“A painter is a magician that immobilizes time.” - Iberê Camargo
The Fundação Iberê Camargo, which received a Golden Lion at the 2002 Venice Biennale of Architecture, is Portuguese architect Álvaro Siza’s first project in Brazil. It serves as an architectural exemplar not only for the city of Porto Alegre, but also for the entire country of Brazil. Defined by Siza as “quasi-arquitecture” — with careful explorations of light, texture, movement and space–the building cultivates a direct relationship between the viewer and the artwork, and, in turn, allows visitors to richly come into contact with Iberê’s (one of the great names of twentieth-century Brazilian art) work.
“Architects don’t invent anything, they just transform reality.” - Álvaro Siza
The first in Brazil to use white concrete–seen around the entire exterior– the building does not use any bricks. The visitor is guided through a trajectory of descent throughout the building via ramps in the nine exhibition halls. The monolith is supported by massive slabs, pillars and beams. No detail escaped the hands of the architect; the furniture and signage were also designed by Siza.
Last week, the project was nominated as one of seven finalists in the Mies Crown Hall Americas Prize (MCHAP). Now in its first edition, and with a distinguished jury (Francisco Liernur, Sarah Whiting, Wiel Arets, Dominique Perrault, e Kenneth Frampton), the MCHAP recognizes exceptional architecture built in the first 13 years of the 21st century.
With this news, we are presenting an extensive set of photos of this important project, realized and generously shared by one of the world’s most important architecture photographers: Fernando Guerra of FG+SG - Últimas reportagens.
Story written by Joanna Helm for ArchDaily Brasil. Translated by Becky Quintal.
Scroll to see Guerra’s beautiful images of the Fundação Iberê Camargo:
The World Health Organization (WHO) has launched an international design competition to redevelop and extend its 1966 headquarters in Geneva. The new facilities, a 25,000 square metre office block and 700-space underground car park will replace a series of smaller additions, hastily constructed in response to various health crises in the years after the main building was completed.
In addition, the new building will facilitate a redevelopment of the original building, housing extra staff while work on the Jean Tschumi-designed building is carried out.
Read on for more details on the competition
“European-ness Porosity” is presented as part of “MADE IN EUROPE: 25 years of the European Union Prize for Contemporary Architecture – Mies van der Rohe Award.”
From the Organizers. Europe is currently experiencing a paradigm shift from national to urban identities. As its boundaries become increasingly blurred, each city is claiming an identity of its own. Europe is predominantly urban, and the condition of the European city is related to a stratification of architectures, functions and events which, palimpsest-like, shape a compact, complex understanding of the urban experience that embraces its architectonic heritage, industrial development, social housing, archaeological sites, modern infrastructure and the cities rebuilt after WW2.
The globalisation process began with the emigration of artists and architects during WW1, and continuing with the exodus due to the rise of the Nazi Party in Germany and the start of WW2. In this sense, Europe acted as a transmission device, the key node in a complex process of emission and assimilation. Today we live in a liquid reality whose theme is permeability, a reality in which professionals and intellectuals can move across porous borders.
From the Publisher. A selection of materials produced by DPA Studio for two international contests for museums, showing how unfinished works can also become remarkable experiments. Sketches, maquettes, notes and diagrams narrate these endeavors.
Dominique PERRAULT, the author of the Bibliothèque Nationale de France in Paris and of the Ewha Womans University in Seoul, received many prestigious prizes and awards including: “Grande Médaille d’or d’Architecture” in 2010, “Seoul Metropolitan Architecture Award” for EWHA Womans University in Korea, “World Architecture Award” in 2002, “Mies van der Rohe prize” in 1997, “French national Grand Prize for Architecture” in 1993.
Architects: Dominique Perrault Architecture
Location: 2-4, Komatsubara, Kita-ku, Osaka, Japan
Client: Fukoku Mutual Life Insurance Company
Associated Architect: Shimizu Corporation Architects & Engineers
Engineering: Shimizu Corporation Architects & Engineers
Development Director: Mitsubishi Estate Group
Site Area: 3,900 sqm
Built Area: 68,500 sqm (including car park)
Photographs: Daici Ano
This week, with the help of our readers, our Architecture City Guide is headed to Berlin. The twentieth century changed nearly all cities, but perhaps none more so than Berlin. From its destruction in World War II that left few historic buildings intact to its division until 1989 that brought together the architecture of two competing ideologies into one city, Berlin’s modern and contemporary architecture speaks to a past that seldom accompanies such recent additions. The city is filled with new and wonderful architecture that might not have found space in other cities in Europe. With that in mind, we were unable feature all our readers’ suggestions on the first go around. We will be adding to the list in the near future, so please add more of your favorites in the comment section below. Once again, thanks to all our readers for your help.
