Taking place October 20-21, modeLab is putting on Simulation Lab, a two-day workshop on the topic of simulation with processing. In a fast-paced and hands-on learning environment, they will cover technical programming concepts such as syntax, control, and modularity. Utilizing a suite of libraries to extend processing’s functionality, they will explore and incrementally develop force-based, physics-based, and agent-based simulations. Additionally, they will examine strategies for visualizing the dynamic nature, unexpected tendencies, and behavioral effects present in our simulations. For more information, please visit here.
Visionary architect, MacArthur Fellow and National Academician Jeanne Gang joins Pulitzer Prize-winning journalist and architecture critic Paul Goldberger as part of the Academy’s annual Architects in Conversation series. Together they will discuss Studio Gang’s past, present, and future projects, as well as Gang’s role within the important architectural tradition of Chicago. The talk will be on Wednesday, October 3, 2012, at 6:30pm at the National Academy Museum. For tickets and for more information, please visit here.
The Battery Conservancy Americas Design Competition 2012: Draw Up A Chair is a unique open call to design students and design professionals living in the North America, Central America, South America and the Caribbean. Design an iconic, movable outdoor seating element for NYC’s 25-acre historic Battery Park, AKA The Battery. The winning design will be fabricated for use in The Battery, which annually welcomes six million visitors. They are offering an earlybird registration rate for all who register by this Sunday, Sept. 30. All design entries are due October 30. To register and for more information, please visit here.
Since it’s founding in 1986, Reiser + Umemoto, RUR Architecture P.C. has become a widely published, internationally recognized practice with a diverse collection of projects ranging in scale. On multiple occasions, the firm has been awarded for their contributions to architectural practice and theory – the most recent being The Cooper Union’s 2008 Presidential Citation and the 2011 John Hejduk Award – as they treat “each project as the continuation of an ongoing inquiry, delving into relationships among architecture, territory and systems of distribution.”
The New York City-based practice is led by it’s founders, architect Jesse Reiser and designer Nanako Umemoto. Both partners have taught and lectured at a number of academic institutions throughout the United States, Europe and Asia. Reiser is currently a Professor of Architecture and director of graduate studies for the M.Arch program at Princeton University’s School of Architecture.
More about Reiser + Umemoto’s work:
Featuring more than twenty-five films from eleven countries, public programs, and an architectural driving tour of Lower Manhattan, the fourth season of the Architecture and Design Film Festival is taking place October 18-21. Returning to Tribeca Cinemas, in New York City, the films in this year’s Festival consider a range of topics, including contemporary and historic visionary architects, the creative design process, architecture as cultural emissary, the creation of the High Line, and modernist architecture on the East and West Coasts, among other subjects. The Festival features two world premieres, two U.S. premieres, and numerous films shown in New York City for the first time. Tickets go on sale October 1. More information after the break.
With last year’s opening of the 9/11 Memorial at Ground Zero and the near-completion of the World Trade Center One, Daniel Libeskind’s vision for the World Trade Center site is close to presenting the future of NYC’s downtown financial center, 11 years after the attacks. Studio Daniel Libeskind was selected to develop the master plan for the site in 2003, and since has been coordinating with NYC’s numerous agencies and individual architects to rebuild the site. The project, in Libeskind’s words, is a “healing of New York”, a “site of memory” and “a space to witness the resilience of America”.
Follow us after the break for more on the elements and progress of the master plan.
Our friends at Design Observer’s Places Journal have shared with us two fascinating articles, written by architects Jonathan Massey and Brett Snyder, that explore the physical and virtual evolution of Occupy Wall Street (#OWS) as it transformed from the privately owned public space of Zuccotti Park into the bustling micro-city of Liberty Plaza sustained by online media.
To learn how OWS has influenced architecture and urbanism, Massey and Snyder asks the following questions: What’s the layout of this place? What are its rules, and who owns it? How does its design shape possibilities for individual and collective action?
Data Lab, a two-day workshop put on by modeLab September 29-30, focuses on advanced topics and data structures in grasshopper for rhinoceros. In a fast-paced and hands-on learning environment, they will cover the fundamental concepts of data structures as well as strategies for working with lists, sequences, and data trees in the newly released version of Grasshoppper 0.9. They will engage a series of design problems which highlight the limitations of standard parametric design workflows and serve as catalysts for discussions related to best practices, linear versus non-linear design processes, and the re-use of files. Each design problem will require either the specific use and manipulation of data structures or the extension of Grasshopper through add-ons. To register and for more information, please visit here.
