The Pritzker Prize’s purpose is “to honor a living architect whose built work demonstrates a combination of those qualities of talent, vision, and commitment, which has produced consistent and significant contributions to humanity and the built environment through the art of architecture”.
In my opinion Wang Shu’s architecture presents a contemporary and progressive approach that acknowledges the rich tradition of Chinese architecture. As the future generations of Chinese architects are influenced by his architecture, a generation that will be an active part of China’s growth, he will indirectly improve how millions will live in the next few years.
He calls his office Amateur Architecture Studio, but the work is that of a virtuoso in full command of the instruments of architecture — form, scale, material, space and light - Karen Stein, Pritzker Prize jury.
Works by Wang Shu:
More about the announcement:
Wang Shu, a 48 year old architect whose architectural practice is based in Hangzhou, The People’s Republic of China, will be the recipient of the 2012 Pritzker Architecture Prize, it was announced today by Thomas J. Pritzker, chairman of The Hyatt Foundation which sponsors the prize. The formal ceremony for what has come to be known throughout the world as architecture’s highest honor will be in Beijing on May 25.
In announcing the jury’s choice, Pritzker elaborated, “The fact that an architect from China has been selected by the jury, represents a significant step in acknowledging the role that China will play in the development of architectural ideals. In addition, over the coming decades China’s success at urbanization will be important to China and to the world. This urbanization, like urbanization around the world, needs to be in harmony with local needs and culture. China’s unprecedented opportunities for urban planning and design will want to be in harmony with both its long and unique traditions of the past and with its future needs for sustainable development.”
The purpose of the Pritzker Architecture Prize, which was founded in 1979 by the late Jay A. Pritzker and his wife, Cindy, is to honor annually a living architect whose built work demonstrates a combination of those qualities of talent, vision and commitment, which has produced consistent and significant contributions to humanity and the built environment through the art of architecture. The laureates receive a $100,000 grant and a bronze medallion.
Pritzker Prize jury chairman, The Lord Palumbo, spoke from his home in the United Kingdom, quoting from the jury citation that focuses on the reasons for this year’s choice: “The question of the proper relation of present to past is particularly timely, for the recent process of urbanization in China invites debate as to whether architecture should be anchored in tradition or should look only toward the future. As with any great architecture, Wang Shu ́s work is able to transcend that debate, producing an architecture that is timeless, deeply rooted in its context and yet universal.”
Wang earned his first degree in architecture at the Nanjing Institute of Technology, Department of Architecture in 1985. Three years later, he received his Masters Degree at the same institute. When he first graduated from school, he went to work for the Zhejiang Academy of Fine Arts in Hangzhou doing research on the environment and architecture in relation to the renovation of old buildings. Nearly a year later, he was at work on his first architectural project – the design of a 3600 square meter Youth Center for the small town of Haining (near Hangzhou). It was completed in 1990.
For nearly all of the next ten years, he worked with craftsmen to gain experience at actual building and have no responsibility for design. In 1997, Wang Shu and his wife, Lu Wenyu, founded their professional practice in Hangzhou, naming it “Amateur Architecture Studio.” He explains the name, “For myself, being an artisan or a craftsman, is an amateur or almost the same thing.” His interpretation of the word is relatively close to one of the unabridged dictionary’s definitions: “a person who engages in a study, sport or other activity for pleasure rather than for financial benefit or professional reasons”. In Wang Shu’s interpretaion, the word “pleasure” might well be replaced by “love of the work”.
By the year 2000, he had completed his first major project, the Library of Wenzheng College at Suzhou University. In keeping with his philosophy of paying scrupulous attention to the environment, and with careful consideration of traditions of Suzhou gardening which suggests that buildings located between water and mountains should not be prominent, he designed the library with nearly half of the building underground. Also, four additional buildings are much smaller than the main body. In 2004, the library received the Architecture Art Award of China.
His other major projects completed, all in China, include in 2005, the Ningbo Contemporary Art Museum and five scattered houses in Ningbo which received acknowledgment from the Holcim Awards for Sustainable Construction in the Asia Pacific. In that same city, he completed the Ningbo History Museum in 2008. In his native city of Hangzhou, he did the first phase of the Xingshan Campus of the China Academy of Art in 2004, and then completed phase two of the same campus in 2007.
True to his methods of the economy of materials, he salvaged over two million tiles from demolished traditional houses to cover the roofs of the campus buildings. That same year in Hangzhou, he built the Vertical Courtyard Apartments, consisting of six 26-storey towers, which was nominated in 2008 for the German based International High-Rise Award. Also finished in 2009 in Hangzhou, was the Exhibition Hall of the Imperial Street of Southern Song Dynasty. In 2006, he completed the Ceramic House in Jinhua.
Other international recognition includes the French Gold Medal from the Academy of Architecture in 2011. The year before, both he and his wife, Lu Wenyu, were awarded the German Schelling Architecture Prize.
Since 2000, Wang Shu has been the head of the Architecture Department of the China Academy of Art in Hangzhou, the institution where he did research on the environment and architecture when he first graduated from school. Last year, he became the first Chinese architect to hold the position of “Kenzo Tange Visiting Professor” at Harvard Graduate School of Design in Cambridge, Massachusetts. He is also a frequent visiting lecturer at many universities around the world, including in the United States: UCLA, Harvard, University of Texas, University of Pennsylvania, He has participated in a number of major international exhibitions in Venice, Hong Kong, Brussels, Berlin and Paris.
Upon learning that he was being honored, Wang Shu had this reaction: “This is really a big surprise. I am tremendously honored to receive the Pritzker Architecture Prize. I suddenly realized that I’ve done many things over the last decade. It proves that earnest hard work and persistence lead to positive outcomes.”
The distinguished jury that selected the 2012 Pritzker Laureate consists of its chairman, The Lord Palumbo, internationally known architectural patron of London, chairman of the trustees, Serpentine Gallery, former chairman of the Arts Council of Great Britain, former chairman of the Tate Gallery Foundation, and former trustee of the Mies van der Rohe Archive at the Museum of Modern Art, New York; and alphabetically: Alejandro Aravena, architect and executive director of Elemental in Santiago, Chile; Stephen Breyer, U.S. Supreme Court Justice, Washington, D.C.; Yung Ho Chang, architect and educator, Beijing, The People’s Republic of China; Zaha Hadid, architect and 2004 Pritzker Laureate; Glenn Murcutt, architect and 2002 Pritzker Laureate of Sydney, Australia; Juhani Pallasmaa, architect, professor and author of Helsinki, Finland; and Karen Stein, writer, editor and architectural consultant in New York. Martha Thorne, associate dean for external relations, IE School of Architecture, Madrid, Spain, is the executive director of the prize.