Designing a museum is always an exciting architectural challenge. Museums often come with their own unique needs and constraints--from the art museum that needs specialist spaces for preserving works, to the huge collection that requires extensive archive space, and even the respected institution whose existing heritage building presents a challenge for any new extension. In honor of International Museum Day, we’ve selected 23 stand-out museums from our database, with each ArchDaily editor explaining what makes these buildings some of the best examples of museum architecture out there.
The University of Chicago has unveiled new renderings of its planned David M. Rubenstein Forum that show major changes to the buildings’ form and relationship to the site. Designed by Diller Scofidio + Renfro, the new scheme shows a more homogeneous structure featuring a uniform zinc and glass facade that will help to better signify the distinct “neighborhoods” located within the 8-story tower.
With the 2017 Salone del Mobile now behind us, photographer Laurian Ghinitoiu has shared a collection of photographs from Milan Design Week. From housing prototypes to immersive "digital installations", the annual design show—which is often touted to be the fourth largest of any kind in the world—this year brought together a wide range of practitioners and design companies. In Milan, unusual collaborations are the order of the day.
AIA New York has announced the winners of their 2017 AIA New York Design Awards, highlighting the best new projects located in the Empire State or completed by AIA NY registered architects across categories of architecture, projects, interior design and urban planning.
Within the four categories, winning projects have been granted either an “Honor” or “Merit” distinction. Each project has been chosen for its “design quality, response to its context and community, program resolution, innovation, thoughtfulness, and technique.” The winners scale in scale from temporary exhibitions to large-scale urban interventions.
This year 22 of the 35 winners were New York City-located projects, including the grand prize winner, Diller Scofidio + Renfro’s striking Roy and Diana Vagelos Education Center at Columbia University’s medical campus. Continue reading to see the full list of winners.
This article was originally published on Metropolis Magazine as "New Retrospective Glimpses the Man Behind the Maison de Verre."
Pierre Chareau was an architect whose buildings have almost all been demolished; an interior designer whose designs have all been remodeled; and a film set designer whose films you cannot see. These are not the most auspicious circumstances on which to mount a retrospective, but an ongoing exhibition at the Jewish Museum, imaginatively designed by Diller Scofidio + Renfro (DS+R), attempts it nonetheless.
Chareau, who is best known for his one surviving building, the Maison de Verre in Paris, defies neat classification. Without any sort of architectural training, he worked briefly as a furniture designer for a British firm then struck out on his own, creating an idiosyncratic corpus of furniture, interior designs for life and cinema, and even several homes.
Continuing in her firm’s tradition of blurring the lines between architecture, art and environment, Elizabeth Diller, founding partner of Diller Scofidio + Renfro, is producing an opera for the High Line. Dubbed the “Mile Long Opera,” the production will be set along New York’s new favorite attraction, which was designed by DS+R with James Corner and Piet Oudolf and opened to the public in 2009.
Mayor Bill de Blasio and the New York City Public Design Commission have announced the winners of their 2016 Awards for Excellence in Design. Established in 1983, the award has been bestowed annually to projects from the city’s five boroughs that “exemplify how innovative and thoughtful design can provide New Yorkers with the best possible public spaces and services and engender a sense of civic pride.” Both built and unbuilt projects are considered for the award. Previous winners have included Studio Gang’s Fire Rescue 2 (2015), the Louis Kahn-designed Four Freedoms Park (2014), and Steven Holl’s Hunters Point Library (2011).
The Illuminated River Foundation has unveiled the six designs shortlisted to transform the river Thames in London by lighting up key bridges along the length of the river. The six teams were selected in September and asked to work their initial schemes into concept designs for the Westminster, Waterloo, London and Chelsea bridges. The teams comprise: Adjaye Associates; A_LA; Diller Scofidio + Renfro; Leo Villareal with Lifschutz Davidson Sandilands and Future\Pace; Les Éclairagistes Associés with ecqi and Federico Pietrella; and Sam Jacob Studio with Simon Heijdens. Read on to see all six designs.
The first stage of Columbia University’s new Manhattanville Campus, consisting of two buildings by Renzo Piano Building Workshop, is nearly complete, with a move-in and grand opening slated for spring 2017.
The Piano-designed Jerome L Greene Science Center and Lenfest Center for the Arts are the first two buildings to be completed within the larger campus masterplan, conceived by Piano in collaboration with SOM, that will eventually encompass nearly 19-acres between 125th and 133rd streets in northwestern Manhattan.
The winners of the 2016 Leading Culture Destinations Awards have been announced. Presented this past weekend at a ceremony in London, the LCD Awards are given annually to recognize the success of “museums, art organizations, and cultural destinations from around the world [that] are investing in iconic architecture, cross-sector collaborations, [and] audacious programming […] to diversify the experiences offered to visitors and establish their global reputations.”
This year, awards were presented in four categories: Leading Cultural Destination of the Year; Best New Museum of the Year (for museums opened in the past 15 months); Best Soft Power Destination of the Year (a new award for 2016, given to destination who exhibit 'excellence, relevance, transparency, accountability and sustainability'); and the Traveller’s Award for Best Place to Visit.