The Architecture City Guide: Berlin list and corresponding map after the break.
This week, with the help of our readers, our Architecture City Guide is headed to Paris. For centuries Paris has been the laboratory where innovative architects and artists have come to test their ideas. This has created a city that has bit of everything. Where the architecture of some cities seems to undergo phases of punctuated equilibrium, Paris’s architectural fossil record gives an impression of gradualism; all the missing links are there. This makes it easy to trace the origins of the most contemporary ideas throughout history. Nothing seems to come out of nowhere. If you look around you kind find the design’s inspiration running through the city’s Roman, Medieval, Renaissance, Baroque, Classical, Rocco, Neo-Classical, Empire, Art Nouveau, Art Deco, Modern, Post-Modern, and Contemporary Architecture. Seen in another context, many of Paris’s buildings might seem out of place, but the bones of this city support the newest iterations on the oldest and most profound questions. The 24 contemporary designs that comprise our list probably should not be viewed outside of this context, even though that is the stated goal of some of the designs.
As the most visited city in the world and arguably the capital of culture, it is impossible to capture the essence of Paris in 24 modern/contemporary designs. Our readers supplied us with great suggestions, and we really appreciate the help and use of their photographs. The list is far from complete and we realize that many iconic buildings are not yet on the list. We will be adding to it in the near feature, so please add more in the comments section below.
The Architecture City Guide: Paris list and corresponding map after the break.
Previously featured here on ArchDaily as one of our AD Classics, the National Library of France by Dominique Perrault was built in hopes to be the most modern library in the world. The competition of 1989 that included projects from 244 internationally renowned architects was won by Dominique Perrault, who was only 36 years old. Photographer Franck Bohbot recently shared with us an extremely rare glimpse of the National Library, with a completely empty interior.
Revealed earlier this month in Milan, Sawaya & Moroni‘s New Collection 2011 includes pieces from high profile architects Daniel Libeskind, Zaha Hadid, and Dominique Perrault. William Sawaya and Paolo Moroni, founding partners of Sawaya & Moroni, focus the production of their furniture on contemporary designs intertwined with differing cultural backgrounds, resulting in unique pieces and a selective group of architects and artists.
Ben van Berkel of UNStudio also presented new furniture this month in Milan.
More about the chairs after the break.
Emblematic figure of French architecture, Dominique Perrault gained international recognition after having won the competition for the National French library in 1989 at the age of 36. This project marked the starting point of many other public and private commissions abroad, such as the Velodrome and Olympic Swimming Pool of Berlin in 1992, the Court of Justice of the European Communities in Luxembourg in 1996, the Olympic Tennis Center in Madrid in 2002, the campus of EWHA Womans University in Seoul.
Since 2009, Dominique Perrault is working on the development of the Thermal Baths in San Pellegrino, the New City Center in the Bulgarian capital of Sofia, the new FFS train station district in Locarno, Switzerland, the Grand Theatre in Albi and the Dobrée Museum in Nantes, France.
Dominique Perrault has been appointed by the French President to curate the French Pavilion for the 12th Venice Architecture Bienniale.
Lecture will take place this Friday, February 26 at 6:30pm at the Avery Hall, Wood Auditorium, Columbia GSAPP.
French architect Dominique Perrault has been selected to design the new city center of Bulgaria’s capital Sofia. The city center will be built in the next ten years and will house various state institutions. The center will be located along Sofia’s main boulevard “Tsarigradsko Shosse”. The vision of Bulgarian prime minister Sergei Stanishev and his brother – architect Georgii Stanishev – is to gather ministries and state agencies in the new “Sofia city”, relocated from the current center of Sofia.
Perrault was selected among six practices, all of them world architectural design leaders including Zaha Hadid, Norman Foster, and Massimiliano Fuksas. Two Bulgarian firms also participated in the final stages of the contest.
Seen at Bustler. More images of Perrault, Foster and Hadid’s proposals after the break.