Last monday, Columbia University’s Avery Hall was buzzing.
The Graduate School of Architecture, Planning and Preservation (GSAPP) hosted a highly attended event that welcomed respected academics and professionals from architecture and real estate to what the dean, Mark Wigley, warned might take the form a a celebrity roast. Vishaan Chakrabarti, a partner at SHoP Architects and director of the Center for Urban Real Estate at Columbia, was on deck to deliver an abridged, more “urban version” of a longer lecture on his new book, A Country of Cities: A Manifesto for an Urban America. Proceeding the twenty minute lecture, an “A-list” panel of architects and historians - that included Kenneth Frampton, Gwendolyn Wright, Bernard Tschumi, Laurie Hawkinson and Reinhold Martin – lined up to discuss Chakrabarti’s work.
The Glass House just concluded their second annual Conversations in Context, which presents visitors with the opportunity to join in a weekly evening tour and intimate conversation with industry leaders, including Robert A.M. Stern, Michael Graves, and more.
Since the 1940s, The Glass House has served as a place of inspiration, education and conversation across creative disciplines. Its 49-acre landscape, 14 architectural structures and world-class art collection continue to draw members of an international creative community to participate in its rich story. Conversations in Context continues Philip Johnson’s legacy of using the Glass House as a place to conduct ongoing seminars with architecture students and present emerging and established architects the opportunity to discuss the current state of the industry.
The video above features Architect, critic, and historian Kenneth Frampton, along with Dean Mark Wigley from Columbia University’s Graduate School of Architecture, Planning and Preservation. Follow us after the break for a few of our favorite conversations from this year’s series.
British-American architect and historian Kenneth Frampton has been confirmed as this year’s winner of the Theory Prize of the Schelling Architecture Foundation. The jury is honoring Frampton for his “fundamental studies on tectonics and the architectonic large-scale form as predominant elements of urban landscapes. His theoretical range encompasses a vastness that no other prominent thinker in architecture has yet achieved. In addition, he will be honored for his accurate studies in which he has been analyzing current construction processes as well as the history of modern architecture since the early 19th century”.
As the winner of the 2012 Theory Prize, Frampton will now participate as a jury member in the selection of the Schelling Architecture Prize winner. Given that of the ten winners of the Schelling architecture prize four of them have already won the Pritzker Prize – most recently Wang Shu and Lu Wenyu – the nomination for the Schelling Architecture Prize is in itself a distinction.
The three nominated practices for the €20,000 Schelling Architecture Prize are:
Almost two years ago, on November 13th 2010, I had the chance to attend to a very special seminar to celebrate the 80th birthday of Kenneth Frampton at Columbia’s GSAPP. During that intense day, five north american practices presented their work followed by an interesting debate: Rick Joy Architects, Stanley Saitowitz / Natoma Architects, Patkau Architects, Steven Holl, and Shim Sutcliffe Architects.
For the 13th Venice Biennale, Kenneth Frampton was invited to have his exhibit at the Arsenale, where the works of these five practices was presented on a series of videos, on a simple installation designed by Steven Holl.
While we don’t have the videos shown during the Biennale, we present you the full video of the seminar (almost 6 hours), made available online by the GSAPP.
More information about the “Five North American Architects as a Common Ground” videos shown at the Biennale:
Five North American Architects brings together five architectural practices that, while all distinct, share a particular sensibility for the impact of craftsmanship and climate on the generation of form, as well as a concern for the expressive tactility of material and the effect of light on the articulation of structure.
This book is an account of the highly productive decade of architectural experimentation in Croatia lodged between the violent break-up of Yugoslavia and their slow integration into the EU. Ivan Rupnik guides the reader through the emergence of this bizarre and fascinating architectural scene on the very edge of united Europe, utilizing Ljubo Karaman’s theory of the periphery as a distinct space of artistic production from that of the center or province, Manfredo Tafuri’s concept of architectural experimentation, as well contemporary notions of agency.
Back in 2009 we went to Croatia to see this architecture scene first hand, and we featured many of the projects presented in this book, that you can check out on our list of Croatian projects before you buy this book. Further info and photos after the break.