultimate decision lies in the hands of a jury, headed by British architect Spencer de Grey, the BBC will host a public vote which is available as of today.
The Royal Institute of British Architects (RIBA)’s Future Trends Survey for August showed that confidence among UK practices has remained stable at “a very positive” balance figure of +28. The positive outlook was shared by the whole country, with every region returning a balance figure of above +20 – a significant improvement for Wales and the West, who last month were at a more reserved +12. “Sentiment about future workload prospects for the architects’ profession has been strong throughout 2013 and 2014, and we are now beginning to see this reflected in increased levels in the aggregate value of work in progress,” said the RIBA, adding that the increasing workload is being “driven primarily by growth in the commercial and private housing sectors.”
RIBA Director of Practice Adrian Dobson said: “The most optimistic forecasts this month were from our practices in Scotland, Northern Ireland and the Midlands and East Anglia, indicating that the high confidence levels have now spread right across the UK as all nations and regions begin to see an improving workload situation.” Figures from practices of all sizes were positive, with small practices (under 10 staff) returning a balance figure of +24. However, medium and large practices showed much more confidence, returning figures of +65 and +40 respectively.
Although a large part of the growth of the last year has been driven by housing, we may be about to see the sector reach a plateau, as the balance figure for the private housing market dropped to +23, down from +29 in July. This prediction now puts it level with the commercial sector, which rose from +20 in July.
The RIBA Staffing index also rose in August, rising to +13 from +10 in July. A full 96% of practices expect their staffing levels to either increase or stay consistent in the coming three months. But, adds the RIBA, “we are not yet seeing this confidence manifest itself in a significant increase in aggregate staffing levels across the profession.”
The monthly survey is designed to “monitor the employment and business trends affecting the architectural profession throughout the period of economic downturn,” the data from which is analyzed by both the RIBA and the Fees Bureau. It is a “representative sample of the range of different practice sizes and geographical locations” with 1,600 British Architects from 226 firms contributing.
Read the June 2014 report in full here (PDF).
The Royal Institute of British Architects (RIBA) has selected Irish architects Sheila O’Donnell and John Tuomey as recipients of the 2015 Royal Gold Medal, one of the world’s most prestigious lifetime achievement awards for architecture. Approved personally by the Queen, the award recognizes those who have made a significant contribution to the advancement of architecture.
The RIBA praised the way O’Donnell + Tuomey came together in the early 1990s to combine ”Sheila’s quiet, studied ‘rationalism’ alongside John’s fluent, rhetorical ‘constructivism,’” commenting that “through their buildings, publications, exhibitions and teaching they have forged a confident new identity for Irish architecture.”