The Architectural League and Socrates Sculpture Park is currently inviting architects to submit proposals for the 2013 Folly Competition, a design/build studio residency, and chance to build an installation at Socrates Sculpture Park, a unique urban waterfront park in Queens, NY. Socrates and the League welcome proposals from all emerging architects and designers for large-scale projects and installations that explore contemporary interpretations of the architectural folly. The deadline for submissions is January 7. For more information, please visit here.
Forest City Ratner Companies (FCRC) just announced that they will be partnering with Skanska, one of the world’s largest construction and development groups, for the B2 project. This project is making headlines because it will be the first residential tower that is part of the Atlantic Yards Development in Brooklyn using modular construction. FCRC plans to break ground on the 32-story building on December 18th and anticipates that the building will open in 2014. While high-rise modular technology has been initially developed for use at Atlantic Yards, this new industry has the potential to create modular components for construction projects across New York City and worldwide, becoming the first major manufacturing expansion in New York City since manufacturing began its decline over a generation ago. More information after the break.
About a decade’s passed since Foster+Partners won the competition to re-design Avery Fisher Hall (as part of Lincoln Center’s campus-wide re-haul, designed by Diller Scofidio + Renfro), and the famous music hall is finally ready to go through with it – just not necessarily with Foster+Partners.
After Lincoln Center and the New York Philharmonic failed to raise the $300 million they needed to cover construction costs, and due to concerns that displacing the orchestra would jeopardize potential revenue, Foster+Partners’ plans languished. However, the Philharmonic is now under new leadership, and its young directors are anxious to transform the conventional music hall, hence why they’ve decided to solicit new proposals for the building.
As the Orchestra’s new executive eirector, Matthew VanBesien, told the New York Times: “If you’re not thinking about the way in which our art form and music and audiences are evolving, you’re not serving the art form long term. You really want to build this next great hall in a new way, to do the kinds of things you maybe are doing but want to do in a more compelling way or maybe can’t even imagine yet.”
More info about the proposal for the new Avery Fisher Hall, after the break…
Architects: Roger Ferris + Partners
Location: Sag Harbor, NY, USA
Design Team: Roger Ferris, AIA, RIBA, Robert Marx, AIA, Myron Mirgorodsky, AIA, Tiziano Fabrizio
Structural Engineer: Robert Silman Associates
Mechanical: D’Antonio Consulting Engineers
Area: 6,400 sq ft
Photographs: Arch Photo Inc, New York
Kohn Pedersen Fox Associates were recently selected to design a giant office building the landlord hopes to build next to Grand Central Terminal. Selected by SL Green Realty Corp., the architects’ design would be one of the largest Midtown towers on the East Side in a generation. While building in New York is a challenge, SL Green is moving ahead full steam with planning. The company is in discussions with the Metropolitan Transportation Authority to obtain additional development rights by building pedestrian improvements including underground connectors to Grand Central, according to executives informed of the planning. More information after the break.
Mathews Nielsen Landscape Architects shared with us their design for the streetscape masterplan for Hudson Square in Manhattan, New York. Designed to transform the district’s public realm into a socially, economically, and environmentally sustainable neighborhood, the project will serve area workers and, eventually, residents. The masterplan creates a pedestrian-focused district accessible from all directions and adjacent neighborhoods—including SoHo, TriBeCa, and Greenwich Village—that coordinates the needs of the Holland Tunnel, a regional transportation facility, with those of the re-imagined neighborhood. More images and architects’ description after the break.
Architects: Steven Holl Architects
Location: 218th Street, New York
Architect In Charge: Steven Holl, Chris McVoy
Design Team: Marcus Carter, Christiane Deptolla, Peter Englaender, Runar Halldorsson, Jackie Luk, Filipe Taboada, Dimitra Tsachrelia, Ebbie Wisecarver
Associate In Charge: Olaf Schmidt
Area: 4,459 sqm
Photographs: Chris McVoy, Andy Ryan
Hosted by the Architectural League and co-sponsored by The Irwin S. Chanin School of Architecture of The Cooper Union, Steven Holl will lecture in the Great Hall at The Cooper Union on November 28 at 7:00pm. Holl’s architecture and writing has undergone a shift in emphasis, from his earlier concern with typology to his current interest in phenomenology. This “Time Light” lecture is dedicated to Lebbeus Woods and will show both early and recent works by Steven Holl Architects. Following the lecture, Steven Holl will be joined in conversation by Sanford Kwinter. For more information on the event, please visit here.
Designed by Jae K. Kim of CoDeAU, the Form of Public Control project is aimed at being the 20th century’s notion of a skyscraper in Manhattan. As a symbolic individual in the city, it should be redefined due to the reinterpretation of the grid to accommodate more public amenities and facilitate the cultural contexts of Manhattan. Currently, the project is exhibited for the collateral event of the Venice Architecture Biennale, at Palazzo Bembo, which was invited from the Global Art Affairs Foundation. More images and architect’s description after the break.
