The story of architectural Modernism in New York City goes beyond the familiar touchstones of Lever House and the Seagram Building.
Eighty-five years on, the little white town house on East 48th Street by William Lescaze still startles. With its bright stucco and Purist volumes, it pulls the eye away from the do-nothing brownstones on one side and the noirish sub-Miesian tower on the other. The machined rectitude of its upper floors, telegraphed by two clumsily large spans of glass block, is offset by the freer plastic arrangement of the bottom levels. Le Corbusier’s five points are in evidence (minus the roof garden), suggesting an architecture ready to do battle. Built in 1934 from the shell of a Civil War–era town house, this was the first Modernist house in New York City, and its pioneering feeling for futurity extended to its domestic conveniences. (A skeptical Lewis Mumford noted its central air-conditioning.)
The Statue of Liberty Museum is set to open on Liberty Island, New York. Designed by New York-based firm FXCollaborative led by Nicholas Garrison, the 26,000-square-foot scheme seeks to create the illusion of a structure lifted from the earth. To achieve this, the project incorporates angular design techniques and native materials to the island and statue, such as Stone Creek granite, copper, plaster, and native vegetation.
https://www.archdaily.com/916122/the-statue-of-liberty-museum-is-set-to-open-in-new-yorkNiall Patrick Walsh
Brooklyn Point, the tallest building in Brooklyn, has topped out at 720 feet. Designed by KPF, the 68-story scheme will feature a mixed-use program of apartments, food, shopping, and entertainment functions. After undergoing a three-year design process, construction at Brooklyn Point began in the summer of 2017.
https://www.archdaily.com/915321/brooklyns-tallest-building-tops-out-designed-by-kpfNiall Patrick Walsh
MAD Architects have revealed a new vision for New York City skyscrapers with a sinuous slender tower near the Empire State Building. Dubbed ‘East 34th’, the project was designed with a dark-colored glass facade that was made to fade into the atmosphere. Located adjacent to one of New York's most iconic structures, the project rethinks the city's rectilinear towers and sharp edges to create a new form for the Manhattan high-rise.
Diller Scofidio + Renfro and Rockwell Group's iconic Shed has opened after more than a decade in the making in New York City. The building features a 120-foot telescopic shell in Hudson Yards that can extend out from the base building when needed for larger performances. Clad in ethylene tetrafluoroethylene (ETFE) “pillows,” the project is connected to the High Line on 30th Street to bring performances and art to the city's newest neighborhood,
“Hudson Yards’ Large Honeycomb… Hudson Yards’ New Shawarma Sculpture…” Call it what you want, but the Vessel has created quite a buzz over the past couple of weeks, and it is not just because of its impressive architecture, or the panoramic view at the top (to which some claimed that getting there was an uncalled for work-out).
After coming across different nicknames of Hudson Yards’ now-famous point of attraction, architectural designer and illustratorChanel Dehond selected some of the most amusing ones and transformed them into sketches.
Tell us, ArchDaily readers, what do you call the Vessel?
Architecture, just like art, has the ability to detach the individual and provoke a sense of intrigue and inspiration. Some buildings leave a greater mark, especially if the project or the site it is built on has a story of its own.
The Mask by WOJR is developed for an individual who lost his younger brother in a lake in Ithaca, New York. After the tragedy, the lake became a zone of detachment from the everyday world, transforming the structure from just a house on a lake, to a space of contemplation.