When the Twin Towers came down 11 years ago (almost to the day), the world was struck numb. Even New Yorkers, who felt the trauma rumble through their veins, couldn’t get past the initial disbelief: how can this be happening? How can something so big, so invincible, actually be so vulnerable?
Hundreds of comments have been hurled at Renzo Piano’s “Shard,” the massive, reflective skyscraper that hulks over the London skyline – it’s big, no, huge; it’s out of the context of its Victorian neighborhood; its exclusive price tag could only be footed by Qatar royalty (as it is) – but few, beyond writing off the tower as a symbol of arrogance or hubris, have stopped to consider its impetus.
For that, we must look at the Shard in the context of 9/11. Only then can the Shard be understood for what it is: the amplification and perfection of the glass tower Piano began in post-9/11 New York, a utopian vision that stands defiantly in defense of the city itself.
Taking place September 29-30, Data Lab is a two-day workshop, put on my modeLab in Brooklyn, on advanced topics and data structures in Grasshopper for Rhinoceros. In a fast-paced and hands-on learning environment, they will cover the fundamental concepts of data structures as well as strategies for working with lists, sequences, and data trees in the newly released version of Grasshoppper 0.9. They will engage a series of design problems which highlight the limitations of standard parametric design workflows and serve as catalysts for discussions related to best practices, linear versus non-linear design processes, and the re-use of files. Each design problem will require either the specific use and manipulation of data structures or the extension of Grasshopper through add-ons. For more information, please visit here.
Todd Saunders, founder of Saunders Architecture, will be delivering a lecture at Cornell University on the topic of ‘Architecture in Northern Landscapes’ on October 15. Bringing together dynamic building and material experimentation with traditional methods of craft, the Bergen, Norway–based practice has worked on cultural and residential projects in Norway, as well as England, Denmark, Italy, Sweden, and Canada. Led by a strong contemporary design sensibility, the studio believes that architecture plays an important role in creating place, using form, materials, and texture to help evoke and shape memory and human interaction. Fore more information on the event, please visit here.
To honor the memory of those who tragically lost their lives in the terrorist attacks of September 11, 2001, New York-based Davis Brody Bond has been commissioned to design the National September 11 Memorial Museum at the heart of the former World Trade Center site in New York. Serving as a complement to the National September 11 Memorial, the museum will tell the story of 9/11 through multimedia displays, archives, narratives and a collection of monumental artifacts, while commemorating the life of every victim of the 2001 and 1993 terrorists attacks.
Continue after the break to learn more.
Today in Lower Manhattan, thousands of visitors are crossing a landscaped plaza of oak trees towards two black granite, sculptural voids, carved deep into the earth, to commemorate the victims of September 11, 2001. Designed by Michael Arad of Handel Architects, the National September 11 Memorial has transformed the last remnants of the former World Trade Center (WTC) towers into a power civic space for contemplation and healing. Here, the painful memory of 9/11 is preserved and honored, while the necessary bustle of everyday life is able to move forward.
Continue after the break for more images and information.
The Twin Towers had a profound presence in my life. I would greet them every morning, watching the sunlight dance across their facades, and, in the evening, I would search for patterns in the office lights that never seemed to fade. As a child, I would stand at the base of the towers and crane my neck in an effort to see the very top where the towers met the sky, trying not to stumble backward onto the stone of the plaza, mesmerized by their dizzying height and stoic duality.
I was in science class in the 6th grade when the towers were hit.
And, so began the quest of what would fill the emotional and physical gap left in my city. But, my focus today, on this day of remembrance, is the progress that has been made at the site and the promise for its future.
New York based artist and director Jonathan Turner highlights the details of Frank Lloyd Wright’s Darwin D. Martin House (1903-05) in Buffalo, New York. Part of a multi-structure estate, the Martin House serves as a prime example of Frank Lloyd Wright’s Prairie House ideal, with strong horizontal lines and planes, deeply overhanging eaves, a central hearth, prominent foundation, and a sheltering, cantilevered roof. Although the complex suffered considerable damage over the decades, the Martine House Restoration Corporation (MHRC) has raised funds for a complete restoration of the complex, which began in 1997 and continues on today.
Storefront for Art and Architecture is opening up its fall exhibition season starting September 25th with ‘Past Futures, Present, Futures’. The exhibition, which will be up until November 17th, presents 101 unrealized proposals for New York City, with 101 reenactments by invited artists, architects, writers, and policy-makers to create alternative visions for the present and future of the city. The exhibition is curated by Eva Franch and designed by Leong Leong. An opening reception will take place on September 25, 2012 from 7pm to 9pm. For more information, please visit here.