Taking place at Cooper Union in New York, the Steven Holl: ‘Scale’ lecture focuses on the firm’s current work in exploring new ways of integrating an organizing idea with the programmatic and functional essence of a building, “always using the unique character of a program and a site as the starting point for an architectural idea.” Steven Holl was the recipient of the 2012 AIA Gold Medal. His firm has been honored with many awards, publications, and exhibitions for excellence in design, most recently, their Cité de l’Océan et du Surf Museum (pictured in the slideshow above) won the Emirates Glass Leaf Award, the Annual Design Review, and the American Architecture Award. In 2001, Holl was named America’s Best Architect by Time. The event is co-sponsored by The Irwin S. Chanin School of Architecture of The Cooper Union as part of the program put on by the Architectural League, and takes place Wednesday, November 28th at 7:00pm. For more information, please visit here.
As we announced in early October, British powerhouse Foster + Partners have been declared as winner of the six-month long, all-star competition to design the next “landmark” high rise on the prime site of 425 Park Avenue in New York City. The tapered, steel-frame office tower is planned to rise 687 feet to claim a spot on the New York City skyline by 2017. Upon competition, the world-class high rise is expected to achieve LEED Gold status and serve as an exemplar for sustainable office design.
Foster’s concept succeeded visions from Rem Koolhaas, Zaha Hadid and Richard Rogers (view all the proposals here). Construction is expected to begin in 2015, shortly after the completion of Foster’s first U.S. residential high rise, which broke ground this week in New York.
Details of 425 Park Avenue after the break…
The Battery Conservancy Americas Design Competition 2012: Draw Up A Chair, which we published a couple months ago here, has received an impressive number of registrations to-date and continue to receive wonderful design submissions. Due to the impact of SuperStorm Sandy on many of their registered and would-be participants, they recently announced that they have extended the competition submission deadline to Monday, November 19. For more information, please visit here.
In the wake of Hurricane Sandy, as communities band together to clean up the devastation and utility companies work tirelessly to restore the infrastructure that keeps New York City running, planners and policy makers are debating the next steps to making the city as resilient to natural disaster as we once thought it was. We have at our hands a range of options to debate and design and the political leverage to make some of these solutions a reality. The question now is, which option or combination of options is most suitable for protecting New York City and its boroughs? Follow us after the break for more.
Designed for the Land Art Generator Initiative competition, the ‘NAWT Balloons’ concept, which was recently shortlisted in the competition, aims to couple the image of an oversized helium-filled teardrop with a nuanced application of wind energy technology. While the balloon’s image and subsequent geometry are the primitives to the proposal, the deployment on the Fresh Kills site ignites an interest in the oversized and the attenuated. Designed by Norman Kelley, through its multiplication and reconfiguration, this design may be able to produce new, yet familiar, collections of iconicity. More images and architects’ description after the break.
50 UN Plaza, Foster+Partners‘ first residential building in the U.S., broke ground this morning. With the Hearst Tower long finished, Tower 2 at Ground Zero near complete, and a new iconic building planned for 425 Park Avenue, 50 UN Plaza will only further solidify Lord Foster’s mark on New York City.
The 44-story luxury tower’s privileged spot at the United Nations Plaza will give it remarkable views of the UN Building, the East River, and the Manhattan skyline. According to Foster, the building’s deep bay windows (which line each of the tower’s 3 volumes) will maximize that view and, along with its steel and glass facade, give the tower a distinctive, “jewel-like quality”: “The slender proportion of 50 United Nations Plaza is attenuated by the vertical stacks of bay windows, which give it a distinctive identity[...] The polished stainless steel detailing of the facade is in the sprit of earlier historic towers in the city and it reflects the sharp quality of light which is special to New York.”
The building, whose construction will incorporate recycled materials, also has a strong environmental agenda, combining active and passive energy strategies. According to the New York Observer, the tower’s 87 units will range in size from 1,100 square feet one-bedrooms; three bedrooms as big as 3,000 square feet; full-floor residences; and a penthouse duplex, measuring about 10,000 square feet. One of the marquee features will also be a private driveway. The tower is expected to cost $500 million and be completed in 2014.
Foster+Partner’s description of 50 UN Plaza, after the break…
Designed by Paolo Venturella & MenoMenoPiu Architects, their ‘Solar Loop’ finalist entry for the Land Art Generator Initiative competition aims to expose more surface as possible to the southern solar rays. Sited in FreshKills Park in New York City, the shape comes directly from the solar diagrams, and deals easily with the sun following it with the best angle almost like a frozen artificial sunflower.bThe aesthetic of the sculpture is the result of this dialogue that becomes synthesis between the solar power and the park. More images and architects’ description after the break.
Hurricane Sandy has come and gone, but the destruction she left in her path remains a stark reminder of her strength.
Photographer Amanda Kirkpatrick has shared with us her images of The Rockaways in Queens, an upper-class beach neighborhood that was one of the areas hit hardest by the storm. Kirkpatrick’s objective eye documents the twisted boardwalks and unrecognizably distorted homes in an almost “clinical” way, honestly portraying the damage from the perspective of the broken structures themselves.
If you’re interested in getting involved with Hurricane Sandy Recovery Efforts, you can get more information here. For more images from Amanda Kirkpatrick, read on after the break…