The overall winner for 2016 was Diller, Scofidio + Renfro’s Broad Museum in Los Angeles. Continue reading to see the full list of winners.
Today, the MacArthur Foundation announced the 23 recipients of their 2016 MacArthur Fellowship Grants, which are awarded annually “to encourage people of outstanding talent to pursue their own creative, intellectual, and professional inclinations.” Each fellowship comes with a stipend of $625,000 for the recipients to use for individual pursuits, paid out in equal quarterly installments over a five year period. Fellows are selected based on 3 criteria: exceptional creativity, promise for important future advances based on a track record of significant accomplishment, and potential for the fellowship to facilitate subsequent creative work.
This year’s fellows include artists, playwrights, geobiologists, poets, jewelrymakers, novelists and historians, but, for the fifth straight year, no architects. In the program’s 36 year history, just 6 recipients have come from architecture-related fields.
Throughout the past century, architecture's relationship with water has developed along a variety of different paths. With his “Fallingwater” house, for example, the American master Frank Lloyd Wright confronted the dramatic flow of water with strong horizontal lines to heighten the experience of nature. Since then, architecture's use of water has become more varied and complex. A space made almost purely of water emerged with Isamu Noguchi's design at the Osaka World Expo: glistening water appeared to fall from nowhere and glowed in the dark. Later with digitalization and fluid forms as design parameters, the focus shifted towards liquid architecture made of water and light. The interpretations have ranged from architectural forms modeled after literal drops of water, like Bernhard Franken´s visionary “Bubble” for BMW, to spectacular walk-in installations made of lines of water, transformed into pixels by light.
Our editors look at hundreds of websites per week. What do they admire and appreciate the most? Organization and simplicity. Sites that are not only clean, but fast. We actively search for projects to include on our platform, so it’s crucial that when we visit a website we not only know where to look, but how to access information. Filters and facets are our best friends. Typological differentiation is important, but perhaps not as important as distinguishing between built and un-built projects (“Is that a render?” is a question that comes up at least once a day).
Diller Scofidio + Renfro, Adjaye Associates Among Firms Shortlisted for London’s Illuminated River Competition
The Illuminated River Foundation has announced a shortlist of six firms that will compete to design a new permanent light installation along the Thames River in London. From a pool of 105 teams (made up of 346 different firms), the winners were selected based on experience, past projects and team composition. The six finalists will now continue on to develop lighting schemes for the Westminster, Waterloo, London and Chelsea Bridges, as well as a design masterplan for the 17 iconic London bridges between Albert and Tower.
Continue reading to see the list of six finalists.
For Paul Lewis, Marc Tsurumaki and David J. Lewis, the section “is often understood as a reductive drawing type, produced at the end of the design process to depict structural and material conditions in service of the construction contract.” A definition that will be familiar to most of those who have studied or worked in architecture at some point. We often think primarily of the plan, for it allows us to embrace the programmatic expectations of a project and provide a summary of the various functions required. In the modern age, digital modelling software programs offer ever more possibilities when it comes to creating complex three dimensional objects, making the section even more of an afterthought.
With their Manual of Section, the three founding partners of LTL architects engage with section as an essential tool of architectural design, and let’s admit it, this reading might change your mind on the topic. For the co-authors, “thinking and designing through section requires the building of a discourse about section, recognizing it as a site of intervention.” Perhaps, indeed, we need to understand the capabilities of section drawings both to use them more efficiently and to enjoy doing so.
Hainan Airlines Group has announced an international competition between 10 top architecture firms to design the master plan and central buildings of the South Sea Pearl Eco-Island, an island located in Haikou Bay, on the island of Hainan, China. Featuring teams from China, Europe and the United States, the competition calls for the creation of an 250 hectare eco-tourism hub, which will contain housing, hotels, tourist attractions and a port with capacity for two large cruise ships.
Kerez, Herzog & de Meuron and Studio Gang Shortlisted to Design London's Royal College of Art's Battersea Campus
London's Royal College of Art (RCA) have revealed seven invited shortlisted practices for its new state-of-the-art £108million Battersea South campus. Featuring a smattering of architects from Europe, including Herzog & de Meuron and Lacaton & Vassal, and from the USA, such as Diller Scofidio + Renfro and Studio Gang, the organisation intends to announce the winning scheme in October 2016.
Diller Scofidio + Renfro in collaboration with Rockwell Group has released a new animation of “The Shed” (previously known as “The Culture Shed”), a convertible cultural center designed for New York City’s Hudson Yards development overlooking The High Line. When complete, the building will contain 170,000 square feet of exhibition space for temporary installations, concerts, performances and other cultural productions. Watch in the video as The Shed grows out of its partnering residential skyscraper, also designed by Diller Scofidio + Renfro and Rockwell Group, and transforms to serve various program types.
A part of Phase 1 of the Hudson Yards project, construction on The Shed began in mid-2015 and is scheduled to be completed in 2019. The venue will serve as the new home of several high profile events, including New York Fashion Week.